Relevant bibliographies by topics / Luxe

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Luxe'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 June 2024

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Journal articles on the topic "Luxe"

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Anko, Minna-Liisa, Jussi Kurittu, and Matti Karp. "An Escherichia coli Biosensor Strain for Amplified and High Throughput Detection of Antimicrobial Agents." Journal of Biomolecular Screening 7, no. 2 (April 2002): 119–25. http://dx.doi.org/10.1177/108705710200700204.

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We report here the construction of a bacterial reporter system for high-throughput screening of antimicrobial agents. The test organism is the Escherichia coli K-12 strain carrying luciferase genes luxC, luxD, luxA, luxB, and luxE from the bioluminescent bacterium Photorhabdus luminescens in a runaway replication plasmid. The replication of the plasmid can be induced, resulting in a change of the plasmid copy number from 1-2/cell to several hundreds per cell within tens of minutes. This increase in plasmid copies is independent of the replication of the host cells. The system will therefore amplify the effects of antibiotics inhibiting bacterial replication machinery, such as fluoroquinolones, and the inhibitory effects can be measured in real time by luminometry. The biosensor was compared with a strain engineered to emit light constitutively, and it was shown to be much more sensitive to various antibiotics than conventional overnight cultivation methods. The approach shows great potential for high-throughput screening of new compounds.
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O'Grady, Elizabeth A., and Charles F. Wimpee. "Mutations in the lux Operon of Natural Dark Mutants in the Genus Vibrio." Applied and Environmental Microbiology 74, no. 1 (November 2, 2007): 61–66. http://dx.doi.org/10.1128/aem.01199-07.

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ABSTRACT Bacterial bioluminescence can display a wide range of intensities among strains, from very bright to undetectable, and it has been shown previously that there are nonluminous vibrios that possess lux genes. In this paper, we report the isolation and characterization of completely dark natural mutants in the genus Vibrio. Screening of over 600 Vibrio isolates with a luxA gene probe revealed that approximately 5% carried the luxA gene. Bioluminescence assays of the luxA-positive isolates, followed by repetitive extragenic palindromic-PCR fingerprinting, showed three unique genotypes that are completely dark. The dark mutants show a variety of lesions, including an insertion sequence, point mutations, and deletions. Strain BCB451 has an IS10 insertion sequence in luxA, a mutated luxE stop codon, and a truncated luxH. Strain BCB494 has a 396-bp deletion in luxC, and strain BCB440 has a frameshift in luxC. This paper represents the first molecular characterization of natural dark mutants and the first demonstration of incomplete lux operons in natural isolates.
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Ast, Jennifer C., Ilse Cleenwerck, Katrien Engelbeen, Henryk Urbanczyk, Fabiano L. Thompson, Paul De Vos, and Paul V. Dunlap. "Photobacterium kishitanii sp. nov., a luminous marine bacterium symbiotic with deep-sea fishes." International Journal of Systematic and Evolutionary Microbiology 57, no. 9 (September 1, 2007): 2073–78. http://dx.doi.org/10.1099/ijs.0.65153-0.

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Six representatives of a luminous bacterium commonly found in association with deep, cold-dwelling marine fishes were isolated from the light organs and skin of different fish species. These bacteria were Gram-negative, catalase-positive, and weakly oxidase-positive or oxidase-negative. Morphologically, cells of these strains were coccoid or coccoid-rods, occurring singly or in pairs, and motile by means of polar flagellation. After growth on seawater-based agar medium at 22 °C for 18 h, colonies were small, round and white, with an intense cerulean blue luminescence. Analysis of 16S rRNA gene sequence similarity placed these bacteria in the genus Photobacterium. Phylogenetic analysis based on seven housekeeping gene sequences (16S rRNA gene, gapA, gyrB, pyrH, recA, rpoA and rpoD), seven gene sequences of the lux operon (luxC, luxD, luxA, luxB, luxF, luxE and luxG) and four gene sequences of the rib operon (ribE, ribB, ribH and ribA), resolved the six strains as members of the genus Photobacterium and as a clade distinct from other species of Photobacterium. These strains were most closely related to Photobacterium phosphoreum and Photobacterium iliopiscarium. DNA–DNA hybridization values between the designated type strain, Photobacterium kishitanii pjapo.1.1T, and P. phosphoreum LMG 4233T, P. iliopiscarium LMG 19543T and Photobacterium indicum LMG 22857T were 51, 43 and 19 %, respectively. In AFLP analysis, the six strains clustered together, forming a group distinct from other analysed species. The fatty acid C17 : 0 cyclo was present in these bacteria, but not in P. phosphoreum, P. iliopiscarium or P. indicum. A combination of biochemical tests (arginine dihydrolase and lysine decarboxylase) differentiates these strains from P. phosphoreum and P. indicum. The DNA G+C content of P. kishitanii pjapo.1.1T is 40.2 %, and the genome size is approximately 4.2 Mbp, in the form of two circular chromosomes. These strains represent a novel species, for which the name Photobacterium kishitanii sp. nov. is proposed. The type strain, pjapo.1.1T (=ATCC BAA-1194T=LMG 23890T), is a luminous symbiont isolated from the light organ of the deep-water fish Physiculus japonicus.
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Retat, Pierre. "Luxe." Dix-huitième Siècle 26, no. 1 (1994): 79–88. http://dx.doi.org/10.3406/dhs.1994.1971.

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Cattaneo, Laura. "Langage du luxe, luxe du langage." Traduire, no. 235 (December 1, 2016): 5–11. http://dx.doi.org/10.4000/traduire.829.

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Berneron-Couvenhes, Marie-Françoise. "La croisière : du luxe au demi-luxe." Entreprises et histoire 46, no. 1 (2007): 34. http://dx.doi.org/10.3917/eh.046.0034.

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Dubois, Bernard, and Gilles Laurent. "Le luxe par-delà les frontières : Une étude exploratoire dans douze pays." Décisions Marketing N° 9, no. 3 (October 1, 1996): 35–42. http://dx.doi.org/10.3917/dm.09.0035.

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Les consommateurs de différents pays ont des visions très contrastées du luxe, qui ne correspondent pas à la vision des consommateurs français. Une typologie réalisée sur un échantillon international permet d’identifier quatre groupes, caractérisés par l’élitisme (le luxe classique), la démocratisation (le luxe ouvert), la distance (le luxe lointain), et l’aversion (le luxe rejeté). L’importance de ces quatre groupes varie considérablement d’un pays à l’autre, ce qui a de fortes implications managériales.
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Darrigrand, Mariette. "Fiat Luxe." Communications 111, no. 2 (September 23, 2022): 119–27. http://dx.doi.org/10.3917/commu.111.0119.

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Ubbink, Jeannet. "Vooraf : Luxe." PodoPost 27, no. 3 (April 2014): 24. http://dx.doi.org/10.1007/s12480-014-0131-0.

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Roux, Elyette. "Le luxe." Décisions Marketing N° 1, no. 1 (January 1, 1994): 15–22. http://dx.doi.org/10.3917/dm.01.0015.

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Le secteur du luxe français a vu sa croissance ralentir depuis les années 90. Il doit aujourd’hui intégrer les nouveaux comportements des consommateurs, des distributeurs et des concurrents. Cet article discute un certain nombre de tendances qui pourraient servir de base de réflexion aux responsables des marques : la sensibilité des consommateurs au prix, l’inflation de lancement de nouveaux produits, la durée de vie des produits, les effets de la promotion, les nouvelles donnes en matière de distribution et enfin, la qualité de service ainsi que la formation du personnel de vente .
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Dissertations / Theses on the topic "Luxe"

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Östman, Ludwig. "Rolls-Royce Luxe Nomad." Thesis, Umeå universitet, Designhögskolan vid Umeå universitet, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-153224.

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The topic of the project has been about the future of luxury mobility and how the brand Rolls-Royce could evolve alongthe technological advancements until the year 2038. As luxury is changing from being about possession to the experience of luxury, the goal was to design a vehicle that could support both new internal and external experiences about the vehicle. The identified obstacle that could limit the scope of new experiences in an autonomous vehicle is motion sickness. As cities grow and technology develops the future cities are crowded so personal space, and privacy is being limited.During the process, the tools used varied from form exploration through sketching, concept principle testing and finalization in 3d software as well as visualization tools to communicate the proposed solutions. Working out of the Rolls-Royce designstudio provided brand insight but also expertise in the field of color & materials as well as advice on engineering solutions from the design team.The result Rolls-Royce Luxe Nomad is a vehicle for exploring the world outside the urban areas. Going far and beyond in search of new and unique experiences but also making the trip there as enjoyable as possible. The concept provides a solution inspired by high-speed trains that could limit those effects. Through understanding the future customers need of privacy a method of controlling the amount of insight was developed to enhance the user experience and giving them an increased sense of control of their space.
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Rezaee, Vessal Saeedeh. "Les heuristiques dans le luxe : la psychologie de l'utilisation des signaux liés au luxe." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAG003.

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Cette recherche s'intéresse à la façon dont les modes de pensée influencent les préférences des consommateurs pour les produits de luxe. Dans une série d'expérimentation, nous montrons que lorsque les consommateurs sont plus susceptibles de pensée de manière intuitive, ils utilisent davantage le signal lié au luxe dans leur processus de décision. Afin de montrer l'effet de ce signal comme indicateur heuristique, le mode de pensée des consommateurs a été manipulé. Dans un mode de pensée intuitif, les individus ont tendance à utiliser significativement plus le signal lié au luxe comme un signal heuristique dans la prise de décision
In this research, we discuss consumers’ preference for status products which is affected by their mode of thinking. In a series of experiments, we show that when consumers are more likely to rely on intuitive system thinking, they use status signal more often as a cue in their decision making process. In order to show the effect of the status signal as a heuristic cue, we manipulate consumers’ mode of thinking. Using an online questionnaire, we show that being in intuitive mode of thinking leads individuals to disproportionately rely on status signals as a heuristic cue in their decision making process
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Dubois-Pélerin, Éva. "Le luxe privé à Rome et en Italie au Ier siècle après J.-C. /." Naples : Paris : Centre Jean Bérard ; diff. de Boccard, 2008. http://catalogue.bnf.fr/ark:/12148/cb41398609p.

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Corbel, Céline. "Produits de luxe et commerce électronique." Grenoble 2, 2006. http://www.theses.fr/2006GRE21033.

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Internet est un espace de liberté et offre de nouvelles possibilités commerciales pour toutes les industries. Les maisons de luxe utilisent le Web comme un moyen de communication, puisque chacune d'entre elles y possèdent déjà un site. La question se pose néanmoins de savoir si la vente des produits de luxe est compatible avec la nature d'Internet, étant donné l'aura qui entoure ces produits et qui les distingue nettement des autres objets et si les mécanismes juridiques actuels permettent d'utiliser Internet comme un nouveau canal de distribution. L'industrie du luxe doit être présente sur la toile, comme acteur commercial mais également comme défenseur de ses droits de propriété intellectuelle. En effet, le Net est une source de risques pour cette industrie: le phénomène des ventes parallèles et des contrefaçons, y est largement accru et des infractions propres aux nouvelles technologies ont vu le jour. Cette thèse propose d'analyser les règles juridiques existantes qui permettent à l'industrie du luxe de commercialiser ses produits sur Internet et de lutter contre ses dangers
The Internet provides freedom and offers new commercial possibilities for all industries. Companies that sell luxury products already use the Internet for marketing, since each has a website. Nevertheless, the issue arises of knowing whether using the Internet to sell luxury products is compatible with the nature of Internet, given that the aura of luxury products clearly distinguishes them from other products available on the market and whether current laws allow such companies to use the Internet as a new distribution channel. As such, luxury industry companies use the Internet not only as commercial actors but as defenders of intellectual property rights. Indeed, Internet is also a source of risks for the luxury industry: instances of parallel sales and counterfeiting have increased greatly, and new technologies have given rise to new kinds of infringement. This thesis analyzes the current legal framework and posits that it allows luxury industry companies to market their products on the Internet while adequately countering its threats
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Koromyslov, Maxime. "L'impact de la délocalisation du luxe sur les attitudes des consommateurs : le cas des maisons françaises de luxe." Thesis, Nancy 2, 2009. http://www.theses.fr/2009NAN22002/document.

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La délocalisation du luxe demeure encore aujourd’hui difficilement appréhendable. La complexité relève, d’une part, du concept du luxe qui est difficilement définissable, et de la sensibilité du sujet qui demeure encore tabou dans le secteur du luxe. Pourtant, plusieurs cas de délocalisations dans le luxe sont aujourd’hui connus. Compte tenu de l’imaginaire que représentent le luxe et les marques de luxe, il convient de s’interroger sur l’impact de la délocalisation sur le consommateur, notamment sur ses attitudes envers le produit et la marque. Cette thèse constitue une première recherche sur la question de la délocalisation appliquée aux marques françaises du luxe. Elle mobilise, d’une part, les théories sur le luxe et la marque en tant que champ d’application et, d’autre part, la littérature sur l’effet « pays d’origine » en tant que cadre théorique. Notre recherche étudie l’effet de la délocalisation sur les attitudes des consommateurs envers le produit délocalisé et la marque de luxe. L’influence modératrice de deux nouvelles variables est considérée, à savoir la centralité du pays d’origine au sein de l’image de marque et les attitudes des consommateurs envers la délocalisation du luxe. Sur le plan méthodologique, deux études qualitatives auprès des consommateurs (17) et des professionnels du luxe (34) ont été réalisées, suivie de l’étude quantitative auprès d’un échantillon de 555 consommateurs interrogés en deux temps, selon un plan factoriel complet. Ainsi, notre recherche a mis en lumière l’impact négatif de la délocalisation du luxe sur les attitudes envers le produit délocalisé et la marque de luxe. L’effet est plus prononcé en cas de délocalisation de la fabrication par rapport au design, lors de l’abandon de l’origine française au profit d’un pays de délocalisation inacceptable et se ressent davantage sur la qualité perçue que sur les deux autres variables attitudinales. L’impact des variables modératrices ressort limité
The relocation of the luxury sector is, even nowadays, still difficult to comprehend. On one hand, this complexity is due to the concept of luxury which is not easy to define, and on the other hand, it is due to the topic’s sensitivity which is still taboo in the luxury sector. Yet there have been several cases of luxury relocations. Considering the imaginative world represented by luxury brands, we should look at the impact of relocation on consumers, notably their attitudes towards the product and the brand. This thesis is a first research study on the question of relocating French luxury brands. It uses both the theories about luxury and brands as areas of application, and the literature on the Country-of-Origin Effect as a theoretical framework. Our research studies the effect of relocation on consumers’ attitudes towards the relocated product and luxury brand. The moderating influence of two new variables has been taken into account, i.e. the centrality of the country of origin at the heart of the brand image and consumers’ attitudes towards luxury relocation. In terms of methodology, two qualitative surveys were carried out: one on consumers (17), the other on luxury professionals (34). These were followed by a quantitative survey using a sample of 555 consumers. The survey was carried out in two parts, based on a complete factorial design. Our research therefore brings out the negative impact of luxury relocation upon attitudes to the relocated product and brand. This effect is even more noticeable in the case of production relocation in comparison with design one or when the French origin is abandoned for an unacceptable country of manufacture. In this case, the effect is felt more on the perceived quality than the two other attitudinal variables. The impact of the moderating variables comes out as a limited one
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Selosse, Philippe. "Le régime juridique du produit de luxe." Thesis, Lille 2, 2017. http://www.theses.fr/2017LIL20002/document.

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Le produit de luxe n’est pas un bien comme les autres. Ses qualités matérielles et immatérielles lui confèrent une valeur particulière qui oblige son producteur à le vendre dans un environnement commercial adapté. La règle de droit peut-elle considérer cette particularité économique ? Paradoxalement, la France est leader mondiale du marché des produits de luxe, mais nul n’est en mesure d’affirmer avec précision ce qu’est le luxe. Intégrer une notion aussi insaisissable au sein d’un raisonnement juridique semble difficile. Pourtant, les atteintes subies par les titulaires des droits du produit de luxe ont convaincu le juge européen de mettre en place des règles protectrices spéciales. Le but poursuivi est légitime. Il s’agit de protéger les investissements réalisés pour vendre et promouvoir le produit de luxe. Mais cette démarche légale s’appuie sur une méthode de qualification qui n’est pas satisfaisante. L’«aura», le «prestige» ou la «sensation» de luxe qui émanent du produit marqué, sont des critères trop subjectifs pour assurer l’application systématique et cohérente de règles protectrices. C’est pourquoi, outre la démonstration d’un corpus de règles applicables au produit de luxe, il convient d’analyser les fondements de sa reconnaissance par le droit positif, ainsi que l’instauration d’un régime unifié reposant sur des critères de définition précis, prenant en considération les qualités intrinsèques de ce bien particulier
The luxury product is not a product like any other. Its material and immaterial qualities confer a special value that requires its producer to sell it in a proper business environment. The rule of law can it consider this economic feature ? Paradoxically, France is world's leading luxury goods market, but no one is able to state precisely what is luxury. The law seems unsuited to integrate a concept as elusive as luxury. Yet, violations suffered by the owners of luxury product rights have convinced the European judge to set up special protective rules. The aim is legitimate. This is to protect the investments made to sell and promote luxury products. But this legal approach is based on a method of qualification which is not satisfactory. The "will", "prestige" or the "feel" of luxury emanating frombranded product, are too subjective criteria to ensure systematic and consistent implementation of protective rules. Therefore, in addition to the demonstration of a body of rules applicable to the luxury product, it should analyze the foundations of its recognition by positive law and the establishment of a unified system based on criteria precise definition, taking into account the intrinsic qualities of that particular property
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Dereumaux, René Maurice. "Le luxe, application à l'industrie du meuble." Nice, 2006. http://www.theses.fr/2006NICE0043.

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Ce travail de recherche s'intéresse à une industrie essentielle dans la production de richesses des pays développés en général et de la France en particulier, l'industrie du luxe. Ostentatoire et simplement superflu pour l'observateur superficiel, ce secteur est cependant parmi les plus dynamiques de l'activité économique et sociale. Il est non seulement un créateur important de valeur ajoutée, mais également de prestige et de différenciation sociale. S'il constitue un marché en expansion, notamment de part le développement de pays très peuplés comme l'Inde ou la Chine, il reste cependant très méconnu et relativement peu étudié. Cette analyse prend pour cadre la stratégie de diversification des marques de luxe au sein d'un secteur traditionnel, l'industrie du meuble. Cette stratégie s'est récemment illustrée par le développement de filiales consacrées à cette industrie par deux grands noms de maisons de luxe : Giorgio Armani et Ralph Lauren. La recherche s'articule en deux temps. Après un premier temps consacré à " l'analyse sectorielle " où les deux activités sont détaillées et également appréhendées dans un cadre dynamique, le second temps revient sur la stratégie de diversification en elle-même, en expliquant ses raisons et ses chances de réussite. Cette deuxième partie appuie finalement son raisonnement sur le cas d'Armani Casa en reprenant les étapes qui ont mené à la diversification et les qualités que doit posséder une marque de Luxe pour la réussir. Enfin, il s'est dégagé de l'observation du secteur du Luxe que, parmi ses fondamentaux, la relation à l'art et la gestion de l'image de marque comptait particulièrement dans la réussite de l'activité traditionnelle comme dans les démarches de développement que représente une diversification
This work deals with an essential part of the wealth production of developed countries in general and of France particularly: the luxury industry. Ostentatious and superfluous at the first look, this sector is however one of the most dynamic of the socio-economic activity. It's not only a great producer of both added value and Glamour but also of prestige and social differentiation. It constitutes a market on expansion, considering the boom of the Chinese and Indian economies, but it still stays widely unknown and it experiments a relative lack of studies. This analysis takes place in the diversification strategy of the Luxury brands in a traditionnal sector, the furniture industry. This strategy has been illustrated recently by the development of furniture branch for two important actors of the luxury industry: Giorgio Armani and Ralph Lauren. The research is organised on two steps. After the first part called: “the sector analysis” where the main activities are described and presented in a dynamic perpective, the second deals with the diversification strategy itself, giving the causes of its choice and the chance to reach the objectives of the firms. This second part is particulary illustrated with the Armani Casa case, wich authorizes to parse all the steps from the mother brand to the new branch including the basic qualities needed to success. This work has allowed to understand that the Luxury sector as a whole has a strong link with Art and with the Brand image. This link must be strong both on the fundamental activity and on the new developments that a diversification symbolises
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Godey, Bruno. "La sensibilité au luxe, une variable personnelle centrale pour comprendre les antécédents de la valeur perçue d’une marque de luxe." Caen, 2012. http://www.theses.fr/2012CAEN0697.

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Notre question de recherche résulte du constat de l’existence d’un état de tension caractéristique de la prise de décision du consommateur en situation de choix d’une marque de luxe. De nombreux choix de marques sont le fruit d’une volonté de la part du consommateur de faire coïncider sa perception de soi, sa personnalité avec celles de la marque. Toutefois, dans le domaine spécifique du luxe, il est traditionnellement mis en avant que les motivations qui président à l’achat des marques sont essentiellement de nature ostentatoire. Nous cherchons donc à expliquer dans quelle mesure les motivations du consommateur à nouer une relation particulière d’attachement avec une marque de luxe reposent sur un modèle intégrateur formé à partir de sa perception de l’appartenance d’une marque à la catégorie du luxe et de la congruence d’image avec une marque de luxe. La valeur perçue d’une marque de luxe peut également être influencée par des variables psychologiques individuelles. Si certaines d’entre-elles permettent de distinguer efficacement les consommateurs pour l’ensemble des biens de consommation, il nous semble qu’elles ne prennent pas en compte l’intégralité des particularismes du rapport au luxe des individus. Nous avons donc élaboré le concept de « sensibilité au luxe » afin de nous permettre d’analyser les différences de logique de prise de décision du consommateur en matière de marques de luxe. L’intensité de la sensibilité au luxe peut en effet nous donner la possibilité de comprendre les raisons pour lesquelles certains consommateurs vont rechercher une marque de luxe qui leur ressemble et d’autres, une marque qui pour eux symbolise particulièrement le luxe
Our research question resulted from acknowledging the existence of a state of tension, characterizing the consumer decision-making process for luxury brands. Many brand choices are driven by a desire from consumers to correlate their self perception, and personality, with that of the brand. However, in the specific field of luxury, it has been traditionally emphasized that motivations driving brand purchases are essentially ostentatious. We seek to explain how the motivation of consumers to establish an attachment relationship with a particular luxury brand is based on an integrative model, formed from the perception of a brand belonging to the luxury category and from the image congruence with a luxury brand. The perceived value of a luxury brand can also be influenced by individual psychological variables. Whilst some of them effectively distinguish consumers for all consumer goods, it seems they do not take into account all the particularities of the individuals’ relationship to the luxury dimension. We have developed the concept of “luxury sensitivity” to allow us to analyze the differences in consumer decision-making logic for luxury brands. The intensity of luxury sensitivity can provide us with the opportunity to understand the reasons why some consumers will choose a luxury brand that resembles them and others a brand that especially symbolizes luxury
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Portanier, Pascal. "Design des produits de luxe et identité de marque." Nice, 2006. http://www.theses.fr/2006NICE0017.

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Cette recherche a pour objet de s'intéresser aux mécanismes qui sont à l'œuvre dans le design des nouveaux produits des marques de luxe, qui se doivent de rester fidèles à leur identité. Notre parcours, conjuguant les théories du marketing du luxe, du monde du design, de l'identité de marque, et de la sémiotique, souligne l'importance fondamentale des signes dans le design des produits de luxe. Notre question de recherche, fruit d'un apport conceptuel en sémiotique visuelle, se décline sous la forme :Quels sont la place et le rôle des signes invariants et variants dans le design des produits d'une marque de luxe, son identité, ainsi que son potentiel créatif ?Afin de tester nos différentes hypothèses, nous avons mis en place un questionnaire quantitatif, ainsi que des entretiens qualitatifs menées dans les marques de luxe les plus réputées. L'analyse de nos données met en évidence que les signes invariants, que nous déterminons comme des éléments fondamentaux du noyau dur de l'identité des marques, doivent être conservés dans le design des nouveaux produits. De plus, les signes invariants, qui assurent la fidélité à l'identité de la marque, doivent être conjugués aux signes variants, qui introduisent la créativité dans le design d'un nouveau produit de luxe. Cette recherche accouche ainsi d'un modèle, mettant en relation les influences causales entre toutes ces différentes variables, et constitue un apport conceptuel, théorique, et pratique, aux marques de luxe, aux sciences de gestion, au monde du design, et à la sémiotique visuelle
This research subject is to study the mecanism involved in new products design of luxury brands, which must remain faithful to their identity. Our route combining luxury marketing, design world, identity brand and semiotics theories, underlines signs fundamental importance in luxury products design. Our research question, resulting from a conceptual contribution to visual semiotics, is as follows:What are place and role of unvarying and varying signs in products design luxury brand, its identity, as well as its creative potential?In order to test our different hypothesis, a quantitative questionnaire has been implemented, as well as qualitative interviews in the most famous luxury brands have been developed. Our data analysis will prove unvarying signs, which we determine as fundamental elements of brands identity hard core, must be preserved in new products design. Furthermore, unvarying signs, ensuring faithfulness to brand identity, have to be combined with varying signs, inserting creativity into luxury new product design. This research thus delivers a model, connecting causal influences between all those different variables, and constitutes a conceptual, theoretical, and practical contribution to luxury brands, management sciences, design world, and visual semiotics
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Пашкевич, К. Л., and Роксолана Мігус. "Особливості застосування декоративного оздоблення в колекціях одягу de-luxe." Thesis, Київський національний університет технологій та дизайну, 2018. https://er.knutd.edu.ua/handle/123456789/11574.

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В роботі проаналізовано художньо-декоративне оздоблення в колекціях сучасних українських та світових дизайнерів сезону FW18-19. Розглянуто принципи адаптації оздоблення та декору в колекціях de-luxe для забезпечення їх конкурентоспроможності на фешн-ринку.
The work analyzes artistic and decorative decoration in collections of contemporary Ukrainian and world designers of the FW18-19 season. Decoration in de-luxe collections and the principles of its adaptation for ensuring their competitiveness in the fashion market are considered.
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Books on the topic "Luxe"

1

Anwen, Herbert-Lewis. Luxe. New York, NY]: the Calhoun School, 2013.

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Blanckaert, Christian. Luxe. Paris: Cherche midi, 2007.

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Godbersen, Anna. The Luxe (Luxe Series, Book 1). London: Penguin Books, 2008.

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The Luxe (Luxe Series, Book 1). New York: HarperTeen, 2007.

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Blanckaert, Christian. Luxe trotter. Paris: Cherche midi, 2012.

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Castarède, Jean. Le luxe. Paris: Presses universitaires de France, 1992.

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The luxe. Waterville, Me: Thorndike Press, 2008.

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LUXE Phuket (Luxe City Guides). 3rd ed. LUXE Asia Ltd., 2007.

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Limited, LUXE Asia. LUXE Bali (Luxe City Guides). 6th ed. LUXE City Guides, 2007.

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Guides, LUXE City. LUXE Paris (Luxe City Guides). 2nd ed. LUXE Asia Ltd., 2007.

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Book chapters on the topic "Luxe"

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Okonkwo, Uche. "Le new luxe." In Luxury Fashion Branding, 225–45. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1007/978-0-230-59088-5_8.

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"LUXE." In Œuvres complètes de Voltaire (Complete Works of Voltaire) 42B, 122–24. Voltaire Foundation, 2012. http://dx.doi.org/10.2307/jj.10704323.19.

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"luxe depth." In The Fairchild Books Dictionary of Interior Design. Fairchild Books, 2021. http://dx.doi.org/10.5040/9781501365171.2407.

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"luxe, n." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/3683699029.

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Feldman, Martha. "Castrato De Luxe." In The Castrato, 133–74. University of California Press, 2015. http://dx.doi.org/10.1525/california/9780520279490.003.0004.

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"Hearing Luxe Pop:." In Hearing Luxe Pop, 11–45. University of California Press, 2021. http://dx.doi.org/10.2307/j.ctv1njw0rf.5.

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"de luxe, adj." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/1127755445.

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Perruchon, Véronique. "Entre luxe et lux : naissance du noir." In Noir. Lumière et théâtralité, 17–54. Presses universitaires du Septentrion, 2016. http://dx.doi.org/10.4000/books.septentrion.8900.

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Marcilhac, Vincent. "Remerciements." In Le luxe alimentaire, 7. Presses universitaires François-Rabelais, 2012. http://dx.doi.org/10.4000/books.pufr.22590.

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Marcilhac, Vincent. "Le génie des lieux de production du luxe alimentaire français." In Le luxe alimentaire, 311–13. Presses universitaires François-Rabelais, 2012. http://dx.doi.org/10.4000/books.pufr.22670.

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Conference papers on the topic "Luxe"

1

Huang, Shan. "Probing new physics at the LUXE experiment." In 41st International Conference on High Energy physics. Trieste, Italy: Sissa Medialab, 2022. http://dx.doi.org/10.22323/1.414.0150.

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Trevisani, Nicolo'. "Probing new physics at the LUXE experiment." In The European Physical Society Conference on High Energy Physics. Trieste, Italy: Sissa Medialab, 2024. http://dx.doi.org/10.22323/1.449.0109.

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Santra, Arka. "Probing new physics at the LUXE experiment." In Particles and Nuclei International Conference 2021. Trieste, Italy: Sissa Medialab, 2022. http://dx.doi.org/10.22323/1.380.0049.

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Cho, N., B. Verheijden, T. Nelson, and L. Moody. "Rough Luxe Houseboat Community Proposal for The Royal Docks in London." In Marine Design 2014. RINA, 2014. http://dx.doi.org/10.3940/rina.md.2014.16.

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Yap, Yee Chinn. "Quantum algorithms for charged particle track reconstruction in the LUXE experiment." In The European Physical Society Conference on High Energy Physics. Trieste, Italy: Sissa Medialab, 2023. http://dx.doi.org/10.22323/1.449.0562.

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Kropf, Annabel, Federico Meloni, and Yee Chinn Yap. "Assessing the potential of quantum annealers for track reconstruction at LUXE." In The European Physical Society Conference on High Energy Physics. Trieste, Italy: Sissa Medialab, 2023. http://dx.doi.org/10.22323/1.449.0601.

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Borysov, Oleksandr. "Detector Challenges of the strong-field QED experiment LUXE at the European XFEL." In 41st International Conference on High Energy physics. Trieste, Italy: Sissa Medialab, 2022. http://dx.doi.org/10.22323/1.414.0321.

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Borysov, Oleksandr. "Detector challenges of the strong-field QED experiment LUXE at the European XFEL." In The European Physical Society Conference on High Energy Physics. Trieste, Italy: Sissa Medialab, 2024. http://dx.doi.org/10.22323/1.449.0513.

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Santra, Arka. "Detector Challenges of the Strong-field QED Experiment LUXE at the European XFEL." In 10th International Workshop on Semiconductor Pixel Detectors for Particles and Imaging. Trieste, Italy: Sissa Medialab, 2023. http://dx.doi.org/10.22323/1.420.0061.

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Borysov, Oleksandr. "Detector challenges of the strong-field QED experiment LUXE at the European XFEL." In The European Physical Society Conference on High Energy Physics. Trieste, Italy: Sissa Medialab, 2022. http://dx.doi.org/10.22323/1.398.0796.

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Reports on the topic "Luxe"

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ten Napel, Jan, Francesca Neijenhuis, Fleur Hoorweg, and Martien Bokma-Bakker. Evaluatie voortgang PvA naar meer natuurlijke geboorten bij luxe vleesvee. Wageningen: Wageningen Livestock Research, 2019. http://dx.doi.org/10.18174/472867.

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Lim, Stacey Rochelle, and Rachel Pastor. La Belle Lute. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-225.

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Olsen, Luedeman, and Lanham. PR-179-13201-R01 Cylinder Wall Lubrication for Power Cylinder Timed Lube Oil Injection. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), October 2014. http://dx.doi.org/10.55274/r0010032.

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A retrofit lube oil injection system is designed with the capability of injecting oil through two lube ports on each cylinder at any time during the engine cycle. The system is installed and tested on a Cooper-Bessemer GMV4 engine. Variations in number of skip cycles, average lube rate, and injection timing are evaluated. Lube oil carry-over is quantified using a dilution tunnel and a standard particulate matter gravimetric measurement technique. Cylinder wall lubrication is quantified using a custom designed fixture that is inserted into the fuel valve port between data points when the engine is shut down. The best lube oil carry-over results for nominal lube rate are obtained by injecting every fourth cycle and injection timing roughly corresponding to the time the piston rings pass the lube ports during expansion.
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Manski, Charles. The Lure of Incredible Certitude. Cambridge, MA: National Bureau of Economic Research, August 2018. http://dx.doi.org/10.3386/w24905.

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Mount, B. J. LUX-ZEPLIN (LZ) Technical Design Report. Office of Scientific and Technical Information (OSTI), March 2017. http://dx.doi.org/10.2172/1365579.

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Akerib, D. S. LUX-ZEPLIN (LZ) Conceptual Design Report. Office of Scientific and Technical Information (OSTI), March 2015. http://dx.doi.org/10.2172/1251183.

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Penn, G. Staged energy cascades for the LUX FEL. Office of Scientific and Technical Information (OSTI), July 2004. http://dx.doi.org/10.2172/837421.

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Eric S. Peterson, Jessica Trudeau, Bill Cleary, Michael Hackett, and William A. Greene. A Membrane Process for Recycling Die Lube from Wastewater Solutions. Office of Scientific and Technical Information (OSTI), April 2003. http://dx.doi.org/10.2172/911428.

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Peterson, E. S., J. Trudeau, B. Cleary, M. Hackett, and W. A. Greene. A Membrane Process for Recycling Die Lube from Wastewater Solutions. Office of Scientific and Technical Information (OSTI), April 2003. http://dx.doi.org/10.2172/817489.

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Olsen and Stevens. PR-179-14202-R01 Field Evaluation of Timed Power Cylinder Lube Oil Injection. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), April 2016. http://dx.doi.org/10.55274/r0010906.

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A timed lube oil injection system was developed for a field engine to improve power cylinder lubrication. The injection system used advanced prototype electronic injectors. The system was installed on a Cooper GMVA-10 located in West Virginia. A total of four cylinders were included in the study, two for the timed system and two for the baseline mechanical system. Cylinder wall lubrication, cylinder wear, piston wear, and ring wear tests were planned for various engine run times. The prototype timed lube oil system operated essentially until the prototype injector end-of-life was reached at about 1,200 hours. The project was discontinued because of injector issues and the site required a high level availability of the engine for gas compression.
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