Log in

Relevant bibliographies by topics / Lyra viol music Guitar music

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'Lyra viol music Guitar music'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Lyra viol music Guitar music.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Lyra viol music Guitar music"

1

Freeman-Attwood, Jonathan, Jenkins, and Frank Traficante. "The Lyra Viol Concerts." Musical Times 134, no. 1803 (1993): 262. http://dx.doi.org/10.2307/1002440.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Johnson, Jane Troy, John Jenkins, and Frank Traficante. "The Lyra Viol Consorts." Notes 50, no. 2 (1993): 743. http://dx.doi.org/10.2307/898514.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Cunningham, John, and Andrew Woolley. "A Little-Known Source of Restoration Lyra-Viol and Keyboard Music: Surrey History Centre, Woking, LM/1083/91/35." Royal Musical Association Research Chronicle 43 (2010): 1–22. http://dx.doi.org/10.1080/14723808.2010.10541029.

Full text

Abstract:

This article presents a detailed account (provenance, codicology and contents) of Surrey History Centre, Woking, MS LM/1 083191/35, a late Restoration manuscript of lyra-viol and keyboard music. Originally from the papers of the More-Molyneux family of Loseley Park, LM/1083191135 is a source of otherwise unknown music by John Moss and Gerhard Diesineer. Two of the lyra-viol pieces in particular demonstrate that the Waking manuscript dates to at least 1687 or 1688, making it the latest known English source of viol music in tablature. The primary purpose of the manuscript seems to have been didactic. It was copied by a single scribe, who was evidently a musician actively engaged with the popular music and current political events of mid- to late-1680s London. LM/1083191/35 allows us a rare glimpse into the amateur musical world of 1680s London.

APA, Harvard, Vancouver, ISO, and other styles

4

Pinto, David. "Review: Lyra Viol Duets, ed. by Oleg V. Timofeyev." Music and Letters 84, no. 1 (2003): 157–59. http://dx.doi.org/10.1093/ml/84.1.157-a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

HOWARD, ALAN. "ATTILIO ARIOSTI (1666–?1729) THE STOCKHOLM SONATAS I: LESSONS AND SONATAS FOR VIOLA D’AMORE Thomas Georgi (viola d’amore), Lucas Harris (theorbo/archlute/guitar), Joëlle Morton (viola da gamba/great bass viol) BIS CD 1535, 2006." Eighteenth Century Music 4, no. 1 (2007): 164–65. http://dx.doi.org/10.1017/s1478570607000851.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Lyra viol music Guitar music"

1

Amelkina-Vera, Olga Hume Tobias. "Solo lyra viol music of Tobias Hume (c. 1579-1645) historical context and transcription for modern guitar /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9125.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Amelkina-Vera, Olga. "Solo lyra viol music of Tobias Hume (c. 1579-1645): Historical context and transcription for modern guitar." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9125/.

Full text

Abstract:

The seventeenth century in England produced a large and historically significant body of music for the viola da gamba played "lyra-way." Broadly defined, playing "lyra-way" on the viol meant playing from tablature notation in a polyphonic style. Most players of plucked strings such as lute and guitar are familiar with tablature and, as a result, have a decisive advantage when attempting to explore this music. Other factors that make lyra viol repertory potentially attractive to the modern guitarist are its chordal textures, similarities in physical properties of the instruments, and many points of connection regarding the principles of left hand technique. The purpose of this study is two-fold: 1) to illuminate the historical and cultural context of the seventeenth-century English lyra viol music in general and that of Tobias Hume (c. 1579-1645) in particular; and 2) to present an idiomatic transcription for the modern guitar of four representative pieces from Hume's 1605 collection Musicall Humours. Musicall Humours, published in London in 1605, is one of the first and most significant collections of music for the lyra viol. The collection is both ambitious and groundbreaking, being the largest repertory of solo music for the lyra viol by a single composer in the early seventeenth century. Since the modern guitar, although not as contrapuntally facile as the keyboard, is nevertheless capable of executing two- or three-voice polyphony, reconstruction of the polyphonic implications of solo lyra viol music becomes the first step in creating an idiomatic arrangement. The differences in acoustical properties and technical capabilities between the viol and the modern guitar have to be taken into consideration when deciding on the degree to which harmony must be filled in. Generally, thinner textures of the lyra viol music, when transferred directly to the guitar, tend to sound incomplete. The arranger's musical sensitivity and intimate familiarity with both instruments must guide the final stages of the transcription process.

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Lyra viol music Guitar music"

1

Otterstedt, Annette. Die englische Lyra-Viol: Instrument und Technik. Bärenreiter, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

(Editor), Oleg V. Timofeyev, ed. Lyra Viol Duets (Recent Researches in the Music of the Baroque Era). A-R Editions, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

The Goëss manuscripts: Music manuscripts in tablature from Ebenthal Castle, Klagenfurth, Carinthia, Austria : music for Baroque lute, Baroque guitar, theorbo, viol. Tree Edition, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Lyra viol music Guitar music"

1

Ford, Thomas. "Lyra Viol Duets." In Recent Researches in the Music of the Baroque Era, 90. A-R Editions, 1998. http://dx.doi.org/10.31022/b090.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Traficante, Frank. "William Lawes’s Lyra Viol Music: Some Observations." In William Lawes (1602-1645). Routledge, 2019. http://dx.doi.org/10.4324/9780429428135-13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!