Relevant bibliographies by topics / Lyric and society

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Lyric and society'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Lyric and society"

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Clune, Michael. "Lyric Poetry as Society." Criticism 54, no. 1 (2012): 159–65. http://dx.doi.org/10.1353/crt.2012.0003.

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Nuri, Nurhaida. "Peranan Bahasa Dalam Berkesenian: Pemberdayaan Lirik Lagu sebagai Sarana Pembentukan Karakter Bangsa." JURNAL ARBITRER 1, no. 1 (2013): 58. http://dx.doi.org/10.25077/ar.1.1.58-67.2013.

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Language has important role in supporting the activities of art of music.This support can be seen from the lyrics composing the song.Language is used as the media to express the artisticness of the music.The harmonious esthetical lyrics with the rhyme give certain meaning to the music lovers. Without proper lyrics, the music composed will lose their soul, except instrumentalities which have no lyrics. The language in this lyric is categorized as literary words because it is ambiguous and full of expression. This kind of language may be used for several purposes, like persuading, to unite, to s
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Ladkin, S. "Lyric Versus Audit in the Virtual Society." Forum for Modern Language Studies 47, no. 4 (2011): 454–67. http://dx.doi.org/10.1093/fmls/cqr033.

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Mahmudah, Siti. "Nilai Budaya dalam Lirik Lagu Banjar Karya Syarifudin MS." Pelataran Seni 1, no. 1 (2016): 71. http://dx.doi.org/10.20527/jps.v1i1.1454.

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AbstractThe value of culture is the conception of ideal or idealized images of something that is deemed valueable, life in mid and are embodied in the norms of society. The lyrics are an expression of an author who comes from inside her about something they have seen, heard and felt. The song is a song has speak Banjar. After conducting qualitative descriptive study about the Banjar song lyrics work Syarifudin MS., in particular the analysis of the music album Hindau Banua, found five categories of cultural values. Ie the value of religiosity and social mores.Keywords: banjar songs, syarifudin
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Ali, Arhamuddin. "Ojo Kuwi song As Communist Discourse Formation In the election of the President of the Republic of Indonesia in 2014." International Journal of Creative and Arts Studies 2, no. 2 (2015): 7. http://dx.doi.org/10.24821/ijcas.v2i2.1793.

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The aim of this research is to find answers to song Ojo Kuwi as media of the Republic of Indonesia’s presidential election campaign of 2014. In addition, another purpose is to reveal the campaign messages that are communicated through this song’s lyric. This case study focuses on the study of Ojo Kuwi song along with talk on the Internet news media. Data collected from Internet news, analysis of musical elements and lyrics Ojo Kuwi. As a result of research, discovered an attempt to revive the collective memory of Indonesian communism society. Furthermore, the messages are communicated in Ojo K
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Rahmawati, Septi, and Ade Rahima. "MAKNA KONTEKSTUAL DALAM LAGU LUKAH GILO PADA MASYARAKAT KABUPATEN TEBO PROVINSI JAMBI (STRUKTURAL HERMENEUTIK)." Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia 3, no. 2 (2020): 243. http://dx.doi.org/10.33087/aksara.v3i2.137.

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This research is aimed at describing contextual meaning in the song lukah gilo of Tebo Regency society Jambi city. This research is qualitative descriptive. The data is the lyric of lukah gilo song of Tebo regency society Jambi city (Hermeneutics structural). Meanwhile the technique of collecting data is observation, interview, and recording. The result of this research shows the description of how contextual meaning in the song lukah gilo of Tebo regency society Jambi city (hermeneutics structural), they are: (1) Contextual meaning on the song lyric of lukah gilo related with lexical meaning,
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Li, Xiaorong. "Engendering Heroism: Ming-Qing Women's Song Lyrics to the Tune Man Jiang Hong." NAN NÜ 7, no. 1 (2005): 1–39. http://dx.doi.org/10.1163/1568526054622341.

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AbstractThe heroic lyric had long been a masculine symbolic space linked with the male social world of career and achievement. However, the participation of a critical mass of Ming-Qing women lyricists, whose gendered consciousness played a role in their textual production, complicated the issue. This paper examines how women crossed gender boundaries to appropriate masculine poetics, particularly within the dimension of the heroic lyric to the tune Man jiang hong, to voice their reflections on larger historical circumstances as well as women's gender roles in their society.
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Schmidt, Henry C. "History, Society, and the Popular Lyric in Mexico: A Study in Cultural Continuity." Mexican Studies/Estudios Mexicanos 4, no. 2 (1988): 295–318. http://dx.doi.org/10.1525/msem.1988.4.2.03a00050.

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Schmidt, Henry C. "History, Society, and the Popular Lyric in Mexico: A Study in Cultural Continuity." Mexican Studies/Estudios Mexicanos 4, no. 2 (1988): 295–318. http://dx.doi.org/10.2307/1051825.

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Este articulo estudia el espacio lírico en la historia y la sociedad mexicana, principalmente por la forma de la copla. Se hace dentro de los contextos de la cultura popular, la historia, y la sociedad. El fin es doble: explicar cómo la copla ha reflejado la continuidad cultural hispánica, desde los tiempos antiguos hasta hoy día; y ver cómo la copla sirve de comentario sobre varios aspectos de la sociedad mexicana, que de otra manera se habrían quedado desconocidos.
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Shukhratovna, Chorieva Shakhnoza. "Genre Attribution Of The Novel "Death Of A Hero"." American Journal of Social Science and Education Innovations 2, no. 09 (2020): 285–89. http://dx.doi.org/10.37547/tajssei/volume02issue09-44.

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This article discusses the genre of novel “Death of a Hero” which was written by Richard Aldington. The writer called his book as a “jazz novel”, and “threnody”. The novel "Death of a Hero" can also be called a tragedy novel, which has become a tragic, satirical, lyric book about war, society and human.
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Dissertations / Theses on the topic "Lyric and society"

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Hurley, Grant. "The Lyric West : reading the Vancouver Poetry Society, 1916-1974." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42256.

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The first Canadian society formally devoted to poetry was founded in Vancouver, British Columbia by six local hobby poets on 21 October 1916. Over the course of nearly sixty years, the Vancouver Poetry Society (VPS) matured into a formidable cultural institution, hosting numerous readings, lectures, plays, gala nights, a radio programme and several publishing enterprises. These activities were supported by an exceptional membership of influential Canadian poets: romantics Charles G.D. Roberts and Bliss Carman in the early years of the Society, and later, modernist poets Dorothy Livesay, Al Pur
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Young, Clinton David. "Zarzuela or lyric theatre as consumer nationalism in Spain, 1874-1930 /." Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3211378.

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Thesis (Ph. D.)--University of California, San Diego, 2006.<br>Title from first page of PDF file (viewed June 14, 2006). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 392-417).
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Pereira, Jane Christina. "A poesia de malagueta, perus e bacanaço /." Assis : [s.n.], 2006. http://hdl.handle.net/11449/103661.

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Orientador: Ana Maria Domingues de Oliveira<br>Banca: Sandra Aparecida Ferreira<br>Banca: Antônio Roberto Esteves<br>Banca: Clara Ávila Ornellas<br>Banca: Joaquim Alves de Aguiar<br>Resumo: A partir do fenômeno da hibridização dos gêneros no texto literário moderno, abre-se a possibilidade de se investigar a poesia das narrativas de Malagueta, Perus e Bacanaço. Nesse processo crítico analisamos a realidade da obra como um "fato de linguagem", que se realiza na confluência entre poesia e narrativa. Essa forma estética produz uma rarefação dos elementos narrativos em favor de um eu lírico, cuja
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Guizzo, Antonio Rediver. "O jardim de si: paisagens líricas de Claudia Roquette-Pinto." Universidade Estadual do Oeste do Parana, 2014. http://tede.unioeste.br:8080/tede/handle/tede/2356.

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Made available in DSpace on 2017-07-10T18:55:35Z (GMT). No. of bitstreams: 1 Antonio Guizzo.pdf: 1582188 bytes, checksum: 27681cd71a75eb357b0fdac9d739c1e3 (MD5) Previous issue date: 2014-02-18<br>The current research focused on reflections and analysis about Claudia Roquette-Pinto lyric, from the purpose that the work of art is composed by four dimensions, the writer, society, work and imaginary, engendered on a dialogue in which synthesis does not exist, but a complementary relation, an indissoluble junction of opposites. Using this perspective, this search scrutinize the writer s lyric, co
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Pereira, Jane Christina [UNESP]. "A poesia de malagueta, perus e bacanaço." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/103661.

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Made available in DSpace on 2014-06-11T19:32:48Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-03-24Bitstream added on 2014-06-13T20:44:02Z : No. of bitstreams: 1 pereira_jc_dr_assis.pdf: 985535 bytes, checksum: 3534ba537aff8b282713b50062038e39 (MD5)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>A partir do fenômeno da hibridização dos gêneros no texto literário moderno, abre-se a possibilidade de se investigar a poesia das narrativas de Malagueta, Perus e Bacanaço. Nesse processo crítico analisamos a realidade da obra como um fato de linguagem, que se re
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Cunha, Bruna Araujo. "Ruas do meu São Paulo: notações sensoriais e visões críticas na poética de Mário de Andrade." Universidade Federal de Viçosa, 2014. http://locus.ufv.br/handle/123456789/4877.

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Made available in DSpace on 2015-03-26T13:44:32Z (GMT). No. of bitstreams: 1 texto completo.pdf: 782845 bytes, checksum: d5a2cdcfe1928d00903055e3fd7522ff (MD5) Previous issue date: 2014-04-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This work focuses on the analysis of some poems of Paulicéia Desvairada (1922) and Lira Paulistana (1945) in order to observe the street as a place of sociability of the modern man. Paulicéia Desvairada was the first book of modern poetry published in Brazil. The work marks the beginning of the break up with traditional poetic structures
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Russey, Steven M. "Junior high school students' perception of the messages conveyed through the lyrics of rock music." Scholarly Commons, 1997. https://scholarlycommons.pacific.edu/uop_etds/2314.

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The purpose of this study was to discover whether or not the accompaniment of a lyric sheet while listening to rock music would aid a student's correct identification of the message conveyed by that song. Participants included one 7th and one 8th grade class of "gifted" students (N = 62). Other elements examined involved students' judgment of the messages as negative or positive, as well as the tonality of each song as pleasant or unpleasant and how these judgments related to correct or incorrect identification of the messages. Results indicated that there was no statistically significant diff
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Davis, Emilie Jill. "Mirror, Mirror on the Wall: An Experimental Study Examining the Relationship Between Music Lyrics and Body Satisfaction in Emerging Adult Women." BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6514.

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Over the past decade, there has been an increase in academic research on media and its influences on body satisfaction. To date, the majority of body image literature focuses on low body satisfaction. While low body satisfaction leads to negative outcomes, high body satisfaction leads to a host of positive outcomes. Further, in a non-academic domain, it would seem that even some media icons are starting to take part in the effort to try to promote positive appearance messages. Singers like Christina Aguilera, Colbie Caillat, and Alessia Cara have begun writing songs like Beautiful, Try, and Sc
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Hedlund, Anna Maria. "Stripped Says to Stand Strong : Christina Aguilera's Voice and Feminist Narratology." Thesis, Halmstad University, School of Humanities (HUM), 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-125.

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<p>Throughout history women have been subject to oppression by patriarchal society. </p><p>However, there have always been those who have tried to rise against it. This study will shed light upon one example: a female artist who personally defies the patriarchal norms at the same time as her music encourages others to do the same. The musician in question is Christina Aguilera, and the album studied is Stripped. </p><p>What this study shows is that Stripped can be read as a feminist statement. The lyrics deal with two main themes: patriarchal society’s objectification and oppression of women,
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Garde, Julien. "Christoph Willibald Gluck 1774-1779 : vers un style universel ? : Contribution à l'analyse d'Iphigénie en Aulide, Armide, Iphigénie en Tauride, Echo et Narcisse." Phd thesis, Université Jean Monnet - Saint-Etienne, 2013. http://tel.archives-ouvertes.fr/tel-01059088.

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Lorsque Christoph Willibald Gluck (1714-1787) arrive à Paris à l'automne 1773, onze ans se sont écoulés depuis la création d'Orfeo à Vienne. La rupture avec l'opera seria a été consommée, et le développement des théories de la " réforme " initiées par la collaboration avec Calzabigi s'engage résolument dans la recherche d'un drame européen. Il serait cependant erroné de scinder la carrière du compositeur entre un " avant " et un " après " Orfeo, car l'œuvre de Gluck se définit comme l'épanouissement permanent des premières idées dramatiques appliquées dans ses premiers opéras italiens. Gluck é
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Books on the topic "Lyric and society"

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Lyric and labour in the romantic tradition. Cambridge University Press, 1998.

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Dubrow, Heather. The challenges of Orpheus: Lyric poetry and early modern England. Johns Hopkins University Press, 2008.

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Mystic women and lyric poets in medieval society: The literary view of medieval culture during the Romanesque period in Central Europe 900-1300. Wissenschaftlicher Verlag Trier, 2010.

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A resource guide to themes in contemporary American song lyrics, 1950-1985. Greenwood Press, 1986.

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Heinig, Jörg. Literatur und Gesellschaft: Eine Archäologie kultureller Wahrnehmungsmuster am Beispiel von Reden und Schreiben über die Lyrik der DDR in den 1960er Jahren. Dissertation.de, 2001.

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Frerichs, Derk. Autor, Text und Kontext in Stevie Smiths Lyrik der 1930er Jahre: Eine Untersuchung zu Realitätsgehalt, Erscheinungsweise und Funktion der Autorfigur. Projekt Verlag, 2000.

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Gonzalez, Mike. The gathering of voices: The twentieth-century poetry of Latin America. Verso, 1992.

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Poetry in a divided world. Cambridge University Press, 1986.

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Can poetry matter?: Essays on poetry and American culture. Graywolf Press, 1992.

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Can poetry matter?: Essays on poetry and American culture. Graywolf Press, 2002.

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Book chapters on the topic "Lyric and society"

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Adorno, Theodor W. "Lyric Poetry and Society." In Critical Theory and Society A Reader. Routledge, 2020. http://dx.doi.org/10.4324/9781003059509-16.

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"SEVEN. Lyric and Society." In Theory of the Lyric. Harvard University Press, 2015. http://dx.doi.org/10.4159/9780674425781-007.

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"4. On Lyric Poetry and Society." In Notes to Literature. Columbia University Press, 2019. http://dx.doi.org/10.7312/ador17964-007.

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Michael, John. "The Secularization of the Lyric: The End of Art, a Revolution in Poetic Language, and the Meaning of the Modern Crowd." In Secular Lyric. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823279715.003.0001.

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The Introduction sketches the alteration of lyric’s place in the nineteenth century. Poetry, which had been a primary purveyor of wisdom and consolation for a relatively homogenous society grounded in Christian belief, becomes a print commodity confronting a society in which contending beliefs—including beliefs in rationalism, science, and progress—have rendered naïve belief and the forms of wisdom and consolation that might attend it unavailable to writers like Poe, Whitman, and Dickinson who were acutely attuned to their times and sensed the hollowness of the discourses around them. They did not abandon lyric, but modernized it. The end of art—as Hegel put it—as the primary vehicle for belief or spirit does not mean the end of lyric but a proliferation of poetic practices and a turn from the conveyance of meaning to the interrogation of language and received ideas, a revolution in poetic language evident in the work of these three U. S. poets, which puts them near the advent of modernity in poetry.
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"22 Making Poetry, Making Waves The Galician-Portuguese Sea Lyric." In Culture and Society in Medieval Galicia. BRILL, 2015. http://dx.doi.org/10.1163/9789004288607_028.

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"21 On the Music of Galician-Portuguese Secular Lyric Sources, Genres, Performance." In Culture and Society in Medieval Galicia. BRILL, 2015. http://dx.doi.org/10.1163/9789004288607_027.

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Skoulding, Zoë. "Noise: Sean Bonney’s Resistance." In Poetry & Listening. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621792.003.0003.

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Sean Bonney’s work shows how noise may be deployed within a lyric structure to interrogate political relationships. Challenging Jacques Attali's view of noise as the clash of the new with what is culturally dominant, Greg Hainge argues that noise is a relational ontology that can best be understood through resistance within an 'expressive assemblage'. With reference to Hainge’s analysis of noise, this chapter explores the aurality and noise that inhabit Bonney’s reworking of lyric forms, from folk songs to the poetry of Baudelaire and Rimbaud. Bonney’s reading of Rimbaud, in which the dérèglement de tous les sens is a challenge to collective reordering of political senses, offers a guide to a politically disruptive listening. If the senses are socially mediated, but society is dominated by late capitalism, who owns what is heard? What forms of power are made audible and how? Listening, against the white noise of the neoliberal acoustic field, is the urgent political task to which Bonney’s poetry sets its readers.
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Tarrant, Richard. "Before the Odes." In Horace's Odes. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780195156751.003.0002.

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After sketching the contours of the Roman literary scene at the start of Horace’s career, this chapter focuses on the two bodies of poetry that Horace produced before turning to the lyric poetry represented by the Odes: satires in two books and iambic poetry (also known as the Epodes). It is suggested that Horace’s relationship to the poetic personality required by those genres—the critic of society in the Satires and the poet of invective in the Epodes—was an ambivalent one. Several passages of Satires 1.1 are analyzed, highlighting this ambivalence and also revealing the early development of the poet’s style.
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Tarrant, Richard. "After the Odes 2." In Horace's Odes. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780195156751.003.0011.

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This chapter focuses on the three long literary epistles that are Horace’s last works, addressed, respectively, to Augustus, to Julius Florus, and to the members of the Piso family (which, following Quintilian, has come to be known, somewhat misleadingly, as the Ars Poetica). These verse letters are discussed with a view to showing that several of Horace’s general statements about poetry constitute an implicit commentary on his own lyric compositions, as regards the importance of craft, the value of the poet to Roman society, and the ability of the best poetry to be useful as well as pleasurable.
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Bugan, Carmen. "Sounding The Deeps of Nature." In Poetry and the Language of Oppression. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198868323.003.0002.

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The concept of oppression, just like the concept of freedom, has a narrative character: there is a narrative that accompanies every transaction of meaning taking place between all of society and the larger forces of the world. The poem and its readers partake in this narrative as well: one that is initiated by the poem, and developed by each of its readers. This chapter addresses the interface between poetry and politics in language, using the reality of oppression in order to probe deeper into the fundamental concept of freedom. The notion of freedom is discussed in the specific context of Cold War oppression and the poetry of resistance, in order to see how that notion has evolved over time. Poetry is understood as a thinking and a feeling ground on which the language of oppression (suppressive) and lyric language (expressive) come into contact, giving a deeper sense of the human condition.
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Conference papers on the topic "Lyric and society"

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Nedyalkov, Ivaylo. "The Fluids Rap: It’s All About Flow." In ASME 2020 Fluids Engineering Division Summer Meeting collocated with the ASME 2020 Heat Transfer Summer Conference and the ASME 2020 18th International Conference on Nanochannels, Microchannels, and Minichannels. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/fedsm2020-20303.

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Abstract Most of the currently-enrolled undergraduate engineering students grew up with exposure to social media websites like Facebook and Youtube. Making sure that students are not distracted by their mobile devices in class has become more challenging, and one way to address the issue is to present engineering in a more entertaining and engaging way. A rap song about fluid mechanics was created by the author for entrainment, outreach, and education purposes. The song covers the fundamentals of fluid mechanics and mentions some theoretical basics, as well as some of the most widely used comp
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Dang Thi Dieu, Trang. "Modern Folk poetry (Ca Dao): A Form of Folklore Linguistic Composition on the Internet." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.4-2.

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The context of globalization along with the development of electronic media has opened a new era for folklore in general as well as forms of linguistic composition of folk literature in particular. In addition to the form of composing and keeping media documents in the traditional way, the Internet explosion has dominated the main spaces of communal life and has gradually changed the mode of human interaction. Cyber space is considered as a tool to convey traditional values, to create many new cultural activities, and to be a place to circulate folk cultural works in contemporary society, in w
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Mehta, MR, K. Best, J. Roe, et al. "S62 Mycobacterial escape by non-lytic egress." In British Thoracic Society Winter Meeting 2018, QEII Centre, Broad Sanctuary, Westminster, London SW1P 3EE, 5 to 7 December 2018, Programme and Abstracts. BMJ Publishing Group Ltd and British Thoracic Society, 2018. http://dx.doi.org/10.1136/thorax-2018-212555.68.

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Waksmundzki-Silva, K., and P. J. Oliveira. "Intrapleural Lytic Therapy to Treat a Rare Cause of Pleural Effusion." In American Thoracic Society 2020 International Conference, May 15-20, 2020 - Philadelphia, PA. American Thoracic Society, 2020. http://dx.doi.org/10.1164/ajrccm-conference.2020.201.1_meetingabstracts.a4861.

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Kusumaningsih, Dewi, Wiwik Darmini, Suparmin Suparmin, Sukarno Sukarno, and Farida Nugrahani. "The Expressive Urban Cultures Exposed in Vulgar Song Lyrics (The Study of Language Sexism)." In 2nd Workshop on Language, Literature and Society for Education. EAI, 2019. http://dx.doi.org/10.4108/eai.21-12-2018.2282661.

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Patolia, Setu, Francis Schmidt, Neerja Gulati, et al. "Multiple Myeloma With Lymphadenopathy And Mixed Lytic-Blastic Bone Lesions- A Rare Presentation Of Common Disease." In American Thoracic Society 2012 International Conference, May 18-23, 2012 • San Francisco, California. American Thoracic Society, 2012. http://dx.doi.org/10.1164/ajrccm-conference.2012.185.1_meetingabstracts.a4602.

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