Log in

Relevant bibliographies by topics / Lyric and society / Books

To see the other types of publications on this topic, follow the link: Lyric and society.

Books on the topic 'Lyric and society'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 44 books for your research on the topic 'Lyric and society.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Lyric and labour in the romantic tradition. Cambridge University Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Dubrow, Heather. The challenges of Orpheus: Lyric poetry and early modern England. Johns Hopkins University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Mystic women and lyric poets in medieval society: The literary view of medieval culture during the Romanesque period in Central Europe 900-1300. Wissenschaftlicher Verlag Trier, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

A resource guide to themes in contemporary American song lyrics, 1950-1985. Greenwood Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Heinig, Jörg. Literatur und Gesellschaft: Eine Archäologie kultureller Wahrnehmungsmuster am Beispiel von Reden und Schreiben über die Lyrik der DDR in den 1960er Jahren. Dissertation.de, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Frerichs, Derk. Autor, Text und Kontext in Stevie Smiths Lyrik der 1930er Jahre: Eine Untersuchung zu Realitätsgehalt, Erscheinungsweise und Funktion der Autorfigur. Projekt Verlag, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Gonzalez, Mike. The gathering of voices: The twentieth-century poetry of Latin America. Verso, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Poetry in a divided world. Cambridge University Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Can poetry matter?: Essays on poetry and American culture. Graywolf Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Can poetry matter?: Essays on poetry and American culture. Graywolf Press, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Kalaidjian, Walter B. Languages of liberation: The social text in contemporary American poetry. Columbia University Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Caesar, Adrian. Dividing lines: Poetry, class, and ideology in the 1930s. Manchester University Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

The dark end of the street: Margins in American Vanguard poetry. University of Minnesota Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Poetry as an occupation and an art in Britain, 1760-1830. Cambridge University Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Mullen, Harryette Romell. The cracks between what we are and what we are supposed to be: Essays and interviews. University Alabama Press, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

A different sense of power: Problems of community in late-twentieth-century U.S. poetry. Fairleigh Dickinson University Press, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Black protest poetry: Polemics from the Harlem renaissance and the sixties. P. Lang, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

The lunar light of Whitman's poetry. Harvard University Press, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Kevin, Stein. Private poets, worldly acts: Public and private history in contemporary American poetry. Ohio University Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

The educational and evangelical missions of Mary Emilie Holmes (1850-1906): "not to seem, but to be". E. Mellen Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Rader, Dean. Linking society and desire: Wallace Stevens and the modern lyric. 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Dubrow, Heather. Challenges of Orpheus: Lyric Poetry and Early Modern England. Johns Hopkins University Press, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Ogilvie, John. An Essay on the Lyric Poetry of the Ancients (Publication / Augustan Reprint Society, No. 139). AMS Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

The Challenges of Orpheus: Lyric Poetry and Early Modern England. The Johns Hopkins University Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Janowitz, Anne. Lyric and Labour in the Romantic Tradition (Cambridge Studies in Romanticism). Cambridge University Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Wege Zum Sozialen Engagement in Der Romanischen Lyrik Des 20. Jahrhunderts: Aragon, Eluard - Hernandez, Celaya - Pavese, Scotellaro. Peter Lang Publishing, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Ashe, Laura. Conversations with the Living and the Dead. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199575381.003.0007.

Full text

Abstract:

This chapter considers the ways in which ideas permeated and changed society over time, through mechanisms that cannot directly be seen in the literary record. It seeks to adumbrate the vibrant oral culture of the period by tracing the movement of ideas between texts, contexts and audiences, using romances, lyrics, sermons, devotional works, anecdotes and proverbs, and accounts of legal cases. Extended discussions are offered of the figure of King Arthur in the Latin of Geoffrey of Monmouth, French of Wace, and English of Laȝamon; the Marian lament at the Passion, in Latin and its French and l

APA, Harvard, Vancouver, ISO, and other styles

28

Bartolovich, Crystal. Romeo and Juliet as Event. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.22.

Full text

Abstract:

How are art, love, and politics related to each other in Romeo and Juliet? Building on Adorno’s cautious linking of the lyric poem to society, and on Badiou’s inclusion of love (along with politics, art and science) among his truth procedures, this chapter explores the play’s association of love with art, paying special attention to the pilgrim sonnet. It then goes on to discuss the Friar as a (failed) political mediator between the individual ‘event’ of Romeo and Juliet’s love and the broader transformation of society. The chapter then argues that the anonymous, illiterate serving-man (from w

APA, Harvard, Vancouver, ISO, and other styles

29

Merriman, Victor. ‘As We Must’. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.25.

Full text

Abstract:

By the 1970s, arts funding for theatre in Ireland had become concentrated in three organizations: the Abbey and the Gate in the Republic, the Lyric Theatre in Northern Ireland. Changes in arts policy, North and South, beginning in the late 1970s, radically transformed the Irish theatre landscape over the following decades. Many of the most exciting and challenging developments in Irish theatre in the 1980s and 1990s thus came from the margins, whether on the social margins of society (such as work done at the the Axis Theatre in Ballymun) or from the geographical periphery of what had been a t

APA, Harvard, Vancouver, ISO, and other styles

30

Rosenmeyer, Patricia A. Sapphic Memnon. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190626310.003.0005.

Full text

Abstract:

Chapter 5 concentrates on four epigrams by Julia Balbilla, comprising fifty-four lines of Greek elegiac verse—the largest corpus on the colossus by any single author. While most visitors chose to model their language on Homer’s, Balbilla’s style and Aeolic dialect are unmistakably Sapphic (although her elegiac meter is borrowed from epigram rather than lyric). This chapter assesses what it means for Julia Balbilla to imitate Sappho while at the same time honoring her royal patrons in the public context of dedicatory inscriptions. Previous scholars have derided the quality of Balbilla’s poetry,

APA, Harvard, Vancouver, ISO, and other styles

31

Goethe, Johann Wolfgang von. The Sorrows of Young Werther. Translated by David Constantine. Oxford University Press, 2012. http://dx.doi.org/10.1093/owc/9780199583027.001.0001.

Full text

Abstract:

‘I have so much and my feeling for her devours everything, I have so much and without her everything is nothing.’ The Sorrows of Young Werther propelled Goethe to instant fame when it first appeared in 1774. Goethe drew on his own unhappy experiences to tell the story of Werther, a young man tormented by his love for Lotte, a tender-hearted girl who is promised to someone else. Overwhelmed by his feelings, Werther begins to see only one way to escape from his anguish. Goethe's story of a sensitive young artist alienated from society channelled the Romantic sensibility of the day and led to a w

APA, Harvard, Vancouver, ISO, and other styles

32

Troubadour Lyrics: A Bilingual Anthology (Studies in the Humanities: Literature-Politics-Society). Peter Lang Pub Inc, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Perron, L. Du. Hindi Poetry In A Musical Gere: Thumri Lyrics (Royal Asiatic Society Books). Routledge, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Fitzgerald, William, and Efrossini Spentzou, eds. The Production of Space in Latin Literature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768098.001.0001.

Full text

Abstract:

This volume addresses, through a range of different authors and genres, Latin literature’s psychogeographical engagement with space. The volume’s title alludes to Henri Lefebvre’s La Production de l’espace of 1974, a seminal work in what is now called ‘the spatial turn’ in the humanities. Lefebvre stresses that space is to be included among the sites of hegemonic power and ideological contestation in a society and should not simply be thought of as a neutral container for human action, the setting in which it takes place. The contributions to this volume focus mainly on movement, or the mobile

APA, Harvard, Vancouver, ISO, and other styles

35

Tudor, Adrian P., and Kristin L. Burr, eds. Shaping Identity in Medieval French Literature. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056432.001.0001.

Full text

Abstract:

Contributors to Shaping Identity in Medieval French Literature consider the multiplicity and instability of identity in medieval French literature, examining the ways in which literary identity can be created and re-created, adopted, refused, imposed, and self-imposed. Moreover, it is possible to take one’s place in a group while remaining foreign to it. Chrétien de Troyes’s Conte du Graal provides the perfect example of the latter. The tale opens with Perceval hunting alone in the forest, absorbed in his own pursuits, world, and thoughts. His “alone-ness” and self-absorption are evident as he

APA, Harvard, Vancouver, ISO, and other styles

36

Kahn, Andrew. Mandelstam's Worlds. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857938.001.0001.

Full text

Abstract:

Rightly appreciated as a ‘poet’s poet’, Mandelstam has been habitually read as a repository of learned allusion. Yet as Seamus Heaney observed, his work is ‘as firmly rooted in both an historical and cultural context as real as Joyce’s Ulysses or Eliot’s Waste Land’. Great lyric poets offer a cross-section of their times, and Mandelstam’s poems represent the worlds of politics, history, art, and ideas about intimacy and creativity. The interconnections between these domains and Mandelstam’s writings are the subject of this book, showing how engaged the poet was with the history, social movemen

APA, Harvard, Vancouver, ISO, and other styles

37

Trotter, David. The Literature of Connection. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850472.001.0001.

Full text

Abstract:

This book is about some of the ways in which the world got ready to be connected, long before the advent of the technologies and the concentrations of capital necessary to implement a global ‘network society’. It investigates the prehistory not of the communications ‘revolution’ brought about by advances in electronic digital computing from 1950 onwards, but of the principle of connectivity which was to provide that revolution with its justification and rallying cry. Connectivity’s core principle is that what matters most in any act of telecommunication, and sometimes all that matters, is the

APA, Harvard, Vancouver, ISO, and other styles

38

Kosstrin, Hannah. White Rooms, Red Scare. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199396924.003.0005.

Full text

Abstract:

Anna Sokolow’s early Cold War choreography cloaked social(ist) challenges to the status quo under the façade of American modernism. Lyric Suite (1953) laid bare sexual discontent in the guise of universal abstraction; Rooms (1954) portrayed gay people’s and Jews’ experiences among those of society’s untouchables in tenement houses; and the Opus series (1958–1965) cemented the political significance of the Old Left meeting the New Left through ironic uses of musical and movement elements drawn from jazz, as Africanist elements like these signaled a generalized Americanness. Sokolow’s assimilati

APA, Harvard, Vancouver, ISO, and other styles

39

Pearson, David. Rebel Music in the Triumphant Empire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197534885.001.0001.

Full text

Abstract:

At the dawn of the 1990s, as the United States celebrated its victory in the Cold War and sole superpower status by waging war on Iraq and proclaiming democratic capitalism as the best possible society, the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstr

APA, Harvard, Vancouver, ISO, and other styles

40

Javitch, Daniel. Poetry and Courtliness in Renaissance England. Princeton University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Javitch, Daniel. Poetry and Courtliness in Renaissance England. Princeton University Press, 2016.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Javitch, Daniel. Poetry and Courtliness in Renaissance England. Princeton University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Poetry and Courtliness in Renaissance England. Princeton University Press, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Reid, Margaret Ann. Black Protest Poetry: Polemics from the Harlem Renaissance and the Sixties (Studies in African and African-American Culture, Vol 8). Peter Lang Publishing, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!