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Relevant bibliographies by topics / Lyric poetry

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Academic literature on the topic 'Lyric poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Lyric poetry"

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Odnoral, Valeria. "The New Lyric Studies of the 21th Century: The Aesthetic and the Social in Poetry Criticism." Ideas and Ideals 13, no. 1-2 (2021): 401–13. http://dx.doi.org/10.17212/2075-0862-2021-13.1.2-401-413.

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The article considers the problem of correlation of aesthetic form and social content in contemporary poetry through the prism of contemporary poetry criticism, in particular, the New Lyric Studies of 2008 (M. Perloff, Y. Prins, R. Terada, V. Jackson, etc.). A representation of the lyrics as a genre of poetry, in which historically structured subjectivism and identity of author are interrelated with poetic writing, is at the center of the New Lyric Studies. In this context the lyrics is relative and volatile but also is the closest genre to the poetic nature, that allows to merge an autonomous

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Tiffany, Daniel. "Fugitive Lyric: The Rhymes of the Canting Crew." PMLA/Publications of the Modern Language Association of America 120, no. 1 (2005): 82–96. http://dx.doi.org/10.1632/003081205x36877.

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This essay examines the correlation between lyric obscurity and lyric communicability—that is, the capacity of lyric poetry to serve, even in the absence of understanding (for certain communities of readers), as a matrix of social and cultural cohesion. The essay takes up this question by examining the contours of a little-known vernacular tradition in poetry and by considering the correspondences, in a limited sense, between slang and poetry. Specifically, the essay examines the permutations of the so-called canting tradition (lyrics written in the jargon of the criminal underworld) and its r

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Culler, Jonathan. "Why Lyric?" PMLA/Publications of the Modern Language Association of America 123, no. 1 (2008): 201–6. http://dx.doi.org/10.1632/pmla.2008.123.1.201.

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Poetry is alive in our culture, but in its own world: Never have there been so many poets and poetry readings, books, journals, and online sites. Poetry has certainly seemed threatened, though, in schools and universities, where literary studies focus on prose fiction—narrative has become the norm of literature—or else on other sorts of cultural texts, which can be read symptomatically

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Karp, Marcia, Pietro Bembo, and Mary P. Chatfield. "Lyric Poetry: Etna." Sixteenth Century Journal 37, no. 3 (2006): 838. http://dx.doi.org/10.2307/20478043.

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Grant, John N. "Lyric Poetry / Etna." Mouseion: Journal of the Classical Association of Canada 7, no. 1 (2007): 93–97. http://dx.doi.org/10.1353/mou.0.0001.

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West, Stephanie. "Herodotus and lyric poetry." Letras Clássicas, no. 8 (November 1, 2004): 79. http://dx.doi.org/10.11606/issn.2358-3150.v0i8p79-91.

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In offering a brief sketch of some aspects of Herodotus’ use of lyric poetry I shall restrict myself to melic poetry. I shall start with explicit allusions, and then turn to some passages for which Herodotus’ source must have been lyric poetry, and indeed rather grand lyric poetry, though he conceals this. We learn something about his principles and meth- odology, but also about the diffusion of such poetry in Herodotus’ day, a valuable complement to the picture we get from Aristophanes.

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Davies, M. "Monody, Choral Lyric, and the Tyranny of the Hand-Book." Classical Quarterly 38, no. 1 (1988): 52–64. http://dx.doi.org/10.1017/s0009838800031268.

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Open any history or hand-book of Greek literature in general, or Greek lyric in particular, and you will very soon come across several references to monody and choral lyric as important divisions within the broader field of melic poetry. And the terms loom larger than the mere question of handy labels: they permeate and pervade the whole approach to archaic Greek poetry. Chapters or sub-headings in literary histories bear titles like ‘Archaic choral lyric’ or ‘Monody’. Indeed it is possible to write a whole book and call it Early Greek Monody. Diehl's Anthologia Lyrica Graeca was structured ar

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Stevens, Jeremy. "A Form of Belief: The Prayer Lyrics of Elizabeth Jennings and Louise Glück." Christianity & Literature 69, no. 2 (2020): 237–51. http://dx.doi.org/10.1353/chy.2020.0036.

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Abstract: This article considers the continuing relationship between contemporary lyric poetry and prayer through readings of poems by Elizabeth Jennings (a British cradle-Catholic) and Louise Glück (an American of no professed religion). In different contexts, both turn to the concept of a "book of hours" for formal inspiration, and—like many contemporary poets—engage with prayer as a formal model for lyric poems. In a secular age this makes their lyrics self-reflexive, questioning lyric presence. Ultimately, however, prayer's formal involvement with lyric expression reveals that both prayer

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Dr. Muhammad Amjad Abid. "Munawwar Hashmi: An Active Poet of affluent Era." Tasdiqتصدیق۔ 2, no. 1 (2021): 50–58. http://dx.doi.org/10.56276/tasdiq.v2i1.39.

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Munawwar Hashmi is a versatile literary personality of this age. He is well known as a poet, writer, critic, researcher, and expert of Iqbal doctrine. He is considered among famous lyric writers who contributed to developing this art of poetry throughout his life. In his lyrics, there are thought-provoking ideas, depth, and a new paradigm shift about the art of lyric. The poetry of Munawwar Hashmi reflects passions and feelings naturally. He has translated feelings and emotions in a quiet natural way. His art is a combination of individual and collective vision. In this article, an effort has

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ŠIMIĆ, Krešimir. "MAVRO VETRANOVIĆ’S RELIGIOUS LYRIC POETRY." Lingua Montenegrina 12, no. 2 (2013): 123–45. https://doi.org/10.46584/lm.v12i2.359.

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Religious lyric poetry is a wide-spread and important element of the renaissance literary culture. This is testified by a three-volume anthology Rime sacre (Venice, 1550-1552). The anthology encompasses poets such as Gerolamo Malipiero, Jacopo Sannazaro, Pietro Bembo, Giovanni Guidiccioni, Vittoria Colonna, Pietro Aretino, Bernardo Tasso, Luigi Almanni, Agostino Caccia, Benedetto Varchi, Giraldi Cinzio, Lodovico Dolce, Alessandro Piccolomini, Tullia d’Argona and many others. In addition to Italy, religious poetry has been wide-spread in many other European countries, such as Spain, England, Ge

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Dissertations / Theses on the topic "Lyric poetry"

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Leonard, John. "Lyric and modernity /." Online version, 1994. http://bibpurl.oclc.org/web/22516.

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Snarey, Nicola. "Lyric poetry and the positioning of the lyric speaker." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/40731/.

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Lyric poetry is frequently viewed by critics as distinct from narrative poetry and prose. This distinction rests largely on the positioning of the lyric speaker vis-à-vis the poet author. Part of any definition of the lyric is the understanding that the lyric speaker is identical to the poet and therefore the poem is the unmediated direct expression of the poet’s thoughts and experiences. These assumptions which are endemic to literary and sometimes linguistic criticism have led to restricted critical studies and a preponderance of inappropriate biographical criticism. This thesis examines how

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Butterfield, Ardis Ruth Teasdale. "Interpolated lyric in medieval narrative poetry." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/245029.

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My doctoral research concerns the use of song within narrative works in the Middle Ages. I have concentrated first on the substantial tradition in Old French of incorporating songs in this manner; and second, on the importance of this tradition to Chaucer, a poet who includes songs in nearly all his narrative poetry, and who was deeply familiar with many of the late thirteenth- and early fourteenth-century French works of this type. In order to demonstrate the connection between this very large range of French narratives and Chaucer, it has been necessary first to define the French tradition o

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Cazzato, Vanessa. "Imaginative worlds in Greek lyric poetry." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559804.

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The thesis examines the imagery of Archaic Greek lyric poetry and its relation to the 'here and now' and to the implied context of performance. Chapter One sets out the conceptual programme and establishes a critical vocabulary. Various theoretical notions are discussed which are drawn from linguistics (deixis and deictic field), philosophy (reference, language games, and possible worlds), and modern literary theory (fictional worlds and text worlds); some new critical tools are established (,imaginative worlds', visual analogies and 'representational planes', the idea of 'degrees of reference

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Crone, Jennifer Helen. "Lyric Constructions." Thesis, The University of Sydney, 2019. https://hdl.handle.net/2123/21274.

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Refusing an opposition between lyric subjectivity on the one hand and, on the other, a language-based poetry that claims by ‘experimental’ methods to objectively foreground its own processes of construction, the thesis deploys close formalist readings and an original genetic study of textual production to analyse how the lyric ‘I’, or lyric voice, constructs poetic form and meaning. I take as my case study the work of Louise Glück, which is both successful within the MFA and public literary systems and frequently disparaged for possessing a singular, autobiographical voice. I then compare thi

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Attwood, Catherine. "The poetic #I' in fourteenth- and fifteenth-century French lyric poetry." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260509.

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Cheers, Rebecca. "Knowing Anne Brennan: Lyric poetry as feminist biography." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/206891/1/Rebecca_Cheers_Thesis.pdf.

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This practice-led thesis explores the use of lyric poetry as a form of feminist biography through the writing of a poetic biography, No Camelias, on the life of Anne Brennan, a figure of Australian literary history whose life has been sparsely recorded, and whose existing historical profile is marred by misogyny and indifference. The creative manuscript is accompanied by an exegetical essay which analyses poetry by Natalie Harkin and Jessica Wilkinson, two poets who explore marginalised histories through contrasting poetic approaches to archival research. Together, these connected components r

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Dunham, Rebecca. "The miniature room." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4435.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2006.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on July 18, 2008) Includes bibliographical references.

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Quipp, Edward. "W.H. Auden and the meaning of lyric poetry." Thesis, University of Edinburgh, 2007. http://hdl.handle.net/1842/2119.

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My thesis proceeds from recent critical discussion about the status of the aesthetic object after the decline of high theory of the 1980s and 1990s. The term “singularity”, articulated by critics working with the ideas of Martin Heidegger, has been variously applied to the artwork in the attempt to describe the generative power of art as separable from any historical or political determinants that may shape it. What makes the experience of art “singular”, that is, an experience governed by the artwork itself, without the scaffolding of theory or context? Such a question, I argue, actually dema

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Weingarten, Jeffrey. "Lyric historiography in Canadian modernist poetry, 1962-1981." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121330.

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This dissertation focuses on five closely knit writers who, between 1962 and 1981, produced exemplary historiographic poetry that guided their contemporaries. Al Purdy, John Newlove, Barry McKinnon, Andrew Suknaski, and Margaret Atwood were the chief voices of a literary mode that I term "modernist lyric historiography": a meditative modernist lyric that is self-critical, self-consciously incapable of claiming and skeptical about any claim to authority over history, and fundamentally historiographic (in the sense that it synthesizes, discards, and/or critically evaluates fragments of history).

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Books on the topic "Lyric poetry"

1

Barolini, Teodolinda, Richard Lansing, and Andrew Frisardi, eds. Dante's Lyric Poetry. University of Toronto Press, 2014. http://dx.doi.org/10.3138/9781442616899.

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G, Balme M., ed. Greek lyric poetry. Available from G. Lawall, 1994.

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Post, Jonathan F. S. English Lyric Poetry. Taylor & Francis Group Plc, 2004.

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Pushkin, Aleksandr Sergeevich. Selected lyric poetry. Northwestern University Press, 2009.

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Colonne, Guido delle. Lyric. [Blue Heron Press], 1985.

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6

1943-, Mulroy David D., ed. Early Greek lyric poetry. University of Michigan Press, 1992.

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Rayor, Diane J., ed. Latin Lyric and Elegiac Poetry. Routledge, 2018. http://dx.doi.org/10.4324/9781315718422.

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Jhā, Śaṅkarajī. Bhāva-kadambakam =: Sanskrit lyric poetry. Arun Pub. House, 1996.

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1968-, Natanblut Erez, ed. Greek lyric poetry and tragedy. Laodamia Press, 2005.

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1946-, Hošek Chaviva, and Parker Patricia A. 1946-, eds. Lyric poetry: Beyond new criticism. Cornell University Press, 1985.

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Book chapters on the topic "Lyric poetry"

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Georgoulas, Stratos. "Lyric Poetry." In The Origins of Radical Criminology. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-94752-5_5.

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Hu, Esther T. "Lyric Poetry." In The Palgrave Encyclopedia of Victorian Women’s Writing. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_317.

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Balme, Maurice. "Lyric Poetry." In Greek and Latin Literature. Routledge, 2024. http://dx.doi.org/10.4324/9781003482901-2.

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Pirnazar, Nahid. "Lyric Poetry." In Judeo-Persian Writings. Routledge, 2020. http://dx.doi.org/10.4324/9781003031741-9.

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Abbott, Mathew. "Lyric Poetry." In The Palgrave Handbook of Philosophy and Literature. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-54794-1_11.

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Hu, Esther T. "Lyric Poetry." In The Palgrave Encyclopedia of Victorian Women's Writing. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-02721-6_317-1.

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Thomson, J. A. K. "Lyric Poetry." In Classical Influences on English Poetry. Routledge, 2023. http://dx.doi.org/10.4324/9781003462682-7.

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Rowlinson, Matthew. "Lyric." In A Companion to Victorian Poetry. Blackwell Publishers Ltd, 2008. http://dx.doi.org/10.1002/9780470693537.ch3.

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Brown, Merle E. "Divisiveness in Recent English Poetry." In Double Lyric. Routledge, 2025. https://doi.org/10.4324/9781003637882-1.

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Mills, Philip. "Poethical Force: Muriel Pic, Claudia Rankine, Rosa Alcalá." In Poetry, Performativity, and Ordinary Language Philosophy. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-78615-0_7.

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AbstractIt might seem like the focus on poetic documents in Chap. 6 neglects an important part of poetic production, and possibly the part that Henri Meschonnic is thinking of when he argues that any poem is the mutual transformation of forms of language and forms of life, namely the lyrical. How does the ‘objective’ dimension of documents relate to the ‘subjective’ lyric experience? As I will argue in this chapter, the opposition between documentary and lyric poetry is an artificial one that has been reinforced, in France, by the so-called war between the literalist and the lyric poets that O

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Conference papers on the topic "Lyric poetry"

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Kadić, Vasilije, Sara Milanović, and Vuk Batanović. "Classification of Lyric Poetry Written in Serbian." In 2024 32nd Telecommunications Forum (TELFOR). IEEE, 2024. https://doi.org/10.1109/telfor63250.2024.10819147.

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Wang, Lei, and Houfeng Wang. "Construction and Processing of a Parallel Corpus for Tang Poetry and Song Lyrics." In 2024 4th International Conference on Machine Learning and Intelligent Systems Engineering (MLISE). IEEE, 2024. http://dx.doi.org/10.1109/mlise62164.2024.10674185.

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TABURCEANU, Polina. "Technique of objective lyricism in Romanian poetry." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p73-77.

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The specificity of poetic art is determined by lyricism. Although lyric poetry was one of the first aesthetic forms of the manifestation of human affectivity, the abstract notion of lyric crystallized late. In an even later period, the notions of objective lyricism and subjective lyricism are introduced, denoting two techniques for realizing lyricism. In this article we propose to analyze the technique of objective lyricism in contemporary Romanian poetry. Through this new lyric technique, an objective poem is created, outside of the poet's consciousness and independent of it, in other words,

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Gridin, A. O. "IMAGES OF POET AND POETRY IN LYRIC POETRY BY V.V. NABOKOV." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-02-3-2021-104.

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Barbakadze, Tamar. "Besik Kharanauli's Latest Metapoetic Books – at the Crossroads of Tradition and Innovation." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9007.

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Besik Kharanauli called the „intersection of prose and poetry“ an innovative, alternative genre which has been established by him in Georgian literature in 2020s. In his metapoetic collections („Eh, Bessarion“, „The Great Drinking“), Kharanauli talks about the latest hard times, caused not only by the pandemic, but also by the movement of man’s soul, national pain, and blowing of the dream. In our view, Besik Kharanauli's lyrical poems reflect the spiritual kinship of the poet's work, on the one hand, with Nikoloz Baratashvili's lyrical judgment and the attempt to answer the main epochal ques

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Huang, Yuxuan, James Shea, Daniel C. Howe, and Jussi Holopainen. "Lyric Poetry in the Face of Posthumanism: An Analysis of Generative AI-Assisted Poetry Writing." In C&C '25: Creativity and Cognition. ACM, 2025. https://doi.org/10.1145/3698061.3726919.

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Mironova, Ksenia V. "Psychological and didactic teachers training: Developing lyric poetry comprehension in adolescents." In The Herzen University Conference on Psychology in Education. Herzen State Pedagogical University of Russia, 2020. http://dx.doi.org/10.33910/herzenpsyconf-2020-3-47.

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Malinovschi, Victoria. "The Evidence of Textual Narcissism in the Eighties Lyric from the Left of the Prut." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.35.

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n the eighty’s poetry from the left of the Prut, a kind of self-referential writing is highlighted, defined by literary exegesis by the term textual narcissism (Cristian Moraru). This own lyrical manner belongs the poets Emilian GalaicuPăun and Nicolae Leahu and It supposes the concentration on one’s own linguistic resources and their experimentation in the field of language. The developed lyrical constructions, frequently used in the work of these poets, they bring language games, quotations, allusions, parodies, rewritings, etc. Although, both poets don’t ignore the ideational plan, which an

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Yi, Xiaoyuan, Maosong Sun, Ruoyu Li, and Zonghan Yang. "Chinese Poetry Generation with a Working Memory Model." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/633.

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As an exquisite and concise literary form, poetry is a gem of human culture. Automatic poetry generation is an essential step towards computer creativity. In recent years, several neural models have been designed for this task. However, among lines of a whole poem, the coherence in meaning and topics still remains a big challenge. In this paper, inspired by the theoretical concept in cognitive psychology, we propose a novel Working Memory model for poetry generation. Different from previous methods, our model explicitly maintains topics and informative limited history in a neural memory. Durin

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Brūzgienė, Rūta. "The Musicality of Lithuanian Poetry: Codes of a Different Speaking." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8934.

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Research on the interactions between literature and other art forms, observed since the appearance of syncretic art, took off in the 18th century. These multifaceted and multidisciplinary connections between time-based arts are systematized in W. Wolf’s general concept of intermediality at the end of 20th century. Based on this concept, the paper will provide some aspects of the musicality of Lithuanian poetry. The study is based on works by V. Daujotytė, V. Česnulevičiūtė, O. Juozapaitienė, J. Girdzijauskas, V. Kubilius, Ž. Ramoškaitė, D. Razauskas, W. Wolf, and others; comparative methodolog

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Reports on the topic "Lyric poetry"

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Kerimova, R. A. DEVELOPMENT OF THE "WOMEN" LYRICS IN KARACHAYEVO- BALKARIAN POETRY OF THE XXI CENTURY. Известия КБНЦ РАН, 2018. http://dx.doi.org/10.18411/2018812112119.

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