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1

Barolini, Teodolinda, Richard Lansing, and Andrew Frisardi, eds. Dante's Lyric Poetry. University of Toronto Press, 2014. http://dx.doi.org/10.3138/9781442616899.

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G, Balme M., ed. Greek lyric poetry. Available from G. Lawall, 1994.

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Post, Jonathan F. S. English Lyric Poetry. Taylor & Francis Group Plc, 2004.

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Pushkin, Aleksandr Sergeevich. Selected lyric poetry. Northwestern University Press, 2009.

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5

Colonne, Guido delle. Lyric. [Blue Heron Press], 1985.

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6

1943-, Mulroy David D., ed. Early Greek lyric poetry. University of Michigan Press, 1992.

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Rayor, Diane J., ed. Latin Lyric and Elegiac Poetry. Routledge, 2018. http://dx.doi.org/10.4324/9781315718422.

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Jhā, Śaṅkarajī. Bhāva-kadambakam =: Sanskrit lyric poetry. Arun Pub. House, 1996.

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9

1968-, Natanblut Erez, ed. Greek lyric poetry and tragedy. Laodamia Press, 2005.

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10

1946-, Hošek Chaviva, and Parker Patricia A. 1946-, eds. Lyric poetry: Beyond new criticism. Cornell University Press, 1985.

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11

Michael, Paschalis, and Putnam Michael C. J, eds. Horace and Greek lyric poetry. University of Crete, Dept. of Philology, 2002.

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12

Reed, Jeremy. Sweet sister lyric. Enitharmon Press, 1996.

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13

Draper, R. P. Lyric tragedy. Macmillan, 1985.

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14

Maynard, Winifred. Elizabethan lyric poetry and its music. Clarendon Press, 1986.

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15

Césaire, Aimé. Lyric and dramatic poetry, 1946-82. University Press of Virginia, 1990.

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16

Clarke, Elizabeth, and Simon Jackson. Lyric Poetry. Edited by Andrew Hiscock and Helen Wilcox. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199672806.013.41.

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Legitimized by the poetry of the Bible, devotional lyric verse—crossing denominational lines, often combining Reformation spirituality with Renaissance rhetoric—flourished in early modern England. Poets like Mary and Philip Sidney and George Herbert modelled their work on the Book of Psalms, at times imitating the prosodic simplicity of the Sternhold and Hopkins metrical psalms, elsewhere adapting the sophisticated stanzaic variety of the Marot/Beze Psalter. Women like Aemilia Lanyer and Anne Southwell used the Song of Songs to express their devotion to Christ. The ‘mystical marriage’ was ofte
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17

Merton, Thomas, and Rainer Maria Rilke. Lyric Poetry. Credence Cassettes, 1994.

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18

Ernest, Rhys. Lyric Poetry. Nabu Press, 2010.

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19

Lyric Poetry. Creative Media Partners, LLC, 2023.

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20

Rhys, Jean. Lyric Poetry. Creative Media Partners, LLC, 2015.

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21

Christine. Lyric Poetry. Taylor and Francis, 1988.

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22

Lyric Poetry. Creative Media Partners, LLC, 2023.

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23

Post, Jonathan. English Lyric Poetry. Routledge, 2002. http://dx.doi.org/10.4324/9780203006313.

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24

Prawer, S. S. German Lyric Poetry. Routledge, 2020. http://dx.doi.org/10.4324/9781003013945.

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25

West, M. L. Greek Lyric Poetry. Oxford University Press, USA, 1999.

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26

Barnstone, Willis. Greek Lyric Poetry. Indiana University Press, 1989.

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27

Bembo, Pietro. Lyric Poetry. Etna. Harvard University Press, 2009.

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28

English Lyric Poetry. Taylor & Francis Inc, 2004.

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29

Unknown. Tagore Lyric Poetry. Unknown, 1991.

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30

Világos, U. G. Selected Lyric Poetry. Broken Sleep Books, 2022.

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31

(Illustrator), Helen Tzalos, and Willis Barnstone (Translator), eds. Greek Lyric Poetry. Pendulum Press, 1987.

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32

Press. Troubadour Lyric Poetry. Edinburgh University Press, 1985.

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33

Greek lyric poetry. Oxford, 1997.

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34

German Lyric Poetry. Routledge, 2021.

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35

Greek Lyric Poetry. University of Cambridge ESOL Examinations, 2018.

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36

Lyric poetry: Etna. Harvard University Press, 2005.

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37

Lyric. Methuen, 1985.

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38

Lombardi, Elena. Addressees and Readers in Lyric Poetry. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198818960.003.0003.

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This chapter explores the role of the woman addressee in lyric poetry, the most intersubjective and inter-gendered of genres. I look at the ways in which early Italian poets construct their beloveds as agents, rather than passive elements, of poetry: as addressees, respondents, interlocutors, readers, editors, and commissioners. After an analysis of the figure of the incipitarian ‘Donna’ of many early poems, I explore the vocal figure of the woman-as-critic, and the ways in which she is ventriloquized by the male poet to give voice to a ‘more earnest’ outlook on courtly poetry. I then move on
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39

Dingnian, Ling. Lyric Poetry of Caoxiaoping. Ehgbooks, 2021.

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40

Xiaoping, Cao. Lyric Poetry of Caoxiaoping. Ehgbooks, 2021.

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41

Mulroy, David. Early Greek Lyric Poetry. University of Michigan Press, 1999.

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42

Horace & His Lyric Poetry. Creative Media Partners, LLC, 2021.

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43

Lyric Poetry Is Dead. Cardboard House Press, 2018.

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44

Lyric Sheets: Lyrics of Matt Luther Wells. Outskirts Press, Incorporated, 2008.

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45

Lyric, Sign, Metre. Faber & Faber, Limited, 2018.

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46

Allen, William. 3. Lyric and personal poetry. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199665457.003.0003.

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‘Lyric and personal poetry’ focuses on a wide range of poetry, from early Greek lyric to Roman love elegy. These various forms are united in their basis in the world of the speaker (the ‘I’ of the poem), whose ideas and experiences come to the fore. Greek lyric poetry embraces all early Greek poetry that is not epic or drama, and is sub-divided into smaller genres — iambus, elegy, and lyric poetry proper, both solo and choral. The main performance venues for these different forms of poetry were the symposium and the public festival. The lyric poetry of Sappho, Pindar, Ovid, Catullus, Tibullus,
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47

Latin Lyric and Elegiac Poetry. Routledge, 2013. http://dx.doi.org/10.4324/9780203823804.

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48

Garrett, Susan R. Lyric Poetry and Modern Politics. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300156560.

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49

Batstone, William W. Latin Lyric and Elegiac Poetry. Routledge, 2018.

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50

Hosek, Chaviva. Lyric Poetry: Beyond New Criticism. Cornell University Press, 1985.

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