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Books on the topic 'Lyric singers'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Consult the top 46 books for your research on the topic 'Lyric singers.'

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1

Hunt, John. The lyric baritone: Reinmar, Hüsch, Metternich, Uhde, Wächter. [J. Hunt], 1997.

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2

Fortissimo: Backstage at the opera with sacred monsters and young singers. Three Rivers Press, 2005.

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3

Fortissimo: Backstage at the opera with sacred monsters and young singers. Crown, 2005.

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4

Hunt, John. Tenors in a lyric tradition: Peter Anders, Walther Ludwig, Fritz Wunderlich : discographies compiled by John Hunt with valuable assistance from Clifford Elkin. J. Hunt, 1996.

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5

Hopper, Lawrence. Bob Nolan: A biographical guide and annotations to the lyric archive at the University of North Carolina at Chapel Hill. Paul Lawrence Hopper, 2000.

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6

Maʻbad al-Mughannī: Siyaruhu wa-al-ashʻār allatī taghanná bi-hā wa-siyar aṣḥābihā : aʻadda talḥīnātihā ʻalá uṣūl tajnīsātihā al-qadīmah ibtidāʼan ʻan Kitāb "al-aghānī" li-Abī al-Faraj al-Iṣfahānī. al-Majlis al-Aʻlá lil-Thaqāfah, 2009.

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7

Dérose, Ansy. Ansy Dérose: Immortel : dix ans après--. Les Productions Yole Dérose, 2008.

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8

Castel, Nico. A singer's manual of Spanish lyric diction. Excalibur Pub., 1994.

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9

Koert, Dorothy. The lyric singer: A biography of Ella Higginson. Center for Pacific Northwest Studies & Fourth Corner Registry, 1985.

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10

Copyright Paperback Collection (Library of Congress), ed. Lyrics of love. Kensington Pub. Corp., 1998.

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11

Ibeh, Vitalis. The philosophy of Bob Marley: Lyrics of his songs : quotations, Rastafarianism, songs on staff notations for guitar and keyboard. BeatOn! Books, 1995.

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12

Rowe, Karen E. Saint and singer: Edward Taylor's typology and the poetics of mediation. Cambridge University Press, 1986.

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13

Saint and singer: Edward Taylor's typology and the poetics of meditation. Cambridge University Press, 1986.

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14

Noël, Paolo. Paolo Noël: Tourne Le Vent, Tourne La Vie. De Mortagne, 2012.

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15

Tom Jones: From the valleys to Vegas : the biography. J. Blake, 2009.

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16

Hempel, Frieda. My golden age of singing. Amadeus Press, 1998.

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17

Faith, Karlene. Madonna, bawdy & soul. University of Toronto Press, 1997.

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18

Madonna, bawdy & soul. University of Toronto Press, 1997.

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19

Boldrey, Richard, and Roger Pines. Singers' Edition Operatic Arias: Lyric Soprano Light Lyric Soprano (Singers' Edition Asperatic Arias). Pst Records, 1992.

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20

Newman, Steven. Shakespeare’s Popular Songs and the Great Temptations of Lesser Lyric. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0027.

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This chapter investigates how Shakespeare exploits the possibilities of popular song to foreground lyric’s capacity to condense affect, to model the absorption of his audiences, and to engage with conflicts over ‘the common’—the push of the common-as-vulgar and the pull of the common-as-universal. At the same moment that song collections are attempting to sort out elite lyric from low broadside, Shakespeare repeatedly draws on these lesser lyrics to ask his audiences what they share and what they do not with these singers and songs, and the warrants, real and fantastical, for those identificat

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21

Adele: The stories behind the songs. Carlton Books, 2018.

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22

Boldrey, Richard. Light Lyrics Coloratura Soprano: Singers Edition (Singers' Edition Asperatic Arias). Caldwell Pub Co, 2000.

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23

Trudell, Scott A. Unwritten Poetry. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198834663.001.0001.

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Vocal music was at the heart of English Renaissance poetry and drama. Virtuosic actor-singers redefined the theatrical culture of William Shakespeare and his peers. Composers including William Byrd and Henry Lawes shaped the transmission of Renaissance lyric verse. Poets from Philip Sidney to John Milton were fascinated by the disorienting influx of musical performance into their works. Musical performance was a driving force behind the period’s theatrical and poetic movements, yet its importance to literary history has long been ignored or effaced. Unwritten Poetry reveals the impact of vocal

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24

Koert, Dorothy. The Lyric Singer: A Biography of Ella Higginson. Western Washington Univ, 1985.

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25

Coffin, Berton. The Singer's Repertoire, Part III: Lyric and Dramatic Tenor. The Scarecrow Press, Inc., 2005.

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26

The Singer's Repertoire, Part 3: Lyric and Dramatic Tenor. 2nd ed. The Scarecrow Press, Inc., 1993.

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27

Ready, Jonathan L. The Homeric Simile in Comparative Perspectives. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802556.001.0001.

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The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia investigates both the construction of the Homeric simile and the performance of Homeric poetry from neglected comparative perspectives. The first part considers similes in five modern oral poetries—Rajasthani epic, South Sumatran epic, Kyrgyz epic, Bosniac epic, and Najdi lyric poems from Saudi Arabia—and studies successful performances by still other verbal artists, such as Egyptian singers of epic, Turkish minstrels, and Chinese storytellers. In applying these findings to the Homeric epics, the sec

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28

Snyder, Jean E. A Singer-Composer Learns His Craft. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0014.

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This chapter examines Harry T. Burleigh's work as a composer during the period 1896–1913. Burleigh's 200-plus vocal and instrumental works brought him national and international renown in the first half of the twentieth century. Burleigh's songs reflected his thorough knowledge of the prevailing forms and musical idioms of the European and American art song, both as a singer and as a composer. All his songs were written for the recital or concert stage, and they often set the same lyrics. Two of Burleigh's compositional output are choral arrangements of spirituals—“Deep River” and “Dig My Grav

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29

Christoforidis, Michael. Finding a Spanish Voice for Carmen. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780195384567.003.0008.

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In Chapter 7, the focus returns to Spain, where Sevillian opera singer Elena Fons built on her own local heritage to create a new authenticity as Carmen, applauded throughout the Latin world. The influence of verismo in tandem with the acceptance of Carmen in Spain was to have a significant impact on Spanish composers searching for a national operatic voice, their new lyric works leading to comparison with and ambivalence toward Bizet’s opera. The chapter ends with a case study of Maria Gay, the internationally renowned Catalan opera singer who created a reading of Carmen that was both modern

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30

Schwartz, Heather E. Ross Lynch: Actor, Singer, Dancer, Superstar. Lerner Publishing Group, 2014.

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31

Schwartz, Heather E. Ross Lynch: Actor, Singer, Dancer, Superstar. Lerner Publishing Group, 2014.

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32

Schwartz, Heather E. Ross Lynch: Actor, Singer, Dancer, Superstar. Lerner Publishing Group, 2014.

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33

Tabs, Frizzle. Songwriting Journal for Guitar: Songwriters Journal for Lyric Writing and Composing on Guitar with Space for Thirty Songs. Lyrics Notebook for Musician Son, Singer Songwriter, Composers and Musicians. Independently Published, 2020.

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34

Lady Gaga: Looking for fame : the life of a pop princess. 2013.

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35

Lady Gaga: The Unauthorized Biography. O'Mara Books, Limited, Michael, 2013.

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36

Olly Murs The Biography. Blake Publishing, 2012.

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37

Barney, Katelyn. Lexine Solomon. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037245.003.0007.

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This chapter details the life and career of Lexine Solomon. She released her first solo album in 2002 when in her mid-forties, celebrating her own identity as an Indigenous Torres Strait Islander woman living in mainland Australia. She engages her singing voice and her lyrics to articulate and express agency, empowerment, and celebration. With a combination of newly self-composed songs and covers, Solomon is specifically involved with reclaiming and documenting the women in her family, and with encouraging and enabling women in positions of marginality, particularly Torres Strait Islander and

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38

Zayn Malik The Biography Liam Payne The Biography. Blake Publishing, 2014.

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39

Tom Jones: An Extraordinary Life. Blake Publishing, Limited, John, 2016.

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40

Everything Real Justin Bieber Fans Should Know Do. Triumph Books (IL), 2012.

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41

Emeli Sand The Biography. Blake Publishing, 2013.

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42

Michael Ball: The Biography. Blake Publishing, Limited, John, 2012.

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43

Michael Ball: The Biography. Blake Publishing, Limited, John, 2015.

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44

Taraborrelli, J. Randy. Becoming Beyonce: The untold story. 2015.

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45

Stephen Gately And Boyzone Blood Brothers. John Blake, 2010.

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46

Around the World in 57 1/2 Gigs. McClelland & Stewart, 2007.

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