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Journal articles on the topic 'Lyrical Ballads'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Elena Yu., Kulikova. "“And Again, the Skald Will Add Someone Else’s Song”: “Marine”, “Scottish”, “May” and Other Ballad Stylizations by Georgy Ivanov." Humanitarian Vector 15, no. 5 (2020): 16–27. http://dx.doi.org/10.21209/1996-7853-2020-15-5-16-27.

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The thematic justification involves demand for detecting and identifying patterns of transformation and modification of ballads by poets of the Silver Age. The twentieth century loved poetry experiments, a game with form, and there are a variety of genres: sonnets, rondos, gazella, pantoons, ballads in the works of symbolists and especially those of the Acmeists. Acmeist ballads reveal a part of the early twentieth century poetic world and contain both the traditional elements of the genre and the features of modernism. The works by Georgy Ivanov, the so-called “youngest acmeist”, who was a me

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2

Camarda, Julie. "Lyrical Ballads, Balladic Lyrics: The Case of Wordsworth’s “The Thorn”." Wordsworth Circle 52, no. 2 (2021): 217–37. http://dx.doi.org/10.1086/713530.

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3

Liugaitė-Černiauskienė, Modesta. "Folk Ballad beyond the Genre Definition." Tautosakos darbai 63 (July 20, 2022): 123–37. http://dx.doi.org/10.51554/td.22.63.06.

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The ballad has long existed in the periphery of the Lithuanian folkloristics. In this article, the folk ballad’s role and place in the Lithuanian folksong tradition is explored discussing two classical works of the Lithuanian folklore research characterized by their rather diverse theoretical assumptions. Both works were published in the end of the 1960s. The first one is the study on the Lithuanian folk ballads by Pranė Jokimaitienė (1968), and the second one is the monograph by Donatas Sauka discussing the uniqueness and value of folklore (1970). The author of the article suggests examining

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4

Wordsworth, William. "Preface toThe Lyrical Ballads." Arts Education Policy Review 105, no. 2 (2003): 33–36. http://dx.doi.org/10.1080/10632910309603461.

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5

O'Brien, Lee. "Emily Brontë's Lyrical Ballads." Victorian Poetry 57, no. 4 (2019): 511–32. http://dx.doi.org/10.1353/vp.2019.0030.

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6

WU, D. "LYRICAL BALLADS(1798): THE BEDDOES COPY." Library s6-15, no. 4 (1993): 332–35. http://dx.doi.org/10.1093/library/s6-15.4.332.

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7

Thomas, Gordon K. "The "Lyrical Ballads" Ode: "Dialogized Heteroglossia"." Wordsworth Circle 20, no. 2 (1989): 102–6. http://dx.doi.org/10.1086/twc24042844.

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8

Larkin, Peter. "Lyrical Ballads: Wordsworth's Book of Questions." Wordsworth Circle 20, no. 2 (1989): 106–12. http://dx.doi.org/10.1086/twc24042845.

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9

Martin, Philip W., and Richard Cronin. "1798: The Year of the Lyrical Ballads." Modern Language Review 96, no. 2 (2001): 472. http://dx.doi.org/10.2307/3737368.

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10

Graver, Bruce, and Ronald Tetreault. "Editing Lyrical Ballads for the Electronic Environment." Romanticism on the Net, no. 9 (1998): 0. http://dx.doi.org/10.7202/005783ar.

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11

Hyeuk Kyu Joo. "Travel Literature and Lyrical Ballads of 1798." English21 28, no. 4 (2015): 207–28. http://dx.doi.org/10.35771/engdoi.2015.28.4.010.

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12

Porée, Marc. "Les Lyrical Ballads au risque de l'arithmétique." Études anglaises 64, no. 3 (2011): 273. http://dx.doi.org/10.3917/etan.643.0273.

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13

LYTLE, ALAN. "Integrated Lyrical Writing: Addressing Writing via Ballads." TESOL Journal 2, no. 1 (2011): 103–12. http://dx.doi.org/10.5054/tj.2011.244133.

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14

Gael, Patricia. ""Lyrical Ballads" in British Periodicals, 1798-1800." Wordsworth Circle 44, no. 1 (2013): 61–67. http://dx.doi.org/10.1086/twc24045879.

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15

Sun, Shuting. "Wordsworth against the Capitalist Ideology of Labor in “The Last of the Flock” and “Simon Lee”." English Language and Literature Studies 7, no. 2 (2017): 132. http://dx.doi.org/10.5539/ells.v7n2p132.

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In several places in the Lyrical Ballads William Wordsworth challenges the capitalist ideology of labor. In Wordsworth’s view one of the key weaknesses the way this ideology manifests itself in economic thought is the way it generalizes about different people and their situations. The result of such generalizations is that they miss out the different meanings people give to their economic activity and applies to them a crude classification of either rational or irrational. Wordsworth believed that this erroneous economic thinking had infected moral theory. In the Lyrical Ballads Wordsworth inv

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16

Newman, Ian. "Moderation in the Lyrical Ballads: Wordsworth and the Ballad Debates of the 1790s." Studies in Romanticism 55, no. 2 (2016): 185–210. http://dx.doi.org/10.1353/srm.2016.0020.

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17

M., Shivamallappa. "WILLIAM WORDSWORTH'S 'PREFACE TO LYRICAL BALLADS' - A NEW DIMENSION TO THE DEFINITION, NATURE AND LANGUAGE OF POETRY." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 154–56. https://doi.org/10.5281/zenodo.2572978.

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Wordsworth’s ‘Preface to Lyrical Ballads’ is a capital literary document of abiding significance. Wordsworth elaborates that his aim in writing the preface was not to give a systematic defense of his poetry. Preface instead, contains Wordsworth’s views on the nature of poetry and the poetic process, the functions of poetry, the qualification of a poet and above all the nature of poetic truth. Wordsworth begins his preface to the 1802 edition of ‘Lyrical Ballads’ referring in the 1798 edition of his poems. Wordsworth was unwilling to write the preface for he

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18

Smith, Christopher. "Robert Southey and the Emergence of Lyrical Ballads." Romanticism on the Net, no. 9 (1998): 0. http://dx.doi.org/10.7202/005792ar.

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19

Pinch, Adela. "Female Chatter: Meter, Masochism, and the Lyrical Ballads." ELH 55, no. 4 (1988): 835. http://dx.doi.org/10.2307/2873138.

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20

Liu, Yu. "Revaluating Revolution and Radicalness in the Lyrical Ballads." Studies in English Literature, 1500-1900 36, no. 4 (1996): 747. http://dx.doi.org/10.2307/450974.

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21

Bentley, P. "The Ancient Mariner, Superstition and the Lyrical Ballads." English 56, no. 214 (2007): 17–28. http://dx.doi.org/10.1093/english/56.214.17.

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22

Wood, Gillen D'Arcy. "Crying Game: Operatic Strains In Wordsworth's Lyrical Ballads." ELH 71, no. 4 (2004): 969–1000. http://dx.doi.org/10.1353/elh.2004.0053.

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23

Manning, Peter J. "Troubling the Borders: "Lyrical Ballads" 1798 and 1998." Wordsworth Circle 30, no. 1 (1999): 22–27. http://dx.doi.org/10.1086/twc24044095.

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24

Broadhead, Alex. "Framing dialect in the 1800 Lyrical Ballads: Wordsworth, regionalisms and footnotes." Language and Literature: International Journal of Stylistics 19, no. 3 (2010): 249–63. http://dx.doi.org/10.1177/0963947010370187.

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This article addresses one of the most theoretically and linguistically vexing issues in the history of English poetic language: stylistic variation in Wordsworth and Coleridge’s Lyrical Ballads. It suggests that two footnotes, added to the 1800 edition, offer a new perspective on a question which has prompted debate since its publication: specifically, what is the relationship between Wordsworth’s use of dialect and the language of ‘low and rustic life’ promised by the 1800 Preface to Lyrical Ballads? In sections 1 and 2 the article expands on the importance of the footnotes in relation to th

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25

Ercüment Yaşar. "William Wordsworth’s Theoretical Contribution to Canon of Literary Criticism in Light of Preface to Lyrical Ballads." Technium Social Sciences Journal 8 (May 14, 2020): 664–69. http://dx.doi.org/10.47577/tssj.v8i1.590.

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Wordsworth’s Preface to Lyrical Ballads, with Pastoral and Other Poems (1802) is both a revolutionary manifesto and a kind of foundational text in the context of the canon of Romantic poetry because of its normative analysis on the nature of poetry and its basic constituent parts although when compared to the systematic approaches in the twentieth century literary theory, Wordsworth does not present an autonomous critical method capable of providing universally valid principles in evaluation of the text. This paper mainly aims to discuss Wordsworth’s contribution to canon of literary criticism

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26

Larrissy, Edward, and Heather Glen. "Vision and Disenchantment: Blake's 'Songs' and Wordsworth's 'Lyrical Ballads'." Yearbook of English Studies 17 (1987): 305. http://dx.doi.org/10.2307/3507715.

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27

McEathron, Scott. "Wordsworth, Lyrical Ballads, and the Problem of Peasant Poetry." Nineteenth-Century Literature 54, no. 1 (1999): 1–26. http://dx.doi.org/10.2307/2902995.

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Wordsworth's account in the "Preface" to Lyrical Ballads of the groundbreaking nature of his rustic poetics has long served as foundational to our understanding of Romanticism. Yet his representation of "the public taste in this country" in 1800 elided the presence of a decades-long tradition of "peasant" and "working-class" poetry in Britain. Figures like Stephen Duck ("The Thresher Poet"), Robert Burns, and Ann Yearsley ("The Bristol Milkwoman") had been the focus of fashionable critical interest because they were seen as embodying the very values of simplicity and rustic authenticity that W

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28

Pellicer, Juan Christian. "How Revolutionary Was Lyrical Ballads (1798-1800)?" Nordic Journal of English Studies 3, no. 3 (2004): 221. http://dx.doi.org/10.35360/njes.64.

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29

McEathron, Scott. "Wordsworth, Lyrical Ballads, and the Problem of Peasant Poetry." Nineteenth-Century Literature 54, no. 1 (1999): 1–26. http://dx.doi.org/10.1525/ncl.1999.54.1.01p0003v.

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30

Tetreault, Ronald. "Editing in an Electronic World: The Lyrical Ballads Project." ESC: English Studies in Canada 27, no. 1-2 (2001): 67–98. http://dx.doi.org/10.1353/esc.2001.0005.

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31

Nicholson, M. ""Rural Architecture": Local Lyric and Cumbrian Culture in William Wordsworth's Lyrical Ballads (1800)." Genre 48, no. 3 (2015): 405–33. http://dx.doi.org/10.1215/00166928-3160508.

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32

Priydarshi, Ashok Kumar. "John Keats as a Critic: A New Approach." Journal of Advanced Research in English and Education 06, no. 04 (2021): 5–6. http://dx.doi.org/10.24321/2456.4370.202107.

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Romantic literary criticism in English literature is basically associated with and dominated by the writings of William Wordsworth in his ‘Preface to Lyrical Ballads’ (1800) and Coleridge in his ‘Biographia Literaria’. Apart from them, PB Shelly, Hazlitt, De Quincy and John Keats also contributed to the development of criticism in the Romantic period.

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33

Priydarshi, Ashok Kumar. "John Keats as a Critic: A New Approach." Journal of Advanced Research in English and Education 06, no. 04 (2021): 5–6. http://dx.doi.org/10.24321/2456.4370.202107.

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Romantic literary criticism in English literature is basically associated with and dominated by the writings of William Wordsworth in his ‘Preface to Lyrical Ballads’ (1800) and Coleridge in his ‘Biographia Literaria’. Apart from them, PB Shelly, Hazlitt, De Quincy and John Keats also contributed to the development of criticism in the Romantic period.

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34

Yanota, Erin. "Cultural Nationalism in Women's Lyrical Ballads of the Harlem Renaissance." Modernism/modernity 31, no. 1 (2024): 147–67. http://dx.doi.org/10.1353/mod.2024.a935449.

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abstract: This article argues that women poets writing in the Harlem Renaissance marshaled the communal connotations of ballad form and genre to enter covertly into and influence the masculine domain of Black cultural nationalism. The elasticity of the ballad enabled Georgia Douglas Johnson, Helene Johnson, and Gwendolyn Bennett to articulate a subject position wherein Black women could contribute to the effort to cultivate a New Negro consciousness as Black women poets. This reading shows that the respectability politics of their conventional poems overlay demands for racial and gender justic

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35

Cross, Ashley J. "From "Lyrical Ballads" to "Lyrical Tales": Mary Robinson's Reputation and the Problem of Literary Debt." Studies in Romanticism 40, no. 4 (2001): 571. http://dx.doi.org/10.2307/25601532.

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36

David McAllister. "LIVING WITH THE DEAD IN WORDSWORTH'S LYRICAL BALLADS." Modern Language Review 108, no. 2 (2013): 416. http://dx.doi.org/10.5699/modelangrevi.108.2.0416.

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37

Roberts, Daniel Sanjiv. "De Quincey's Discovery of "Lyrical Ballads": The Politics of Reading." Studies in Romanticism 36, no. 4 (1997): 511. http://dx.doi.org/10.2307/25601253.

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38

Bate, Jonathan, James Butler, Karen Green, and William Wordsworth. "'Lyrical Ballads' and Other Poems, 1797-1800 by William Wordsworth." Yearbook of English Studies 25 (1995): 302. http://dx.doi.org/10.2307/3508889.

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39

Wolfson, Susan J. "The Year of the Lyrical Ballads. Edited by Richard Cronin." Wordsworth Circle 30, no. 4 (1999): 180–82. http://dx.doi.org/10.1086/twc24044144.

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40

Sharp, Michele Turner. "Wordsworth's Poetics of Speech and Language Acquisition in "Lyrical Ballads"." Wordsworth Circle 33, no. 1 (2002): 14–17. http://dx.doi.org/10.1086/twc24045015.

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41

FOAKES, R. A. "Beyond the Visible World: Wordsworth and Coleridge in Lyrical Ballads." Romanticism 5, no. 1 (1999): 58–69. http://dx.doi.org/10.3366/rom.1999.5.1.58.

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42

Pozoukidis, Konstantinos (Kos). "Romantic Survival: Disaster Beyond Repair in Lyrical Ballads." European Romantic Review 34, no. 5 (2023): 507–26. http://dx.doi.org/10.1080/10509585.2023.2249207.

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43

Potkay, Adam. "Sally Bushell, The Cambridge Companion to ‘Lyrical Ballads’." Romanticism 29, no. 1 (2023): 94–96. http://dx.doi.org/10.3366/rom.2023.0584.

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44

Osadcha, Vira. "Historical Types of Folklore Thinking in the Lyrical Songs of Sloboda Ukraine." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 196–203. http://dx.doi.org/10.31866/2410-1915.24.2023.287697.

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The aim of the article is to identify historical types of folklore thinking: the modal-tune and integration-melodic types in song lyrics based on the folk song tradition of Sloboda Ukraine. Results. The figurative content of archetypes of folklore thinking is expressed by rhythmic and melodic codes as a sound embodiment of symbolic and logical figures of thinking. In the process of development, they were assigned to certain song forms and acquired features of functional differentiation into ritual, epic, and lyrical with a predominance of a certain modality: exclamatory, persuasive, and later

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45

Osadcha, Vira. "Historical Types of Folklore Thinking in the Lyrical Songs of Sloboda Ukraine." Culture and Arts in the Modern World, no. 24 (September 22, 2023): 196–203. https://doi.org/10.31866/2410-1915.24.2023.287697.

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<i>The aim of the article </i>is to identify historical types of folklore thinking: the modal-tune and integration-melodic types in song lyrics based on the folk song tradition of Sloboda Ukraine. <i>Results</i>. The figurative content of archetypes of folklore thinking is expressed by rhythmic and melodic codes as a sound embodiment of symbolic and logical figures of thinking. In the process of development, they were assigned to certain song forms and acquired features of functional differentiation into ritual, epic, and lyrical with a predominance of a certain modality: exclamatory, persuasi

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46

Kalytiak-Davis, Augustin. "Tradition and the Individual Ballad: Prosodic Inheritance and Innovation in the Lyrical Ballads (1798)." Wordsworth Circle 55, no. 2 (2024): 231–56. http://dx.doi.org/10.1086/730628.

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47

Chandler, David. "Who Was Papinian?: the Meaning(s) of the Lyrical Ballads Epigraph." English Language Notes 39, no. 3 (2002): 31–41. http://dx.doi.org/10.1215/00138282-39.3.31.

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48

Friedman, Michael H. "Vision and Disenchantment: Blake's Songs and Wordsworth's Lyrical Ballads. Heather Glen." Wordsworth Circle 16, no. 4 (1985): 160–63. http://dx.doi.org/10.1086/twc24041245.

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49

Mulvihill, James. "George Campbell's Philosophy of Rhetoric and Wordsworth's ‘Preface’ to Lyrical Ballads." Notes and Queries 53, no. 3 (2006): 315–16. http://dx.doi.org/10.1093/notesj/gjl081.

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50

Pavlova, Alla. "Axiological Paradigm of Lyro-Epic Song: Ethical and Irrational." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 14, no. 25 (2021): 111–16. http://dx.doi.org/10.34079/2226-3055-2021-14-25-111-116.

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The love in the Ukrainian folk ballad is the center of the axiological model, associated with the concepts of “care”, “tenderness”, “warmth”, “joy” and so on. At the same time, this feeling often appears in antinomies, as it can become a powerful destructive force, shattering destinies and entire worlds. The aim of the work is to clarify the dialectic of ethical and irrational in Ukrainian ballads about love and premarital relationships, family life. Among the tasks: to trace the opposition structure of the concept of “love”; to find out the dialectic of the ethical and the irrational in the f

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