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Journal articles on the topic 'Lyrical situation'

Author: Grafiati

Published: 5 June 2025

Last updated: 16 July 2025

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1

Malkina, Victoria Ya. "LYRICAL SITUATION IN THE LYRICAL PLOT." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2023): 313–24. http://dx.doi.org/10.28995/2686-7249-2023-3-313-324.

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The article aims mostly to define terminologically the lyrical situation as one of the main components of the lyrical plot. To achieve the intent, the article addresses the following objectives. First, analyzing the earlier writings on the subject, from “Aesthetics” by Hegel to modern works on the plotology and poetics of lyricism (B.V. Tomashevsky, V.M. Zhirmunsky, L.Ya. Ginzburg, T.I. Silman, Yu. Lotman, V. Grechnev, V.I. Tiupa, N.D. Tamarchenko and others). Secondly, formulating our own definition of the lyrical situation as a static state of the inner world of a lyric verse. Third, showing

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2

Pavlova, Larisa, and Irina Romanova. "Figurative and Motivational Situations of the «Saryanov» Corpus of Russian Poetry." Izvestia of Smolensk State University, no. 1 (65) (September 13, 2024): 20–34. http://dx.doi.org/10.35785/2072-9464-2024-65-1-20-34.

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Figurative-motivic situations combine the consideration of frequency named entities with the motives assigned to them, which are repeated by different authors. This is how the patterns of the local text are formed. In this context, the figurative-motivic situations associated with the name of the artist Martiros Saryan are considered as one of the patterns of the Armenian text of Russian poetry. In the «Saryan» corpus collected by the authors of the article, two main figurative situations were identified: 1) epiphany, comprehension. It is implemented in two versions: a) the lyrical subject com

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3

Murodilovna, Oripova Gulnozakhan. "Characteristic and Descriptive Lyrics." American Journal of Philological Sciences 5, no. 4 (2025): 322–25. https://doi.org/10.37547/ajps/volume05issue04-80.

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The article highlights the expansion of the possibilities of personified and descriptive lyrics in contemporary Uzbek poetry, the use of archaisms in the speech of historical figures who have become lyrical characters serves to reflect the color of the era. It is studied that the transformation of contemporary figures into one of the subjects of poetry in poetry has achieved the reflection of the psychology of the individual and society through various details within the dialogic aspects of the lyrical work. In the creation of descriptive lyrical samples, it allowed the creators of the era to

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4

Ziółkowska, Monika. "Bolero, bebop i „bal nad bale” czyli taneczne metafory w wybranych tekstach piosenek Agnieszki Osieckiej." Dziennikarstwo i Media 15 (June 29, 2021): 27–35. http://dx.doi.org/10.19195/2082-8322.15.3.

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The article is an analysis of selected lyrics from Agnieszka Osiecka’s songs based on the theme of dance as a metaphor. The author of Sopockie bolero, To nasze sopockie bolero and Niech żyje bal uses dance as a lyrical situation which allows the author to analyze the lyrical I’s intensified emotions. Osiecka also uses the possibilities provided by the song form — rhythmicity, repetitions, the closeness of the language of the song to the language of choreography.

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5

Jiemuratova, Ayjamal. "STUDUING LYRICAL WORKS." MODELS AND METHODS IN MODERN SCIENCE 1, no. 13 (2022): 93–99. https://doi.org/10.5281/zenodo.7098826.

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This article raises the environmental issues raised in the work of the poet Userbay Aleuov. Get acquainted with the impact of nature and man in the difficult ecological situation of the Karakalpak people.

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6

Larkovich, Dmitry V. "Types of addressing in Gavrila Derzhavin’s lyrical discourse." Tekst. Kniga. Knigoizdanie, no. 34 (2024): 6–21. http://dx.doi.org/10.17223/23062061/34/2.

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The article deals with the specifics of communicative strategies and dialogical intentions of Derzhavin the lyricist. In the context of this scientific problem, the author of the article identifies five types of addressing (sacred, political, ideological, friendly, erotic), which determine the genre, intonation and thematic conditionality of Derzhavin's lyrical utterance and establish the nature of the relationship between the subject of speech and its addressee. Sacred addressing in Derzhavin's lyrics is carried out in the speech situation of the dialogue of the lyrical subject with the Creat

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7

Shevchuk,, Yuliya V. "Lyricism: A Free Category or a Relevant Concept in Domestic Literary Criticism?" Studia Litterarum 9, no. 3 (2024): 28–55. http://dx.doi.org/10.22455/2500-4247-2024-9-3-28-55.

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“Lyrical” / “lyricism” / “lyrical principle” is used as an independent term, in combination with the object of study (prose, cycle, poem) or an adjacent phenomenon (“lyro-epic”) quite widely. Theoretical comprehension and justification of the term “lyricism” remains an undeveloped category in philology. Reflections of domestic researchers on lyrics as a literary genre, practical developments in the analysis of literary works, and the critical development of the problem by the poets themselves allow us to draw some generalizations and conclusions. The article primarily addresses the content and

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8

Suzanskaya, T. N. "SYMBOLISTS ANDREY BELY AND GEORGE BACOVIA: COMPARISON OF LOVE POEMS." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 109–17. http://dx.doi.org/10.35634/2500-0748-2020-12-109-117.

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The article discusses artistic features of the lyrical poems by A. Bely and G. Bacovia. The author also traces the features of symbolist poetics characteristic of both lyricists – the outstanding representatives of Russian and Romanian symbolism. The author compares the poems “The flying forest sings...” by A. Bely and “Pastel” by G. Bacovia, dedicated to the parting of lyrical characters, to love that is going away. These works reveal the main levels of artistic unity: image system, space-time continuum, lyrical situation, features of poetics and melody. An attempt has been made to translate

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9

Suzanskaya, T. N. "SYMBOLISTS ANDREY BELY AND GEORGE BACOVIA: COMPARISON OF LOVE POEMS." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 109–17. http://dx.doi.org/10.35634/2500-0748-2020-12-109-117.

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The article discusses artistic features of the lyrical poems by A. Bely and G. Bacovia. The author also traces the features of symbolist poetics characteristic of both lyricists – the outstanding representatives of Russian and Romanian symbolism. The author compares the poems “The flying forest sings...” by A. Bely and “Pastel” by G. Bacovia, dedicated to the parting of lyrical characters, to love that is going away. These works reveal the main levels of artistic unity: image system, space-time continuum, lyrical situation, features of poetics and melody. An attempt has been made to translate

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10

Satkauskytė, Dalia. "The Sociability of Janina Degutytė’s Poetry." Colloquia 41 (December 20, 2018): 72–88. http://dx.doi.org/10.51554/col.2018.28671.

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Janina Degutytė (1929–1990) has gone down the history of Lithuanian literature as a poet who has continued the lyrical and neo-romantic tradition of Salomėja Nėris (1904–1944), whose worldview is dominated by the intimate relationship between the individual and the world, humans and nature, and, in late poetry, the dramatics resulting from her personal life story. The article raises the questions of whether one could consider such personal lyrical poetry as sociable, or whether it is possible to examine for the seal of problems, conflicts, and imagination characteristic of the period when Degu

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11

Kamionowski, Jerzy. "“Make It News”: Racist (Micro)Aggressions, the Lyrical You, and Increased Legibility in Claudia Rankine’s Citizen: An American Lyric." Polish Journal for American Studies, no. 11 (Autumn 2017) (2023): 365–76. http://dx.doi.org/10.7311/pjas.11/2/2017.09.

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Claudia Rankin’s Citizen: An American Lyric (2014) is a perplexing work both because of its unusual presentation of the issue of racism in America and the original formal ways through which its message is communicated. It is formally innovative and technically experimental in an ‘average reader’-friendly manner, situating itself a world apart from the poetics of “deliberate illegibility” and “increased interruption.” By communicating its message directly, it is almost a poem with a purpose, yet it makes categories travel. The subtitle emphasizes Citizen‘s belonging in the generic tradition of

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12

Oshchepkova, A. I., та T. S. Monastyrev. "Poetics of the northern space in poems by А. A. Bestuzhev-Marlinsky". Issues of National Literature, № 4 (26 грудня 2023): 33–41. http://dx.doi.org/10.25587/2782-6635-2023-4-33-41.

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The relevance of the topic is dictated by the fact that the problem of the northern space in the poems by A. A. Bestuzhev, written during the period of exile in Yakutsk, has almost not been considered. The subject of interest of researchers, both Yakut and Russian, has become the prose works and lyric-epic poems of the writer. Meanwhile, it is the small forms of the Decembrist poet’s lyrics that demonstrate the beginning of the formation of the sacred image of Yakutia in Russian literature. The purpose of the article is to consider the poetics of the northern space in the poems by A. A. Bestuz

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Kulcsár-Szabó, Zoltán. "Selbstpräsenz auf Tonband (András Ferenc Kovács: Öninterjú)." Acta Philologica, no. 57 (2021) (December 30, 2021): 97–109. http://dx.doi.org/10.7311/acta.57.2021.08.

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This paper investigates an early poem of a contemporary Hungarian (Transylvanian) poet András Kovács Ferenc. The poem outlines a poetic framework for the gesture of self-address, turned into a situation where the lyrical voice is interrupted by recording technology. The reading offered here tries to connect the lyrical proposition with the philosophical problem of self-presence. It further discusses political references in the poem that relate to the revolutionary events that took place in Romania in 1989.

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14

С.С., Васильева, та Овечкина Е.А. "Военная лирика Анны Долгаревой: основные мотивы, образы, лингвостилистические особенности". Modern Humanities Success, № 9 (28 вересня 2024): 83–88. http://dx.doi.org/10.58224/2618-7175-2024-9-83-88.

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цель исследования – охарактеризовать своеобразие военной лирики Анны Долгаревой. Предмет исследования – основные мотивы, образы, лингвостилистические особенности военной лирики А. Долгаревой. Объект исследования – лирические произведения о войне, опубликованные в ее сборнике стихов «Русский космос» (2019), «Красная ягода. Черная земля» (2023) и телеграм-каналах (t.me/dolgareva, t.me/dolgarevaanna). Новизна исследования обусловлена его междисциплинарным характером. В настоящей работе предпринята попытка интеграции знаний литературоведения и лингвостилистики. Результаты исследования. Проведённое

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15

Užarević, Josip. "Remain as Foam, Aphrodite (The lyrical “She/It” in Osip Mandelstam." Проблемы исторической поэтики 18, no. 3 (2020): 190–204. http://dx.doi.org/10.15393/j9.art.2020.8263.

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<p>The article approaches the problem of the correlation between the lyrical persons &ldquo;I&rdquo;, &ldquo;You&rdquo;, &ldquo;She&rdquo; in the poem <em>Silentium</em> by Mandelstam. Special attention is paid to the difference between the lyrical &ldquo;She/It&rdquo; (the original muteness, the first principle of life) and the lyrical &ldquo;You&rdquo; (the word, the heart, Aphrodite). The composition of the poem is remarkable for its mirror symmetry, both in terms of sound organization and semantics. The main idea of the poem is a re

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Nalado, Nuhu, and Hassan Rabeh. "Theory of Change in Hausa Lyrical Performance." Dunɗaye Journal of Hausa Studies 3, no. 01 (2024): 378–83. http://dx.doi.org/10.36349/djhs.2024.v03i01.048.

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This paper relates theory of change in Hausa lyrical performances, especially in the songs of Dr. Alhaji Mamman Shata Katsina. Theory of change deals with how activities are understood to produce a series of positive results that contribute in achieving the final intended impacts. Methodology used in gathering data is reading and understanding theory of change and listening to some selected songs of (Dr) Alhaji Mamman Shata. The theory employed for the purpose of this paper is scheme theory. A scheme theory is taken to be an abstract representation of a generalized concept or situation and its

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Koshemchuk, Tatiana. "The White Church and Dark Temples as Symbolic Images in the Poetry of A. Blok." Проблемы исторической поэтики 22, no. 4 (2024): 180–98. https://doi.org/10.15393/j9.art.2024.13962.

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The symbolic image of the church/temple is considered one of the integrating images in Blok’s lyrics, revealing the poet’s connection with the religious aspects of culture. The characterologically significant images of the white church on the hill and the dark St. Petersburg temple are analyzed in different facets of the author’s three poetry books. A visual image in the background landscape — the white church in the midst of the vast Russian expanses — appears as a bright landmark in the lyrical plot of the poet’s path, and is connected with the theme of awaiting the Beautiful Lady. This is a

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18

Indizio, Giuseppe. "Dante as a Florentine lyrical author." Forum Italicum: A Journal of Italian Studies 55, no. 2 (2021): 269–95. http://dx.doi.org/10.1177/00145858211022644.

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As one of the outstanding authors of medieval literature, Dante Alighieri has enjoyed seven centuries of close scholarly attention. 1 The immense success of his Comedy has prompted some modern Dante scholars to assume that such success came easily during his life, even though the Comedy was fully issued only after the poet’s death. Similar claims for rapid success are also made for the Vita nuova and some of Dante’s lyric poetry. However, although much ancient source material has been lost, the surviving evidence does not support the view that success came to Dante during his life. Close scrut

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Wilkus, Aleksandra Regina. "Minneproblematikken i Lars Saabye Christensens Lyrikk." Folia Scandinavica Posnaniensia 15, no. 1 (2013): 60–72. http://dx.doi.org/10.2478/fsp-2013-0005.

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ABSTRACT The purpose of this article is to perform an analysis of Lars Saabye Christensen’s poem ‘Nocturne’ from the perspective of Memory Studies. Recollections and the past are not simply the main issues of the literary work, but also provide a basis that can be used as a conceptual apparatus in one’s interpretative work. That is exactly what occurs in the relatively new study field that focuses on cultural aspects of literature, i.e. Memory Studies. Through an indepth analysis of the language, stylistic measures, and with reference to Aristotle, I focus on the mechanisms that are in control

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Azizova, Feruza. "SYNTACTIC SYNONYMY IN ZULFIYA'S POETRY." MODERN SCIENCE AND RESEARCH 2, no. 10 (2023): 5–7. https://doi.org/10.5281/zenodo.10076286.

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<i>In this article, excerpts from examples of syntactic synonymy containing connotative meaning are analyzed in Zulfia's work. Synonyms helped to illuminate the situation and inner experiences of the lyrical hero. Also, it has been determined that synonyms are important in increasing expressiveness and expressiveness.</i>

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21

Panova, E. A. ""And in the first plane the second plane breathes deeper": a linguopoetic analysis of Yunna Morits’ poem "Just a sound shining through the leaves…" (to the 85th anniversary of the birth)." Russian language at school 83, no. 3 (2022): 75–83. http://dx.doi.org/10.30515/0131-6141-2021-83-3-75-83.

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The article is devoted to a linguopoetic analysis of one of those poems by Yu. Morits that are hard to understand. The main features of the literary work under consideration are the allegorical and "coded" nature of the depicted situation. The paper traces how the lyrical plot and the semantic structure of the text unfold using the method of "slow reading" and examining various aspects of the text organisation (its composition, word semantics, syntax, and the image of the lyrical hero). Careful attention is given to the auto- and intertextuality interplay in the poem. The paper suggests possib

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Stankovich, Zinaida G. "THE ASPIRATION FOR INTERNAL DIALOGUE AS LYRICAL SUBJECTS’ SELF-REFLECTION FORM IN WORKS OF V. TSOI AND I. KORMIL’TSEV." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 3 (2021): 84–91. http://dx.doi.org/10.28995/2686-7249-2021-3-84-91.

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The article examines the issue of internal dialogue possibility as a way to oneself in the form of literary self-reflection on the material of V. Tsoi’s and I. Kormil’tsev’s works. For that purpose, a comparative analysis of the songs’ texts “Ya – asfal’t” by V. Tsoi and “Nikomunikabelnost” by I. Kormil’tsev is carried out. The lyrical subjects of both authors use such “auxiliary means” as letter (Tsoi) and telephone (Kormil’tsev) in order to reach internal dialog. It is revealed that those means of communication and contact with oneself create an effect of maximal defamiliarization, the abili

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Nurmatova, G. "Comparison of Positive and Negative Components of Emotional-Expressive Meaning in Kyrgyz Complaint Songs." Bulletin of Science and Practice 10, no. 7 (2024): 551–55. http://dx.doi.org/10.33619/2414-2948/104/67.

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This article provides a comprehensive and artistic description of Kyrgyz folk oral works in the genre of complaint songs expressing sadness and longing. The use of linguistic means in this genre is considered in accordance with the various features of the situation described in the complaint song. The use of positive and negative emotional-expressive means in their contrasting ratio in the context of the song is analyzed. Such comparisons perform a certain artistic and aesthetic function, figuratively expressing various situations, bringing sadness to listeners about unfulfilled dreams. Based

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24

MALKINA, VICTORIA YA. "VISUAL IMAGERY AND LYRICAL PLOT IN YURI LEVITANSKY’S POEM ‘DRAWING’." Челябинский гуманитарий 70, no. 1 (2025): 23–30. https://doi.org/10.47475/1999-5407-2025-70-1-23-30.

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This paper examines visual imagery and lyrical plot in Yuri Levitansky’s poem ‘Drawing’, which is part of his cycle ‘Katerina, or Walking with Faust’ (1981); it analyses in detail how the visual image of the artistic world is constructed with the help of verbal means. Moreover, this depicted world is doubled, as there is the reality of the poem itself and the reality of the picture created in this poem. To analyse the plot, we consider the subject and spatio-temporal structures of the poem, as well as the situation, the event and the system of motifs. The lyrical plot is constructed as first a

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Bankauskaitė, Gabija. "Links Between Letters and Poems Written by Balys Sruoga." Ukrainian Information Space, no. 4 (December 18, 2019): 140–58. https://doi.org/10.31866/2616-7948.2(4).2019.187506.

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The paper reviews personal letters and lyrics written by Lithuanian writer Balys Sruoga (1896–1947). The poet is distinguished for his unique writing style; his personal letters expose outstanding linguistic expression. It is not easy “to kill the author” in his poetry, to separate his lyrical subject from the poet himself. We can retrace the author’s friendship, the contrasts of his mood, and the same poetical images as well as symbols in Sruoga’s personal letters to his wife Vanda Daugirdaitė. Sruoga transmitted his own life situation of ethical value from reali

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Barykin, Alexey V. "B. PASTERNAK’S “MY SISTER — LIFE” IN HERMENEUTIC RECEPTION." Tyumen State University Herald. Humanities Research. Humanitates 6, no. 4 (2020): 63–75. http://dx.doi.org/10.21684/2411-197x-2020-6-4-63-75.

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The relevance of this article lies in the hermeneutic approach to the analysis of a literary work, the verbal images of which are explicitly or implicitly oriented towards the traditional, mythical-sacred, and metaphysical semantic certainty. This work also presents a psychoanalytic interpretation of some images and examines the peculiarities of the poetics of the motive structure, figurative dominants, and lyrical plots, as well as their cyclic and dynamic orientation in the semantization of the text space and its allegorical code. Particular attention is paid to identifying the creative char

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Shanina, Yulia Aleksandrovna, and Anna Vladimirovna Tikhonova. "Images of Tristan and Isolde in the artistic world of the works of Russian symbolist poets." Philology. Theory & Practice 17, no. 12 (2024): 4372–78. https://doi.org/10.30853/phil20240619.

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This article is devoted to the consideration of the eternal images of Tristan and Isolde in the lyrical works of Russian symbolist poets. Russian culture and literature are interested in the famous Celtic legend against the background of a wide fascination with the medieval culture of Western Europe, perceived by symbolists in line with the ideas of panaesthetism of the era of Russian modernity. The purpose of the study is to determine the functions, place and content of the images of Tristan and Isolde in the artistic world of poems by Russian symbolist poets. This world is revealed in the ca

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Dongak, R. M. "The theme of the Great Patriotic War in the Mongush Kenin-Lopsan's novel "The Rapids of the Great River"." Issues of National Literature, no. 1 (March 28, 2025): 16–21. https://doi.org/10.25587/2782-6635-2025-1-16-21.

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This article is the first to analyze the theme of the Great Patriotic War using specific literary examples from Mongush Kenin-Lopsan's novel "The Rapids of the Great River." The writer Mongush Kenin-Lopsan reveals the theme of the Great Patriotic War through various literary means, such as dynamic narration, dialogues, monologues, lyrical digressions (or memoirs), author's remarks. An important role is played by lyrical digressions, which the author uses to highlight and deepen a particular situation, the qualities of the characters, and the author's thought. The purpose of this article is to

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Dung, Tran Thi Le, and Nguyen Thi Mai Hoa. "Lexical and contextual meaning in Eminem's song lyrics: An analysis of three songs from encore." International Journal of Multidisciplinary Research and Growth Evaluation 5, no. 4 (2024): 772–77. http://dx.doi.org/10.54660/.ijmrge.2024.5.4.772-777.

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This study examines the lexical and contextual meanings in three songs from Eminem's album "Encore": "Mockingbird," "Love You More," and "Mosh." Using a qualitative approach, the research analyzes various types of lexical meanings (synonymy, antonymy, polysemy, hyponymy, and connotation) and contextual factors (situation, purpose, mood, and speaker). The findings reveal Eminem's sophisticated use of language, demonstrating how he employs different linguistic techniques to suit various themes and purposes. Synonymy and antonymy are found to be the most prevalent lexical types, while context of

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Malashchenko, V. V. "CENTRAL IMAGES AND MOTIFS OF GENNADY SHPALIKOV’S LATE POEMS." VESTNIK IKBFU PHILOLOGY PEDAGOGY AND PSYCHOLOGY, no. 1 (2024): 89–99. http://dx.doi.org/10.5922/pikbfu-2024-1-8.

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The material of the late poems by G. Shpalikov, one of the prominent representatives of poetry during the Khrushchev Thaw era, is singled out and examined in terms of the sphere of key images and motifs in the poet’s artistic world, which are encoded by the ontological-tragic situation of the lyrical subject in the enclosed chronotope of society. The central motifs of Shpalikov’s work during this period have been identified: motifs of loneliness, rootlessness, abandonment, vulnerability, farewell, hopelessness, and suicide. The semantic structure of the artistic world of the late (and not only

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SABLJIĆ, Jakov, and Mirjana MIJIĆ. "A POEM AND ITS PARODY IN THE CONTEXT OF TEACHING METHODOLOGY." Lingua Montenegrina 6, no. 2 (2010): 389–409. https://doi.org/10.46584/lm.v6i2.192.

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In Croatian textbooks for secondary schools Vesna Parun is represented with her famous poem „Ti koja imaš nevinije ruke“. This poem is an intimate confession of suffering female personalitiy who renounces her own fortune for a man beloved. The poem by Parun can be linked with the Bruno Andrić’s lyrical title „Ti koja imaš ruke nevinije od mojih“. It is a modern parody in which is very important the effect of comic and comedy. Using ludism, ilogicalness, simple and colloquial vocabulary, Andrić iro-nizes existential situation presented by Parun – emotional infatutation of the lyrical subject wi

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Shutan, M. I. "On the two-part poems of F.I. Tyutchev’s." Literature at School, no. 4, 2020 (2020): 20–32. http://dx.doi.org/10.31862/0130-3414-2020-4-20-32.

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The article presents a typology of Tyutchev’s two-part poems, created on the basis of revealing the nature of semantic relations between their compositional elements. These are poems: 1) ith a philosophical or moral-psychological generalization in the second part, which does not just reform the content that is already clear to the reader, but reveals its meaning in the language of concepts and images (the implicit form and various variants of the explicit form: a common motif that binds the parts together; a dialogue; a chain of rhetorical questions; a persona’s consciousness, contemplating an

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Kulagin, Anatoly V. "Alexander Kushner: Two “Visits”." Izvestiya of Saratov University. Philology. Journalism 24, no. 2 (2024): 204–11. http://dx.doi.org/10.18500/1817-7115-2024-24-2-204-211.

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The article considers and compares two poems by A. S. Kushner with a common name – “Visit” (1977 and 1985). They are united by the situation of the lyrical hero returning to the places where he spent his childhood and youth. However, the author’s position is deprived of the nostalgic regret about the past years that is expected in such cases – in particular, due to the mismatch of memories with the real world of the past. Kushner continues the Russian tradition of lyrical “returns” (Pushkin, Baratynsky, Nekrasov, etc.), but correlates it with the new historical context and experience of the So

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Lapii, Mariia. "The Image of Nature in Ivan Franko's Lyrical Introspection «Bezmezhneie Pole v Snizhnomu Zavoiu» (Symbolic Projections and Parallels)." Volyn Philological: Text and Context 31 (March 24, 2021): 89–103. https://doi.org/10.5281/zenodo.5248310.

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The article examines in detail the poetic reflection «Bezmezhneie pole v snizhnomu zavoiu» («Boundless field in a snowstorm»), the best example of Franko’s intimate lyrics, in which nature appears as a space of imaginary journey of a self-absorbed individual who suffers from strong existential torments. The genre of the work is determined as intimate-personal meditation with introspective-monological structure and features of folk song, romance. The artistic imagery and composition of landscape miniature are investigated. Symbolic projections of ima

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Zupan Sosič, Alojzija. "Doživljanje kot proces literarne interpretacije." Jezik in slovstvo 69, no. 3 (2024): 237–50. http://dx.doi.org/10.4312/jis.69.3.237-250.

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Careful dedication to experientiality, as part of the process of literary interpretation, can contribute to better empathy, the basic condition of a more humane society, and at the same time offer a greater degree of pleasure or satisfaction in developing one’s literary ability. Empathy, the ability to understand the emotions, thoughts and actions of another person, enables access to the inner experience of the other person, and at the same time also to knowledge of oneself. Modern research in literary studies pays the most attention to narrative empathy, where the most important researcher, S

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Suyatno, Suyono. "PERBANDINGAN SONETA ARTIFISIAL WING KARDJO DENGAN SONETA SITOR SITUMORANG (THE COMPARISON OF WING KARDJO’S ARTIFICIAL SONNET WITH SITOR SITUMORANG’S)." METASASTRA: Jurnal Penelitian Sastra 6, no. 2 (2016): 125. http://dx.doi.org/10.26610/metasastra.2013.v6i2.125-136.

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Soneta di tangan dua penyair yang berbeda melahirkan kecenderungan yang berbeda pula. Soneta Sitor Situmorang cenderung lebih liris dan ekspresi estetiknya pun lebih setia pada konvensi soneta. Sementara itu, soneta Wing Kardjo cenderung naratif dan hanya memanfaatkan pola ekspresi soneta sambil memarodikannya. Kecenderungan memarodikan soneta bagi Wing Kardjo sejalan dengan keinginannya memarodikan situasi sosial politik di negeri ini. Kecenderungan liris pada soneta Sitor Situmorang tidak terlepas dari muatan soneta Sitor yang menampilkan persoalan-persoalan personal, terutama dalam hal rela

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Obremski, Krzysztof. "Dramatyczna „sytuacja liryczna”. Juliana Przybosia Z Tatr." Śląskie Studia Polonistyczne 14, no. 2 (2019): 267–77. http://dx.doi.org/10.31261/ssp.2019.14.17.

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The article is an interpretative reading of a poem by Julian Przyboś entitled Z Tatr [From the Tatra Mountains]. What constitutes a starting point here are factual documents reporting the fatal accident which involved the sisters Marzena and Lida Skotnica dying on October 6, 1929 during their attempt to climb the south face of ZamarłaTurnia (in Polish part of the Tatra Mountains). The former of the two sisters was beloved by Przyboś, which to a significant extent explains why the poem in question may be interpreted as a dramatic “lyrical situation”.

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Ponomareva, Anastasia A. "The Observer as a Plot Position in the Poetry and Prose by N. D. Khvoshchinskaya." Studies in Theory of Literary Plot and Narratology 14, no. 2 (2019): 24–32. http://dx.doi.org/10.25205/2410-7883-2019-2-24-32.

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The article presents investigation the phenomenon, characteristic for poetry and prose by N. D. Khvoshchinskaya. It is actualization of the observer figure in the plot. The author determines poems by N. D. Khvoshchinskaya have stories micro-plots. The center is a lyrical heroine watching else’s life. The poetic creation of this plot position is eclectic. The motif theme is developed with the help of romantic and naturalistic clichés. On the one hand, the author reproduces the romantic situation of social alienation, elegiac motives of memory, loss, etc. On the other hand, the author actualizes

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Janek, Anna. "Między zamknięciem i otwarciem… Interpretacja wiersza Tadeusza Różewicza „Syn marnotrawny (z Hieronima Boscha)”." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 53, no. 4 (2021): 47–63. http://dx.doi.org/10.36770/bp.644.

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The aim of the article is to interpret a poem by Tadeusz Różewicz, Syn marnotrawny (z obrazu Hieronima Boscha) [The Prodigal Son (from the painting of Hieronymus Bosch)], from the volume Srebrny kłos [The Silver Ear of Corn] (1955). The poem is subjected to intertextual reading, which included strongly sketched autobiographical allusions, ecstatic descriptions of Bosch’s paintings and contextual references to the biblical parable of the prodigal son. Confronting the situation of the lyrical hero with the theological interpretation of the parable and reaching for the concept of reading the play

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Silantev, I. V., and Yu V. Shatin. "The Discourse of Impressionism in Beta’s (B. V. Butkevich) Poetics." Critique and Semiotics 38, no. 1 (2020): 10–21. http://dx.doi.org/10.25205/2307-1737-2020-1-10-21.

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The article analyzes the impressionistic poetics of Boris Butkevich, a literary figure of the first wave of Russian emigration, a representative of the Harbin literary school. Like most impressionists, the composition of the poetic text by Boris Butkevich lacks a clearly defined beginning and end. The described lyrical situation can theoretically be continued in both directions. The reference points of impressions turn out to be significant, and not their poetic analysis. A similar principle is also found in the author’s prose, which largely repeats and develops the poetics of his lyric poems.

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Kalashnikova, Anna L. "The Soul and the Sea: The Functioning of a Lyrical Situation in Fyodor Tyutchev's Poetry of the 1850s-1860s." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 59 (June 1, 2019): 155–68. http://dx.doi.org/10.17223/19986645/59/9.

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OKATAN, Halil İbrahim. "Lirik Şiir Anlayışı ve Nedim’in Bir Gazelinin Lirik Şiir Ölçütleriyle Açıklanması Ölçütleriyle Yorumu." International Journal of Social Sciences 8, no. 33 (2024): 586–616. http://dx.doi.org/10.52096/usbd.8.33.37.

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As is it well known, the arts of painting, music, sculpture and architecture are made with materials unique to them. Painting is applied with paint, music with sound, sculpture with materials such as stone, marble or bronze. The material of each is used only in that specific art. Poetry, on the other hand, is an art made with language, our common means of communication which we use every day and always in our daily lives. This situation leads to both convenience and difficulty for literature and especially for the art of poetry. Although architectural arts made of stone and marble survive for

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Glinatsis, Robin. "Les Odes I, 36 et I, 25 d’Horace : des « poèmes modèles »." Vita Latina 185, no. 1 (2012): 61–73. http://dx.doi.org/10.3406/vita.2012.1732.

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Horace’s Odes I, 36 and I, 25 characterize themselves as exemplary ones. Indeed, each of them discloses a precise pattern with a striking completeness. The Ode I, 36 gathers the main features traditionally linked to the banquet scene and deals with its topic in an enunciative distance, turning this poem into a real art of poetry within the Horatian lyrical corpus. As far as the Ode I, 25 is concerned, it brings together the characteristics of the παρακλαυσι ´ θυρον motif while keeping a certain referential indetermination, as if Horace had wanted to offer a classic example away from any clear

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Strashkova, Olga K., and Anastasiya D. Alexenko. "The “Temple Cycle” in the Book of Poems by the Emigrant Poet Georgiy Golokhvastov as a Text in a Text." Tekst. Kniga. Knigoizdanie, no. 27 (2021): 5–17. http://dx.doi.org/10.17223/23062061/27/1.

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The article examines the artistic system of the book of poems Polusonety [Half- Sonnets] by Georgiy Golohvastov, the ideological leader of a group of poets of the first wave of emigrants (E.V. Khristiani, D.A. Magula, V.S. Ilyashenko) that originated in the 1920s–1930s in New York. The article deals with the specific phenomenon of a “temple cycle” as a text in the text of Polusonety. The cycle can be specified by the author as a structural unit of the book, or it can “stand out” as a united text space based on thematic or figurative unity. The latter is our case. The object of the research is

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Barkovskaya, N. "Hybrid identity and the image of the native land in Kazakhstan Russian language poetry." Philology and Culture, no. 2 (June 24, 2024): 86–91. http://dx.doi.org/10.26907/2782-4756-2024-76-2-86-91.

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The article is devoted to the problem of the world image in the poetry of modern Kazakhstan Russian-speaking poets. This problem is closely related to the authors’ self-identity. The Russian language is chosen by authors of various ethnicities: Russians, Kazakhs and Poles. Kazakhstan has historically developed as a multi-ethnic region; in post-Soviet times, Russian is largely preserved as a language of interethnic communication. The article identifies and analyses the following components that make up the hybrid identity of Russian-speaking authors: their memory of ethnic roots, sociocultural

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Mengjiao, Wang. "The image of muse in the poems “Muse” of A.S. Pushkin, A.A. Akhmatova and M.S. Petrovykh." RUDN Journal of Studies in Literature and Journalism 25, no. 2 (2020): 287–94. http://dx.doi.org/10.22363/2312-9220-2020-25-2-287-294.

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Due to the relatively small number of generalizing results of the study, considering a parallel comparative analysis of the work of the Soviet poetess Maria Sergeevna Petrovykh with her predecessors, the research on that problem is relevant and practical. This article discusses the images of Muse, a favorite lyrical object of admiration for poets, in the eponymous poems Muse by Alexander Sergeevich Pushkin, Anna Andreevna Akhmatova and Maria Sergeyevna Petrovykh. In the process of clarifying and analyzing the problem of the situation, the following operations are carried out: 1) an indication

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Maroshi, Valery V. "“Extinguished Torches” of the Generation of the 1880s." Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, no. 3 (2022): 26–40. http://dx.doi.org/10.15826/izv2.2022.24.3.042.

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This article deals with the collective myth of the generation of Russian intellectuals in the 1880s. This generation inherits the myth from Enlightenment and Romanticism about the hero Prometheus, the Christian martyr created in the “civil poetry” and journalism of the 1840s–1860s. The hero resists the surrounding “darkness” of social passivity and a repressive regime. The socially passive outsider becomes his antipode. The 1880s generation embodies a similar collision, with an active heroic nucleus standing out (the Narodnaya Volya radicals, “torches”) and the periphery that sympathises with

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Prozorova, Natalya А. "“From the Letters from the Road” by O. F. Bergholtz: the history of the text and the problem of the cycle." Sibirskiy filologicheskiy zhurnal, no. 1 (2024): 148–63. http://dx.doi.org/10.17223/18137083/86/11.

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The paper examines the long-term work of O. F. Bergholz on the cycle “From the Letters from the Road” first published in the collection “On the Stalingrad Land” (1953) under strict censorship. While working on the cycle, the poetess expanded the meaning and deepened the semantics. She completed the pivotal episodes of the lyrical heroine’s stay on the Volga-Don, “velikaya srtoyka” (the great construction site), introduced spatial images of the Volga-Don steppe that was hostile to man, and supplemented the text with substantive content (“watchtower”, “sentry bayonet”). The poetess changed the c

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Mocanu, Augustin. "Lirica populară de dragoste din aria Sălaj Codru." Anuarul Muzeului Etnograif al Transilvaniei 36 (December 20, 2022): 51–62. http://dx.doi.org/10.47802/amet.2020.36.04.

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The Romanian folk lyric gives the interested reader a complex, interesting and all‑encompassing image of the issue of love, which, through richness, variety and artistic sophistication, fully confirms the native endowment of the anonymous creators and reveals the virtues, delicacy and soulful beauty specific to the Romanian peasant. In the present study, the author limits himself to the presentation of the specific faces of the pair of lovers, two partners of dreams, joy, happiness and often sufferings caused by love. The reference quotes come only from collections originating from Sălaj count

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Potyrańska, Agnieszka. "Obrazy postaci mitologicznych w oryginałach i przekładach wybranych wierszy Siergieja Gorodieckiego." Acta Polono-Ruthenica 3, no. XXIV (2019): 149–59. http://dx.doi.org/10.31648/apr.4667.

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This article brings the idea on the subject of a mythopoetic approach to the characters from Slavic mythology in translations of poems by Sergey Gorodetsky into Polish. This article focuses on the following works: Полюбовники (1906) – Miłośnicy (1971) and Предки (without a date) – Przodkowie (1971). The intent is to analyse the translations and to track to what extent the trans-lator reflected the specificity of the characters from lower mythology (Russian леший, черт) pre-sented in the original, and how much their image has changed in the translation. The analysis will also focus on the “inne

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