Academic literature on the topic 'M.L. Bean Museum'

The taxonomy of the genus Melozone has recently been analyzed from genus to subspecies level, leading to a significant revision of our understanding of this group of birds. Previous studies quantified differences in phenotypic traits, behavior, and genotypes, to provide a better understanding of the underappreciated diversity within Melozone and the relationship between species within this genus. Yet the relationship between the subspecies of White-eared Ground-sparrows, Melozone leucotis, has not received thorough taxonomic scrutiny. In this study, we evaluate the taxonomic status of the three recognized subspecies of M. leucotis using multiple morphometric characteristics, plumage color features, and vocalizations. We measured plumage patterns and reflectance from museum specimens, morphometric features from museum specimens and live birds, and vocal characteristics from sound recordings. We observed substantial variation between subspecies in plumage, morphometry, and voice, especially between northern and southern birds. The phenotypic and vocal differences exhibited by M. l. occipitalis (from Chiapas, Mexico; Guatemala; and El Salvador) suggest that its taxonomic relationship with the M. l. leucotis and M. l. nigrior complex (from Costa Rica and Nicaragua, respectively) needs to be reevaluated, because these two groups are highly diagnosable from one another. Additionally, M. l. occipitalis is geographically isolated from the other two subspecies, reducing the probability of contact by natural causes in the near future. Based on the clear differences in voice, plumage, and morphometric features reported here, we propose that M. l. occipitalis be recognized as a distinct species, M. occipitalis (Salvin's Ground-sparrow), diagnosed on the basis of its longer tail, longer bill, duller plumage, and songs with a lower frequency of maximum amplitude.

In the archives of The National Museum of History of Ukraine in the fund No. 4 (K. V. Bolsunovskyi) there are personal documents of the famous local historian and museum figure Stepan Leontiiovych Drozdov, among them — five letters of the famous archaeologist Valeria Yevhenivna Kozlovska. This correspondence is a fragment of V. Ye. Kozlovska’s archive, part of which is now outside Ukraine, or is scattered across the personal archives of Ukrainian scientists who were a part of V. Ye. Kozlovska’s circle of contacts and have not yet been introduced into scientific circulation. Therefore, each new revealed letter of V. Ye. Kozlovska has a significant scientific value as a source for the biography of this outstanding personality and scientist. The earliest of V. Ye. Kozlovska’s letters to S. L. Drozdov is dated by June 14, 1916; there was mentioned the evacuation of the Kyiv Art, Industrial and Scientific Museum collections during the First World War. The next four letters concerned the activities of the expedition of the All-Ukrainian Archaeological Committee in 1929 in Bilotserkivshchyna. In addition to V. Ye. Kozlovska — the head of the expedition, it included F. M. Ivanov and J. F. Maslun — employees of the Bilotserkivskyi District Archaeological and Ethnographic Museum, V. A. Mazur — an employee of the T. Shevchenko All-Ukrainian Historical Museum, a draftsman (whose surname is not mentioned in the letters) and a certain Mykola Mykhailovych was also mentioned in the letters — obviously M. M. Tkachenko — an employee of the All-Ukrainian Academy of Sciences and the husband of V. Ye. Kozlovska. In a letter dated by May 14, 1929, V. Ye. Kozlovska appealed to S. L. Drozdov with a proposal to conduct joint excavations of the All-Ukrainian Archaeological Committee and the Bila Tserkva Museum. In a letter dated by September 22, 1929, V. Ye. Kozlovska informed S. L. Drozdov that she would be able to arrive to Didivshchyna village not earlier than in September 28. The place of writing the letter dated by October 3, 1929 is the corner of Zalissia in Didivshchyna village. The letter mentions the arrival of S. L. Drozdov for excavations, finds of an iron knife and two male burials, packing archaeological finds in boxes. V. Ye. Kozlovska also asked S. L. Drozdov to find in Bila Tserkva a technique for drawing excavation plans. In the letter dated by October 18, 1929 there was informed about the packing of a cut-out of the hearth of the stove from the investigated dwelling and about V. Ye. Kozlovska’s intention to come to Bila Tserkva in November 1 for ready-made drawings of the excavations.

The buprestid Melanophila formaneki (Jakobson) (= Phaenops aerea Formanek) is reported for the first time from Finland. The beetles (5 adults and 32 larvae) were reared from three stems of recently dead approx. 4-m-high Scots pines (Pinus sylvestris L.). The pines had been cut in a heavily polluted industrial arca at Harjavalta, southwestern Finland, in 1989. A specimen collected in 1929 from Sakkola, on the Karelian Isthmus, was redetermined in museum material. M.formaneki is compared with M. cyanea, and the la¡va is described.

The legacy of poets and writers of Belarus and Grodno region in particular is undoubtedly rich and diverse. It is well known, that national values begin with the local, regional ones, so that national culture consists of original, distinctive features of regional life. Due to the fact, that on the website of the project LLB-2-269 “Virtual Past is a Keystone for the Future of Museums” the descriptions of museum exhibits were created, we can virtually get acquainted with the artistic and historical heritage of famous personalities, who have left a noticeable imprint on the culture of Belarus and abroad. In a virtual gallery “Literary Grodno region” (http://futureofmuseums.eu/be/ virtual-gallery/maxim-bahdanovich-harodna-museum-collections) virtual visitors have an opportunity to appreciate autographs, documents, books, periodicals, postcards, photographs, household items and home furnishings of the late 19th – early 20th centuries, personal belongings of scientists and writers of Grodno region or of those people, whose lives have been directly related to Prinemanskij region, to Belarus. The descriptions of museum exhibits, which we are presenting, are divided into four subcategories: audiovisual sources, written sources, material monuments and pictorial sources. A significant part of these exhibits has found its place in the “Written sources” subcategory. The descriptions of the original editions of the late 19th – early 20th centuries: works of A. Mickiewicz, E. Ozheshko, V. Syrokomlya, F. Bogushevich, Tetka (A. Pashkevich), Ya. Kupala, Ya. Kolos, M. Bogdanovich, K. Buylo, Ya. Luchina, M. Goretskiy, B. Tarashkevich are of great interest here. Occasional periodicals of the early 20th century are presented by “Nasha Dolya” and “Nasha Niva” newspapers, “Zhizn Belorusa”, “Zhenskoye Delo”, “Krivich” magazines,publications of the first Belarusian calendars etc.The original manuscripts and typescripts of works and letters of such Grodno writers as Z. Veras (L. A. Sivitskaya-Voytik), L. Geniyush, M. Vasilyok, A. Karpyuk, V. Bykov, D. Bichel-Zagnetova, L. Yalovchik are valuable exhibits also. Home furnishings and household items of the late 19th – early 20th centuries are presented in the “Material monuments” subcategory. These are a tea table, a buffet, floor clocks, a bookcase, a chest of drawers, chairs, porcelain crockery and silverware. Writing utensils, caskets, napkins, tablecloths, garments and accessories and other personal items, that belonged to prominent personalities of Grodno, are also shown here. Subcategory “Audiovisual sources” is presented by original photographs of writers and scholars, their relatives and friends, postcards with images of known sceneries and architectural monuments. Among the “Pictorial sources” one can find paintings, icons, portraits, busts, bas-reliefs. In order to understand the style and skill of the definite writer it is not enough only to read his works, it is also extremely important to know the features of that time, which he lived in, his circle of acquaintances that had a direct influence on his creative personality, topics and problems of his works, his position and views. Thus, the virtual gallery “Literary Grodno region”of the project LLB-2-269 “Virtual Past is a Keystone for the Future of Museums” is designed for pupils, students, teachers, researchers and anyone interested in the culture and literature of Belarus. Virtual Gallery is the initial stage, the basis for the study of the huge heritage of outstanding Belarusian writers.

This study gives an overview of lute and guitar tablatures in the holdings of the National Museum (at the Czech Museum of Music and the National Museum Library), and it briefly characterizes them in the form of a catalogue. Since music from the Strahov and Lobkowicz collections, which also involve a rather large set of tablatures, has been returned to its original owners in restitution, the study provides up-to-date information about where this historical material is now kept. It reflects new knowledge and discoveries (lute tablature with the shelf mark KNM Nostic gg 412). The composers presented (e.g. G. P. Foscarini, P. Mutti, N. Vallet, Ch. Mouton, P. I. Jelínek, A. Dix, M. Galilei, J. Dowland, Ch. de Lespine, J. Regnart, S. L. Jacobides, J. Ch. Beyer and many others), living and working in the sixteenth through the eighteenth centuries, are primarily Italian, French, German, and Czech, and with respect to social classes, they represent practically all of the environments where playing on plucked instruments was cultivated.

The ant fauna of Sicily, the largest island in the Mediterranean basin, has been significantly overlooked over the time. Drafting a reliable Sicilian ant checklist requires extensive field surveys, a careful review of the literature and of museum specimens, as well as the taxonomic investigation of some problematic issues. As a part of these ongoing efforts, we present our results on the presence or absence of 25 species. By analyzing specimens collected during the last 35 years across the island and reviewing old records in the light of present-day taxonomy, we provide evidence of the presence of 9 species (Camponotus ruber, Lasius myops, L. platythorax, Plagiolepis schmitzii, Ponera testacea, Solenopsis orbula, Temnothorax clypeatus, T. nylanderi, and T. ravouxi), while suggesting the absence of 19 others (Camponotus ligniperda, C. sicheli, C. spissinodis, Formica lugubris, Lasius alienus, L. flavus, L. niger, L. paralienus, Messor minor, M. wasmanni, Monomorium monomorium, Myrmica scabrinodis, M. spinosior, Nylanderia sp. 2 sensu Schifani & Alicata 2018, Solenopsis fugax, Temnothorax luteus, T. tuberum, Tetramorium caespitum, and T. indocile). Similar studies are necessary across Italy, as a significant portion of the existing ant records is outdated due to the evolved taxonomic framework.

plants, are mostly unknown. All known immature stages of Merodon feed on underground storage organs (bulbs, rhizomes and corms) of geophytes of the families Asparagaceae, Iridaceae and Amaryllidaceae. Of 160 known Merodon species, to date, the pupal stages have been described for only four: M. equestris (Fabricius), M. bombiformis Hull, M. luteihumerus Marcos-García, Vujić & Mengual, and M. geniculatus Strobl. During field investigations in Đerdap National Park, Serbia, Merodon puparia were found in the ground near the bulbs of Ornithogalum umbellatum L. (Asparagaceae). DNA barcoding revealed that they belonged to the species M. aureus Fabricius and M. avidus (Rossi). Analysis of museum material from the Bavarian State Collection of Zoology in Germany revealed the puparium of an additional species, M. rufus Meigen. In our study we provide for the first time descriptions of the puparia of these three Merodon species. The main diagnostic morphological characters of the pupal spiracles and posterior respiratory processes are described using scanning electron microscopy, and cephalopharyngeal skeletons using binocular microscopy. In addition, puparium morphology of M. aureus, M. avidus and M. rufus is compared with known puparia of four other Merodon species and with the third larval stage of M. hurkmansi Marcos-García, Vujić & Mengual.

The South Australian Museum boasts the largest and most comprehensive cetacean collection in Australia, including various large cetacean skeletons. The preparation of these skeletons was done at various locations throughout the history of the Museum until the state government funded a purpose-built preparation facility which opened in 1983. The well-equipped centre was fitted with a large (2800 L) custom-built liquid-vapour degreaser that used trichloroethylene (TCE) as solvent. Many beautifully degreased skeletons, including a 22 m pygmy blue whale, were prepared during its 15-year operation. An accidental spill of TCE in 1999 led to the decommissioning of the unit. The decision to abandon the use of the toxic and dangerous TCE has led to a series of experiments to find a benign replacement process that will work either with the existing degreaser or heated maceration vats. Numerous chemicals and treatment methods have been trialled with limited success. However, one particular group of chemicals, glycol ether surfactant compounds, has shown promise and has been the main focus for our ongoing studies. Glycol ethers are broad-spectrum active solvents characterised by high dilution ratios, low evaporation rates and wide solubility range. Their unique solubility characteristics also allow them to be used as a coupling solvent in more complex situations containing both hydrophilic and hydrophobic components, and because of their compatibility with non-ionic surfactants, blended formulations with glycol ether solvents may provide a new solution to an old problem.

In Iraq 30 (1968) I published a fragmentary text from Ur, then numbered 7/80, containing part of a treatise on the tuning of the sammû instrument, and with the collaboration of the musicologist David Wulstan, who himself contributed a companion article, I added an interpretation, with a table showing that the text described seven different tunings, with instructions in two chapters for the conversion of each one to the next, first by lowering, then by raising the pitch of one string by a semitone. The copy of the text was subsequently published again as UET VII 74 and the number 7/80 was abandoned when the tablet was sent to Baghdad and renumbered in the Iraq Museum. This text, usually known as “the tuning text” — a better name would be “retuning text” — provided the decisive clue to the understanding of the Babylonian musical system and its terminology, which have since been expounded by several musicologists and compared with the Greek system of “octave species”. So well established did the theory become that it was applied without question by several scholars when a few years later a tablet apparently containing a musical notation using the same terminology was recognized among the tablets from Ras Shamra-Ugarit. Little notice was taken in 1982 when Raoul Vitale wrote an article calling in question the basic assumption of the theory that the tuning system and the scales were upward rather than downward. Only recently has M. L. West proposed in this article “The Babylonian Musical Notation and the Human Melodic Texts” (Music and Letters 75/4 [1993], 161–79) that Vitale's theory should be seriously considered.

<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>* </span><span>A previous versions of this article was published in C. James Newlan’s journal, T</span><span>HE </span><span>S</span><span>OCIAL </span><span>C</span><span>RITIC</span><span>, </span><span>as Ellis Washington, </span><span>Excluding the Exclusionary Rule</span><span>, 3 T</span><span>HE </span><span>S</span><span>OC</span><span>. C</span><span>RITIC </span><span>(1998), and in E</span><span>LLIS </span><span>W</span><span>ASHINGTON</span><span>, T</span><span>HE </span><span>I</span><span>NSEPARABILITY OF </span><span>L</span><span>AW AND </span><span>M</span><span>ORALITY</span><span>: T</span><span>HE </span><span>C</span><span>ONSTITUTION</span><span>, N</span><span>ATURAL </span><span>L</span><span>AW AND THE </span><span>R</span><span>ULE OF </span><span>L</span><span>AW </span><span>16-28 (2002) [</span><span>hereinafter </span><span>W</span><span>ASHINGTON</span><span>, I</span><span>NSEPARABILITY OF </span><span>L</span><span>AW AND </span><span>M</span><span>ORALITY</span><span>]. For a comprehensive legal and historical analysis regarding the integration of the rule of law, jurispru- dence, and society in modern times, </span><span>see generally </span><span>Ellis Washington, </span><span>Reply to Judge Richard A. Posner on the Inseparability of Law and Morality</span><span>, 3 R</span><span>UTGERS </span><span>J. L. &amp; R</span><span>ELIG</span><span>. 1 (2001-2002); </span><span>The Nuremberg Trials: The Death of the Rule of Law </span><span>(In International Law), 49 L</span><span>OY</span><span>. L. R</span><span>EV</span><span>. 471-518 (2003). </span></p><p><span>** </span><span>Ellis Washington, DePauw University; B.A. 1983, University of Michigan; M.M. 1986, John Marshall Law School; J.D. 1994. The author an editor at the U</span><span>NIVERSITY OF </span><span>M</span><span>ICHIGAN </span><span>L</span><span>AW </span><span>R</span><span>EVIEW </span><span>and a law clerk for the Rutherford Institute. He was a faculty member at Davenport University and member of the Board of Visitors at Ave Maria School of Law. Currently, Mr. Washington is a freelance writer and lecturer at high schools, universities, and law schools throughout America specializing in the history of law, legal and political philosophy, jurisprudence, constitutional law, critical race theory, and legal feminist theory. He also teaches composition at Lansing Community College. In addition to numerous articles, he has published three books: T</span><span>HE </span><span>D</span><span>EVIL IS IN THE </span><span>D</span><span>ETAILS</span><span>: E</span><span>SSAYS ON </span><span>L</span><span>AW</span><span>, R</span><span>ACE</span><span>, P</span><span>OLITICS AND </span><span>R</span><span>ELIGION </span><span>(1999); B</span><span>EYOND </span><span>T</span><span>HE </span><span>V</span><span>EIL</span><span>: E</span><span>SSAYS IN THE </span><span>D</span><span>IALECTICAL </span><span>S</span><span>TYLE OF </span><span>S</span><span>OCRATES </span><span>(2000, 2004); T</span><span>HE </span><span>I</span><span>NSEPRABILITY OF </span><span>L</span><span>AW AND </span><span>M</span><span>ORALITY</span><span>: T</span><span>HE </span><span>C</span><span>ONSTITUTION</span><span>, N</span><span>ATURAL </span><span>L</span><span>AW AND THE </span><span>R</span><span>ULE OF </span><span>L</span><span>AW </span><span>(2002). His article, </span><span>The Nuremberg Trials: The Death of the Rule of Law (In International Law)</span><span>, 49 L</span><span>OY</span><span>. L. R</span><span>EV</span><span>. 471-518 (2003), has received both national and international recognition and has been accepted into many prestigious archives and collections including–Chambers Library of the Supreme Court of the United States, State Museum of Auschwitz-Birkenau, The Simon Wiesenthal Center, The U.S. Holocaust Memorial Museum, The Elie Wiesel Foundation for Humanity. </span></p><p><span>*Exceeding gratitude to my friend, attorney Che Ali Karega (a.k.a. “Machiavelli”) for his antagonism, advice, ideas, source materials, and inspiration. To Arthur LaBrew, musicologist and historian, founder Michigan Music Research Center (Detroit), for his prescient comments and attention to detail on earlier drafts of the Article. To C. James Newlan, publisher of the Journal, T</span><span>HE </span><span>S</span><span>OCIAL </span><span>C</span><span>RITIC</span><span>, for being my friend, my first publisher, an intellectual, a visionary, and the first person to believe that I had ideas worthy to be published and read. </span></p></div></div></div>

This thesis consists on the creation of a sensorial museum - IMMERSIVUS -, located in the city of Lisbon through the rehabilitation of an existing industrial pavilion at Beato Creative Hub. The museum’s goal is to provide an innovative video-mapping service featuring immersive exhibits using technologic components. Over the last years, the tourism sector has been growing in importance in the Portuguese economy, with a significant increase in tourist arrivals in Portugal. The dynamics of Tourism in Portugal has allowed more revenue and job creation. Tourist demand (consumption by foreigners and residents) rose to €26,700 million in 2017, which represents a 14.50% growth over the previous year (INE). These forecasts are favourable to the implementation of this business plan. To understand the attractiveness of the market, the business plan begins by presenting an analysis of the mediate environment and the market, focusing on the cultural entertainment industry and the current competition in Lisbon. Subsequently an internal analysis is presented to define the museum’s target audience as well as the strategy to follow. To finish, the resources and investments necessary for the implementation and operation of the museum are identified and quantified, followed by an economic and financial analysis that evaluates the viability of the project. Based on the study carried out in this business plan and the financial-economic analysis of the project for the period of 10 years, it is concluded that there is feasibility for the progress of the presented project.
A presente tese consiste na criação de um museu sensorial - IMMERSIVUS -, localizado na cidade de Lisboa através da reabilitação de um pavilhão existente na Hub Criativo do Beato. O objetivo do museu é oferecer um serviço inovador de vídeo-mapping, apresentando exibições imersivas com recurso a componentes tecnológicas. Nos últimos anos, o sector do turismo tem vindo a registar uma crescente importância na economia, verificando-se um aumento significativo de entradas de turistas em Portugal. A dinâmica do turismo em Portugal tem permitido mais receitas e a criação de postos de trabalho. A procura turística (consumo por parte de estrangeiros e residentes) subiu para os €26,700 milhões em 2017, o que representa um crescimento de 14.50% face ao ano anterior (INE). Estas previsões mostram-se favoráveis à implementação deste negócio. Para perceber a atratividade do mercado, no plano de negócios começa-se por apresentar uma análise do meio envolvente e do mercado, focando-se no setor turístico de entretenimento cultural e na atual concorrência de Lisboa. Posteriormente é apresentada uma análise interna para se definir o público alvo do museu assim como a estratégia a seguir. Para terminar, são identificados e quantificados os recursos e os investimentos necessários à implementação e operacionalização do museu, seguidos por uma análise económico-financeira que avalia a viabilidade do projeto. Tendo por base o estudo realizado neste plano de negócios e a análise económico do projeto para o período de 10 anos, conclui-se que existe viabilidade para o avanço do projeto apresentado.

M-commerce (mobile commerce) applications have evolved out of e-commerce (electronic commerce) applications, riding on recent advancement in wireless communication technologies. Exploiting the most unique aspect inherent in m-commerce, namely, the mobility of customers, l-commerce (location-dependent m-commerce) applications have played an increasingly important role in the class of m-commerce applications. All e-commerce, m-commerce, and l-commerce applications rely on the provision of information retrieval and processing capability. L-commerce applications further dictate the maintenance of customer and service location information. Various database systems are deployed as the information source and repository for these applications, backed by efficient indexing mechanisms, both on regular data and location-specific data. Bean (2003) gave a good report on supporting Web-based e-commerce with XML, which could be easily extended to m-commerce. An m-commerce framework, based on JINI/XML and a workflow engine, was defined by Shih and Shim (2002). Customers can receive m-commerce services through the use of mobile devices such as pocket PCs, PDAs, or even smart phones. These mobile devices together with their users are often modeled as mobile clients. There are three types of entities central to m-commerce and l-commerce applications: mobile device, wireless communication, and database. In this article, we focus our discussion on mobile-client enabled database servers, often referred to as mobile databases. Mobile databases maintain information for the underlying m-commerce and l-commerce applications in which mobile devices serve as the hardware platform interfacing with customers, connected through wireless communication. Location is a special kind of composite data ranging from a single point, a line, a poly-line, to a shape defining an area or a building. In general, locations are modeled as spatial objects. The location of a static point of interest, such as a shop, is maintained in a database supporting spatial features and operations, often a spatial database (Güting, 1994). The location of a moving object, like a mobile customer, needs to be maintained in a moving object database (Wolfson, Sistla, Xu, Zhou, & Chamberlain, 1999), a database that supports efficient retrieval and update of object locations. To enable l-commerce, both spatial databases and moving object databases need to support location-specific query processing from mobile clients and location updates they generated. The two major types of data access requirements for a mobile database are data dissemination and dedicated data access. Data dissemination is preferred, since it can serve a large client population in utilizing the high bandwidth downlink channel to broadcast information of common interest, such as stock quotations, traffic conditions, or special events. On the other hand, dedicated data access is conveyed through uplink channels with limited bandwidth. To disseminate database items effectively, the selected set of hot database items can be scheduled as a broadcast disk (Acharya, Alonso, Franklin, & Zdonik, 1995). Proper indexes can be built to facilitate access to broadcast database items (Imielinski & Badrinath, 1994). Redundancy can be included in data (Leong & Si, 1995) and index (Tan & Ooi, 1998) to combat the unreliability of wireless communication.

ABSTRACT Background: Pityriasis versicolor or Tinea versicolor is a skin disease caused by the Malassezia furfur which is often found in Indonesia. People can use anti-fungal drugs to treat this disease. However, long-term use of anti-fungal drugs is relatively more expensive and can have side effects for its users. Cocoa bean husk contains flavonoids, saponins, and alkaloids which have anti-fungal effects. This study aimed to determine the antifungal effectiveness of the cocoa bean husk extract on the growth of M. furfur. Subjects and Methods: This was an experimental study using cocoa bean husk extract with a concentration variance of 25%, 50%, 75%, 100%, with a positive control for ketoconazole 2% and a negative control using distilled water. The test was carried out by the well diffusion method using Sabouraud Dextrose Agar media. The inhibition of fungal growth was calculated by looking at the clear zone formed after 48 hours. Data were analyzed using Kruskal-Wallis and Post hoc Mann Whitney statistical tests. Results: The mean diameter of the inhibition zone at a concentration of 25%, 50%, 75% and 100% was 3.42 mm, 4.07 mm, 4.9 mm, and 7.3 mm, respectively, and it was statistically significant (p = 0.001). Conclusion: Cocoa bean husk extract has weak anti-fungal effectiveness at concentrations of 25%, 50%, and 75%, while at 100% it has moderate effectiveness. Keywords: antifungal, Pityriasis versicolor, cocoa bean shell, well diffusion, Malassezia furfur Correspondence: Yuni Setyaningsih. Department of Parasitology, Faculty of Medicine, Universitas Pembangunan Nasional “Veteran” Jakarta. DOI: https://doi.org/10.26911/the7thicph.05.01

The purpose of our study was to develop biological methods to protect soybean from pests. Lepidoptera is believed to be one of the most numerous groups of insects in this crop. As a conservative estimate, 20 species of Lepidoptera were found in soybean agrocenosis; the greatest damage to Glycine max L. caused Etiella zinkinella Tr. 1832 and Helicoverpa armigera Hb. 1805. It was shown that not less than 500 m distance of crops from the main reserve of pests – robinia and the use of early ripening varieties provided the minimum loss of bean yield (no more than 0.9 – 1.9%). The use of biological preparations based on B. thuringiensis – lepidocide and bitoxybacillin allowed reducing beans and seeds damage by pests by 20-30%.