Relevant bibliographies by topics / Mabinogion

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Mabinogion'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Mabinogion"

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Hrapof, Dmitri. "Маѳъ Маѳонъвичь: Cyfieithiad Newydd o’r Mabinogi i (Hen) Rwsieg (Маѳъ Маѳонъвичь: A New Translation of the Mabinogi to (Old) Russian)." Studia Celto-Slavica 8 (2018): 135–38. http://dx.doi.org/10.54586/oowx2105.

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Y cwestiwn cyntaf, efallai, yw a oes angen cyfieithiad newydd, a dau gyfieithiad o’r Mabinogi i’r Rwsieg yn bodoli’n barod? Yn anffodus, mae’r cyfieithiadau hynny yn anghyflawn ac weithiau yn wallus. Cafwyd y cyfieithiad cyntaf gan Liudmila Volodarskaia (2000): Кельты — Валлийские сказания — Мабиногион [Celtiaid — Chwedlau Cymreig — Mabinogion], ac am fod hwn yn gyfieithiad o Saesneg Charlotte Guest, mae’n Fictoraidd iawn ei naws (gw. yr adolygiad gan Parina (2003)). Gan Vadim Erlichman y cafwyd yr ail gyfieithiad, Мабиногион. Волшебные легенды Уэльса [Mabinogion. Chwedlau Hudol Cymru], a hwnnw bellach wedi ei argraffu ddwywaith (Erlichman 1995; Erlichman 2002). Trafodir yr argraffiad cyntaf gan Parina (2003) a’r ail argraffiad gan A. Falileyev (2002). Mae Erlichman yn dal iddo gyfieithu o destun Llyfr Coch Hergest — ac felly o Gymraeg Canol — ond oherwydd y camgymeriadau niferus, gwêl yr adolygwyr fod lle i amau a yw hynny’n hollol wir. Digon yw nodi i’r llythyren [v] Gymraeg gael ei thrawsgrifo yn <ф> [f] Rwsieg, yn hytrach na fel <в> [v], er mwyn cadw enwau yn ‘hudol’ ac yn ‘egsotig’ (Erlichman 1995: 216).
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Stenlund, David. "On the Mabinogion urn model." Advances in Applied Probability 50, no. 2 (June 2018): 327–46. http://dx.doi.org/10.1017/apr.2018.16.

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Abstract In this paper we discuss the Mabinogion urn model introduced by Williams (1991). Therein he describes an optimal control problem where the objective is to maximize the expected final number of objects of one kind in the Mabinogion urn model. Our main contribution is formulae for the expected time to absorption and its asymptotic behaviour in the optimally controlled process. We also present results for the noncontrolled Mabinogion urn process and briefly analyze other strategies that become superior if a certain discount factor is included.
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Janoušek, Hynek Daniel. "New stories from the Mabinogion and Pedeir Keinc y Mabinogi: Texts, Narratives and Tradition1." Prague Journal of English Studies 12, no. 1 (July 1, 2023): 21–43. http://dx.doi.org/10.2478/pjes-2023-0002.

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Abstract This paper aims to explore the migration of narrative elements from four medieval Welsh tales known as the Four Branches of the Mabinogi into four recent Englishlanguage novels which are part of Welsh publisher Seren’s series New Stories from the Mabinogion. Russel Celyn Jones’s The Ninth Wave, Owen Sheers’s White Ravens, Lloyd Jones’s See How They Run, and Gwyneth Lewis’s The Meat Tree bear an explicit textual relationship to the Four Branches of the Mabinogi, a textual whole of unknown authorship. This affords an opportunity to examine the workings of what constitutes a textual tradition, both diachronically and synchronically. The article relies on Dutch cultural theorist Mieke Bal’s structuralist theory of narrative, on Welsh philologist Sioned Davies’s analyses of the medieval tales, and on Slovak literary scholar Anton Popovič’s view of tradition in terms of prototexts and metatexts. The methodology chosen consists of identifying textual variables and invariables in order to capture possible ways of examining relationships between related texts of different periods and languages within a corpus of linguistically encoded messages of a geographically defined community.
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Breeze, Andrew. "The Mabinogion by Sioned Davies." Yearbook of English Studies 38, no. 1-2 (2008): 253–54. http://dx.doi.org/10.1353/yes.2008.0035.

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Chan, Terence. "Some diffusion models for the mabinogion sheep problem of williams." Advances in Applied Probability 28, no. 3 (September 1996): 763–83. http://dx.doi.org/10.2307/1428180.

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The ‘Mabinogion sheep’ problem, originally due to D. Williams, is a nice illustration in discrete time of the martingale optimality principle and the use of local time in stochastic control. The use of singular controls involving local time is even more strikingly highlighted in the context of continuous time. This paper considers a class of diffusion versions of the discrete-time Mabinogion sheep problem. The stochastic version of the Bellman dynamic programming approach leads to a free boundary problem in each case. The most surprising feature in the continuous-time context is the existence of diffusion versions of the original discrete-time problem for which the optimal boundary is different from that in the discrete-time case; even when the optimal boundary is the same, the value functions can be very different.
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Chan, Terence. "Some diffusion models for the mabinogion sheep problem of williams." Advances in Applied Probability 28, no. 03 (September 1996): 763–83. http://dx.doi.org/10.1017/s0001867800046486.

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The ‘Mabinogion sheep’ problem, originally due to D. Williams, is a nice illustration in discrete time of the martingale optimality principle and the use of local time in stochastic control. The use of singular controls involving local time is even more strikingly highlighted in the context of continuous time. This paper considers a class of diffusion versions of the discrete-time Mabinogion sheep problem. The stochastic version of the Bellman dynamic programming approach leads to a free boundary problem in each case. The most surprising feature in the continuous-time context is the existence of diffusion versions of the original discrete-time problem for which the optimal boundary is different from that in the discrete-time case; even when the optimal boundary is the same, the value functions can be very different.
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Lumbley, Coral. "“Venerable Relics of Ancient Lore”." Journal of World Literature 5, no. 3 (July 23, 2020): 372–92. http://dx.doi.org/10.1163/24056480-00503004.

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Abstract As England’s first colony, home to a rich literary tradition and a still-thriving minority language community, Wales stands as a valuable example of how premodern traditions can and should inflect modern studies of postcolonial and world literatures. This study maps how medieval, postcolonial, and world literary studies have intersected thus far and presents a reading of the medieval Welsh Mabinogion as postcolonial world literature. Specifically, I read the postcolonial refrain as a deeply-entrenched characteristic of traditional Welsh literature, manifesting in the Mabinogion tale of the brothers Lludd and Llefelys and a related poetic triad, the “Teir Gormes” (Three Oppressions). Through analysis of the context and reception of Lady Charlotte Guest’s English translation of Welsh materials, I then theorize traditional Welsh material as postcolonial, colonizing, and worlding literature.
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Hopwood, Mererid, and Ariana Malthaner. "Cordo Russo, L.: Mabinogion, Relatos Galeses Medievales." Zeitschrift für celtische Philologie 70, no. 1 (October 14, 2023): 202–4. http://dx.doi.org/10.1515/zcph-2023-0010.

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Breeze, Andrew. "Robin Chapman Stacey, Law and the Imagination in Medieval Wales. Philadelphia: University of Pennsylvania Press, 2018, pp. 335." Mediaevistik 32, no. 1 (January 1, 2020): 330–31. http://dx.doi.org/10.3726/med.2019.01.50.

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For nearly thirty years, Professor Stacey of the University of Washington has published on early Welsh and Irish narrative. Now she sums up her work in a volume which promises exciting conclusions, juxtaposing Mabinogion texts (crown jewels of Welsh prose) with those of Welsh law (a window on Celtic society).
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Sanz Mingo, Carlos Alberto. "¿Hablando con mirlos? El uso de la personificación de los animales en la leyenda artúrica." Estudios Humanísticos. Filología, no. 36 (November 29, 2014): 156. http://dx.doi.org/10.18002/ehf.v0i36.1174.

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<p>Resumen</p><p>Aunque los textos que conforman la literatura artúrica no suelen presentar rasgos fabulescos, sino, más bien, mitológicos, algunas narraciones artúricas usan características propias de las fábulas para desarrollar sus ideas moralistas. Este artículo se centra en el estudio de un texto medieval galés y uno contemporáneo en inglés para demostrar cómo se hace uso y aplican las técnicas de la fábula a la leyenda artúrica.</p><p>Palabras clave: Literatura artúrica, Fábula, Mitología, <em>Mabinogion</em>, Animales.</p><p>Abstract</p> <p>Even when Arthurian literature does not usually present characteristics of fables but, rather, mythological qualities, some texts make use of fable features in order to develop a moralistic viewpoint. This article deals with the study of a Welsh medieval text and a contemporary one in English to show how the technique of the fable is used and applied to the Arthurian legend.</p> <p>Key words: Arthurian literature Fable, Mythology, <em>Mabinogion </em>Animals.</p><p> </p>
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Dissertations / Theses on the topic "Mabinogion"

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Miles-Watson, Jonathan. "Mapping medieval Welsh myth : a neo-structuralist analysis of the Mabinogion." Thesis, University of Aberdeen, 2006. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU226099.

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By employing a new kind of neo-Structuralist analysis this thesis demonstrates that a coherent structure underlies the medieval Welsh tales that have become collectively known as the Mabinogion. The first part of the thesis examines Levi-Strauss' Structuralist analysis technique and places it in the context of the wider field of the analysis of myth. The development of the Structuralist technique and the emergence of neo-Structuralism are then explored and pertinent criticisms of the technique are addressed. The first section of the work ends by positing a new, modified, model for neo-Structuralist analysis. This analysis technique is then applied to the Mabinogion, which are a set of closely related myths. Each myth is individually contextualised and a general section of ethnographic background precedes the analysis. As the myths are analysed trends in the patterning of the extrapolated data emerge and these are explored in detail. By the end of the analysis it is established that a clear pattern underlies all the material and this structure is then discussed both in relation to medieval Welsh social structure and neo-Structuralist theory.
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Ericsson, Emil. "Culhwch & Lúthien : Keltisk mytologi i J. R. R. Tolkiens sagovärld." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-38494.

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This study investigates in what respects Celtic mythology influenced J. R. R. Tolkien when writing the sagas incorporated in the mythopoeic compilation of The Silmarillion. Through narrative and comparative analysis, stories from the Irish prose collection Lebor Gabála Érenn, as well as the Welsh medieval manuscript Mabinogion, are collated to the tales of The Silmarillion in order to illuminate possible influences. The survey showed that even though Tolkien expressed a certain distaste for everything Celtic, several elements of Irish and Welsh mythology are indeed visible in his works.
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Lee, Mi-Sun. "Recherches sur les origines de la légende d'Erec et d'Enide : essai de synthèse." Rennes 2, 2001. http://www.theses.fr/2001REN20046.

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Ce travail s'efforce de mettre en lumière l'origine de la légende d'Erec et d'Enide par l'étude comparée de l'Erec de Chrétien de Troyes et du mabinogi gallois de Gereint. Si la ressemblance frappante entre les deux récits pose la question de l'origine de la matière arthurienne de manière cruciale, par ailleurs le fait que l'Erec de Chrétien soit considéré comme le premier roman arthurien confère au débat un caractère stratégique. En nous intéressant d'abord à la manière dont s'est construit historiquement le débat, nous avons analysé les fondements et les implications des deux principales hypothèses émises depuis plus d'un siècle, l'une considérant Erec comme le modèle de Gereint, l'autre supposant une source commune aux deux oeuvres. Ensuite, nous avons mis à profit les recherches récentes de Rachel Bromwich et de Roger Sherman Loomis pour alimenter l'hypothèse de la source commune : en introduisant un élément d'origine armoricaine, le lai breton de Waroc et Gwened, ces recherches ont contribué à étendre les termes du débat, traditionnellement limité à l'alternative entre origine celtique et origine continentale. Enfin, par l'analyse systématique des motifs dans les épisodes principaux, nous nous sommes éfforcée d'apporter des réponses claires quant à la configuration de cette source commune, en passant au crible les arguments majeurs apportés par les critiques. In fine, cette recherche nous a permis de retracer dans ses grandes lignes le processus de formation de la légende d'Erec et d'Enide, depuis ses origines jusqu'au roman de Chrétien et au mabinogi de Gereint
This work attempts to shed light on the origin of the legend of Erec and Enide through the comparative study of Chrétien de Troyes' Erec and the Welsh mabinogi of Gereint. The striking resemblance between both narratives raises the question of the origin of the Arthurian romance lends a strategic slant on the debate. Focusing first on the way the debate has taken shape historically, we have analysed the foundations and the implications of the main two hypotheses that have been predominant for over a century, with one critical trend considering Erec as the model for Gereint while another postulated a common source to both works. Then, we took advantage of Rachel Bromwich and Roger Sherman Loomis'recent research to sustain the hypothesis of the common source by bringing forward an Armorican element -the Breton lay of Waroc and Gwened- this research has helped widen the terms of a debate which had traditionally been limited to the alternative between either the Celtic or the continental origin. Finally, through the systematic analysis of patterns in the main episodes, we have attempted to give clear answers as regards the configuration of this common source, carefully examining the main arguments developed by critics. In fine, this research has enabled us to outline the process of formation of the legend of Erec and Enide, from its origin up to Chrétien's romance and the mabinogi of Gereint
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Davies, Rhiannon M. M. "The moral structure of Pedeir Keinc y Mabinogi." Thesis, Cardiff University, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368588.

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Hooker, Jessica. "A textual commentary on the First Branch of the Mabinogi." Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362979.

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Thomas, Nicole A. "The Daughters of Modron : Evangeline Walton's feminist re-visioning of the 'Mabinogi'." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/43713/.

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The Mabinogi Tetralogy by Evangeline Walton consists of four novels: Prince of Annwn (1974), The Children of Llyr (1971), The Song of Rhiannon (1972) and The Island of the Mighty (1970, first published under the title The Virgin and the Swine, 1936). This thesis locates the Tetralogy as a founding text of modern feminist fantasy fiction by analysing its rewriting of the Four Branches of the Mabinogi. The analysis demonstrates how feminist debate, Welsh medieval literature and Celtic history combine to produce an important, if hitherto largely ignored, contribution to both fantasy fiction and women’s writing. Walton re-visions the Mabinogi as a tale of a fictional Celtic Wales’s transition from a mother-worshipping tribal society to the patriarchal, monotheistic power structure that governed the construction of the medieval text. The fantasy genre which Walton helped form enables the author to use magic as a symbol of female agency. The female characters in The Mabinogion Tetralogy with the strongest connection with the fictional deity referred to as the Mother – Rhiannon and Arianrhod – also have the highest degree of magical capabilities. Conversely, those who lose their connection with the Mother – Branwen, Penardim and Blodeuwedd – become subject to the control of their male counterparts. A feminist reading of the Tetralogy, which draws upon the work of Luce Irigaray, reveals Walton’s series as a story about the cultural demise of Mother-worship and the institutionalisation of a patriarchal society that permanently re-defined gender roles. An examination of Walton’s source material elucidates how the author uses historical research to provide a realistic framework for the Tetralogy. By examining how Walton merges history with fantasy, and a medieval text with modern feminist thought, this thesis argues for a re-evaluation of Evangeline Walton as one of the most important developers of feminist fantasy fiction.
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Furlan, Anka. "Narrative techniques of the Early Medieval Welsh and Irish prose tales : a comparative investigation of the Four Branches of the Mabinogi and a Selection of Tales from the Ulster Cycle." Thesis, Aberystwyth University, 2011. http://hdl.handle.net/2160/1a4f0a55-e7c1-41dd-84ae-707b1bc3e1b2.

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This doctoral thesis seeks to examine some of the narrative techniques of the medieval Welsh and Irish prose narratives and compare and contrast them in an attempt to provide an insight into the mind and the methods used by the final redactor of the Four Branches. The sample of narratives selected for this research consists of the Four Branches of the Mabinogi, Compert Con Culainn, Aided Óenfir Aífe, Tochmarc Emire, Mesca Ulad, Echtra Nerai, Táin Bó Fraích, Scéla Mucce Meic Dathó, and Longes Mac n-Uislenn. The thesis consists of seven chapters. The first chapter explains the main purpose of the research and the reasons behind selecting the primary sources. The second chapter presents a short survey of the existing scholarly views on the material, the editions of the texts used for the purpose of the present thesis, the manuscript sources, and a discussion of the oral tradition. The third chapter explains the theoretical and methodological background on which the research is based. The fourth chapter concentrates on the narrative structure of the texts examined, and offers a graphic representation of the structure of each text. The fifth chapter examines certain narrative devices such as triads, lists, onomastic tales, embedded tales, cynneddfau and geasa, the watchman device, and poetry and roscada; this chapter also offers a discussion on how the use and placement of these devices in the narrative affects the flow of the narrative. The sixth chapter moves away from the level of the narrative structure and explores the variations in the inquit formulae used in the texts. The seventh chapter concludes the research by presenting an attempt at outlining a possible profile of the editor of the Four Branches. Appendix A offers a graphic representation of the narrative structure of Culhwch ac Olwen. Appendix B is a brief note on the censorship of the Four Branches.
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Hsieh, Ming-Chi, and 謝明錡. "Stickiness design for the players in Online Game - Mabinogi as an example." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/15169820971912841968.

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碩士
朝陽科技大學
數位化產品設計產業研發碩士專班
98
Taiwan''s online gaming environment, due to intense competition and a variety of very different choices, does not have the traditional loyalty model in marketing. Instead, the industry began to explore the "stickiness demand" from online gamers; and this is not in the area of traditional human-computer interaction and gaming design. This involves a wide range of disciplines, and however the online gaming industry currently does not have any relevant research. This is the aim of the research.   This study will be "gaming" and "Network Interaction" gamers to create online presence in the game process of understanding the abstract behavior; and so the two directions are related to game theory over the last sort, and made the game player description experience model, followed by the actual games based on the model study, so the model can generate back in the game design.
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Капріцин, Ігор Ілліч. "Особливості поетики і аксіологічної семантики «Мабіногі» в контексті середньовічної літератури." Магістерська робота, 2021. https://dspace.znu.edu.ua/jspui/handle/12345/6524.

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Капріцин І. І. Особливості поетики і аксіологічної семантики «Мабіногі» в контексті середньовічної літератури : кваліфікаційна робота магістра спеціальності 035 "Філологія" / наук. керівник Н. М. Торкут. Запоріжжя : ЗНУ, 2021. 85 с.
EN : The work is presented on 85 pages of printed text contains 5 applications. The list of references includes 82 sources. Object of research: the phenomenon of poetics and axiological semantics in a literary text. Purpose: to identify the specifics of the reflection of poetics and axiological semantics of "Mabinogi" in the context of medieval literature. Theoretical and methodological principles: historical and cultural, comparative, formal, semiotic methodology, involving the activity approach, to prevent exaggeration of the influence of various components of the process introduced the principle of complementarity. The results obtained: The thesis presents the comprehensive study of the poetics and axiological semantics of “Mabinogi” as the unique piece of Welsh epic folklore that is analyzed in the context of Medieval Literature. The object of the work is the phenomena of the poetics and axiological semantics of Medieval literary text. The focus of the research is on Mabinogi seen as a source of Celtic-Welsh resource consciousness and as a representative text of world culture. The analysis of the poetics of "Mabinogi "demonstrates the key role of the Celtic mythological “core” that is associated with Welsh geographical-sacred specificity. The study of its axiological semantics proves that "layers" rooted in Christianity play an important role in constituting a problem-thematic field of the Medieval text. It is the Christian concept adjacent to the Welsh flavor "civilizes" the appearance, behavior, and language of the characters in a chivalric manner. In the conditions of systemic social crisis, the study of such works of art has an innovative potential. The analysis of this medieval masterpiece is worth going on and its results should be implemented into the educational process and social practices.
UA : Робота викладена на 85 сторінках друкованого тексту, містить 5 додатків. Перелік посиланб включає 82 джерела. Об’єкт дослідження: феномен поетики і аксіологічної семантики у літературному тексті. Мета роботи: виявлення специфіки поетики і аксіологічної семантики «Мабіногі» в контексті середньовічної літератури. Теоретико-методологічні засади: історико-культурна, порівняльна, формальна, семіотична методологія, із залученням діяльнісного підходу, для запобігання перебільшення впливу різних складників процесу введений принцип компліментарності. Отримані результати: аналіз поетики та аксіологічної семантики «Мабіногі», визначає присутність міфологічного «ядра» кельтської культури, яке прив’язане валлійською географічно-сакральною конкретикою, з нашаруванням християнського концепту, який залишаючи валлійський впізнаваний колорит, доповнює неочевидні наслідки логічними причинами, вилучаючи язичницьке минуле персонажів, «цивілізує» їх зовнішність, поводження та мову за рицарським зразком. «Мабіногі» визначаються джерелом кельто-валлійської ресурсної свідомості та загальнолюдської культури, що в умовах системно кризового стану суспільства, розглядається як альтернатива атомізації сучасного суспільства, має інноваційний потенціал та потребує свого вивчення та впровадження.
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Books on the topic "Mabinogion"

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1812-1895, Schreiber Charlotte Lady, and Lee Alan, eds. The mabinogion. London: HarperCollins, 2000.

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Jeffrey, Gantz, ed. The Mabinogion. New York: Dorset Press, 1985.

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1812-1895, Schreiber Charlotte Lady, and Edwards, Owen Morgan, Sir, 1858-1920., eds. Mabinogion legends. Felinfach [Wales]: Llanerch Publishers, 1992.

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Sioned, Davies, ed. The Mabinogion. Oxford: Oxford University Press, 2008.

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1949-, Ifans Dafydd, Ifans Rhiannon 1954-, and Roberts Brynley F. 1931-, eds. Y Mabinogion: Diweddariad. Llandysul: Gomer, 1995.

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Dafydd, Ifans, Ifans Rhiannon, and Roberts Brynley F, eds. Y Mabinogion: Diweddariad. 5th ed. Llandysul: Gwasg Gomer, 1993.

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Thomas, Gwyn. Tales from the Mabinogion. Woodstock, N.Y: Overlook Press, 1985.

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Davies, Sioned. Mabinogion. Ebsco Publishing, 2007.

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Beowulf. Mabinogion. Digireads.com Publishing, 2021.

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Jones, Thomas, Updike John, and Gywn Jones. Mabinogion. Everyman, 2001.

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Book chapters on the topic "Mabinogion"

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Smail, Uta, and Stefan Schumacher. "Mabinogion." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14889-1.

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Duncan, Robert. "From The Mabinogion." In Contemporary Poetry: A Retrospective from the "Quarterly Review of Literature", edited by Theodore Russell Weiss, 232–38. Princeton: Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400871728-076.

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Breeze, Andrew. "La famille dans Les Mabinogion." In L’imaginaire de la parenté dans les romans arthuriens (XIIe-XIVe siècles), 125–30. Turnhout: Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.hifa-eb.3.4577.

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Robinson, Katherine. "‘The Remains of Something’: Ted Hughes and The Mabinogion." In Ted Hughes, Nature and Culture, 161–76. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97574-0_10.

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Wynne-Davies, Marion. "‘I will, Lord, while I can’: Lady Charlotte Guest’s Mabinogion." In Women and Arthurian Literature, 107–26. London: Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24453-9_6.

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Williams, Jon Kenneth. "Sleeping with an Elephant: Wales and England in the Mabinogion." In Cultural Diversity in the British Middle Ages, 173–89. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614123_10.

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Lumbley, Coral. "The Mabinogi." In The Palgrave Encyclopedia of Medieval Women's Writing in the Global Middle Ages, 1–2. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-76219-3_106-1.

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Davies, Sioned. "‘Venerable relics’? Re-visiting the Mabinogi." In Writing Down the Myths, 157–79. Turnhout: Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.cursor-eb.1.100851.

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Breeze, Andrew. "Some Critics of the Four Branches of the Mabinogi." In Making the Middle Ages, 155–66. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.mmages-eb.3.3610.

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George, Jessica. "Contesting Narrative Over the Body of Blodeuwedd: Gender, Nation, and Language in Adaptations of the Fourth Branch of the Mabinogi." In Talking Bodies Vol. II, 17–40. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36994-1_2.

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