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Books on the topic 'Macbeth and Othello plays'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Shakespeare, William. Othello: Macbeth. Doubleday Book & Music Clubs, 1990.

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2

Shakespeare, William. Hamlet / Macbeth / King Lear / Othello. Longmeadow Press, 1995.

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3

Shakespeare, William. Four Tragedies: Hamlet / Othello / King Lear / Macbeth. Edited by David Bevington. Bantam Books, 1988.

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4

Shakespeare, William. Amleto: Otello ; Macbeth ; Re Lear. Garzanti, 1988.

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5

Brand, P. A. Birmingham Rep. and Bill Alexander: Three plays directed by Bill Alexander at the Birmingham Repertory Theatre (Othello, The tempest, Macbeth). University of Birmingham, 1996.

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6

K, Carey G., ed. Shakespeare's tragedies, notes: Summaries and critical commentaries about the tragedies of William Shakespeare, including Titus Andronicus, Romeo and Juliet, Julius Caesar, Hamlet, Othello, King Lear, Macbeth, Timon of Athens, Anthony and Cleopatra, Coriolanus. Cliffs Notes, 1999.

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7

Suter, Joanne. Macbeth. Lake Education, 1996.

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8

Suter, Joanne. Macbeth. American Guidance Service, 1996.

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9

Wesker, Arnold. Lady Othello and other plays. Penguin Books, 1990.

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10

ill, Hutchison David 1974, and Shakespeare William 1564-1616, eds. William Shakespeare's Macbeth. Magic Wagon, 2008.

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11

Jennings, Caleen Sinnette. Playing Juliet/Casting Othello: Two plays. Dramatic Pub., 1999.

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12

Izumi, Noriko. Shinsakunō Osero: Othello. Izumi Shoin, 2019.

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13

Bradley, Andrew Cecil. Shakespearean tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 3rd ed. St. Martin's Press, 1992.

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14

Bradley, Andrew Cecil. Shakespearean tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 4th ed. Palgrave Macmillan, 2006.

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15

Bradley, Andrew Cecil. Shakespearean tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 4th ed. Palgrave Macmillan, 2007.

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16

Bradley, Andrew Cecil. Shakespearean tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 3rd ed. Macmillan, 1992.

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17

Foster, Cass. The sixty-minute Shakespeare--Macbeth. Five Star Publications, 1997.

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18

1564-1616, Shakespeare William, and Foulds David, eds. Othello and other stories from Shakespeare's plays. Oxford University Press, 1993.

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19

Shakespeare, William. Four great tragedies: Hamlet, Macbeth, Othello, and Romeo and Juliet. Dover Publications, 2005.

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20

Shakespeare, William. Hamlet / Macbeth / King Lear / Othello. Chancellor Press, 1995.

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21

The colour structure in Shakespeare's plays: Hamlet - Macbeth - Othello. Stauffenburg Verlag, 2016.

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22

Shakespeare, William. Four Tragedies: Hamlet/Othello/King Lear/Macbeth (Bantam Classics). Tandem Library, 1999.

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23

Shakespeare, William. Shakespeare's Tragedies/Romeo & Juliet, Julius Caesar, Macbeth, Othello, Hamlet, King Lear. Spoken Arts, 1991.

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24

Shakespeare Interactive: King Lear, Macbeth, the Merchant of Venice, Othello. Macmillan Publishing Company, 1999.

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25

Lejri, Sélima. ‘Remedies for Life’: Curing Hysterica Passio in Shakespeare’s Othello, Macbeth and The Winter’s Tale. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427814.003.0004.

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Sélima Lejri is similarly interested in the coexistence of long-established folklore beliefs in demonism and witchcraft and the emerging scientific etiologies propounded by the physicians of the time. Lejri shows that it is thanks to Edward Jorden’s A Briefe Discourse of A Disease Called the Suffocation of the Mother (1603) that the interpretations of demonic vexation started to give way to the rational alternative of hysteria. It was then that Shakespeare’s interest in the medical theories of physiology, mainly humorism, became palpable. This testifies to the considerable influence of Timothy

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26

Wells, Stanley. 6. Return to tragedy. Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780198718628.003.0006.

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‘Return to tragedy’ begins by looking at the plays Hamlet, Othello, King Lear, and Macbeth. It is a tribute to the Globe playgoers that Shakespeare’s longest play—Hamlet—one of the most complex and intellectually ambitious ever written, was also one of his most popular. When the Lord Chamberlain’s Men became the King’s Men in 1603, Shakespeare’s comedies, and his work in general, took on darker tones and a new seriousness. Both Measure for Measure and All’s Well That Ends Well place their heroines in far more painful situations than those in which the central characters of the earlier comedies

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27

Othello ;: Macbeth. Doubleday Book & Music Clubs, 1990.

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28

Ryan, Kiernan. Shakespearean Tragedy. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781472587022.

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This ground-breaking book reveals the prophetic, revolutionary vision that drives Shakespeare’s tragedies, tracing its unbroken development from its beginnings in the Henry VI plays and Shakespeare’s first tragedy, Titus Andronicus, right through to his last, Coriolanus. The four full-length studies at the heart of the book focus in depth on Shakespeare’s four greatest tragedies: Hamlet, Othello, King Lear and Macbeth. Shakespearean Tragedy engages with each of these titanic masterpieces as a singular, complete work of dramatic art with its own distinctive concerns and critical challenges, but

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29

Shakespeare, William. Shakespeare's Plays with His Life: Romeo and Juliet. Othello. Hamlet. Macbeth. King Lear. Cymbeline. Timon of Athens. Coriolanus. Julius Caesar. Anthony and Cleopatra. Troilus and Cressida. Titus Andronicus. Pericles. Creative Media Partners, LLC, 2023.

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30

Whipday, Emma, ed. Shakespeare / Play. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350304468.

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What is (a) play? How do Shakespeare’s plays engage with and represent early modern modes of play – from jests and games to music, spectacle, movement, animal-baiting and dance? How have we played with Shakespeare in the centuries since? And how does the structure of the plays experienced in the early modern playhouse shape our understanding of Shakespeare plays today? Shakespeare / Playbrings together established and emerging scholars to respond to these questions, using approaches spanning theatre and dance history, cultural history, critical race studies, performance studies, disability stu

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31

Tieck, Ludwig, August Wilhelm Schlegel, and William Shakespeare. Othello. Symbeline. Macbeth. de Gruyter GmbH, Walter, 2021.

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32

Bernays, Michael, Ludwig Tieck, and August Wilhelm Schlegel. Othello. Cymbeline. Macbeth. de Gruyter GmbH, Walter, 2019.

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33

Tieck, Ludwig, and August Wilhelm von Schlegel. Othello. Symbeline. Macbeth. de Gruyter GmbH, Walter, 2021.

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34

Montégut, Emile. Macbeth - Othello: Edition Illustrée. Independently Published, 2017.

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35

Wagoner, Michael M. Interruptions in Early Modern English Drama. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781350259874.

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To interrupt, both on stage and off, is to wrest power. From the Ghost’s appearance in Hamlet to Celia’s frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michae

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36

Landré, Germaine, and William Shakespeare. Othello, Le Roi Lear, Macbeth. Flammarion, 1993.

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37

Rodenburg, Patsy. Speaking Shakespeare. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350161689.

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From A Midsummer Night’s Dream’s Puck to Othello’s Desdemona, this new edition of Speaking Shakespeare gives you all the necessary tools to bring any of Shakespeare’s eclectic characters to life. Patsy Rodenburg uses practical exercises and textual analysis to hone in on your dramatic resonance, breathing and placement in order to unlock your potential for playing these iconic characters. Speeches and scenes such as Mark Antony’s ‘O, pardon me, thou bleeding piece of earth’ and the bloody scene in which Macbeth admits to Lady Macbeth that he has ‘done the deed’ are placed in context and discus

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38

Shakespeare tragedies : King Lear, Macbeth, Othello. ., 2000.

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39

Shakespeare tragedies : King Lear, Macbeth, Othello. ., 2000.

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40

August Wilhelm [Übers. ] Schlegel and Ludwig [Übers ]. Tieck. Ende Gut, Alles Gut. Othello. Cymbeline. Macbeth. de Gruyter GmbH, Walter, 2018.

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41

Gehrmann, Timm. Female Characters in MacBeth , Othello and Hamlet. GRIN Verlag GmbH, 2007.

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42

McGraw-Hill. The Shakespeare Plays: Macbeth. Glencoe/McGraw-Hill, 2001.

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43

Walker, Robert. Macbeth on the Loose. Heinemann Educational Publishers, 2002.

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44

Calcutt, David. Lady Macbeth (Oxford Playscripts). Oxford University Press, 2005.

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45

Shakespeare, William, and Samuel Johnson. Plays of Shakspeare: Hamlet. Othello. Creative Media Partners, LLC, 2023.

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46

Johnson, Samuel. Plays of Shakspeare: Hamlet. Othello. Creative Media Partners, LLC, 2018.

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47

Burningham, Hilary, and Charity Lincoln. Macbeth. ReadZone Books, 2013.

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48

Shakespeare, William. Shakespeare's Tragedies: Macbeth, Othello, King Lear and Hamlet. Arcturus Publishing, 2016.

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49

Shakespeare, William. Macbeth. Steck-Vaughn, 1995.

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50

Macbeth (Dover Thrift Editions: Plays). Independently Published, 2022.

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