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Dissertations / Theses on the topic 'Macbeth'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Podara, Eleni. "Macbeth." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-178040.

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Tato práce dokumentuje Scénická a kostýmní procesu navrhování pro výrobu divadelním představení Shakespearovy hry Macbeth jako vyrobené Pražského shakespearovské společnosti.Výroba byla provedena v Divadle Kolowrat, od 07.11.2013 do 22.listopadu 2013. Navíc produkce cestoval do Houstonu v Texasu v Rice Village divadle Main Street Theater společnosti. Je tam hráli od 27. února do 9. března 2014. Tato práce zahrnuje analýzu hry a postavy a popisuje podrobně proces návrhu a provedení designu. Závěry o všech aspektech tohoto procesu provedení designu. Závěry o všech aspektech tohoto procesu proved

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2

Leung, Hoi-kei Karen Shakespeare William. "Modern Macbeth in Hong Kong /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B3156706x.

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Leung, Hoi-kei Karen, and 梁凱祈. "Modern Macbeth in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45007524.

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4

Johnson, Catherine. "MACBETH: FOR THE PURPOSE OF PROCESS." Master's thesis, Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/263575.

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Theater<br>M.F.A.<br>This thesis paper will explain my set design process for Temple University's 2014 production of Macbeth. I will cover the steps from receiving the assignment to opening night and evaluate its purpose in my education toward a Master's of Fine Arts.<br>Temple University--Theses

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5

Tsang, Jonathan. "Scenography : set and lighting design for Macbeth." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44334.

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Macbeth by William Shakespeare, adapted by Patrick New, was presented as a part of the 2011/2012 Theatre at UBC season at the Frederic Wood Theatre in March 2012. The show was directed by Patrick New and stage managed by Belle Cheung. The design team included Vanessa Imeson (Costume Designer) and Hayley Peterson (Sound Designer) along with myself (Lighting and Set Designer). This report examines the methodology and design for the integration of both set and lighting design in a scenographic manner, and also examines the collaborative relationship between designer and director.

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6

Bills, Danny C. "Harmony and Structure in Richard Strauss's Macbeth." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278998/.

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This study begins with a discussion of step theory. Included in this discussion is the basis of chord succession, the idea of fundamental representation, and the uses of reinterpretation technique. These concepts are then used to demonstrate the continuity and logic of the harmonic language found in Strauss's Macbeth.

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7

Johnson, Virginia Bristol. "Costume designs for Macbeth by William Shakespeare." Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=2962.

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Thesis (M.F.A.)--West Virginia University, 2003.<br>Title from document title page. Document formatted into pages; contains vi, 100 p. : ill. (some col.). Includes abstract. Includes bibliographical references (p. 34-35).

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8

Capozzi, Benedetta <1993&gt. "Macbeth on screen: Welles, Kurosawa, Polanski,Kurzel." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10743.

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This thesis analyses how four directors, Orson Welles, Akira Kurosawa, Roman Polanski and Justin Kurzel, have produced a screen adaptation of Shakespeare’s Macbeth. It starts with a general overview of the play, focusing on the characters and on Shakespeare’s sources and it attempts to reconstruct the general atmosphere in England in the 17th century. After a quick overview on the first stage adaptations in Chapter One, the thesis turns to analyse in detail the four movies. In Chapter Two it discusses Orson Welles’s adaptation of 1948 and his dreamlike representation of the story.The third ch

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9

Ferguson, Lisa. "Lady Macbeth and Gertrude: A Study in Gender." TopSCHOLAR®, 2002. http://digitalcommons.wku.edu/theses/656.

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The detailed examination of two of Shakespeare's female leads, Lady Macbeth and Gertrude, is designed to determine whether or not these particular characters were free from the confines of their society, or if they were content within its oppressive grasp. A combination of Feminist Criticism and New Historicism reveals that Lady Macbeth and Gertrude did not overstep the bounds of their gender, but in fact were suppressed within them. The limited rights and freedoms of a woman during the Renaissance is heavily discussed, and aids in giving the reader a vivid impression of Lady Macbeth's and Ger

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Xaver, Savannah. "Blood and Milk: The Masculinity of Motherhood in Shakespeare's Tragedies." University of Toledo Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1450433405.

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11

Lidzén, Susanne. "Låt oss inte glömma Lady Macbeth! : En komparativ studie av Lady Macbeth i Shakespeares tragedi samt i tre moderna TV- och filmadaptioner." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-80335.

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The work of Shakespeare has been popular to make film adaptations of from the birth of cinema. Macbeth, one of his most often played tragedies, is no exception. But how did Shakespeare portray Lady Macbeth in his play, and how do directors in the 21th century choose to portray her for a modern audience? I will try to find the answer to these questions by analyzing Shakespeare´s play as well as three modern adaptations. I will begin the thesis by looking at scholars´ view in questions regarding gender, free will, adaptations and genre before analyzing the play and the three movies. I will do th

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12

Soulstein, Seth Koozel. "Macbeth as Avatar : fandom in British Romantic theatre audiences." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/41995.

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This study aims to place two previously disconnected areas of academic inquiry, Romantic theatre studies and fandom studies, in dialogue with one another, to the mutual benefit of both fields. Towards this end, I focus on a particular manifestation of fan behavior, the deployment of popular iconography and mythology as a protest strategy – a mode of fandom recently codified as “Avatar activism” by Henry Jenkins, a leading fan scholar – and look for its existence in a specific moment in time in Romantic London: the 1809 Old Price Riots. Fandom studies, as a discipline, looks at active media a

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13

Arbuck, Ava. "By self and violent hands : the "ideal" Lady Macbeth." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56808.

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One of the most perplexing figures in Shakespeare's tragedies is Lady Macbeth. In light of recent feminist studies, Lady Macbeth must be studied in the social and historical context of Shakespeare's own era. By comparing the situation of women at that time with the vast number of social constraints placed on them through state channels, we see these women emerging from the social ideal of the cloistered submissive wife despite the attempts of patriarchal politics to restrain their advances.<br>Lady Macbeth's actions are often interpreted as those of a bloodthirsty woman overstepping her social

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Cusimano, Maria. "Temptation, Sin, and the Human Condition in Shakespeare's Macbeth." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/1969.

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William Shakespeare’s Macbeth is colored with religious overtones. His play incorporates elements of religious beliefs of Renaissance England. Aside from its historical basis, Shakespeare’s Macbeth alludes to stories from Scripture as well as Renaissance religious practices and beliefs, particularly regarding witchcraft, prophecy, and the dangers of sin. Through this myriad of sources, Shakespeare offers a vivid and grotesque depiction of a man demise due to his involvement with sin, offering a profound caution to his audience of the dangers of temptation and sin.

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Silva, Vítor André Marinho Amaral da. "Sustentabilidade na selecção de fornecedores: aplicação da metodologia MACBETH." Master's thesis, Universidade de Aveiro, 2009. http://hdl.handle.net/10773/1784.

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Mestrado em Engenharia e Gestão Industrial<br>A actual situação de degradação ambiental provocou no meio empresarial uma mudança significativa no que concerne à preocupação sobre os efeitos das suas actividades no meio ambiente. Em alguns casos, esta mudança foi forçada através de leis e regulamentos que estipulam a alteração no modo de operar de algumas empresas. Por outro lado, algumas organizações adoptam a consciência ambiental como parte integrante do seu negócio, fazendo da mesma um porta estandarte da sua actividade. Um processo crítico relacionado com esta temática é o de selecção de f

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Metcalf, John Maurice Carleton University Dissertation English. "The presentation of Jacobean witchcraft beliefs in Shakespeare's Macbeth." Ottawa, 1992.

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Lassus, Marie-Pierre. "La voix et le geste dans Macbeth de Verdi /." Tours : [M.-P. Lassus], 1988. http://catalogue.bnf.fr/ark:/12148/cb35850117g.

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Foraker, Robynn Marie. "Finding the Voice of Lady MacBeth ---- Voice and text work for the contemporary actor through the rehearsal and performance of Macbeth (from Shakespeare)." University of Akron / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=akron1363603299.

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Queluz, Rebeca Pinheiro. "Macbeth de Gabriel Villela : uma re-criação da tragédia Shakespeariana." reponame:Repositório Institucional da UFPR, 2015. http://hdl.handle.net/1884/37885.

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Orientadora : Profª Drª Célia Arns de Miranda<br>Dissertação (mestrado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Defesa: Curitiba, 02/04/2015<br>Inclui referências<br>Área de concentração: Estudos literários<br>Resumo: Na história da adaptação, apropriação e tradução shakespeariana, Macbeth, considerada uma das quatro grandes tragédias, ocupa um lugar privilegiado. Os temas presentes nessa peça (ambição desmedida, aparência e realidade, o peso da culpa, a corrupção do poder, violência, tirania) fornecem material para incontáveis releitur

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Girling, Christine. "Auteurs of Macbeth : Akira Kurosawa, Orson Welles and Roman Polanski." Thesis, University of Birmingham, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.633098.

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Akira Kurosawa, Orson Welles and Roman Polanski: three very different filmmakers in whose hands Macbeth becomes three very different films. For Kurosawa, who admits himself to being obsessed with exploring the "extraordinary things that lie in human hearts," the play becomes a humanist drama concerned with man's inner evil and ambition; in the hands of Welles - whose chief agenda was always extravagance and spectacle rather than character development -Macbeth becomes a more symbolic fight between good and evil; whereas Polanski, whose major concern is often with the "confrontation of evil," pr

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Pires, Patrick. "Proposta de substituição da HK G3 : aplicação da metodologia Macbeth." Master's thesis, Instituto Superior de Economia e Gestão, 2019. http://hdl.handle.net/10400.5/19181.

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Mestrado em Contabilidade, Fiscalidade e Finanças Empresariais<br>Face aos novos desafios impostos às Forças Armadas estas encontram-se num processo de modernização dos seus equipamentos. A espingarda HK G3 encontra-se ao serviço da Força Aérea desde da década de 70. A saída das fileiras desta espingarda já se encontra a decorrer no Exército. O presente trabalho tem por objetivo escolher uma possível arma para a substituição da HK G3 na Força Aérea. Esta escolha assenta na aplicação da análise multicritério, através da metodologia MACBETH. Para proceder à aplicação desta metodologia foi neces

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Braz, José Miguel Baptista Proença. "O MacBeth como ferramenta MCDA para o benchmarking de aeroportos." Master's thesis, Universidade da Beira Interior, 2011. http://hdl.handle.net/10400.6/2052.

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O Benchmarking de Aeroportos é visto hoje em dia como uma ferramenta de importância fulcral para os decisores do ramo aeronáutico, sejam eles: Estados/Governos, Companhias Aéreas, Gestores de Empresas, Passageiros, ou a própria Administração aeroportuária. Quando se pretende efectuar o benchmarking de aeroportos é necessária a produção de rankings. Para tal, além da identificação dos critérios que melhor possam responder ao que se pretende estudar e à avaliação da atractividade de cada um deles, a identificação de qual o melhor método para executar os referidos rankings assume extrema importâ

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Winkler, Stephanie. "Lady Macbeth narrada : dialogismo e responsabilidade em Shakespeare e Leskov." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/16448.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2014.<br>Submitted by Ana Cristina Barbosa da Silva (annabds@hotmail.com) on 2014-10-10T18:02:50Z No. of bitstreams: 1 2014_StephanieWinkler.pdf: 733152 bytes, checksum: 4dc4c5d26511581e54478f75507f111c (MD5)<br>Approved for entry into archive by Guimaraes Jacqueline(jacqueline.guimaraes@bce.unb.br) on 2014-10-13T13:43:00Z (GMT) No. of bitstreams: 1 2014_StephanieWinkler.pdf: 733152 bytes, checksum: 4dc4c5d26511581e54478f75507f111c (MD5)

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Schimpf, Wolfgang. "Hekate als Medea. Beobachtungen zu einer melodramatischen Szene in «Macbeth»." Bärenreiter Verlag, 1998. https://slub.qucosa.de/id/qucosa%3A37034.

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Burns, Eric M. Brooks Frederick P. "MACBETH management of avatar conflict by employment of a technique hybrid /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,836.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Dec. 18, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Computer Science." Discipline: Computer Science; Department/School: Computer Science.

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New, Patrick. "Macbeth in context : putting the Scottish back into 'the Scottish play'." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42197.

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Macbeth in Context: Putting the Scottish back into 'the Scottish Play' is an examination of the historical context in which the play Macbeth was written, the process of conceptualizing a production for the Frederic Wood Theatre, and the journey of getting it to the stage. Macbeth is a Scottish play, written for a Scottish King, and containing Scottish characters and culture. It is my intention to illuminate why the play was written, and detail my conceptualization for presenting a truly Scottish production of Macbeth.

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Shugar, Seth. "Knowing is not enough : Akrasia and self-deception in Shakespeare's Macbeth." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99391.

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Traditionally, Macbeth has been read as a morality tale about the perils of ambition. The question that has implicitly animated most treatments of the play is, "Why does Macbeth kill Duncan?" By shifting the emphasis away from Macbeth's motives for killing Duncan onto his inability to refrain from killing him, I draw attention to the striking fact that, in killing King Duncan, Macbeth acts against a fully considered better judgment not to. This suggests the possibility that Macbeth's much-discussed ambition can be understood as a subset of the broader theme of akrasia , the condition in which

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Main, Christopher. "The first folio text of Macbeth : an annotated edition with commentary." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326883.

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Ludwig, Carlos Roberto. "Tensões políticas e psicológicas em 'MacBeth' e no drama de Shakespeare." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15321.

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A proposta de dissertação de mestrado, intitulada Tensões Políticas e Psicológicas em Macbeth e no Drama de Shakespeare, é fazer uma leitura crítica à luz dos aspectos históricos e dos problemas psicológicos apresentados na obra de Shakespeare (1564-1616). Serão analisados os problemas políticos, históricos e psicológicos em Macbeth e no drama shakespeariano, pois, percebe-se uma intrínseca relação entre as tensões políticas e históricas e a consciência na obra de Shakespeare, nem sempre elucidada pela crítica contemporânea. Assim, notam-se dois elementos opostos, que geram tais conflitos: de

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Ibala, Marcel-Yves. "La connaissance de soi dans la tragédie d'hamlet et dans macbeth." Paris 4, 1987. http://www.theses.fr/1987PA040277.

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Dans cette etude, l'auteur suggere la possibilite de comprendre le drame shakespearien, et plus particulierement les tragedies d'hamlet et de macbeth, a la lumiere de la methodologie platonicienne. Celle-ci est d'actualite a la renaissance anglaise, dans les poesies de spenser et de sidney. Le poete se definit alors comme un humaniste par sa capacite de concevoir la compatibilite entre toutes les sciences a travers son seul art. L'analyse de la tragedie d'hamlet revele l'echo de certains mythes litteraires. Cette tragedie est de ce fait un doublet dans lequel s'agencent, en plus du mythe d'oed

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Apt, Bryan. "A Wave of Destruction: Time's Inexorable Effects in Hamlet and Macbeth." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:24078347.

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This thesis explores the typically cited character flaws of Macbeth and Hamlet and asserts that these flaws are not the main cause of their tragic downfalls, but, rather, it is the immense psychological and corporeal stresses created by the inexorable progression of time on the chief characters of Shakespeare’s plays, Macbeth and Hamlet, which lead Macbeth and Hamlet to their destruction. This thesis begins by examining the typical “character flaw” interpretation of Macbeth and Hamlet, which many critics assert, led to their eventual ruin and deaths of many around them. Subsequently, I cite su

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Loucks, Jessica Lenore. "The nature of nurture : fluids as indicators of naturalness in Macbeth /." Abstract Full Text (HTML) Full Text (PDF), 2009. http://eprints.ccsu.edu/archive/00000579/02/2009FT.htm.

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Thesis (M.A.) -- Central Connecticut State University, 2009.<br>Thesis advisor: Stephen Cohen. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 68-70). Abstract available via the World Wide Web.

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Clausen, Christoph. "Macbeth multiplied : negotiating historical and medial difference between Shakespeare and Verdi /." Amsterdam : Rodopi, 2005. http://catalogue.bnf.fr/ark:/12148/cb40132819c.

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Suchánková, Eva. "Bedřich Smetana - inspirace Shakespearem se zaměřením na skladbu Macbeth a Čarodějnice." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202976.

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The master thesis deals with the piano sketch Macbeth and the Witches written by Bedřich Smetana. First of all, the reader is familiarized with the biography of B. Smetana, where the deciding moment for writing this music piece is captured. The inspiration by William Shakespeare is put to a broader context with Smetana's work. The original drama is compared with Smetana's music. The sketch has been revised four times since its creation, in 1912 by Jindřich Káan z Albestů, in 1924 by Roman Veselý, in 1961 by Václav Štěpán and in 1981 by Jan Novotný. The last two revisions were compared in deta

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Schmidt, Angela Maria Atherino. "Processo de apoio a tomada de decisão abordagens : AHP e MACBETH." reponame:Repositório Institucional da UFSC, 1995. https://repositorio.ufsc.br/xmlui/handle/123456789/157951.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro Tecnológico, Programa de Pós-Graduação em Engenharia de Produção.<br>Made available in DSpace on 2016-01-08T19:54:10Z (GMT). No. of bitstreams: 0 Previous issue date: 1995<br>O processo de tomada de decisão é um processo subjetivo, que o decisor exerce através da percepção e do julgamento sob o seu ponto de vista. Os métodos multicritérios de apoio à decisão caracterizam-se principalmente pela capacidade de analisar problemas incorporando critérios, tanto quantitativos como qualitativos. Duas escolas multicritérios fora

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Gill, Allen Jacoway. "The Military Figure as Tragic Hero: Understanding the Actions of Macbeth." W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539625898.

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Bongiolo, Arianna <1991&gt. "William Shakespeare's Macbeth Problems and Challenges in Staging the Scottish Play." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10871.

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Over the years, Macbeth has been widely admired, but on the stage it has not managed to achieve the “iconic” status of many productions of Hamlet and King Lear. Actually, no other play by Shakespeare has so extensively disappointed the audiences. Moving into the 20th century, Macbeth stage history is littered with failure. Despite the play’s bold outline, there are in fact, specific difficulties which any director must confront. The first of these is the role and staging of the supernatural elements of the play, specifically the Witches, the dagger, and Banquo’s ghost. It has proved to be ver

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Pinent, Antoni. "Dreaming “Macbeth’s film Project”. La práctica artística como investigación. Proceso de construcción del proyecto cinematográfico “Macbeth / The Empire State” y su contextualización." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/374246.

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El trabajo que aquí se presenta trata de dar cuenta del trayecto frustrado a lo largo de más de un lustro. La intención inicial era tratar de poner en pie un proyecto de largometraje cinematográfico, para que éste se convirtiera en objeto de estudio para el trabajo de tesis. Viéndose frustrado en varios intentos en su pre-producción, y llegando a las fechas establecidas para la conclusión y la entrega de la tesis, lo que se incluye aquí es el trabajo realizado hasta el momento durante ese camino. En éste se traslada el recorrido establecido desde la primera idea, su particular casting, el cont

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Santana, Aparecida de Oliveira. "Impactos e desdobramentos do Curadermite : uma tecnologia gerada pela Embrapa Tabuleiros Costeiros." Universidade Federal de Sergipe, 2006. https://ri.ufs.br/handle/riufs/4078.

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The human environment intervenience aiming the progress and the yields increases has been causing social, economic and environmental unbalance. Since the nineties, the raise of environmental conciousness has induced the search for higher production, with a lower environmental impact, redefining a new vision of the natural resources economic exploitation. Brazil has a clear tradition in developing technologies for agriculture. Embrapa, the Brazilian Corporation for Research in Agriculture develops research offering its results, products and services to the society. However, part of these tecno

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Collick, J. "Witchcraft by a picture, areas of resistance in Shakespearean film." Thesis, University of Sussex, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384745.

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Traditionally a Shakespeare film is seen as an act of translation from one idealised source of meaning (the text) to another (the language of cinema). This approach dismisses or misinterprets the majority of films made because they are either silent or foreign. Silent films, it is claimed cannot recreate the text. Many foreign films distort the plays' 'meaning' to cater for their audiences. This thesis challenges these assumptions by analysing two representative examples from these 'areas of resistance', Rather than compare these to an ideal concept of the plays it seeks to contextualise the f

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Myers, Lynette Mary. "The poetry of prevarication : a study of the functional integration of style and imagery with character andaction in Shakespeare's Macbeth / Lynette Mary Myers." Thesis, Potchefstroom University for Christian Higher Education, 1985. http://hdl.handle.net/10394/10076.

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I have proved that prevarication is a current that initiates the evil actions that are committed. I have traced some of the oblique, dishonest euphemisms used by Macbeth and Lady Macbeth in their language in their attempt to deceive themselves and others of their intentions. This linguistic device sharpens our awareness of their prevarication and avoidance of facing the truth, and their attempt at self-deception and equivocation. They enter into physical and spiritual duplicity. The Witches are structurally important and function in contributing to the ambiguous action of the play, and initiat

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McFall, Edwin K. "Tragic hero to antichrist : Macbeth, the Oedipus Tyrannus of the English Renaissance /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10234.

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Curtis, T. L. "The life and times of a literary chameleon, Madge Hamilton Lyons Macbeth." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ27490.pdf.

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Hays, Michael Louis. "Shakespearean tragedy as chivalric romance : rethinking Macbeth, Hamlet, Othello and King Lear /." Cambridge : D. S. Brewer, 2003. http://www.loc.gov/catdir/toc/fy045/2003004936.html.

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Lejri, Sélima. "Dionysisme et possession démoniaque dans les Bacchantes d'Euripide et Macbeth de Shakespeare." Paris 3, 2006. http://www.theses.fr/2006PA030033.

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Bien qu'il n'y ait pas de preuves satisfaisantes quant à l'apprentissage classique de Shakespeare et à l'éventuelle filiation grecque de sa tragédie, on peut néanmoins s'interroger sur les parallélismes parfois frappants, entre, d'un côté, les principales facettes du dionysisme (phénomène de possession et de transe propre au dieu grec Dionysos) tel qu'il est dépeint par Euripide dans Les Bacchantes, et de l'autre, ses diverses déclinaisons (sorcellerie, hystérie, troubles politiques, bouc émissaire, retour du monde vert, etc. ) dans Macbeth. Au-delà des limites de l'influence directe ainsi que

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McCleary, Mary. "Textual composition and the Macbeth, Othello, and Falstaff of Shakespeare and Verdi." Thesis, Boston University, 2012. https://hdl.handle.net/2144/32035.

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Thesis (Ph.D.)--Boston University<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>The dissertation examines adaptations of Shakespearean plays in the operatic libretti of Giuseppe Verdi (1813-1901), who dominated Italian opera in the second half of the nineteenth century. Although Verdi re

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Andrade, Gustavo Naciff de. "Utilização do método multicritério Macbeth para agregar os outputs em análise envoltória de dados." Niterói, 2017. https://app.uff.br/riuff/handle/1/4074.

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Submitted by Secretaria Pós de Produção (tpp@vm.uff.br) on 2017-07-27T18:57:44Z No. of bitstreams: 1 D2016 - Gustavo Naciff de Andrade.pdf: 2452194 bytes, checksum: f8401611b3a2637e99e0b74cf7192ddd (MD5)<br>Made available in DSpace on 2017-07-27T18:57:44Z (GMT). No. of bitstreams: 1 D2016 - Gustavo Naciff de Andrade.pdf: 2452194 bytes, checksum: f8401611b3a2637e99e0b74cf7192ddd (MD5)<br>Medir a eficiência levando em consideração as preferências de um decisor estabelecidas a priori. Para tanto propõe-se a integração da modelagem de Análise Envoltória de Dados (DEA) e a metodologia multicrité

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Habington, William A. "Necessary evil, the interplay of compulsion and necessity in Doctor Faustus and Macbeth." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ36458.pdf.

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Greiffenhagen, Christian. "'Macbeth ex machina' : an ethnomethodological study of computer-based storyboarding in school classrooms." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.401069.

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O'Neill, Sinéad. "A history of opera in performance : Verdi's Macbeth at Glyndebourne, 1938 to 2007." Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1319.

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This dissertation is a history of Glyndebourne Festival Opera’s productions of Verdi’s Macbeth. The first three chapters document each of the three productions, which are directed by Carl Ebert (1938), Franco Enriquez (1964), and Richard Jones (2007). The final chapter is an analysis – focusing on the score’s staging potential – of the opera itself. The analysis is used to draw together and clarify the various staging interpretations discussed in the previous three chapters. The Glyndebourne Archives form the main source for the first two chapters, and my observation of rehearsals and performa

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