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Journal articles on the topic 'MacDiarmid'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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1

Puymbroeck, Birgit Van. "Compton Mackenzie's and Hugh MacDiarmid's Early Broadcasting Critique: Vox, Modernism, and the BBC." Modernist Cultures 14, no. 4 (2019): 522–42. http://dx.doi.org/10.3366/mod.2019.0270.

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This article recovers Compton Mackenzie's little-known radio journal Vox, The Radio Critic and Broadcasting Review for critical consideration, and shows that, through Vox and through their own radio broadcasts, Mackenzie and Hugh MacDiarmid (who acted as managing editor of Vox) advocated regional variety and independence. It builds on recent approaches to regional modernism, demonstrating how Vox resisted a national framework, and reads Mackenzie's critical journal in dialogue with MacDiarmid's modernism.

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2

Li, Li, and Liu Aihua. "From Scots to Mandarin: The Translation and Reception of Hugh MacDiarmid’s Poetry in China." Translation and Literature 31, no. 3 (2022): 341–57. http://dx.doi.org/10.3366/tal.2022.0519.

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Drawing partly on paratexts and an interview, this article discusses the translation into Chinese of one of Scotland’s most prominent cultural figures of the past century, Hugh MacDiarmid, the pseudonym of Christopher Murray Grieve (1892-1978). The article assesses the translation of a selection of his poems by three Chinese scholars: Wang Zuoliang, Zhang Jian, and Huang Canran. The article highlights the linguistic challenges that MacDiarmid’s poetry in dense literary Scots poses for translators in general, and Chinese translators in particular. Translators also need to address the many speci

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3

Scott, Paul Henderson. "Review: Hugh MacDiarmid." Scottish Affairs 85 (First Serie, no. 1 (2013): 115–16. http://dx.doi.org/10.3366/scot.2013.0049.

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4

Surtees, J. "Ian Macdiarmid Brown." BMJ 342, jun28 2 (2011): d4072. http://dx.doi.org/10.1136/bmj.d4072.

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5

Heeger, Alan J. "Alan Graham MacDiarmid." Physics Today 60, no. 4 (2007): 76–78. http://dx.doi.org/10.1063/1.2731988.

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6

Riach, Alan, and W. N. Herbert. "To Circumjack MacDiarmid: The Poetry and Prose of Hugh MacDiarmid." Yearbook of English Studies 25 (1995): 327. http://dx.doi.org/10.2307/3508909.

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7

Tuma, Keith. "Selected Poetry, and: To Circumjack MacDiarmid: The Poetry and Prose of Hugh MacDiarmid, and: Hugh MacDiarmid: Man and Poet." Modernism/modernity 1, no. 3 (1994): 286–89. http://dx.doi.org/10.1353/mod.1994.0046.

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8

Purdie, Bob, Dorian Grieve, Owen Dudley Edwards, and Alan Riach. "Crossing Swords with MacDiarmid." Irish Review (1986-), no. 29 (2002): 146. http://dx.doi.org/10.2307/29736087.

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9

Dhonnchadha, Máirín Ní, and Derick S. Thomson. "The MacDiarmid MS Anthology." Comhar 52, no. 1 (1993): 26. http://dx.doi.org/10.2307/25572013.

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10

Pyman, Avril, and Peter McCarey. "Hugh MacDiarmid and the Russians." Modern Language Review 84, no. 4 (1989): 1053. http://dx.doi.org/10.2307/3731276.

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11

Purdie, Bob. "Review: Edinburgh Companion to MacDiarmid." Scottish Affairs 84 (First Serie, no. 1 (2013): 106–11. http://dx.doi.org/10.3366/scot.2013.0032.

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12

Roy, G. Ross, and Peter McCarey. "Hugh MacDiarmid and the Russians." World Literature Today 64, no. 1 (1990): 175. http://dx.doi.org/10.2307/40146044.

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13

Holmes, Andrew. "Alan Graham MacDiarmid (1927–2007)." Nature 446, no. 7134 (2007): 390. http://dx.doi.org/10.1038/446390a.

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14

Roy, G. Ross, Hugh MacDiarmid, Christopher Murray Grieve, and Alan Bold. "The Letters of Hugh MacDiarmid." World Literature Today 59, no. 4 (1985): 599. http://dx.doi.org/10.2307/40142030.

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15

HALFORD, BETHANY. "ALAN MACDIARMID DIES AT 79." Chemical & Engineering News 85, no. 7 (2007): 16. http://dx.doi.org/10.1021/cen-v085n007.p016.

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16

Heeger, Alan J. "Alan G. MacDiarmid (1927–2007)." Angewandte Chemie 119, no. 13 (2007): 2188–89. http://dx.doi.org/10.1002/ange.200700747.

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17

Hargittai, István. "Alan G. MacDiarmid (1927–2007)." Structural Chemistry 18, no. 4 (2007): 531–32. http://dx.doi.org/10.1007/s11224-007-9203-9.

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18

Heeger, Alan J. "Alan G. MacDiarmid (1927–2007)." Angewandte Chemie International Edition 46, no. 13 (2007): 2140–41. http://dx.doi.org/10.1002/anie.200700747.

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19

Herrmann Jr., Paulo Sérgio de Paula. "MacDiarmid: trabalho e entusiasmo produzindo ciência." Polímeros 14, no. 3 (2004): E4—E9. http://dx.doi.org/10.1590/s0104-14282004000300003.

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20

Manson, John. "Did Hugh MacDiarmid ‘drink the money’?" Notes and Queries 65, no. 3 (2018): 420–22. http://dx.doi.org/10.1093/notesj/gjy079.

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21

Baughman, R. H. "RETROSPECTIVE: Alan G. MacDiarmid (1927-2007)." Science 315, no. 5819 (2007): 1678. http://dx.doi.org/10.1126/science.1141133.

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22

Scott-Sutherland, Colin. "Thoughts on Ronald Stevenson's MacDiarmid Songs." Tempo, no. 188 (March 1994): 2–9. http://dx.doi.org/10.1017/s004029820004780x.

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There is no more apposite coalescence between Ronald Stevenson the musician and Hugh MacDiarmid the poet than in those lines (a lyric from the long philosophical poem-sequence To Circumjack Cencrastus), which Stevenson set around 1975 as The Song of the Nightingale. There are few singers in today's world, even though there is much left to sing about. But the singer – if he can be found – is of necessity a solitary: an individual (nay an individualist) whose pipings, heard perhaps in Eden, are now all too often swamped in the chaotic noise of what passes in so many areas, not least in music (wh

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23

Roberts, Richard H. "Hugh MacDiarmid’s ‘On Raised Beach’: ‘Geopoetics’ in a Time of Catastrophic Crisis’." Religions 13, no. 1 (2021): 31. http://dx.doi.org/10.3390/rel13010031.

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The poet Hugh MacDiarmid (1892–1978) was the major driving force behind the twentieth-century Scottish literary renaissance and was also a passionate Scottish nationalist. His poem ‘On a Raised Beach’ (1934) has been understood in theological and philosophical terms as a metaphysical exploration, albeit one grounded in an immediate experience of nature that took place on Shetland. In this paper, MacDiarmid’s epic is placed in the context of the present environmental crisis and the ongoing consequences of the COVID-19 pandemic. ‘On a Raised Beach’ can now be re-located within the hermeneutical

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24

Roy, G. Ross, and Alan Bold. "MacDiarmid: Christopher Murray Grieve: A Critical Biography." World Literature Today 65, no. 1 (1991): 121. http://dx.doi.org/10.2307/40146227.

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25

Whitworth, Michael H. "Hugh MacDiarmid and Chambers's Twentieth Century Dictionary1." Notes and Queries 55, no. 1 (2008): 78–80. http://dx.doi.org/10.1093/notesj/gjm258.

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26

Duchateau, Béatrice. "Hugh MacDiarmid : la poésie du « révolté métaphysique »." Études anglaises 72, no. 3 (2019): 354. http://dx.doi.org/10.3917/etan.723.0354.

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27

Korzeniowska, Aniela. ""Scotland Small? Our Multiform, Our Infinite Scotland Small?" Scotland's Literary Contribution to the Modern World." Colloquia Humanistica, no. 2 (June 13, 2015): 33–54. http://dx.doi.org/10.11649/ch.2013.003.

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"Scotland Small? Our Multiform, Our Infinite Scotland Small?" Scotland's Literary Contribution to the Modern WorldHugh MacDiarmid’s poem "Scotland Small?" (1943) questions the widespread opinion at the time that Scotland was only a small country geographically with "nothing but heather!", showing how "marvellously descriptive" this may be, but also totally "incomplete". The issue addressed in this article is how Scottish letters, starting with the outstanding and multiform writings of the same Hugh MacDiarmid (Christopher Murray Grieve [1892-1978]) and ending with observations of the internati

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28

Mattoso, L. H. C., and P. S. P. Herrmann. "Alan MacDiarmid, um Nobel, uma lição de vida!" Polímeros 17, no. 1 (2007): E4—E5. http://dx.doi.org/10.1590/s0104-14282007000100003.

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29

Riach, Alan. "Hugh MacDiarmid and the Russians (review)." Philosophy and Literature 13, no. 1 (1989): 207–9. http://dx.doi.org/10.1353/phl.1989.0064.

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30

Hart, Francis Russell, Alan Bold, Nancy K. Gish, Harvey Oxenhorn, and Hugh MacDiarmid. "Datchie Sesames: A New Moment in MacDiarmid Criticism." Contemporary Literature 26, no. 4 (1985): 508. http://dx.doi.org/10.2307/1208122.

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31

Reid-Baxter, James. "William Sweeney and the Voice of the People." Tempo, no. 188 (March 1994): 26–30. http://dx.doi.org/10.1017/s0040298200047847.

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‘Rise to birth with me now, my brother …’William Sweeney's most extended work to date is also his best-known, thanks to its having been broadcast three times. Most recently, and appropriately, his 70-minute setting of Hugh MacDiarmid's epic A Drunk Man Looks at the Thistle was heard on Radio 3 on Hogmanay. What better moment than the gateway of the New Year for Sweeney's musical gallimaufry, which in its rich diversity and mixture of song and speech, not to mention musical styles, is a faithful tribute to the poem it sets? In a sense, Sweeney's setting repays a very old debt. For it was the vo

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32

Walton, Chris. "COMPOSER IN INTERVIEW: RONALD STEVENSON – A SCOT IN ‘EMERGENT AFRICA’." Tempo 57, no. 225 (2003): 23–31. http://dx.doi.org/10.1017/s0040298203000226.

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The Scottish composer and pianist Ronald Stevenson, who celebrated his 75th birthday on 6 March of this year, is a man about whom it is difficult to remain objective. His Passacaglia on DSCH for piano solo, one of the longest single-movement works in the literature, has for some already gained near-legendary status. Yet Stevenson himself remains serenely, even ascetically unaware of both the adulation he induces in some and the bemusement that this in turn can cause in others – a quality that is not a little reminiscent of Busoni, the musician whom Stevenson probably admires the most, and whos

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33

Pullen, Charles. "Hugh MacDiarmid: The Poetry of Self by John Baglow." ESC: English Studies in Canada 15, no. 2 (1989): 240–44. http://dx.doi.org/10.1353/esc.1989.0052.

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34

Jones, Michael. "Piano Music by Erik Chisholm." Tempo 59, no. 231 (2005): 72. http://dx.doi.org/10.1017/s004029820524007x.

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Piano music of Erik Chisholm and his friends. BARTÓK: With Drums and Pipes. SORABJI: Fantasiettina sul nome illustre dell'Egregio poeta Hugh MacDiarmid ossia Christopher Grieve. CHISHOLM: Piano Sonata in A, An Riobain Dearg. STEVENSON: A Threepenny Sonatina. BUSONI: Fantasia Contrappuntistica. Murray McLachlan (pno). Dunelm DRD0219.CHISHOLM: Music for piano Volume 1. Straloch Suite; Scottish Airs for Children; Piano Sonata in A (abridged version 2004). Murray McLachlan (pno). Dunelm DRD0222.

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35

Thomson, Alex. "The Asymmetry of British Modernism: Hugh MacDiarmid and Wyndham Lewis." Modernist Cultures 8, no. 2 (2013): 252–71. http://dx.doi.org/10.3366/mod.2013.0064.

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36

Robichaud, Paul. "MacDiarmid and Muir:Scottish Modernism and the Nation as Anthropological Site." Journal of Modern Literature 28, no. 4 (2005): 135–51. http://dx.doi.org/10.2979/jml.2005.28.4.135.

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37

Shirakawa, Hideki. "Path to the Synthesis of Polyacetylene Films with Metallic Luster: In Response to Rasmussen’s Article." Substantia 6, no. 1 (2022): 121–27. http://dx.doi.org/10.36253/substantia-1426.

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The 2000 Nobel Prize in Chemistry was awarded jointly to Alan J. Heeger, Alan G. MacDiarmid, and Hideki Shirakawa “for the discovery and development of conductive polymers.” Unlike metals, organic polymers or plastics do not conduct electricity. The three laureates found that polyacetylene can be doped on a film, which was initially synthesized by Shirakawa following a failed experimental trial by a Korean scientist, Hyung Chick Pyun. Later, Pyun insisted that he was the discoverer of polyacetylene films with silvery sheen. This note sheds light on the true history of the synthesis of polyacet

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38

Robichaud, Paul. "MacDiarmid and Muir: Scottish Modernism and the Nation as Anthropological Site." Journal of Modern Literature 28, no. 4 (2005): 135–51. http://dx.doi.org/10.1353/jml.2005.0058.

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39

Blaikie, Andrew. "Homeless Minds, Imagined Nations, Peripheral Visions: Hugh MacDiarmid and Allen Curnow." Journal of Irish and Scottish Studies 4, no. 1 (2010): 65–78. http://dx.doi.org/10.57132/jiss.113.

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40

Posner, Bruce, Kaikhosru Shapurji Sorabji, Ronald Stevenson, and Bernard van Dieren. "Fantasiettina sul nome illustre dell'egregio poeta Hugh MacDiarmid ossia Christopher Grieve (1961)." Notes 46, no. 2 (1989): 511. http://dx.doi.org/10.2307/941101.

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41

Veitch, Karen. "'Exchange is Creation': The Revolutionary Poetics of Muriel Rukeyser and Hugh MacDiarmid." Comparative American Studies An International Journal 7, no. 3 (2009): 238–52. http://dx.doi.org/10.1179/147757009x12520556873655.

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42

عبدالله, علاء سید محمود, and Osama Abd EI-Fattah Madany. "Old Norse Influence in the Poetry of Hugh MacDiarmid and George Mackay Brown." مجلة بحوث کلیة الآداب . جامعة المنوفیة 13, no. 49 (2002): 27–67. http://dx.doi.org/10.21608/sjam.2002.140602.

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43

Marles, Kay. "Century of Insight: The Twentieth Century Enlightenment of the Mind by Macdiarmid , Derry." Journal of Analytical Psychology 58, no. 5 (2013): 703–5. http://dx.doi.org/10.1111/1468-5922.12045_3.

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44

Smith, G. S. "D.S. Mirskii and Hugh MacDiarmid: A Relationship and an Exchange of Letters (1934)." Slavonica 3, no. 2 (1996): 49–60. http://dx.doi.org/10.1179/sla.1996.3.2.49.

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45

Murphet, Julian. "Astonied: the mineral poetics of Robinson Jeffers, Hugh MacDiarmid, Francis Ponge and Muriel Rukeyser." Textual Practice 34, no. 9 (2020): 1501–17. http://dx.doi.org/10.1080/0950236x.2020.1808298.

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46

Callaghan, Paul T., and Richard J. Blaikie. "The MacDiarmid Institute for Advanced Materials and Nanotechnology: a New Zealand Centre of Research Excellence." International Journal of Nanotechnology 6, no. 3/4 (2009): 298. http://dx.doi.org/10.1504/ijnt.2009.022921.

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47

Lyall, Scott. "Minor Modernisms: The Scottish Renaissance and the Translation of German-language Modernism." Modernist Cultures 14, no. 2 (2019): 213–35. http://dx.doi.org/10.3366/mod.2019.0251.

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Germany has been epitomised in the twentieth century as Britain's main rival and adversary. Yet Scottish modernists were influenced by Germany and German-language modernism to think more internationally about their nation and work, a cultural encounter that took place largely in and through translation. Willa and Edwin Muir, who in the early 1920s stayed at educational modernist A. S. Neill's experimental school in Germany, translated German-language modernists such as Kafka and Broch. Hugh MacDiarmid utilised translations of Nietzsche to inform his call for a renascent Scotland. Lewis Grassic

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48

Lien, Duncan Gullick. "Rehearsing Better Worlds: Poetry as A Way of Happening in the Works of Tomlinson and MacDiarmid." Philosophy and Literature 42, no. 1 (2018): 185–200. http://dx.doi.org/10.1353/phl.2018.0010.

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49

Hanna, Julian. "‘BLAST First (from politeness) ENGLAND’: The Manifesto in Britain and Ireland." Modernist Cultures 12, no. 2 (2017): 297–315. http://dx.doi.org/10.3366/mod.2017.0172.

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Aside from the familiar story of Vorticists and Imagists before the war, no detailed analysis of manifestos in Britain (or Ireland) exists. It is true that, by 1914, there had been such an upsurge in manifesto writing that a review of BLAST in The Times (1 July 1914) began: ‘The art of the present day seems to be exhausting its energies in “manifestoes.”’ But after the brief fire ignited by the arrival of Italian Futurism died out, Britain again became a manifesto-free zone. Or did it? While a mania for the militant genre did not take hold in Britain and Ireland the same way it did in France,

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50

Kelly, Michael J. "Sir Paul Terence Callaghan FRS PCNZM. 19 August 1947 — 24 March 2012." Biographical Memoirs of Fellows of the Royal Society 63 (January 2017): 79–98. http://dx.doi.org/10.1098/rsbm.2017.0006.

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Paul Callaghan will be remembered internationally for many seminal contributions to the foundations of magnetic resonance imaging as applied to the rheological analysis of a series of real world materials – paints, gels, polymer solutions – and at home in New Zealand as the leading physical scientist of his day, who became a familiar science communicator through popular books, a radio programme and the promotion of high technology as a part of the New Zealand economy. Apart from his time as a research student in Oxford (1970–75) and short stays abroad, Paul undertook all his research in New Ze

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