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1

Liu, Friedrich. CAD-CAM-Strategie für die Hochgeschwindigkeits-Bearbeitung. München: C. Hanser, 1990.

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2

Choi, Byoung K. Sculptured surface machining: Theory and applications. Dordrecht: Kluwer, 1998.

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3

Radzevich, S. P. CAD/CAM of sculptured surfaces on multi-axis NC machine: The DG/K-based approach. San Rafael, Calif. (1537 Fourth Street, San Rafael, CA 94901 USA): Morgan & Claypool Publishers, 2008.

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4

Schuster, Joachim. A CAD/CAM concept for high speed cutting compatible rough machining in die, mould and pattern manufacturing. Leicester: De Montfort University, 2001.

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5

Duane, Weidinger, ed. Mastercam mill training tutorials V9. [Cambridge, Ontario, Canada?]: In-house Solutions, 2002.

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6

1966-, Jin Yuanqiang, ed. Hang tian yong te shu cai liao jia gong ji shu. Ha'erbin Shi: Ha'erbin gong ye da xue chu ban she, 2007.

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7

Changhe, Li, ed. Ji xie zhi zao ji shu ji chu. Beijing: Ji xie gong ye chu ban she, 2009.

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8

Ji xie zhi zao ji shu ji chu. 2nd ed. Beijing: Ji xie gong ye chu ban she, 2005.

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9

Jerard, Robert B., and Byoung K. Choi. Sculptured Surface Machining: Theory and Applications. Springer, 1999.

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10

Lovett, Lori S. Electronic transfer of product definition data for automated machining via the initial graphics exchange specification: Problems and concerns. 1993.

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11

Center, Langley Research, ed. Engineering specification and system design for CAD/CAM of custom shoes: UMC project report. Columbia, Mo: University of Missouri-Columbia, 1991.

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12

Center, Langley Research, ed. Engineering specification and system design for CAD/CAM of custom shoes: UMC project effort : status report covering period 8/1/89 - 12/31/89. Hampton, Va: National Aeronautics & Space Administration, Langley Research Center, 1990.

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13

United States. National Aeronautics and Space Administration., ed. Engineering specification and system design for CAD/CAM of custom shoes: Project ANG-1-875 : phase V, UMC involvement (January 1, 1989-June 30, 1989) : a report submitted to National Aeronautics & Space Administration, Langley Research Center, Hampton, Virginia. [Columbia, Mo.]: University of Missouri--Columbia, College of Engineering, 1989.

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14

United States. National Aeronautics and Space Administration., ed. Engineering specification and system design for CAD/CAM of custom shoes: Project ANG-1-875 : phase V, UMC involvement (January 1, 1989-June 30, 1989) : a report submitted to National Aeronautics & Space Administration, Langley Research Center, Hampton, Virginia. [Columbia, Mo.]: University of Missouri--Columbia, College of Engineering, 1989.

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15

Cloud, Dana L. The Beginnings and Ends of Union Democracy. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036378.003.0010.

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This chapter assesses the situation of the dissident Machinist movement at Boeing today. There are a number of important and poignant lessons from this struggle for democratic reformers inside unions. These lessons speak to how reformers can push their official leadership while staying focused on the company; prioritize long-term organizing and contract cycle agitation above electoral bids and legal strategies; and recognize that unions—and dissident movements inside of unions—are only democratic and vital to the extent that they involve large numbers of their members and represent their demands. The chapter considers the question of whether one can speak legitimately for the rank and file without their active involvement in the movement from a dissident position any more than one should do so from a business union position. The credentials and, more important, the power of a dissident union movement depend upon taking advantage of critical rank-and-file consciousness to build an organization that restores a balance of power between union leadership and the rank and file in the longer term. Only then can the rank and file become ready, when the time comes, to make their own history.
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16

Borgo, David. The Ghost in the Music, or the Perspective of an Improvising Ant. Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.005.

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One of the particular joys of improvising music together is not knowing precisely the relationship between one’s own actions and thoughts (one has to surprise oneself, after all) or between one’s actions and those of other improvisers (did you do that because I did that? Or did I do that because you did that?). Drawing on research in social psychology, actor-network theory, and the extended mind thesis in cognitive science, this chapter argues that one’s experience of musical “authorship” can be enhanced or undermined rather easily by social, material, and technological forms of agency in the environment. It concludes that musical improvisation offers simultaneously a situated practice for exploring interagency—and thereby exorcising the humanistic ghost of a “self-luminous” will—and the possibility of creating some provisional closure, some fleeting reduction of complexity, in a world increasingly characterized by relentless machinic heterogenesis.
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