Academic literature on the topic 'Macro festival'

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Journal articles on the topic "Macro festival"

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Ossowska, Luiza, Dorota Janiszewska, and Grzegorz Kwiatkowski. "The Entrepreneurship Ecosystem of Food Festivals—A Vendors’ Approach." Sustainability 15, no. 2 (2023): 906. http://dx.doi.org/10.3390/su15020906.

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A food festival is a type of an environment in which various stakeholders function. The main aim of the research is to indicate the elements and relations of the entrepreneurship ecosystem of food festivals. Empirical data were collected at three food festivals in Poland in the summer of 2020 using the pen-and-paper interview method and semi-structured interviews. During the research, a total of 58 interviews were conducted with vendors. A coding technique was used to process the data. The themes included in the interviews concerned parts of the food festival entrepreneurship model: capital, m
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Kusuma, Ananta Dharma. "DARI RITUAL MENUJU FESTIVAL: BANJIR DAWET DESA BANJARDOWO, KABUPATEN JOMBANG 1970-2019." Historiography 1, no. 2 (2021): 222. http://dx.doi.org/10.17977/um081v1i22021p222-230.

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Festival is a form of human joy that is expressed in the form of an exhibition. The festivals that are held can be of micro or macro types depending on the context of the celebration itself. Various examples of micro-scale festivals have been held, including in the village of Banjardowo Jombang, East Java. The festival held in the village is culinary delicacy with the name dawet flood. This study uses historical methods using sources in the form of articles, books, bold news, documentary videos and interviews. This study shows that the dawet flood underwent a transformation from what was origi
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Gupta, Rajat, Ishan Bakshi, and Prashant Gautam. "Determining the Impact of Attributes of Haryanvi Festival Food on Tourist Attraction." Current Journal of Applied Science and Technology 42, no. 48 (2023): 120–28. http://dx.doi.org/10.9734/cjast/2023/v42i484341.

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The Indian state of Haryana has a distinguished cultural heritage, and fairs and festivals are celebrated across the state with great enthusiasm. Various food items are prepared to celebrate each festival attributed to a unique cultural event. Every festival has its culinary delicacies, which leave you with a lingering aftertaste, asking for more. Some food items prepared for festivals and cultural events are Puri, Malpua, Halwa, Kheer, Sevia, Gulgulle, Sakkarpare, etc. To prepare these dishes, jaggery is used extensively rather than sugar, as jaggery is considered good for health. It retains
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Schernewski, Gerald, Gabriela Escobar Sánchez, Stefanie Felsing, et al. "Emission, Transport and Retention of Floating Marine Macro-Litter (Plastics): The Role of Baltic Harbor and Sailing Festivals." Sustainability 16, no. 3 (2024): 1220. http://dx.doi.org/10.3390/su16031220.

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Every year, harbor and sailing festivals attract close to 20 million visitors in the Baltic Sea region, but their consequences on marine litter pollution are still unknown. We combine field studies with model simulations and literature reviews to quantify the annual emissions of floating macro-litter and to assess its retention in estuaries and role in Baltic Sea pollution. Results focusing on Hanse Sail in Rostock and Kiel Week are extrapolated to the entire Baltic Sea region. After the Hanse Sail 2018, the harbor pollution amounted to about 950 floating macro-litter particles/km²; 85–90% wer
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Chang, Yu-Chien. "Creating Value through the Performing Arts Festival: The Multi-Stakeholder Approach." Journal of Macromarketing 40, no. 2 (2020): 185–200. http://dx.doi.org/10.1177/0276146719894627.

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‘Value’ is an important and developing research topic in the field of marketing; however, the research on how value is co-created through stakeholders’ interaction remains limited. This study argues that an arts festival as a collective art production acts as a platform through which the stakeholders co-create value. By employing the publically-funded Huashan Living Arts Festival in Taiwan, which focuses on performing arts, as a case for collecting longitudinal data, this study explores how the stakeholders interact to co-create and obtain value. The findings reveal that value is co-created th
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Iacobuţe, Ramona-Petronela. "Theater Festivals - a Collective Archive." Theatrical Colloquia 9, no. 2 (2019): 216–23. http://dx.doi.org/10.2478/tco-2019-0028.

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Abstract Theatre can also be viewed as a collective archive that we go to when we need to better understand the world around us, artistic movements and trends, the state of mankind. Each participant in a theatrical act, whether spectator or creator, loads it with emotions and, therefore, with memories. Theatre, in all its forms, strengthens communities, and theatre festivals are a very good opportunity to popularize theatrical productions, from the level of some small communities, to the macro level. Diversity is an essential ingredient for stimulating imagination and a better understanding of
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Chicoș, Lucia. "Teaching Emotional Intelligence through Filmmaking: A Boovie Encounter." CONCEPT 26, no. 1 (2024): 257–67. http://dx.doi.org/10.37130/x13vt433.

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 Boovie is an annual festival and contest of adapting books into three-minute “book-trailers” for high school and middle school students in Romania. For the 2023 edition, together with Iulia Voicu, I held a workshop “Pedagogy through Film,” which was dedicated to pre-university teachers participating in the festival. This article is an expansion of the presentation I made in this workshop, which focused on the idea of teaching skills that can be conceptualized as “emotional intelligence” through filmmaking learning practices, specifically those related to film directing. Th
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Wenying, Feng, and Zhang Hengtong. "Research on the Display of City Image in Macau Light and Shadow Festival." International Journal of Arts and Humanities Studies 2, no. 1 (2022): 17–21. http://dx.doi.org/10.32996/bjahs.2022.2.1.3.

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The lighting of the city landscape has ignited the night-time economy as a new blue ocean. Macau takes festivals as an opportunity to create a city night scene, and light and shadow festivals, as part of the popular cultural industry, are better able to expand city life, enhance the city's charm and create a city name card. This paper analyzes the main categories of the Macao Light and Shadow Festival, defines the connotation and denotative value discusses the influence of the Light and Shadow Festival on the spread and display of the city of Macao, and summarizes how the Light and Shadow Fest
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Thapa, Hukum. "Theatricality of the Body in Bode Jatra: A Study of the Tongue-Piercing Culture." SCHOLARS: Journal of Arts & Humanities 5, no. 1 (2023): 16–24. http://dx.doi.org/10.3126/sjah.v5i1.52472.

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The present paper attempts to explore the body in relation to theatricality in Bode Jatra, the tongue-piercing festival of the Newar community in Bode, Bhaktapur. The study treats body as the territorial site to foreground how body performance becomes theatrical, taking the performance of Bode Jatra, the performativity of the tongue-piercing, as its text. The raving performance of tongue piercing generates an expression of cosmogonic consciousness. It encompasses the movement of the body both from micro and macro facet which constitutes the theatrical culmination. Therefore, performativity of
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Li, Xiangcheng. "Traffic flow simulation study under large gathering activities based on VISSIM." Highlights in Science, Engineering and Technology 78 (December 26, 2023): 1–9. http://dx.doi.org/10.54097/f0hmkv35.

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Based on the above background, this paper starts from the theory of traffic flow and the macro-basic diagram, and simulates and researches the traffic congestion problems generated in the period of large-scale gathering activities during festivals. First of all, this paper summarizes the time correlation and spatial correlation of traffic flow, analyses the judgement method and rating index of traffic congestion, and completes the macroscopic basic map; after defining the simulation parameters of each road segment and signal intersection in the road network, it is implemented by using the VISS
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Dissertations / Theses on the topic "Macro festival"

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Neves, Soriany Simas. "Interrelações entre mídia e cultura popular: as pastorinhas de Parintins a partir da lógica das micro e macro redes comunicacionais." Universidade Federal do Amazonas, 2010. http://tede.ufam.edu.br/handle/tede/2775.

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Made available in DSpace on 2015-04-11T13:57:16Z (GMT). No. of bitstreams: 1 Soriany Simas Neves.pdf: 1009286 bytes, checksum: fd55b9f503b27d44274f07f82fc5bfdd (MD5) Previous issue date: 2010-06-29<br>Fundação de Amparo à Pesquisa do Estado do Amazonas<br>El estudio tiene como objetivo principal investigar la manifestación cultural de las Pastorinhas de Parintins mientras sistema folk comunicacional con foco en la interacción entre micro y macro redes comunicacionales. A partir de teóricos clásicos como Guy Debord, Adorno y Horkermeir (1985), que descortinaron el fenómeno de la cultu
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Loi, Oi-Fei, and 雷靄飛. "The Research of the Operational benefits of the 2011~2015 Macao International Music Festival." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/96471863640060690811.

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碩士<br>國立臺灣師範大學<br>表演藝術研究所<br>104<br>A western Las Vegas, ‘Macau’. When people heard of 'Macau', most of the people would immediately think of gambling, however, it was uncertain that when ‘Macau’ was being implied of this concept. In recent years, Macau's economy grew rapidly, even expanded in a vertical trend, and the main reasons should be the grant of gambling right and the self-service traveling from Mainland China. In the field of local art culture, Macau was still in the stage of ‘developing’. In the last few years, instead of the development of gaming and hospitality, government tend to
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Books on the topic "Macro festival"

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Pierluigi, Piccini, ed. Marco Borgianni: Diario di un palio. Carlo Cambi, 1997.

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Festival de Artes de Macau (8th 1997 Macao). VIII Festival de Artes de Macau =: [Ti pa chieh Ao-men i shu chieh]. Instituto Cultural de Macau, 1997.

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Festival de Artes de Macau (7th 1996 Macao). VII Festival de Artes de Macau: 9-31/3/1996 = [Ti chʻi chieh Ao-men i shu chieh]. Instituto Cultural de Macau, 1996.

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Braga, Ataídes. Cachoeira de filmes: O cinema Humberto Mauro como espaço de exibição e resistência. Allgas Comunicação, 2011.

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Basaldella, Francesco. La festa del Bòcolo di San Marco: Nella leggenda e nella poesia. F. Basaldella, 2001.

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1969-, Scaldaferri Nicola, and Guizzi Febo, eds. Santi, animali e suoni: Feste dei campanacci a Tricarico e San Mauro Forte. Nota, 2005.

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1969-, Scaldaferri Nicola, and Guizzi Febo, eds. Santi, animali e suoni: Feste dei campanacci a Tricarico e San Mauro Forte. Nota, 2005.

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Festival, Internacional Madrid Sur (1st 1996 Madrid Spain). Europa como cultura: Actas de las jornadas celebradas en la Universidad Carlos III, en el marco del Festival Internacional Madrid Sur. Universidad Carlos III de Madrid, 2000.

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Encuentro Latinoamericano de Poesía en Veracruz (1st 2010 Veracruz, Veracruz-Llave, Mexico). Poemas para suspirar un siglo: Memorias del I Encuentro Latinoamericano de Poesía en Veracruz, en el marco del IV Festival Palabra en el Mundo, 13-17 junio 2010, Puerto de Veracruz. Estado de Veracruz de Ignacio de la Llave, Instituto Veracruzano de la Cultura, 2010.

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Junke, Yin, ed. Beijing li shi cong shu. Beijing chu ban she, 2000.

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Book chapters on the topic "Macro festival"

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Huang, Cailin, Ke Song, and Hokkun Wan. "The Application of Digital Media in Macao's Cultural Communication - A Case Study of Macao Light Festival." In Cross-Cultural Design. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60904-6_17.

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Mackay, Clare, Aurore Julien, and Jacob Hirst. "Sustainability and sustainable event management." In Cases For Event Management and Event Tourism. Goodfellow Publishers, 2023. http://dx.doi.org/10.23912/978-1-915097-34-7-5408.

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Sustainability is a macro-level policy issue. It involves living and working in ways that do not negatively affect future generations. To operate sustainably, events organisers need to maximise positive – and mitigate negative – economic, socio-cultural, and environmental impacts and legacies. This case provides students with the opportunity to (a) identify the impacts and legacies of a music festival, (b) identify examples of good practice in sustainable events management and evaluate the extent to which they are impactful, (c) strategically plan how they will enhance the sustainability of a
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Nicoleta Sălcudean, Ileana. "Embodiment and Performance of Identity: The Social Skin of Film Festivals (Case Study – The Transilvania International Film Festival)." In Modeling the Relationship and Capabilities of Digital Marketing Inhibitors in Marketing [Working Title]. IntechOpen, 2025. https://doi.org/10.5772/intechopen.1007483.

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Fashion poses the same dilemma that arises between elitism and mass culture in art; translated into the semiotics of haute couture and street fashion, this dilemma is entwined with other implied questions regarding identity, symbolism, gender, aesthetics, politics, economics and social endeavors. From the body as a “scene of display” and the “body as artifact” to the “body as a site of lived experience” and as a “site of embodied agency” social and artistic identity is constructed and exhibited through gestures, practices, rituals: voluntary and involuntary performances juxtaposing dominance,
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Kwan, Kate Chi Wo. "Challenges in Safeguarding Traditional Festivals Facing Tourism Pressure." In Handbook of Research on Cultural Tourism and Sustainability. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-9217-5.ch017.

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This chapter reports on the findings of a study that investigated the challenges in safeguarding two of Macao's and China's nationally recognized intangible cultural heritage festivals which are facing tourism pressures, namely 1) Macao Feast of the Drunken Dragon and the Lion Dance Gala and 2) The Beliefs and Customs of Na Tcha. Based on the findings, some recommendations are formulated that adopt a community-based approach to safeguard traditional festivals. Face-to-face interviews were conducted with festival organizers and volunteers who empathize with the values of the traditional festiva
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Kwan, Kate Chi Wo. "Challenges in Safeguarding Traditional Festivals Facing Tourism Pressure." In Handbook of Research on Cultural Tourism and Sustainability. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-7998-9217-5.ch017.

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This chapter reports on the findings of a study that investigated the challenges in safeguarding two of Macao's and China's nationally recognized intangible cultural heritage festivals which are facing tourism pressures, namely 1) Macao Feast of the Drunken Dragon and the Lion Dance Gala and 2) The Beliefs and Customs of Na Tcha. Based on the findings, some recommendations are formulated that adopt a community-based approach to safeguard traditional festivals. Face-to-face interviews were conducted with festival organizers and volunteers who empathize with the values of the traditional festiva
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Mirkus(Mirk), Johannes(John). "De Sancto Marco Sermo Breuis." In Mirk’s Festial, edited by Theodor Erbe. Routledge, 2018. http://dx.doi.org/10.4324/9780203704615-33.

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Álvarez, Lucas Manuel. "El filósofo como θεατής y el sofista como μιμητής. Platón frente a la sofística y el paradigma del teatro." In Ecos de filosofía antigua. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9786124146503.004.

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Entre los siglos V y IV a. C., las Grandes Dionisias, el festival teatral más importante de Atenas, congregaba alrededor de quince mil espectadores. Su significación excedía ampliamente el plano estético, pues en las actividades que se desarrollaban en su marco se exhibía, se analizaba y hasta se refutaba la identidad cívica de la polis (Goldhill, 1997, pp. 54-59).
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Leeming, David Adams. "Hainuwele." In Mythology. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195121537.003.0109.

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Abstract When the Maro festival ended and Hainuwele failed to return, her father knew that she had been killed. He took nine branches of a certain bushlike plant whose wood is used in the casting of oracles and with these reconstructed in his home the nine circles of the Maro Dancers. Then he knew that Hainuwele had been killed in the Dancing Ground. He took nine fibers of the cocopalm leaf and went with these to the dance place, stuck them one after the other into the earth, and with the ninth came to what had been the innermost circle.
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Bassetti, Chiara. "Building the Playground for Collective Imagination: Ethnography of a Détournement around Moneywork and Carework." In Ethnographies of Collaborative Economies across Europe: Understanding Sharing and Caring. Ubiquity Press, 2022. http://dx.doi.org/10.5334/bct.i.

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The chapter presents a case study of a digital complementary currency – Santacoin (SC) – co-designed, implemented and deployed at a 10-day performing arts festival in Italy. SC allowed participants to create a parallel economy within the blurring boundaries of the festival, in a sort of ‘serious game live’: enacted in the wild, with money and bodies at stake. The case study was conducted through a team ethnography that analysed the engagement of festival attenders, artists and staff with the system and the artistic intervention at its root. Indeed, SC was conceived as the core of a performance
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Charvátová, Kateřina. "Ostatky, poutě a odpustky v českých cisterciáckých klášterech." In Studia monastica et mediaevalia: Opuscula Marco Derwich dedicata. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381387989.08.

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All medieval monasteries possessed relics, which were among their greatest spiritual treasures. The relics collected in Cistercian monasteries in Bohemia were quite abundant and included highly prized relics such as the thorn from Christ’s crown of thorns, part of the wood of the cross of Christ, the finger of John the Baptist and many others. The relics were kept in precious reliquaries, which visitors to the monastery were able to see and share in their sanctity under certain circumstances, for example during regular festivals. In the Middle Ages, relics were seen as a source of grace that h
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Conference papers on the topic "Macro festival"

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Sena, Djane, and Neila Dourado Gonçalves Maciel. "FESTIVAL DE PARINTINS EL BACKSTAGE DE OPERA CABOCLA." In V Congreso Internacional de Investigacion en Artes Visuales ANIAV 2022. RE/DES Conectar. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/aniav2022.2022.15528.

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La Fiesta de Parintins es una celebración popular de la región Norte donde el Bois Garantido y Caprichoso en medio de la selva amazónica. En la arena denominada Bumbodromo, personajes y elementos imaginarios, de leyendas amazónicas y rituales indígenas, actúan como hilo conductor del espectáculo que hoy es la mayor manifestación popular del norte de Brasil y que tiene lugar el último fin de semana de junio. Tomando como punto de partida mis recuerdos de infancia, historias que contaba mi abuela, este trabajo tiene como principal objetivo explorar el backstage del Festival utilizando como marco
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Ramón Constantí, Amanda, Santiago Sánchez Gómez, Javier Bono Cremades, and Jose Martínez Uso. "Propuesta metodológica docente y fabricación digital de una pieza de mobiliario urbano: de la idea a la realidad en 10 horas." In INNODOCT 2018. Editorial Universitat Politècnica de València, 2018. http://dx.doi.org/10.4995/inn2018.2018.8763.

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La forma de enfocar la docencia y los diferentes procesos educativos llevados a cabo en las Escuelas de Arquitectura de todo el mundo está cambiando. Existe una búsqueda cada vez más apresurada por lograr involucrar y sumergir a los alumnos en las dinámicas que, eventualmente, los preparará como futuros arquitectos y que, sin embargo, empiezan a verse influenciadas por procedimientos cada vez más rápidos, nuevas necesidades formativas o el uso de nuevas tecnologías, entre otros. ¿Es posible darle un giro a la docencia en una institución con unos currículums tan reglados y lograr, al mismo tiem
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Serra Navarro, David. "Deriva y medios locativos: prácticas georeferenciadas." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4801.

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La experiencia constituida mediante la interfaz nos sitúa en un punto común en el que converge la representación virtual condicionada por la ubicación real, un estadio de mixed reality (Hansen, 2006) en el que se dan los elementos necesarios para el desarrollo de una nueva realidad mediada. Un recorrido procesual que se asemeja a los posicionamientos situacionistas y a la noción de psicogeografía como comportamiento constructivo de significaciones. La actualización del territorio-juego de Guy Debord en relación con los medios locativos de los dispositivos tecnológicos ofrecen un repertorio con
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Im, Ka Ian, In Kio Choi, Pak Kio Lei, Hou Fai Chan, U. In In, and Wei Shan Lee. "Optimal Layout Plan of Stands at the Macao Food Festival Via Minimizing the Electrostatic Potential Energy with the Effective Charge as Popularity of Stands." In Conference Proceedings of The 11th International Symposium on Project Management, China. Aussino Academic Publishing House (AAPH), 2023. http://dx.doi.org/10.52202/070275-0162.

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Florin, Anaïs. "Tomar partido: práctica artística y visibilización de conflictos, el caso del proyecto "Nos Jardins"." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10431.

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El proyecto Nos jardins (Nuestro huertos) se desarrolló en 2019 dentro del marco del festival Bien Urbain, Art dans et avec l’espace public en Bensançon (Francia). El proyecto tenía como objetivo principal el de visibilizar la problemática existente en el territorios de Les Vaîtes y los relatos que le son propios en la esfera pública aprovechando el contexto del festival. Les Vaîtes es una zona limítrofe campo/ciudad en la que se encuentran unos huertos obreros históricos. Desde 2005, el ayuntamiento promueve un proyecto urbanístico para la creación de un "ecobarrio" que conllevó en su día a l
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Jesus, Vanessa. "La poética artística como herramienta de acción política para la promoción del afecto: Una acción poetico-afectiva en territorios afectados de la Cuenca del Rio Doce." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10331.

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Todas las personas son poderosas. Pero a menudo en el curso de una catástrofe, estos potenciales se olvidan o se pierden. Creo en la práctica artística como un elemento poderoso de restauración afectiva, un elemento básico de transformación social, especialmente en comunidades en crisis, vulnerabilidad y / o invisibilidad, como consecuencia de guerras, desigualdad social o catástrofes / delitos ambientales. Como resultado del delito / desastre socioambiental de Río Doce, ocurrido el 5 de noviembre de 2015, con la ruptura de una represa de 62 millones de metros cúbicos de relaves de una empresa
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Pérez García, Juan Carlos. "‘El vecino 4’: “superhéroes” de barrio." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4949.

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‘El vecino’ es una serie de novelas gráficas que realizo en colaboración con el guionista Santiago García (Premio Nacional de Cómic de 2015 por ‘Las meninas’). Planificada para cinco libros, hasta ahora se han publicado tres (Ediciones Astiberri), con un cuarto en proceso. El vecino está protagonizado por dos vecinos en una ciudad no identificada, una gran urbe occidental del siglo XXI, mezcla sublimada de Madrid y Málaga. La obra pretende arrojar una mirada tragicómica, a veces extrañada, hacia la vida cotidiana y las relaciones personales en la contemporaneidad, con la particularidad de que
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