Relevant bibliographies by topics / Mad Men (Television program)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mad Men (Television program)'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Mad Men (Television program)"

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Bainbridge, Caroline. "Television as psychical object: Mad Men and the value of psychoanalysis for television scholarship." Critical Studies in Television: The International Journal of Television Studies 14, no. 3 (2019): 289–306. http://dx.doi.org/10.1177/1749602019851714.

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Claims that Mad Men (2007–2015) is an obedient post-feminist text overlook the drama’s images of both women and the history of feminism and its potential to impact on contemporary understandings of gender politics. Mad Men can be seen as a psychological object, helping viewers to explore links between their own experience and that of characters on screen as the narrative unfolds. Making links between the social re-emergence of feminist awareness, the drama’s representations of second-wave feminism and a psychoanalytic understanding of mourning, I suggest that a return to psychoanalytic methodo
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Kleinecke-Bates, Iris. "Television style/stylish television: Mad Men, television and the fashioning of the self." Journal of Popular Television 7, no. 2 (2019): 217–34. http://dx.doi.org/10.1386/jptv.7.2.217_1.

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Huerta, Miguel A., and Ernesto Pérez. ""Mad Men" and television aesthetics: Final shots as a tool for textual configuration." Arte, Individuo y Sociedad 31, no. 4 (2019): 825–38. http://dx.doi.org/10.5209/aris.62072.

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Academic studies of Mad Men confirm that television aesthetics awaken a secondary interest among scholars. The present work joins the body of critical literature that defends the importance of style to television programming. In spite of the thrust and value of the new results achieved by television aesthetics, it is enough to look into the existing bibliography about works like Mad Men to arrive at the conclusion that their scope continues to be comparatively residual. In concrete terms, a formal analysis (scale, placing, length, angle, movement, composition, etc.) of the ‘shot unit’ related
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Hubbard, Scott. "An Implicit Theology of Mad Men." Religion and the Arts 24, no. 4 (2020): 415–30. http://dx.doi.org/10.1163/15685292-02404004.

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Abstract One of the most striking sites of secular-religious encounter in narrative fiction of the decade has been the baptismal imagery of the television serial drama Mad Men. Set in an era which may be said to be the high-water mark of the secularization of American culture, Mad Men’s encoding of meaning in symbolic representation in effect re-sacralizes the secular world into which those symbols are transplanted. The symbolism’s divergences from Christian doctrine and ritual that give Mad Men its distinct theological significance. This paper will explore the literary implications of Paul Ri
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Vermeulen, T., and G. C. Rustad. "Watching television with Jacques Ranciere: US 'Quality Television', Mad Men and the 'late cut'." Screen 54, no. 3 (2013): 341–54. http://dx.doi.org/10.1093/screen/hjt020.

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Mahoney, Cat. "The legacy of Mad Men: cultural history, intermediality and American television." Feminist Media Studies 20, no. 7 (2020): 1066–67. http://dx.doi.org/10.1080/14680777.2020.1794153.

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Soetaert, Ronald, and Kris Rutten. "Rhetoric, narrative and management: learning from Mad Men." Journal of Organizational Change Management 30, no. 3 (2017): 323–33. http://dx.doi.org/10.1108/jocm-10-2016-0203.

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Purpose In previous research on rhetoric and narrative in management research, cultural narratives have been studied as tools to reflect on rhetorical situations from the perspective of management. The purpose of this paper is to present a similar exploration of rhetoric while focusing on a modern example from popular culture: the television series Mad Men. Design/methodology/approach This paper first discusses rhetorical concepts from the work of Kenneth Burke and Richard Lanham as inspirational guides, thereafter, these concepts are used to analyze the case of Mad Men. Specifically, the main
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Forsberg, Jennifer. "The Cross-Country/Cross-Class Drives of Don Draper/Dick Whitman: Examining Mad Men’s Hobo Narrative." Journal of Working-Class Studies 2, no. 1 (2017): 57–75. http://dx.doi.org/10.13001/jwcs.v2i1.6047.

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This article examines how the critically acclaimed television show Mad Men (2007-2015) sells romanticized working-class representations to middle-class audiences, including contemporary cable subscribers. The television drama’s lead protagonist, Don Draper, exhibits class performatively in his assumed identity as a Madison Avenue ad executive, which is in constant conflict with his hobo-driven born identity of Dick Whitman. To fully examine Draper/Whitman’s cross-class tensions, I draw on the American literary form of the hobo narrative, which issues agency to the hobo figure but overlooks the
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Christensen, Dorthe Refslund, and Karen Klitgaard Povlsen. "Mad, terroir og tv: Smag på Danmark!" MedieKultur: Journal of media and communication research 24, no. 45 (2008): 14. http://dx.doi.org/10.7146/mediekultur.v24i45.512.

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Mad fylder mere i medierne, men hvordan underholder fx et madprogram på tv? Med afsæt i de 13 afsnit af Claus Meyer-serien Smag på Danmark! undersøger vi, hvordan serien er konstrueret og fortalt. Især ser vi på, hvilken rolle de 13 forskellige steder, som serien foregår på, har. Vi diskuterer begreber som terroir og mytologisering. Serien etablerer dobbeltheder og relationer, og i tråd med dette forlenes sted som terroir både med al og med ingen betydning. Mad knyttes som et tegn, med Barthes in mente, til stedet, men på en måde, der leverer rum for seerens eget forestillingsarbejde. Serien d
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Klioutchkine, Konstantine. "Draping the Mannequin in Late Capitalism." Transcultural Studies 11, no. 1 (2015): 108–23. http://dx.doi.org/10.1163/23751606-01101012.

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The essay explores the role of language in the cultural economy of late capitalism by analyzing the television series Mad Men. Within the framework of the moving but relatively consistent image, language, relying on its polysemic resources, works to generate unlimited play of signification. This process actuates texts and subjectivities alike. Aesthetic products and human subjectivity emerge as commodities whose effectiveness derives from their ability to absorb and reenact affectively the polysemic play in what the show portrays as the Carousel of late-capitalist signification.
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Dissertations / Theses on the topic "Mad Men (Television program)"

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Moellinger, Terry. ""There's A Man With A Gun Over There": Cops And The Counterculture." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc3041/.

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By 1960, television advertisers recognized the economic potential of American youth, and producers were expected to develop programs to attract them, while still maintaining appeal for the older audience members. This task was to prove difficult as the decade wore on. While continuing to link the nation's cold war concerns to the portrayal of good and evil, some shows, like 77 Sunset Strip, and The Mod Squad, explored alternative lifestyles, but still accepted American values. As the 1960s developed, crime programs continued to promote American hegemony but became increasingly more open to alt
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Caton, Hannah Noelle. "A Rhetorical Analysis of Modern Day Retro-Sexism: Misogyny Masked by Glamour in Mad Men." University of Findlay / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=findlay1439993165.

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Willson, Holly N. "Discord through the decades : a longitudinal analysis of conflict and relational dialectics in television couples." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1391469.

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This study examined five seminal television series — I Love Lucy, The Dick Van Dyke Show, The Jeffersons, The Cosby Show, and Home Improvement — for episodes of conflict. Those episodes of conflict were then analyzed through thematic analysis. Using Baxter's (1988) relational dialectical tensions as a theoretical framework, the internal tensions present in romantic relationships (i.e., autonomy v. connection, novelty v. predictability, and openness v. closedness) served as themes to organize the data. After identifying the dialectical tensions present in each of the series, the shows were then
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Jonker, Francois. "The men in our living room : masculinities and the struggle for a 'new' South African hegemony in 'Egoli: place of gold' 1994." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/96873.

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Thesis (MA)--Stellenbosch University, 2015.<br>ENGLISH ABSTRACT: In this study I analyse the 1994 episodes of the popular soap opera Egoli: Place of Gold that coincide with the so-called ‘birth’ of the New South Africa. This moment in media history is characterised by a heightened sense of anticipation surrounding Egoli as the first local soap opera created by Franz Marx at the pinnacle of his career for the relatively new – and only – independent broadcaster in the country, M-Net. Because of the reliance of this genre on perceived realism, Egoli offers a historically significant televisual me
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Beale, James. ""The Strong, Silent Type": Tony Soprano, Don Draper, and the Construction of the White Male Antihero in Contemporary Television Drama." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395641750.

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Rosenheck, Mabel Meigs. "The past in the present and the present in the past : representing history and performing memory on television and in everyday life." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1181.

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Moving from the basic assumption that media and television are vital sites of memory, pivotal spaces in which we learn about the past, this thesis argues that the most productive and progressive representations of the past are those that allow the past to interact with the present. Yet the past is not simply a representation in the present, it is also performed as cultural memory. One of the key concepts here is the idea that if we do indeed find historical knowledge on television and in everyday life as well as in museums and textbooks, then we might apply the concepts, roles and institutions
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Books on the topic "Mad Men (Television program)"

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Mad men: Dream come true TV. I. B. Tauris, 2011.

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Vargas-Cooper, Natasha. Mad men unbuttoned: A romp through 1960s America. HarperStudio, 2010.

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Vargas-Cooper, Natasha. Mad men unbuttoned: A romp through 1960s America. HarperStudio, 2010.

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Rod, Carveth, and South James B. 1960-, eds. Mad men and philosophy: Nothing is as it seems. Wiley, 2010.

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Mad men unbuttoned: Footnotes to the show and the era. HarperStudio, 2010.

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Mad men on the couch: Analyzing the minds of the men and women of the hit tv show. Thomas Dunne Books, 2012.

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Mad men, women, and children: Essays on gender and generation. Lexington Books, 2012.

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Analyzing Mad Men: Critical essays on the television series. McFarland & Company, 2011.

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Carveth, Rod. Mad men and philosophy: Nothing is as it seems. Wiley, 2010.

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Carveth, Rod. Mad men and philosophy: Nothing is as it seems. Wiley, 2010.

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Book chapters on the topic "Mad Men (Television program)"

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Edgerton, Gary R. "Mad Men’s Legacy in the Quality Television Tradition." In The Legacy of Mad Men. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-31091-2_2.

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Lee, Hyo Jeong, and Walter Metz. "“Draped in the American Flag, Burning”: Mad Men and the Literary Tradition." In Television Series as Literature. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4720-1_16.

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Weissmann, Elke. "Women, Television and Feelings: Theorising Emotional Difference of Gender in SouthLAnd and Mad Men." In Emotions in Contemporary TV Series. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-56885-4_6.

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Cassidy, Marsha F. "Mad Men." In Television and the Embodied Viewer. Routledge, 2020. http://dx.doi.org/10.4324/9781315282657-3.

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Butler, Jeremy G. "4. Mad Men." In How To Watch Television. New York University Press, 2020. http://dx.doi.org/10.18574/nyu/9780814729465.003.0008.

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Newcomb, Horace. "Learning to Live with Television in Mad Men." In Mad Men. I.B.Tauris, 2011. http://dx.doi.org/10.5040/9780755698066.ch-007.

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Hoerl, Kristen. "Contestation over Sixties Memory in the New Millennium." In The Bad Sixties. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817235.003.0007.

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The conclusion discusses the implications of Hollywood’s selective amnesia regarding late sixties dissent for the 2016 presidential election campaign and contemporary social movements. It explains that while several recent television programs including the award-winning series Mad Men have provided caricatured portrayals of the counterculture, anti-war, and Black Power movements, independent films such as Cesar Chavez and Chicago 10 have celebrated collective protest. The chapter concludes that these recent portrayals of sixties-era activism reveal ongoing contestation about the decade, its legacy, and the role of dissent in contemporary politics. While the bad sixties endures in popular culture, other memories of dissent are resources for imagining empowering models of social justice organizing.
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"Chapter 5 • Matt Weiner, Mad Men." In Television Rewired. University of Texas Press, 2019. http://dx.doi.org/10.7560/759442-007.

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"Mad Men and Nostalgic Masculinity." In Masculinity in Contemporary Quality Television. Routledge, 2016. http://dx.doi.org/10.4324/9781315594170-4.

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Butler, Jeremy G. "5. Mad Men: Visual Style." In How to Watch Television, Second Edition. New York University Press, 2020. http://dx.doi.org/10.18574/nyu/9781479837441.003.0009.

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Conference papers on the topic "Mad Men (Television program)"

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Ebaugh, Helen Rose, and Dogan Koc. "FUNDING GÜLEN-INSPIRED GOOD WORKS: DEMONSTRATING AND GENERATING COMMITMENT TO THE MOVEMENT." In Muslim World in Transition: Contributions of the Gülen Movement. Leeds Metropolitan University Press, 2007. http://dx.doi.org/10.55207/mvcf2951.

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The projects sponsored by the Gülen-inspired movement are numerous, international and costly in terms of human and financial capital. Critics of the movement often question the fi- nancing of these initiatives – with some convinced of collusion with Middle Eastern govern- ments, others (within Turkey) suspicious that Western governments are financially backing the projects. Aware of these criticisms, in a recent comment to a group of visiting follow- ers, Fethullah Gülen indicated greater financial transparency must become a priority for the movement. This paper addresses the financing of Güle
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