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Journal articles on the topic 'Mad Men (Television program)'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Bainbridge, Caroline. "Television as psychical object: Mad Men and the value of psychoanalysis for television scholarship." Critical Studies in Television: The International Journal of Television Studies 14, no. 3 (2019): 289–306. http://dx.doi.org/10.1177/1749602019851714.

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Claims that Mad Men (2007–2015) is an obedient post-feminist text overlook the drama’s images of both women and the history of feminism and its potential to impact on contemporary understandings of gender politics. Mad Men can be seen as a psychological object, helping viewers to explore links between their own experience and that of characters on screen as the narrative unfolds. Making links between the social re-emergence of feminist awareness, the drama’s representations of second-wave feminism and a psychoanalytic understanding of mourning, I suggest that a return to psychoanalytic methodo

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2

Kleinecke-Bates, Iris. "Television style/stylish television: Mad Men, television and the fashioning of the self." Journal of Popular Television 7, no. 2 (2019): 217–34. http://dx.doi.org/10.1386/jptv.7.2.217_1.

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3

Huerta, Miguel A., and Ernesto Pérez. ""Mad Men" and television aesthetics: Final shots as a tool for textual configuration." Arte, Individuo y Sociedad 31, no. 4 (2019): 825–38. http://dx.doi.org/10.5209/aris.62072.

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Academic studies of Mad Men confirm that television aesthetics awaken a secondary interest among scholars. The present work joins the body of critical literature that defends the importance of style to television programming. In spite of the thrust and value of the new results achieved by television aesthetics, it is enough to look into the existing bibliography about works like Mad Men to arrive at the conclusion that their scope continues to be comparatively residual. In concrete terms, a formal analysis (scale, placing, length, angle, movement, composition, etc.) of the ‘shot unit’ related

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4

Hubbard, Scott. "An Implicit Theology of Mad Men." Religion and the Arts 24, no. 4 (2020): 415–30. http://dx.doi.org/10.1163/15685292-02404004.

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Abstract One of the most striking sites of secular-religious encounter in narrative fiction of the decade has been the baptismal imagery of the television serial drama Mad Men. Set in an era which may be said to be the high-water mark of the secularization of American culture, Mad Men’s encoding of meaning in symbolic representation in effect re-sacralizes the secular world into which those symbols are transplanted. The symbolism’s divergences from Christian doctrine and ritual that give Mad Men its distinct theological significance. This paper will explore the literary implications of Paul Ri

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5

Vermeulen, T., and G. C. Rustad. "Watching television with Jacques Ranciere: US 'Quality Television', Mad Men and the 'late cut'." Screen 54, no. 3 (2013): 341–54. http://dx.doi.org/10.1093/screen/hjt020.

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6

Mahoney, Cat. "The legacy of Mad Men: cultural history, intermediality and American television." Feminist Media Studies 20, no. 7 (2020): 1066–67. http://dx.doi.org/10.1080/14680777.2020.1794153.

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7

Soetaert, Ronald, and Kris Rutten. "Rhetoric, narrative and management: learning from Mad Men." Journal of Organizational Change Management 30, no. 3 (2017): 323–33. http://dx.doi.org/10.1108/jocm-10-2016-0203.

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Purpose In previous research on rhetoric and narrative in management research, cultural narratives have been studied as tools to reflect on rhetorical situations from the perspective of management. The purpose of this paper is to present a similar exploration of rhetoric while focusing on a modern example from popular culture: the television series Mad Men. Design/methodology/approach This paper first discusses rhetorical concepts from the work of Kenneth Burke and Richard Lanham as inspirational guides, thereafter, these concepts are used to analyze the case of Mad Men. Specifically, the main

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Forsberg, Jennifer. "The Cross-Country/Cross-Class Drives of Don Draper/Dick Whitman: Examining Mad Men’s Hobo Narrative." Journal of Working-Class Studies 2, no. 1 (2017): 57–75. http://dx.doi.org/10.13001/jwcs.v2i1.6047.

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This article examines how the critically acclaimed television show Mad Men (2007-2015) sells romanticized working-class representations to middle-class audiences, including contemporary cable subscribers. The television drama’s lead protagonist, Don Draper, exhibits class performatively in his assumed identity as a Madison Avenue ad executive, which is in constant conflict with his hobo-driven born identity of Dick Whitman. To fully examine Draper/Whitman’s cross-class tensions, I draw on the American literary form of the hobo narrative, which issues agency to the hobo figure but overlooks the

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9

Christensen, Dorthe Refslund, and Karen Klitgaard Povlsen. "Mad, terroir og tv: Smag på Danmark!" MedieKultur: Journal of media and communication research 24, no. 45 (2008): 14. http://dx.doi.org/10.7146/mediekultur.v24i45.512.

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Mad fylder mere i medierne, men hvordan underholder fx et madprogram på tv? Med afsæt i de 13 afsnit af Claus Meyer-serien Smag på Danmark! undersøger vi, hvordan serien er konstrueret og fortalt. Især ser vi på, hvilken rolle de 13 forskellige steder, som serien foregår på, har. Vi diskuterer begreber som terroir og mytologisering. Serien etablerer dobbeltheder og relationer, og i tråd med dette forlenes sted som terroir både med al og med ingen betydning. Mad knyttes som et tegn, med Barthes in mente, til stedet, men på en måde, der leverer rum for seerens eget forestillingsarbejde. Serien d

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Klioutchkine, Konstantine. "Draping the Mannequin in Late Capitalism." Transcultural Studies 11, no. 1 (2015): 108–23. http://dx.doi.org/10.1163/23751606-01101012.

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The essay explores the role of language in the cultural economy of late capitalism by analyzing the television series Mad Men. Within the framework of the moving but relatively consistent image, language, relying on its polysemic resources, works to generate unlimited play of signification. This process actuates texts and subjectivities alike. Aesthetic products and human subjectivity emerge as commodities whose effectiveness derives from their ability to absorb and reenact affectively the polysemic play in what the show portrays as the Carousel of late-capitalist signification.

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11

Kang, Ji-Hae. "Translating Mad Cow Disease: A Case Study of Subtitling for a Television News Magazine." Broadcasting with Intent 57, no. 2 (2013): 439–63. http://dx.doi.org/10.7202/1013955ar.

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This paper explores how discourse is reframed in audiovisual translation in a well-known South Korean television news magazine, PD Swuchep [PD Notebook]. The episode under consideration raised serious questions regarding the safety of US beef and the conduct of South Korean officials responsible for negotiating imported beef in the Korea-US Free Trade Agreement talks. The program, which contained sound bites of interviews in English subtitled in Korean, created uproar in the South Korean society and played a significant role in touching off many months of massive street rallies against the gov

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Ingold, Charles H. "Television Audience's Response to “Mature Subject Matter” Advisories." Psychological Reports 85, no. 1 (1999): 243–45. http://dx.doi.org/10.2466/pr0.1999.85.1.243.

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73% of survey respondents said television advisories of “mature subject matter” did not influence their decisions to view or not view programs. Among those influenced, younger respondents were significantly more likely than older respondents to say they would be more likely to watch a program with advisories. Men were significantly more likely than women to say they would watch a program with advisories. The survey was mailed to a random sample of 1,119 persons, and 568 were returned for a return rate of 51%.

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Scott, Randall K. "Effect of Sex on Excitation Transfer and Recall of Television News." Psychological Reports 66, no. 2 (1990): 435–41. http://dx.doi.org/10.2466/pr0.1990.66.2.435.

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The effect of transferred arousal from a prior television program was examined in relation to sex of subjects and their recall of television news. Subjects were randomly assigned to four experimental conditions which manipulated hedonic tone (positive/negative) and excitation (low/high) of prime-time television segments. Subjects then viewed a 5-min. television newscast and were tested on news item recall. An independent t test indicated that women recalled significantly more total news items than men. A two-factor analysis of variance showed that, in both low excitation conditions, men and wo

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Cooper, Roger, and Tang Tang. "Gender and Predictors of Multiplatform Media Uses: A Case Study of the Super Bowl." International Journal of Sport Communication 6, no. 3 (2013): 348–63. http://dx.doi.org/10.1123/ijsc.6.3.348.

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The 2012 Super Bowl was the most-watched television program in U.S. history and represented a wide-scale expansion to online and digital environments. This case study examined the role of gender in explanations for viewing the Super Bowl and for simultaneous media uses during the game. Results indicate that both men and women still relied on the traditional television for Super Bowl viewing. Newer media were used as a second-screen experience to complement the telecast or to gain additional information and social interaction. Gender differences underlie explanations for watching the Super Bowl

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Ingold, Charles H. "Responses to Televised Depictions of Intimacy." Psychological Reports 80, no. 1 (1997): 97–98. http://dx.doi.org/10.2466/pr0.1997.80.1.97.

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A mail survey of 1119 persons chosen randomly from telephone directories showed that depictions of intimacy on television do not affect most viewers' decisions to watch or continue watching a program. No differences in viewing decisions were found between more and less educated respondents or between older and younger ones. Significantly more men than women reported they would continue watching the program and become more interested in the program when depictions of intimacy appeared.

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Gantz, Walter, and Lawrence A. Wenner. "Fanship and the Television Sports Viewing Experience." Sociology of Sport Journal 12, no. 1 (1995): 56–74. http://dx.doi.org/10.1123/ssj.12.1.56.

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Employing a uses and gratifications paradigm, we expected that audience experience with televised sports would vary on the basis of fanship, with fans having a qualitatively different, deeper, and more textured set of expectations and responses than nonfans. Fans were expected to respond in similar ways, regardless of gender. Telephone interviews were completed with 707 adults residing in Los Angeles and Indianapolis. Fanship was operationalized using cognitive, affective, and behavioral bases. In this study, fanship made a difference, with fans clearly more invested in the viewing experience.

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Wayne, Michael L. "Depicting the racist past in a "postracial" age." Alphaville: Journal of Film and Screen Media, no. 13 (July 20, 2017): 105–16. http://dx.doi.org/10.33178/alpha.13.06.

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This article examines the ways in which depictions of race and racism in some prime-time historical dramas promote contemporary postracial ideologies. Focusing on the portrayals of overt racism and interracial relationships in Hell on Wheels (2011–2016) and The Knick (2014–2015), the author argues that the use of morally ambiguous white, male protagonists in contexts associated with morally unambiguous racism allows these shows to acknowledge the centrality of racism in American history while simultaneously presenting racism in interpersonal rather than systemic terms. This representational st

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18

Rovinelli, Lea, and Cynthia Whissell. "Emotion and Style in 30-Second Television Advertisements Targeted at Men, Women, Boys, and Girls." Perceptual and Motor Skills 86, no. 3 (1998): 1048–50. http://dx.doi.org/10.2466/pms.1998.86.3.1048.

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A program for objective textual analysis which incorporated measures of style, word emotionality, and word imagery, was used to score the verbal portion of 152 30-sec. television advertisements. This analysis indicated that advertisements directed at children were more active, longer, and less negative than those directed at adults. A comparison of advertisements directed at males and females regardless of age showed greater linguistic complexity (more words, fewer common words) when their text was directed at women and girls. Each of the 13 stylistic and emotional measures used to describe ad

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Donaldson, Lucy Fife, James Walters, Derek Johnston, et al. "Book Reviews: Mad Men, Mad World: Sex, Politics, Style and the 1960s, Mad Men and Working Women: Feminist Perspectives on Historical Power, Resistance, and Otherness, Scenes from the Suburbs: The Suburb in Contemporary US Film and Television, Style in British Television Drama, Entertaining Television: The BBC and Popular Television Culture in the 1950s, Broadcasting and the NHS in the Thatcherite 1980s: The Challenge to Public Service, No Known Cure: The Comedy of Chris Morris, the Digital Television Revolution: Origins to Outcomes, Small Screen Aesthetics: From TV to the Internet, the Language of Fictional Television, Historia de la Radio y la Television en Espana: Una asignatura pendiente de la democracia." Critical Studies in Television: The International Journal of Television Studies 10, no. 1 (2015): 91–111. http://dx.doi.org/10.7227/cst.10.1.7.

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Tartory, Raeda. "Interruptions of Men and Women in Selected Debates of Al-Jazeera Arabic Channel: A Pragmatic Analysis of the Opposite Direction." International Journal of English Linguistics 9, no. 2 (2019): 273. http://dx.doi.org/10.5539/ijel.v9n2p273.

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The present study aims to explore the gender patterns during interruptions in the context of political television discussions in the Arab community. Five mixed-sex episodes of the well-known program &ldquo;The Opposite Direction&rdquo; presented on Al-Jazeera Channel were examined. Quantitative and qualitative analyses were carried out to determine, which gender did more interruptions than the other. The study has considered each gender to use verbal and non-verbal statements to express that they were doing interruptions or that they were being interrupted. The results showed that wome

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Trujillo, Nick. "Machines, Missiles, and Men: Images of the Male Body on Abc’s Monday Night Football." Sociology of Sport Journal 12, no. 4 (1995): 403–23. http://dx.doi.org/10.1123/ssj.12.4.403.

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This paper examines how images of the male body are reproduced in media coverage of professional football. Specifically, it examines television coverage of football games broadcast during the 1993–1994 season on ABC’s Monday Night Football, paying special attention to the discourse of sportscasters Al Michaels, Frank Gifford, and Dan Dierdorf and to the production techniques (eg., camera angles, slow-motion replays, etc.) of the program. Guided by a critical orientation, the paper examines how three patriarchal images of the male body and football, and the resulting paradoxes, are reproduced o

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Butler, Betsy. "2. CBQ REVIEW ESSAY:“You People Are Not Watching Enough Television”: Mad Men-Related Books That Reflect the History, Popular Culture, Style and Philosophy of 1960s America." Communication Booknotes Quarterly 42, no. 4 (2011): 166–79. http://dx.doi.org/10.1080/10948007.2011.622208.

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Vares, Tiina, Annie Potts, Nicola Gavey, and Victoria M. Grace. "Hard Sell, Soft Sell: Men Read Viagra Ads." Media International Australia 108, no. 1 (2003): 101–14. http://dx.doi.org/10.1177/1329878x0310800111.

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Viagra (known generically as sildenafil citrate) was released in New Zealand in 1998. Direct-to-consumer (DTC) advertisements represented Viagra as a panacea for men's sexual difficulties. The Research Medicines Industry Association of New Zealand (2000) claims that the Viagra DTC campaign removed the stigma associated with erectile dysfunction. However, in this paper we analyse participants' views that the advertisements also transform cultural anxieties in ways that proliferate ‘performance’ (and other) anxieties in new forms and for increasingly broad groups of people. This paper draws on m

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Semakina, Olga. "Universality of the Journalist on Modern Regional Television (on the Example of the Information Program «News: Primorye»)." Theoretical and Practical Issues of Journalism 7, no. 4 (2018): 704–10. http://dx.doi.org/10.17150/2308-6203.2018.7(4).704-710.

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Journalists combining several creative specializations in the regions are Russian reality. The article analyzes the objective and subjective reasons for this professional characteristic of regional TV men. Moreover, local TV has taken the road of modernization. In the era of transition to digital broadcasting the creative activity of the media needs to be considered. There is a need to analyze modern specifics of regional television and to characterize the production process at the stage of modernization of local broadcasters. The author, as a practicing journalist, used her own empirical expe

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Iryanti, Muri. "The Construction of Fathers New Masculinity in South Korea Variety Show Superman is Back." Humaniora 8, no. 4 (2017): 339. http://dx.doi.org/10.21512/humaniora.v8i4.3951.

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This research focused on the construction of new masculinity in South Korea parenting and fatherhood at the variety showen titled “Superman is Back”. This variety show itself was a part of the existence of Korean popular culture that was also called Hallyu. Hallyu became the phenomenon that swept other popular culture which previously developed in some countries. Hallyu could shift the previous pop culture with the good strategy. The selection of this television show was intended to see how a television program constructed the kind of new masculinity of men, in this case, celebrity fathers tha

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Listyani, Refti Handini, FX Sri Sadewo, Mohammad Reevany Bustami, Moh Mudzakkir, and Emy Susanti. "Indonesian Teen Romanticism: The Underlying Ideology of “Film Television” (FTV) During Covid-19 Pandemic from Gender Perspective." Journal of Society and Media 5, no. 1 (2021): 129. http://dx.doi.org/10.26740/jsm.v5n1.p129-150.

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This research examines the underlying ideology(s) of a TV program called ‘Film Television’ (FTV). This TV program is on during the Covid-19 Pandemic. Specifically, using framing analysis and gender perspective approach as a methodology, this research analyses the ways in which these ideologies developed in FTV. Six prime samples of FTV were chosen, namely Laki-laki Buaya Darat, Cowok Gue IQ-nya Ancur Banget, Cowok Gue Pendek Bener, Pacar honorer, Ganteng-ganteng Medit, Pacar Gue Brondong. The findings reveal a thrust of twin-contrarian thrust of messaging. There are two embedded ideologies und

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Skåreus, Eva. "Vinn deras hjärtan! - Om genus och emotioner i Tv-serien klass 9A." Tidskrift för genusvetenskap 32, no. 2-3 (2022): 117–44. http://dx.doi.org/10.55870/tgv.v32i2-3.3553.

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This article investigates the mediation of teachers in a reality-TV program, how gender, femininity, masculinity and emotions interact in a school fiction. The reality-TV program, Klass 9A, consisting of 13 episodes, was broadcasted in Swedish television during spring 2008. In the program, viewers could follow a high school class during the fall semester 2007. The class teachers were replaced by “eight of Sweden’s foremost educators” (the TV-producer´s words) to help the pupils improve their scores from low level to the third best class in the country during that semester. In that sense this w

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Treufeldt, Indrek. "Television News in the 1950s: New Medium in the Service of Soviet Power and Society." Baltic Screen Media Review 1, no. 1 (2013): 44–64. http://dx.doi.org/10.1515/bsmr-2015-0004.

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Abstract The article discusses the evolution of conventions for TV-journalism based on the early history of Estonian Television (ETV) news. ETV was launched in 1955, its founding was coordinated by the Soviet authorities in Moscow. Although one of the initial motivations for founding the station was to produce ideological programming directed to Finnish audience, the Estonian team within the institution used the new medium to develop a new nationally oriented media organization. Over time this new journalistic institution became increasingly established and standardized both in terms of its pr

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Loht, Shawn. "Drapers and Gardeners." Film and Philosophy 24 (2020): 98–119. http://dx.doi.org/10.5840/filmphil2020247.

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This article examines Martin Heidegger's concept of conscience in Being and Time as it is manifested by the characters Don Draper from the television series Mad Men (Matthew Weiner, 2007-2013) and Chauncey Gardiner in the film Being There (Hal Ashby, 1979). The article suggests that Draper hears and occasionally responds to what Heidegger terms the “call of conscience,” whereas Gardiner neither hears this call nor responds to it. Gardiner poses a problem case for Heidegger’s account of Dasein by virtue of failing to exhibit conscience. A question latent in Gardiner’s makeup is what causes him

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Jensen, Pia Majbritt. "The international extent and elasticity of lifestyle television." MedieKultur: Journal of media and communication research 24, no. 45 (2008): 14. http://dx.doi.org/10.7146/mediekultur.v24i45.503.

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Lifestyle is a TV genre that exists predominantly on the screens of Northern Europe and Anglophone countries such as the UK, the USA and Australia. Hence, lifestyle formats are not traded globally but rather trans-nationally within a distinct geo-linguistic region. Nonetheless, lifestyle programming is still produced very differently within this region according to the media systemic conditions of the specific national TV markets and the specific broadcasters and channels in question. As such, the lifestyle genre is indeed tremendously flexible and elastic and can be used in a diverse number o

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Astriyani, Indri, Muhammad Syamsun, and R. Dikky Indrawan. "Analisis Efektivitas Iklan Televisi dan Faktor yang Mempengaruhi Keputusan Pembelian Es Krim Wall’s Magnum Berdasarkan Karakteristik Gender (Studi Kasus Mahasiswa Program Strata-1 IPB)." Jurnal Manajemen dan Organisasi 2, no. 3 (2016): 127. http://dx.doi.org/10.29244/jmo.v2i3.14215.

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Magnum Manufacturers need to consider the differences between women and men in decision-making purchase of Magnum ice cream. On this basis, the purpose of this study was to (1) Magnum television advertising effectiveness analysis in communicating the advertising message by gender in student-Tier 1, Bogor Agricultural University, (2) analyze the factors that influence the purchase of real students by gender in the purchase Wall's Magnum ice cream by student stratum-1 Institut Pertanian Bogor. Analysis of the data used are Consumer Decision Model (CDM) and Canonical Correlation Analysis with the

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Fuechtner, Veronika, and Paul Lerner. "Babylon Berlin: Media, Spectacle, and History." Central European History 53, no. 4 (2020): 835–54. http://dx.doi.org/10.1017/s0008938920000771.

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Babylon Berlin (henceforth BB) premiered in Germany on the pay channel Sky TV in October 2017 and in the United States on the streaming service Netflix in January 2018. It is based on Volker Kutscher's series of crime novels set in late Weimar Republic and early Nazi-era Berlin. At its center are the lives and investigations of the laconic and tormented police detective Gereon Rath and his charismatic and irrepressible assistant Charlotte (Lotte) Ritter. In anticipation of the series premiere on public television, marathon screenings took place in 150 cinemas across Germany, where audience mem

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MEER, RALPH R., and SCOTTIE L. MISNER. "Food Safety Knowledge and Behavior of Expanded Food and Nutrition Education Program Participants in Arizona." Journal of Food Protection 63, no. 12 (2000): 1725–31. http://dx.doi.org/10.4315/0362-028x-63.12.1725.

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Consumer education is one of the focus points to reduce foodborne illness within the food safety continuum “from farm to table.” A survey was conducted to determine the food safety knowledge and practices of the U.S. Department of Agriculture's Expanded Food and Nutrition Education Program participants in Maricopa and Pima counties of Arizona. Two hundred sixty-eight surveys were completed between 1 January and 31 December 1998. Survey participants consisted of 222 (85%) females and 39 (15%) males with an average age and education level of 31.5 and 11.7 years, respectively. The racial characte

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Peacock, Steven. "Book Review: Mad Men and Politics: Nostalgia and the Remaking of Modern America, The Wire and America’s Dark Corners: Critical Essays and Breaking Bad: Critical Essays on the Contexts, Politics, Style, and Reception of the Television Series." Critical Studies in Television: The International Journal of Television Studies 12, no. 1 (2017): 79–82. http://dx.doi.org/10.1177/1749602016683867.

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Lestari, Sri Budi, Suhartono Wiryopranoto, and GR Lono Lastoro Simatupang. "Negotiation of Gender Relations Meaning among Female Interpretation Community in Housing and Village Settlement." KOMUNITAS: International Journal of Indonesian Society and Culture 6, no. 2 (2014): 189–96. http://dx.doi.org/10.15294/komunitas.v6i2.3270.

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The sitcom of Husbands fearing Wives (SSTI-Suami-Suami Takut Istri), is one of the private television sitcoms which highlights violence as a joke to provoke laughter of its audiences. In SSTI, the joke involves the concept of gender, exchanging the role of women and men which has been socially and culturally constructed. One of the main objectives of this study is to analyze the role of the interpretation community in understanding the gender relations in SSTI sitcom. The study aims to discover the media interpretation by a group of female audiences living in the village and sub-district of Te

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Sulistyowati, Agus, and Ni Putu Widari. "EFFORTS TO INCREASE INTEREST IN VASECTOMY FAMILY PLANNING ACCEPTORS." Nurse and Health: Jurnal Keperawatan 9, no. 2 (2020): 240–43. http://dx.doi.org/10.36720/nhjk.v9i2.214.

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Family planning is one of the four pillars of safe motherhood, which plays a role in ensuring that each person or partner has access to family planning information and services so that they can plan the right time for pregnancy, the length of pregnancy, and the number of children . The factor of the lack of success of the family planning program cannot be separated from the lack of interest in the community, especially couples of childbearing age (PUS) using contraceptives. of them still consider the high cost and not easy to use the stable contraceptive method. The steady method of contracept

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Cardwell, Sarah, Elke Weissmann, Andrea Esser, et al. "Book Reviews: TV's Betty Goes Global: From Telenovela to International Brand, Global Television Formats: Understanding Television across Borders, Transnational Television Drama: Special Relations and Mutual Influence between the US and UK, Italian TV Drama & Beyond: Stories from the Soil / Stories from the Sea, the Sitcom, Mad Men: Dream Come True TV, Television, Memory and Nostalgia, a Hollywood Brasileira: Panorama da Telenovela No Brasil, Ficciones Colaterales: Las huellas del 11-S en las series ‘Made in USA’." Critical Studies in Television: The International Journal of Television Studies 8, no. 2 (2013): 107–29. http://dx.doi.org/10.7227/cst.8.2.11.

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Al-Musa, Hassan M., Nabil J. Awadalla, and Ahmed A. Mahfouz. "Male Partners’ Knowledge, Attitudes, and Perception of Women’s Breast Cancer in Abha, Southwestern Saudi Arabia." International Journal of Environmental Research and Public Health 16, no. 17 (2019): 3089. http://dx.doi.org/10.3390/ijerph16173089.

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Background: Breast cancer (BC) is ranked as the most frequently diagnosed cancer site among women in Saudi Arabia. Several studies in Saudi Arabia have reported low awareness of BC and significant obstacles to early presentation among Saudi women. A key sociocultural obstacle against breast screening and early detection of BC in several conservative cultures is that men manage women’s choices and activities. The aim of this research is to find out the key background knowledge, attitudes, and related practice among male partners in the city of Abha in relation to women’s BC prevention and means

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Lestari Pambayun, Ellys. "Pendekatan Feminist Communication Theory pada Cybercommunity “Cerdas Nonton Televisi”." Communicare : Journal of Communication Studies 3, no. 2 (2018): 73. http://dx.doi.org/10.37535/101003220165.

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Penelitian tentang Pendekatan Feminist Communication Theory pada Cybercommunity “Wacana Cerdas Menonton Televisi” di internet berasal dari pengamatan tentang fenomena aktivitas percakapan para perempuan di e-forum Cerdas Nonton Televisi di internet yang memuat kondisi pertelevisian Indonesia di mana di tuang ini ditemukan masalah bahwa internet dengan facebook nya telah membangun suatu hubungan dan wacana para anggotanya secara terbuka, lugas, dan kritis, tanpa melihat status, gender, ekonomi, sosial, agama, dan gaya hidup tentang krisis televisi tanah air yang masih memiliki banyak masalah, b

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Qudratullah, Qudratullah, and Nurul Fitrianti. "Pandangan Laki-Laki Terhadap Sosialisasi Program Keluarga Berencana (KB) Di Desa Bonto Lojong Kecamatan Ulu Ere Kabupaten Bantaeng." Al-I'lam: Jurnal Komunikasi dan Penyiaran Islam 2, no. 1 (2018): 10. http://dx.doi.org/10.31764/jail.v2i1.535.

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Abstrak:Sosialisasi yang tepat tentang Program KB yang dipelopori oleh BKKBN dan Bidan Puskesmas perlu dilakukan dengan terjun langsung dalam lingkungan masyarakat dan melalui media massa untuk memberikan pemahaman, informasi-informasi program KB kepada seluruh masyarakat tanpa mengenal tingkat pendidikan, agama, serta strata sosial sebagai upaya pemerintah mengentaskan kemiskinan dengan cara mempersuasi masyarakat lebih dekat agar mereka dapat mengatur perkawinan, reproduksi, jarak kelahiran, serta memiliki jumlah anak yang ideal. Kendala sosialisasi program KB kadangkala selalu ditemukan, sa

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Khan, Adeela, Babar Tasneem Shaikh, and Mirza Amir Baig. "Knowledge, Awareness, and Health-Seeking Behaviour regarding Tuberculosis in a Rural District of Khyber Pakhtunkhwa, Pakistan." BioMed Research International 2020 (April 22, 2020): 1–6. http://dx.doi.org/10.1155/2020/1850541.

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Background. Pakistan is a country with one of the highest burden of tuberculosis (TB) in the world, and therefore, it is imperative to revisit the design of behaviour change interventions in the program. This study was designed to understand and assess the knowledge, awareness, perceptions, and health-seeking behaviour of general and specifically TB-affected population and to determine the presence and level of stigma and discrimination toward TB patients. Methods. A mixed-method study was conducted in district Haripur of the Khyber Pakhtunkhwa province, comprising a household survey, whereby

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Wallace, Lee. "Fag Men: Mad Men, Homosexuality and Televisual Style." Cultural Studies Review 18, no. 2 (2012). http://dx.doi.org/10.5130/csr.v18i2.2765.

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Among the many retro-fittings achieved by Mad Men—Matthew Weinerʼs still unfurling television series set in the advertising world of the early 1960s—is the representation of the homosexual closet as a thing of the past. This essay approaches Mad Men’s account of the homophobic past in order to think about sexuality and televisual style. A landmark programme coterminous with American television transferring from analogue to digital signal, Mad Men allegorizes another moment in television history when the medium was defined not by convergence and time-shifting but by liveness, scheduling flow, m

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Rooney, Monique. "Turned Back: Mad Men as Intermedial Melodrama." Cultural Studies Review 18, no. 2 (2012). http://dx.doi.org/10.5130/csr.v18i2.2763.

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This essay draws on definitions of gesture (Giorgio Agamben and Peter Brooks) and catachresis (Peter Brooks, Jacques Derrida) to examine the primacy of non-verbal signifiers as communicators of meaning in AMC’s Mad Men. Beginning with an analysis of Mad Men’s credit sequence, it draws attention to Mad Men’s use of gesture and catachresis in relation to melodrama’s privileging of non-verbal and naturalistic expression and its persistence as an intermedial mode that has moved back and forth between various media (theatre, novel, cinema, television and now digital formats). It argues that Mad Men

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Hardie, Melissa Jane. "The Three Faces of Mad Men: Middlebrow Culture and Quality Television." Cultural Studies Review 18, no. 2 (2012). http://dx.doi.org/10.5130/csr.v18i2.2762.

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This article examines how history is represented in Mad Men and how anxiety about period is registered in the series' documentation of the relationship between pleasure and aesthetic experience. the author argues that the series re-animates mid-century debates about the relationship between low and middlebrow culture and does so by demonstrating the middlebrow's self-conscious representation of processes of mechanical reproduction. She shows that Mad Men's representation of historical period is intimately tied to its own status as "quality tv", and that this alliance is made available in the s

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Lilley, Kate. "Mediations on Emergent Occasions: Mad Men, Donald Draper and Frank O’Hara." Cultural Studies Review 18, no. 2 (2012). http://dx.doi.org/10.5130/csr.v18i2.2770.

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Frank O’Hara’s 1957 poetry collection, Meditations in an Emergency, features in Season Two of Mad Men (2008) as a talismanic phrase and object. Pressed into service as Matthew Weiner’s valentine to his returning viewers, the circulation and citation of the book across the season, through different diegetic and extradiegetic levels, aligns poetry, advertising and quality serial television drama as textual modes intent, above all, on creating attachment through feeling. O’Hara’s book is a crucial link in a series of metonymic relays, chain effects and affects, which underwrite Mad Men’s citation

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Taveira, Rodney. "California and Irony in Mad Men." Cultural Studies Review 18, no. 2 (2012). http://dx.doi.org/10.5130/csr.v18i2.2769.

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The combination of melodramatic and art cinematic techniques and influences in AMC’s television series Mad Men (2007¬–) reveals how a melodramatic televisuality can image novel modes of social and intimate relations and an alternative to the archetypal American narrative of the self-made man. Set in 1960s’ America, the series uses a contemporaneous and cosmopolitan California to triangulate the formal and narrative insistence of the past on the present. This triangulation is played out by Don Draper’s relations with his family, women, and his former identities and by the representation of homo

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Hellman, Heikki, and Paula Haara. "Journalistit kulttuurisina välittäjinä: Mad Men -tv-sarjan legitimointi laatusarjana suomalaisessa lehdistössä 2008–2015." Media & viestintä 41, no. 2 (2018). http://dx.doi.org/10.23983/mv.73064.

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Artikkelissa tutkitaan, mihin television laatusarjojen saama arvostus perustuu ja miten se tuotetaan. Nojaten kulttuurisen arvon tuotantoa ja kulttuurisia välittäjiä koskevaan teoriaan artikkeli analysoi, kuinka suomalaiset (kulttuuri)toimittajat ottivat vastaan yhdysvaltalaisen Mad Men -televisiosarjan ja tuottivat sille hyväksyntää laatusarjana. Tutkimus tarkastelee journalisteja suunnannäyttäjinä, kulttuurisina välittäjinä, jotka toimivat sekä tuotteiden portinvartijoina ja markkinoijina että niille merkitystä antavina arvottajina. Tutkimus perustuu kahdeksasta sanomalehdestä ja yhdestä aik

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Gendler, Jason. "The Rich Inferential World of Mad Men: Serialized Television and Character Interiority." Projections 10, no. 1 (2016). http://dx.doi.org/10.3167/proj.2016.100107.

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Flagmańska, Anna. "Autor telewizyjny? Przypadek Matthew Weinera." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 21, no. 30 (2018). http://dx.doi.org/10.14746/i.2017.30.22.

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American critics often refer to showrunners as television auteurs. Do showrunners deserve this title? Applying the assumptions of François Truffaut’s la politique des auteurs, as well as Andrew Sarris’s auteur theory, this article discusses the case of Matthew Weiner, the showrunner of Mad Men, a television series set in the 1960s America. Examining each stage of the show’s production process allows to prove that Weiner had decisive influence on scripts, direction, casting, cinematography, costume and production design, music and the editing of his project. Perhaps it is time to stop consideri

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Hajdu, Péter. "Fictionality in Historical Television Series." Primerjalna književnost 43, no. 1 (2020). http://dx.doi.org/10.3986/pkn.v43.i1.05.

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The most obvious formal feature of the historical novel as the genre founded by Walter Scott is the duplicity of a fictional foreground story and a historically approved background. Many television series have a historical past setting, and many of them can be seen as similar to historical novels. The 2005–07 series Rome kept something of the Scottian structure of fictional foreground story. The Pullo and Vorenus story line is fictional, and it stages the life of ordinary people, while historical characters like Julius Caesar and Pompey or Antony and Augustus do not merely form a factual backg

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