Relevant bibliographies by topics / Madame Bovary

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Madame Bovary'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Madame Bovary"

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Susanto, Dwi. "KEHADIRAN MOTIF CERITA MADAME BOVARY (1856) KARYA GUSTAVE FLAUBERT DALAM HIKAYAT SITI MARIAH (1910--1912) KARYA HADJI MOEKTI: KAJIAN SASTRA BANDINGAN." Widyaparwa 51, no. 2 (2023): 292–306. http://dx.doi.org/10.26499/wdprw.v51i2.1133.

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The presence of Madame Bovary's story motif (1856) in Indonesian literature, especially Hikayat Siti Mariah (1910--1912) provides evidence that there is a reception of similar between French and Dutch colonial or Indonesian. This paper aims to (1) find out the ideas of the two texts in displaying similar story motif, (2) the form of respons from Madame Bovary (1856) in the Hikayat Siti Mariah (1910--1912), and (3) the significance of Madame Bovary's presence (1856) in the Hikayat Siti Mariah (1910--1912) as a social response. This paper uses a comparative literary point of view by considering
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Ramdas, Anil, and Myra J. Heerspink Scholz. "Madame Bovary." Callaloo 21, no. 3 (1998): 523–28. http://dx.doi.org/10.1353/cal.1998.0173.

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Patrick, K. "Madame Bovary." BMJ 340, feb03 1 (2010): c616. http://dx.doi.org/10.1136/bmj.c616.

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Madruga Fidalgo Brígido, Gabrielle. "Madame Bovary." Revista de Psicanálise Stylus 1, no. 42 (2023): 63–70. http://dx.doi.org/10.31683/stylus.v1i42.927.

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Madame Bovary ou Emma Bovary é a protagonista do romance de mesmo nome, escrito por Flaubert, que levou cinco anos para construí-la. Ela apresenta as características da mulher burguesa do século XIX, muito comum de ser observado nos casos de histeria. Depois do papel de filha, a mulher ascendia socialmente apenas através do casamento e, mesmo assim, deveria obedecer aos ideais de feminilidade, com o cuidado com a casa e a maternidade. O objetivo desse trabalho não é, porém, diagnosticar Emma Bovary como histérica, e sim aproximar o que é relatado nessa obra literária sobre a vida dessa mulher
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TERIĆ, Marijana. "“MADAME BOVARY – C'EST MOI” (Gustave Flaubert: Madame Bovary)." Lingua Montenegrina 17, no. 1 (2016): 199–211. https://doi.org/10.46584/lm.v17i1.496.

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In this paper, attention is paid to the narrative techniques used by Gustave Flaubert in constituting his most famous work, “Madame Bovary”. In the novel, Flaubert applied almost all narrative strategies that characterize his novelistic art. Through the character of the heroine Emma Bovary, the author points to a number of modulations in the narrative, which distinguish Flaubert as the original author, ready to surprising twists in which his art of varying different storytelling methods triumphs. Finally, the conclusion of the paper is that “Madame Bovary” is not only latent author’s “self”, b
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MANOLESCU, Camelia. "LES ÉMOTIONS D’EMMA BOVARY." Analele Universității din Craiova Seria Ştiinte Filologice Langues et littératures romanes 26, no. 1 (2022): 138–54. http://dx.doi.org/10.52846/aucllr.2022.01.09.

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For the nineteenth-century writer, and especially for the realist novelist Gustave Flaubert, so preoccupied with his writing and the fate of his characters, emotion drives the course of the action. Flaubert, well known for his special way of conceiving his novels, for his impersonality and impassibility as techniques that make his writing unique, was also tempted by the analysis of how Emma masters her emotions (in the novel Madame Bovary which created a stir at the time). Our study is, first of all, an analysis of the theory of emotions in general and, secondly, an analysis of Emma Bovary’s e
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SEMBIRING, IRMA PLORENTINA, Balduin Pakpahan, and JUNITA FRISKA. "UTILISATION DES IMAGES EN CHAÎNE POUR AMÉLIORER LA COMPÉTENCE DES ÉTUDIANTS D’ÉCRIRE UN TEXTE NARRATIF." HEXAGONE Jurnal Pendidikan, Linguistik, Budaya dan Sastra Perancis 5, no. 2 (2017): 191. http://dx.doi.org/10.24114/hxg.v5i2.4624.

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Cette recherche a pour bout de savoir la valeur de verbe pronominal dans le roman française en analysant sa traduction en indonésien et pour savoir le caractéristique de chaque valeur de verbe pronominal. L’objet de cette recherche est le verbe pronominal qui se trouve dans le roman ‘Madame Bovary’ et sa traduction dans le roman ‘Madame Bovary’. La théorie qui est utilisé dans cette recherche est la théorie de Joëlle Tamine-Gardes. La méthode qui est utilisé est la descriptive qualitative. La source de donnée qui est utilisé est la roman Madame Bovary et La roman traduction ‘Madame Bovary’. Le
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Zakarian, Richard H. "Flaubert's Madame Bovary." Explicator 48, no. 1 (1989): 24–26. http://dx.doi.org/10.1080/00144940.1989.9933955.

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Somers, Jeanne. "Flaubert's Madame Bovary." Explicator 50, no. 4 (1992): 216–18. http://dx.doi.org/10.1080/00144940.1992.9935323.

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Lin, Esther. "Reading Madame Bovary." Ploughshares 45, no. 4 (2020): 84. http://dx.doi.org/10.1353/plo.2020.0002.

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Dissertations / Theses on the topic "Madame Bovary"

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Paré, Eric Zavenne. "Madame Bovary est une machine." Thesis, Metz, 2009. http://www.theses.fr/2009METZ003L.

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Partant du principe qu'une machine ne sait pas qu'elle est une machine et du présupposé selon lequel un robot n'a pas de conscience, ce travail étudie le parallèle entre la fabrication des créatures de roman et la fabrication des machines. Parmi ces figures, Madame Bovary est un archétype. Comme tout autre machine, Emma Bovary ne sait pas qu'elle en est une. Emma est une machine à texte, elle est faite de livres. Pourtant, elle ne peut pas avoir lu Madame Bovary. Parce qu'Emma n'est pas consciente qu’elle est l'appareil de Flaubert, nous l'avons rapproché des fonctionnements et des disfonction
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Mello, Renata Aiala de. "Flaubert, Madame Bovary e Emma Bovary: ecos de ethos." Universidade Federal de Minas Gerais, 2012. http://hdl.handle.net/1843/LETR-95PMLL.

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Située entre la Linguistique et la Littérature, cette recherche vise à décrire certains ethé de Gustave Flaubert, de son roman - Madame Bovary, et son personnage - Emma Bovary. Nous cherchons à (re)constituer ces ethé et de les mettre en relation dans une sorte de miroir, d'écho. Comme cadre théorique, nous utilisons la Semiolinguistique de Patrick Charaudeau, en particulier le contrat de communication, ainsi que des recherches d'autres auteurs qui étudient la notion d'ethos tels que Patrick Charaudeau, Ruth Amossy et Dominique Maingueneau, par exemple. Cette notion d'ethos nous aide aussi à (
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Jesus, Roberto Carlos de Santana. "Linguagem e errância em madame Bovary." Universidade Católica de Pernambuco, 2017. http://www.unicap.br/tede//tde_busca/arquivo.php?codArquivo=1264.

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Emma Bovary é a heroina do romance de Gustave Flaubert que termina se suicidando. Este dissertação surgiu a partir de inquetações profissionais que me conduziram a pesquisar pelo viés da Linguística, psicanálise e Literatura, e formular como objetivo geral a errância do desejo e da palavra em Madame Bovary, especificando a relação errante de Emma Bovary com a palavra e a errância do desejo através dos processos metaforonímicos. Esta pesquisa é teórica-empírica e a metodologia que elegemos persegue o rastro freudiano da análise da obra literária Gradiva - uma fantasia pompeiana, cujo título fi
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Mansour, Zeinab. "Analyse du discours rapporté dans Madame Bovary." Paris 3, 1991. http://www.theses.fr/1992PA030039.

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Dans madame bovary, le discours des personnages insere dans celui du narratoeur est manifeste sous la forme de discours rapporte. Nous avons tente dans notre etude d'etablir une typologie coherente des trois formes du discours rapporte, a savoir le discours direct, le discours indirect et le style indirect libre. Le discours des personnages se manifeste sous sa forme la plus "pure" par le discours direct. Le discours direct designe bien la citation litterale des paroles prononcees ou pensees d'un personnage a l'interieur de la fiction romanesque. Quand il est realise par le discours indirect e
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Muller, Andréa Correa Paraiso 1972. "De romance imoral a obra-prima = trajetórias de Madame Bovary = From an immoral novel to a masterpiece: Madame Bovary trajectories." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270048.

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Orientador: Márcia Azevedo de Abreu<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-21T11:35:09Z (GMT). No. of bitstreams: 1 Muller_AndreaCorreaParaiso_D.pdf: 37612250 bytes, checksum: 02680b6a67fa5685fd564b49c837e860 (MD5) Previous issue date: 2012<br>Resumo: Este trabalho busca estudar a recepção de Madame Bovary (1857), de Gustave Flaubert, no âmbito do processo de consolidação do gênero romanesco, focalizando as mudanças pelas quais passaram os critérios de avaliação crítica de romances ao longo do século X
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Noakou, Alexandra. "Narratological and stylistic problems in translating 'Madame Bovary'." Thesis, Lancaster University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422039.

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Nobre, Thalita Lacerda. "Madame Bovary e a histeria: uma leitura psicanalítica." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/15556.

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Made available in DSpace on 2016-04-28T20:39:24Z (GMT). No. of bitstreams: 1 Thalita L Nobre.pdf: 573590 bytes, checksum: cb51e0187a0b882d25ae4a5fd5d18210 (MD5) Previous issue date: 2007-04-27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The purpose of this dissertation is to carry out a psychoanalytical reading concerning the protagonist of the literary composition Madame Bovary. This book, written by Gustave Flaubert and published in 1856 same year that Sigmund Freud was born caused a great repercussion in the French society, at that time. Because of that, the auth
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關美德 and May-tak Rowena Kwan. "The literary reception of Flaubert's Madame Bovary in China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1988. http://hub.hku.hk/bib/B31208642.

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Gonçalves, Luís Carlos Pimenta. "Postérités de Madame Bovary au Portugal XIXe-XXe siècles." Paris 3, 2002. http://www.theses.fr/2002PA030026.

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Cette thèse se propose de rendre compte de la réception de Madame Bovary au Portugal du XIXe au XXe siècle en révélant ses irradiations multiformes qui s'étendent du dictionnaire encyclopédique au manuel de littérature, du simple article de journal à la thèse universitaire, de la traduction littérale à la traduction littéraire, de l'influence thématique à l'influence stylistique et qui constituent la fortune d'une oeuvre. Dans la première partie un recensement presque exhaustif de la critique journalistique et universitaire tant dans les journaux et essais contemporains de l'œuvre qu'au vingti
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Kwan, May-tak Rowena. "The literary reception of Flaubert's Madame Bovary in China /." [Hong Kong] : University of Hong Kong, 1988. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12370101.

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Books on the topic "Madame Bovary"

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Gustave, Flaubert. Madame Bovary. Penguin USA, Inc., 2009.

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Flaubert, Gustave. Madame Bovary. Carl Hanser Verlag GmbH & Co. KG, 2012. http://dx.doi.org/10.3139/9783446300125.

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Orr, Mary. Madame Bovary. Lang, 1999.

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Flaubert, Gustave. Madame Bovary. Clé international, 2004.

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Flaubert, Gustave. Madame Bovary. Penguin books, 1995.

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Flaubert, Gustave. Madame Bovary. CLE International, 2004.

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Gustave, Flaubert. Madame Bovary. Signet Classic, 1988.

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Gustave, Flaubert. Madame Bovary. Arcturus Publishing Ltd, 2018.

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Gustave, Flaubert. Madame Bovary. Droz, 2011.

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Gustave, Flaubert. Madame Bovary. Viking, 2010.

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Book chapters on the topic "Madame Bovary"

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Roe, David. "Madame Bovary." In Gustave Flaubert. Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19956-3_4.

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Roloff, Volker. "Flaubert, Gustave: Madame Bovary." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3598-1.

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Culler, Jonathan. "The real Madame Bovary." In Le Flaubert réel, edited by Barbara Vinken and Peter Fröhlicher. Walter de Gruyter – Max Niemeyer Verlag, 2009. http://dx.doi.org/10.1515/9783484970465.1.9.

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Erstic, Marijana, Gregor Schuhen, and Christian von Tschilschke. "Madame Bovary, c'est lui!" In »Madame Bovary, c'est nous!« - Lektüren eines Jahrhundertromans. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839452844-001.

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Baker, Niamh. "‘Remember Madame Bovary’: infidelity." In Happily Ever After? Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20288-1_5.

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Amann, Elizabeth. "Introduction." In Importing Madame Bovary. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780312376147_1.

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Amann, Elizabeth. "Exhuming Marguerite Gautier." In Importing Madame Bovary. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780312376147_2.

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Amann, Elizabeth. "An Unbridled Bride." In Importing Madame Bovary. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780312376147_3.

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Amann, Elizabeth. "A Marriage Sans-culotte?" In Importing Madame Bovary. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780312376147_4.

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Amann, Elizabeth. "On Tour." In Importing Madame Bovary. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780312376147_5.

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Conference papers on the topic "Madame Bovary"

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Cavazza, Marc, Jean-Luc Lugrin, David Pizzi, and Fred Charles. "Madame bovary on the holodeck." In the 15th international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1291233.1291387.

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Hernández Guerrero, María José. "Retraducción y calidad: el caso de Madame Bovary." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3021.

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Madame Bovary es la novela de Flaubert más traducida al castellano. Desde la primera versión de Amancio Peratoner en 1875 hasta la más reciente, de 2014, obra de Javier Albiñana, se han publicado en castellano solo en la Península cerca de cuarenta traducciones de esta obra. Sus frecuentes retraducciones hablan de un interés ininterrumpido por este clásico y lo convierten en un interesante caso de estudio, ya que, aunque parece aceptada la premisa de que cada generación necesita dotarse de una traducción propia de las obras de referencia universal, en el caso de Madame Bovary resulta evidente
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Dang, Fei. "I'm not Madame Bovary - The Dual Call of Law and Humanity." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.92.

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Chalhoub, Lara, and Jefferson Cano. "Amor, tentação e moralidade: um estudo de Madame Bovary, Fanny e Lui." In Congresso de Iniciação Científica UNICAMP. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/revpibic2720191606.

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Zhai, Man. "Analysis on Literary Narrative Force of Male Images Aiming to Female Tragedy in Madame Bovary." In 3rd Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/sschd-17.2017.23.

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Jacob, Dany. "Intersectionality in Practice: A Multi-Dimensional Approach to Teaching Feminism from a Francophone Perspective in the USA." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-007.

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This presentation will focus on my approach to teaching Feminism and Patriarchy in a General Education course on Francophone cultures, with an emphasis on the integration of intersectionality throughout the course. I will share insights from students’ experiences and reflections on how feminist themes related to race, gender, and class resonate within the context of Francophone literature and film. The course is organized into four modules, each examining key feminist theories and their application in different Francophone settings. In Module 1, students reflect on historical portrayals of wom
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Farkas, F. "The Development of a Multi-Stage Heavy-Duty Transonic Compressor for Industrial Gas Turbines." In ASME 1986 International Gas Turbine Conference and Exhibit. American Society of Mechanical Engineers, 1986. http://dx.doi.org/10.1115/86-gt-91.

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The decision was made to use a heavy-duty, 12-stage transonic compressor for the new Type 8 Brown Boveri gas turbine. With this advanced concept, it became possible both to increase the pressure ratio to 16:1 and to reduce the number of stages by half. The wide-chord, low aspect-ratio blade design brought about a further decrease in the total number of components and a reduction of the mechanical stresses. A variable inlet guide vane was added to provide flexibility in combined cycle operation. Appropriate computer-assisted design systems were developed for evaluation of design and off-design
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Fujii, Tatsuo, Takakazu Uenaka, and Hitoshi Masuo. "Operating Experience of the GT13E2 at Kawasaki Gas Turbine Research Center." In ASME 1999 International Gas Turbine and Aeroengine Congress and Exhibition. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/99-gt-082.

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The first Kawasaki-ABB GT13E2 gas turbine began operating at Kawasaki Gas Turbine Research Center (KGRC) in Sodegaura city, Japan in January 1994. This facility is a simple-cycle power station and is operated in DSS (Daily Start and Stop) operation mode as a peaking unit, and its output electricity is delivered to Tokyo Electric Power Company (TEPCO). The GT13E2 gas turbine at KGRC was manufactured jointly by Kawasaki Heavy Industries (KHI) and Asea Brown Boveri (ABB). KHI and ABB have a joint test program with this facility to research for high reliability, high performance and low emission f
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