Academic literature on the topic 'Madame de (Anne-Louise-Germaine)'

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Dissertations / Theses on the topic "Madame de (Anne-Louise-Germaine)"

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Slosmanis, Bernadette. "La morale féminine dans "Delphine" et "Corinne" de Madame de Staël /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60090.

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The central theme in Delphine and Corinne, two novels by Madame de Stael, is that of the tragic and suffering heroine. The heroines die for ideals: those of freedom and the right to live their lives according to moral principles of the highest order. For Madame de Stael, the Parisian society she lives in, allows women no real freedom and therefore, there is no sense of morals where they are concerned. In Delphine, she draws a series of portraits of unhappy and psychologically scarred women, and she shows how prejudice and social convention brought this about. In Corinne, Madame de Stael's imagination explodes into her vision of the performing heroine who dazzles not only her fellow fiction characters but contemporary literary women. In both novels, the hero abandons the heroine and she dies. The theme of the tragic hero inspires early romantic literature. Madame de Stael introduces the essential characteristics of romanticism to the French in From Germany. The heroine's drama is her own. This thesis studies the guiding influences, the sources and the inspiration of Madame de Stael's ideas which led her to state that moral principles did not exist for women in the society of her day.
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Missio, Edmir. "De l'Allemagne de Mme. de Stael : apresentação e tradução de textos escolhidos." [s.n.], 1997. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270020.

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Orientador: Luiz Carlos da Silva Dantas
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-07-22T20:33:24Z (GMT). No. of bitstreams: 1 Missio_Edmir_M.pdf: 5815826 bytes, checksum: 49e9d4345dde152e3a7a1fe5b33278ae (MD5) Previous issue date: 1997
Resumo: A obra De l'Allemagne, de Mme de Stael, editada em 1810, divulgou pela primeira vez e colocou ao alcance de um amplo público, na França e demais povos latinos do século XIX, a literatura, a filosofia e as idéias que circulavam nos círculos intelectuais mais restritos da Alemanha. Este livro, que provocará uma revolução nos espíritos e influenciará de modo notável as gerações seguintes, expõe os principais temas que deverão despontar no Romantismo. Esta dissertação contém uma apresentação da obra e a tradução de um certo número de capítulos ou excertos de capítulos previamente comentados, cujo objetivo seria o de evocar o p.ercurso intelectual da autora. Na realidade, a tese faz a apresentação das primeiras obras de MIne de Stael, de sua herança suíça e francesa, de sua crítica e distanciamento do espírito das Luzes, de seus grandes romances e ele suas relações como poder político, de modo a melhor compreender as questões envolvidas em De l'Allemagne e seu contexto histórico. A tradução de passagens essenciais de De I 'Allemagne tem por base a seleção dos excertos da edição trances a da Larousse, permitindo aos leitores brasileiros um contato mais "direto" com as idéias de Mme de Stael, e uma reflexão sobre as questões de nosso próprio movimento romântico
Abstract: Not informed.
Mestrado
Teoria e Critica Literaria
Mestre em Teoria Literaria
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Dubeau, Catherine. "La lettre et la mère : roman familial et écriture de la passion chez Suzanne Necker (1737-1794) et Germaine de Staël (1766-1817)." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24721/24721.pdf.

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Wagner, Ulrike. "The Transatlantic Renewal of Textual Practices: Philology, Religion, and Classicism in Madame de Staël, Herder, and Emerson." Thesis, 2012. https://doi.org/10.7916/D8SJ1SQ0.

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This dissertation demonstrates how the rise of historical criticism in Germany transformed practices of reading, writing, and public address in the related fields of classicism and biblical criticism in a transnational context. In the late-eighteenth and early-nineteenth centuries, writers on both sides of the Atlantic rendered these practices foundational to the goals of self-formation, cultural and spiritual renewal, and educational reform. In this process, Germaine de Staël's De l'Allemagne (1814) played a key role in disseminating new historically informed modes of teaching, preaching, translating, and reconstructing secular and religious texts among Transcendentalists. I show that her cultural study epitomizes crucial characteristics and functions of the historically informed textual practices that Johann Gottfried Herder's works articulated paradigmatically in Germany and which we find refracted in reviews, addresses, essays, and translations by many Antebellum American scholars, especially Ralph Waldo Emerson.
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Burkhart, Claire Lovell. "Reading and writing women : representing the femme de lettres in Stendhal, Balzac, Girardin and Sand." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2836.

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This dissertation explores the numerous literary representations of the femme de lettres during the first half of the nineteenth century in order to illustrate the complexities of women’s entrance into the male-dominated domain of literature and also to suggest the impact these fictional characters might have had on the reception of actual women writers as well as their omission from the century’s literary canon. The works that will be included in this analysis include: Mme de Staël’s Corinne, ou l’Italie, Stendhal’s Le Rouge et le noir, Honoré de Balzac’s Béatrix, La Muse du département and Illusions perdues, Delphine de Girardin’s La Canne de M. de Balzac, Napoline and La joie fait peur and George Sand’s Histoire de ma vie, Lettres d’un voyageur and Un Hiver à Majorque. In compiling such diverse works of literature, it becomes clear that both male and female authors from the early nineteenth century were unable to envision a publicly embraced female genius. Although almost all of the fictional femmes de lettres in this study faced a destiny of professional silence, the reasons given for their failures are split between the male and female authors. For the male authors, the woman as a successful intellectual, artist or author was ultimately impossible because of her inability to combine her female body and psyche with the “masculine” pursuit of knowledge. Conversely, the female authors wrote characters whose inability to fully embrace a public literary or artistic career stemmed from society’s unwillingness to tolerate her exceptionality rather than from an inherent disconnect between genius and the female sex.
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Books on the topic "Madame de (Anne-Louise-Germaine)"

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Fairweather, Maria. Madame De Staël. Constable, 2005.

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Balayé, Simone. Madame de Staël et les Français. Clarendon Press, 1996.

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Goodden, Angelica. Madame de Staël: Delphine and Corinne. Grant & Cutler, 2000.

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Madelyn, Gutwirth, Goldberger Avriel H, and Szmurlo Karyna, eds. Germaine de Staël: Crossing the borders. Rutgers University Press, 1991.

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Herold, J. Christopher. Mistress to an age: A life of Madame de Staël. Hamish Hamilton Ltd., 1986.

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Marso, Lori Jo. (Un)Manly citizens: Jean-Jacques Rousseau's and Germaine de Staël's subversive women. Johns Hopkins University Press, 1999.

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Herold, J. Christopher. Mistress to an age. Hamish Hamilton Ltd, 1986.

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Isbell, John Claiborne. The birth of European romanticism: Truth and propaganda in Staël's De l'Allemagne. Cambridge University Press, 1994.

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Isbell, John Claiborne. The birth of European romanticism: Truth and propaganda in Staël's "De l'Allemagne", 1810-1813. Cambridge University Press, 1994.

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Polowetzky, Michael. A bond never broken: The relations between Napoleon and the authors of France. Fairleigh Dickinson University Press, 1993.

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Book chapters on the topic "Madame de (Anne-Louise-Germaine)"

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Sánchez-Mejía, Maria Luisa. "Staël, Madame de (Staël Holstein, Anne-Louise-Germaine Necker)." In Encyclopedia of the Philosophy of Law and Social Philosophy. Springer Netherlands, 2023. http://dx.doi.org/10.1007/978-94-007-6519-1_950.

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Sánchez-Mejía, Maria Luisa. "Madame de Staël (Staël-Holstein, Anne-Louise-Germaine Necker)." In Encyclopedia of the Philosophy of Law and Social Philosophy. Springer Netherlands, 2021. http://dx.doi.org/10.1007/978-94-007-6730-0_950-1.

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Wehinger, Brunhilde. "Staël-Holstein, Anne-Louise-Germaine, Baronne de (gen. Madame de Staël)." In Metzler Autorinnen Lexikon. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_354.

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Walton, Charles. "Policing the Moral Limits Public Spirit, Surveillance, and the Remaking of Mœurs." In Policing Public Opinion in the French Revolution. Oxford University PressNew York, NY, 2009. http://dx.doi.org/10.1093/oso/9780195367751.003.0009.

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Abstract In the two and a half weeks between the time her father was fired and the time he was recalled and returned from Bâle, France, wrote Anne-Louise-Germaine Necker, fell apart. The future Madame de Staël, in her letter to the Emperor of Sweden of August 1789, recounted, “My father [Jacques Necker, First Minister of Finances] returned on July 27 to find authorities destroyed or confused with new ones . . . an old nation fallen into a state of infancy rather than youth, a corrupt people clamoring for American institutions, insisting on freedom before establishing public spirit.”
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