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Journal articles on the topic 'Madame de Staël'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 April 2022

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1

Gretchanaïa, Elena. "Madame de Staël." Revue d'histoire littéraire de la France 103, no. 4 (2003): 933. http://dx.doi.org/10.3917/rhlf.034.0933.

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2

Guilhaumou, Jacques. "Madame de Staël, Œuvres complètes." Annales historiques de la Révolution française, no. 363 (March 1, 2011): 212–14. http://dx.doi.org/10.4000/ahrf.11990.

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3

Sabourin, Lise. "Sophie Doudet, Madame de Staël." Studi Francesi, no. 187 (LXIII | I) (July 1, 2019): 168–69. http://dx.doi.org/10.4000/studifrancesi.16464.

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4

Birkett, Jennifer. "Madame de Staël: ‘Delphine’ and ‘Corinne’." French Studies LX, no. 1 (January 1, 2006): 125–26. http://dx.doi.org/10.1093/fs/kni328.

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5

Ousselin, Edward. "Madame de Staël by Michel Winock." French Review 84, no. 4 (2011): 813–14. http://dx.doi.org/10.1353/tfr.2011.0212.

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6

Szymański, Tomasz. "Madame de Staël et la « religion universelle »." Romanica Wratislaviensia 64 (October 27, 2017): 145–57. http://dx.doi.org/10.19195/0557-2665.64.13.

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MADAME DE STAËL AND THE “UNIVERSAL RELIGIONˮThe object of the article is the idea of a universal religion formulated by Madame de Staël in her book De l’Allemagne in 1813. In order to grasp the meaning of this idea, we have to consider first the religious identity of the author, then sketch the philosophical and religious context in which the idea has developed, and present Madame de Staël’s worldview, inspired by Enlightenment phi­losophy and Protestant thought as well as mystical and esoteric sources popular among German philosophers of nature. In the broader context of the development of the idea of a universal religion, the work of the French pioneer of Romanticism, in which the idea, associated with the feeling of infinity, is conceived as a worship exercised by the whole universe having his temple in the human heart, occupies an important place at the intersection of the 18th and the 19th century.
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7

Malița, Ramona. "Madame de Staël ou le plaidoyer pour une vie seconde : le théâtre." Studia Universitatis Babeş-Bolyai Dramatica 65, no. 2 (October 30, 2020): 39–56. http://dx.doi.org/10.24193/subbdrama.2020.2.02.

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"Madame de Staël or the Necessity of a Second Life: The Theatre. Our contribution proposes an incursion into literary history at the time of the First Wave of French Romanticism. The subject of the investigation is Madame de Staël’s experimental theatre and the dramatic seasons that she organized between 1804 and 1811 in Coppet and Geneva. Our conclusions are twofold: on the aesthetic side, Coppet’s dramatic representations had the role of changing the aesthetic and literary canons of the early 19th century; on the historical side, the Coppet Group is one of the first romantic cenacles whose resounding literary activity was the theatre. Keywords: Madame de Staël, Coppet, Geneva, experimental theatre, French Romanticism, aesthetic and literary canons, 19th century literature, romantic theatre."
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8

Ruiz Callejón, Encarnación. "Madame de Staël y Schopenhauer: la compasión y el entusiasmo del «sexo inestético»." Franciscanum 61, no. 172 (September 1, 2019): 1–30. http://dx.doi.org/10.21500/01201468.4458.

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En este artículo se analiza la posición de Madame de Staël sobre la búsqueda de la felicidad, el tratamiento de las pasiones y el papel de la compasión, tres temas centrales en Schopenhauer, pero con los cuales ella articula un camino diferente a la negación de la voluntad y a la mera afirmación de la voluntad. Madame de Staël interpretó la compasión, esa pasión femenina por excelencia en Schopenhauer, también de una manera más amplia y en la que la ética y la política se combinan en relación con el arte de vivir en lugar de negar la voluntad.
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9

Bordas, Éric. "Le style superlatif de Madame de Staël." L Information Grammaticale 83, no. 1 (1999): 52–58. http://dx.doi.org/10.3406/igram.1999.2798.

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10

Staël, Madame De. "Ensaio sobre as ficções - Madame de Staël." Revista Criação & Crítica 5, no. 8 (April 15, 2012): 65. http://dx.doi.org/10.11606/issn.1984-1124.v5i8p65-79.

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11

Lotterie, Florence. "Madame de Staël. La littérature comme «philosophie sensible»." Romantisme 124, no. 2 (2004): 19. http://dx.doi.org/10.3917/rom.124.0019.

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12

Altmann, Gerhard. "Sabine Appel: Madame de Staël. Kaiserin des Geistes." Das Historisch-Politische Buch 66, no. 2 (June 1, 2018): 199–200. http://dx.doi.org/10.3790/hpb.66.2.199.

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13

Lotterie, Florence. "Madame de Staël. La littérature comme «philosophie sensible»." Romantisme 34, no. 124 (2004): 19–30. http://dx.doi.org/10.3406/roman.2004.1254.

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14

GERHARD, ANSELM. "Verdi's Attila: a study in chiaroscuro." Cambridge Opera Journal 21, no. 3 (November 2009): 279–89. http://dx.doi.org/10.1017/s0954586710000182.

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AbstractThis study untangles the complex literary, historical, political and theatrical web of Verdi, Solera, Zacharias Werner, Madame De Staël and Giuseppe Mazzini, and relates it to Verdi's use of light and dark imagery in Werner's play.
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15

Tesser, Stefania. "Aa. Vv., Madame de Staël et les études féminines. Autour de Madame Necker." Studi Francesi, no. 156 (LII | III) (December 1, 2008): 681–82. http://dx.doi.org/10.4000/studifrancesi.8645.

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16

Magri-Mourgues, Véronique. "La voix narrative dans Corinne de Madame de Staël." Cahiers de Narratologie, no. 10.2 (January 1, 2001): 203–12. http://dx.doi.org/10.4000/narratologie.10217.

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17

Winock, Michel. "Madame de Staël : le c?ur et la raison." Le Débat 168, no. 1 (2012): 107. http://dx.doi.org/10.3917/deba.168.0107.

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18

Sluga, Glenda. "Gender and the nation: madame de staël or italy." Women's Writing 10, no. 2 (July 1, 2003): 241–52. http://dx.doi.org/10.1080/09699080300200270.

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19

Gengembre, Gérard. "Le romantisme de Madame de Staël, ou enthousiasme et politique." Revue d'histoire littéraire de la France 116, no. 1 (2016): 69. http://dx.doi.org/10.3917/rhlf.161.0069.

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20

Judith E. Martin. "Nineteenth-Century German Literary Women's Reception of Madame de Staël." Women in German Yearbook: Feminist Studies in German Literature & Culture 18, no. 1 (2002): 133–57. http://dx.doi.org/10.1353/wgy.2002.0005.

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21

Poli, Annarosa. "Silvia Lorusso, L’Immagine dell’Italia nella Corinne di Madame de Staël." Studi Francesi, no. 150 (L | III) (December 31, 2006): 613–12. http://dx.doi.org/10.4000/studifrancesi.27708.

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22

Cupelloni, Francesca. "Leopardi, Madame de Staël, Chateaubriand: studio lessicale sul termine “silenzio”." Studi Francesi, no. 193 (LXV | I) (June 1, 2021): 45–57. http://dx.doi.org/10.4000/studifrancesi.43249.

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23

Stupazzoni, Marco. "Florence Lotterie, «Madame de Staël. La littérature comme “philosophie sensible”»." Studi Francesi, no. 152 (LI | II) (October 1, 2007): 460. http://dx.doi.org/10.4000/studifrancesi.46029.

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24

Duarte Caetano, Luiza. "Da Literatura em suas relações com a Liberdade." Em Tese 23, no. 1 (March 16, 2018): 225. http://dx.doi.org/10.17851/1982-0739.23.1.225-229.

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A presente é uma tradução de uma das seções do "Discurso preliminar" que precede o primeiro capítulo do livro De la littérature, de Madame de Staël, publicado em 1800. Nela, a autora defende a importância da literatura — cujas fronteiras com a filosofia ainda não estão completamente demarcadas, embora ela já tenha se autonomizado das ciências e das belas-artes — para o estabelecimento e manutenção da liberdade. Staël destaca o papel dos escritos na propagação e ampliação do conhecimento (chamado aqui sobretudo de “luzes”) que assegura aos cidadãos seus direitos, bem como a indispensabilidade da eloquência em um regime de tipo democrático, no qual os governantes devem conquistar o consentimento dos governados por meio de argumentos lógicos e convincentes, e não pela mera força tirânica.
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25

Balayé, Simone. "Delphine de Madame de Staël et la presse sous le Consulat." Romantisme 16, no. 51 (1986): 39–48. http://dx.doi.org/10.3406/roman.1986.4806.

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26

Sluga, Glenda. "Madame de Staël and the Transformation of European Politics, 1812–17." International History Review 37, no. 1 (January 10, 2014): 142–66. http://dx.doi.org/10.1080/07075332.2013.852607.

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27

Arrous, Michel. "Jean Goldzink et Gérard Gengembre, Madame de Staël, la femme qui." Studi Francesi, no. 187 (LXIII | I) (July 1, 2019): 169. http://dx.doi.org/10.4000/studifrancesi.16470.

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28

Blain-Pinel, Marie. "Madame de Staël ou les fondements d'une poétique de la modernité." Bulletin de l'Association Guillaume Budé 1, no. 2 (1997): 148–64. http://dx.doi.org/10.3406/bude.1997.1881.

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29

Jones, Catherine. "Madame de Staël and Scotland: Corinne, Ossian and the Science of Nations." Romanticism 15, no. 3 (October 2009): 239–53. http://dx.doi.org/10.3366/e1354991x09000750.

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30

Balayé, Simone. "Comment peut-on être Madame de Staël ? Une femme dans l'institution littéraire." Romantisme 22, no. 77 (1992): 15–23. http://dx.doi.org/10.3406/roman.1992.6048.

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31

Delpeyroux, Marie-Françoise. "Roman, rhétorique et éloquence chez Madame de Staël, de Delphine à Corinne." Romantisme 31, no. 113 (2001): 11–27. http://dx.doi.org/10.3406/roman.2001.1026.

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32

Lotterie, Florence. "Une revanche de la «femme-auteur» ? Madame de Staël disciple de Rousseau." Romantisme 33, no. 122 (2003): 19–31. http://dx.doi.org/10.3406/roman.2003.1218.

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33

Bordoni, Silvia. "From Madame de Staël to Lord Byron: The Dialectics of European Romanticism." Literature Compass 4, no. 1 (November 28, 2006): 134–49. http://dx.doi.org/10.1111/j.1741-4113.2006.00403.x.

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34

Lotterie, Florence. "De la littérature comme une chose sérieuse : Chateaubriand, Madame de Staël et Napoléon." Bulletin de l'Association Guillaume Budé 1, no. 3 (2000): 259–72. http://dx.doi.org/10.3406/bude.2000.2006.

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35

Sosso, Paola. "À la charnière du temps, Charles-Victor de Bonstetten/Madame de Staël, Madame de Staël/Friederike Brun, deux dialogues épistolaires, 1811-1813, édité et commenté par Doris et Peter Walser-Wilhelm." Studi Francesi, no. 152 (LI | II) (October 1, 2007): 458–59. http://dx.doi.org/10.4000/studifrancesi.46002.

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36

Brissette, Pascal, and Michel Lacroix. "Un « couple » sous tension : le romancier et le livre dans les romans de la vie littéraire." Mémoires du livre 2, no. 2 (April 5, 2011): 0. http://dx.doi.org/10.7202/1001761ar.

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Si le sens commun n’imagine guère d’écrivain sans livre, rien n’est moins évident dans la fiction. Ce constat, effectué à partir des recherches menées sur les romans de la vie littéraire publiés en France entre 1800 et 1940, nous a amenés à nous interroger sur cet étrange statut du livre dans les fictions. Quand et pourquoi le livre est-il montré? Quand et pourquoi ne l’est-il pas, dans un corpus où l’on s’attend pourtant à l’y trouver? Pour esquisser des réponses à ces questions, nous avons étudié les textes de Madame de Genlis, de Madame de Staël, de Balzac, de Gide et de Duhamel. Nous avons ainsi pu voir que la littérature est souvent fictionnalisée comme pure parole, sans matérialité, comme « texte » tout entier spiritualisé, manifestant ainsi une idéalisation de la présence et une hantise de la médiation ; la présence du livre comme objet matériel, comme imprimé, fait au contraire surgir quantité de médiateurs, souvent chargés de négativité, parce qu’ils manifestent la dimension économique de la création littéraire.
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37

Bizek-Tatara, Renata. "De la Flandre insolite au fantastique, une spécialité de la littérature belge francophone." Romanica Silesiana 16, no. 2 (February 16, 2021): 158–67. http://dx.doi.org/10.31261/rs.2019.16.15.

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This paper shows how the image of the uncanny Flanders, elaborated in the early nineteenth century by Madame de Staël as well as by French writers and voyagers contributed to the specificity of Belgian francophone literature and especially to the creation of the concept of the Belgian school of the bizarre. He examines the impact of the hetero-image on self-image and the role of literature in the formation and perpetuation of the stereotype of Belgium, land of strange. It reveals how Belgian writers used, petrified and propagated this image to build their difference and show their belgité in order to make it a specificity of Belgium.
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38

Stupazzoni, Marco. "Pier Massimo Prosio, Madame de Staël a Torino, in «Bollettino del C.I.R.V.I.», anno xxix." Studi Francesi, no. 159 (LIII | III) (December 1, 2009): 642–43. http://dx.doi.org/10.4000/studifrancesi.7609.

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39

YUVA, Ayşe. "Madame de Staël, Benjamin Constant et les « philosophes du XVIIIe siècle » : un héritage contrarié." Philonsorbonne, no. 4 (May 15, 2010): 85–107. http://dx.doi.org/10.4000/philonsorbonne.276.

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40

Isbell, John. "Madame de Staël, ministre de la Guerre ? Les discours de Narbonne devant l'Assemblée législative." Annales historiques de la Révolution française 307, no. 1 (1997): 93–104. http://dx.doi.org/10.3406/ahrf.1997.2025.

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41

Sanders, Trevor. "Madame de Staël, la femme qui osait penser. Par Jean Goldzink et Gérard Gengembre." French Studies 73, no. 1 (November 20, 2018): 120–21. http://dx.doi.org/10.1093/fs/kny286.

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42

Ousselin, Edward. "Madame de Staël et Victor Hugo face à la réalité et la légende napoléoniennes." Nineteenth-Century French Studies 36, no. 1 (2007): 9–20. http://dx.doi.org/10.1353/ncf.2007.0086.

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43

Lee, Soon-Hee. "Madame de Staël and Reflection on Translation : Through Two Articles Published in Biblioteca Italiana." Comparative Literature 80 (February 28, 2020): 119–49. http://dx.doi.org/10.21720/complit80.04.

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44

Steinfeld, Torill. "Norden under oppbrudd. Madame de Staël, Frederikke Brun og striden om Norge 1812–1814." Historisk tidsskrift 91, no. 02 (July 4, 2012): 191–219. http://dx.doi.org/10.18261/issn1504-2944-2012-02-03.

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45

Furet, François. "The Intellectual Origins of Tocqueville’s Thought." Tocqueville Review 7, no. 1 (January 1986): 117–29. http://dx.doi.org/10.3138/ttr.7.1.117.

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To attempt to outline how Tocqueville’s thought was formed —by which questions, with what intellectual material-we may employ two very different perspectives. The more classic one is to try to reconstruct the list of writers and works which most influenced the future author of Democracy in America, from Pascal and Montesquieu to Madame de Staël and Guizot. The other consists in starting from the problems which he sought to resolve and which led him, quite young, to the famous “Voyage.” The two approaches are not, however, incompatible, and even overlap to the extent that a great mind may find elements of the questions he poses of his time in the books of his predecessors.
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46

Furet, François. "The Intellectual Origins of Tocqueville’s Thought." Tocqueville Review 7 (January 1986): 117–29. http://dx.doi.org/10.3138/ttr.7.117.

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To attempt to outline how Tocqueville’s thought was formed —by which questions, with what intellectual material-we may employ two very different perspectives. The more classic one is to try to reconstruct the list of writers and works which most influenced the future author of Democracy in America, from Pascal and Montesquieu to Madame de Staël and Guizot. The other consists in starting from the problems which he sought to resolve and which led him, quite young, to the famous “Voyage.” The two approaches are not, however, incompatible, and even overlap to the extent that a great mind may find elements of the questions he poses of his time in the books of his predecessors.
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47

Thomas, Catherine. "Aa. Vv., Madame de Staël et le Groupe de Coppet. Coppet, correspondances et réseaux épistolaires." Studi Francesi, no. 171 (LVII | III) (December 1, 2013): 612–13. http://dx.doi.org/10.4000/studifrancesi.2791.

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48

Thomas-Ripault, Catherine. "Journaux intimes, de Madame de Staël à Pierre Loti, présentés et annotés par Michel Braud." Studi Francesi, no. 170 (LVII | II) (July 1, 2013): 465–66. http://dx.doi.org/10.4000/studifrancesi.3124.

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49

Tribouillard, Stéphanie. "Le tombeau de Madame de Staël (1817-1850) : les discours du premier XIXe siècle français." L'information littéraire Vol. 59, no. 1 (March 1, 2007): 39–42. http://dx.doi.org/10.3917/inli.591.0039.

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50

Perkins, Pam. "‘She has her ladies too’: Women and Scottish Periodical Culture in Blackwood's Early Years." Romanticism 23, no. 3 (October 2017): 253–61. http://dx.doi.org/10.3366/rom.2017.0340.

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This essay looks at some of the women who were published in and reviewed by Blackwood's Magazine in its early years. While the important contributions of women to the Blackwood's of the Victorian period have always been recognised, the Romantic-era magazine is better remembered for a sometimes aggressively ‘masculine’ tone. Women appeared in Blackwood's from the beginning, however, even if only in small numbers. Focusing first on reviews of major women writers – including Madame de Staël and Mary Shelley – and then turning to Felicia Hemans and Anne Grant, both of whom had poems published in the first year of the magazine's run, the essay argues that comments on these women and their work can illuminate the ways in which Blackwood's positioned itself in the competitive world of the Scottish periodical press.
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