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Journal articles on the topic 'Made by artist journal'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Sikharulidze, Baia. "The Effects Of New Technologies On Culture." Made By Artist Journal 1, no. 1 (2025): 45–52. https://doi.org/10.5281/zenodo.14655765.

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The new technologies have given rise to new forms of culture and changed attitudes towards reality and identity. Typography, woven into the urban fabric, together with architecture, presents us with the appearance of a modern city and describes the state of culture represented in this city. Typographic patterns on the streets, sometimes strictly structured, sometimes chaotically combined, tell us about the values and inclinations of subcultures in different layers. Typography as a visual narrative of the modern globalist city of Tbilisi is of paramount importance, refl

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Board, Editorial. "Erratum." Journal of Frontier Studies 10, no. 2 (2025): 240. https://doi.org/10.46539/jfs.v10i2.714.

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The Editorial Board of the Journal of Frontier Studies informs readers that in the article: Shafranskaya, E., Garipova, G., & Keshfidinov, S. (2024). “The World as a Pomegranate”: Intercultural Symbolism of the Fruit of Paradise. Journal of Frontier Studies, 9(2), 188-204. https://doi.org/10.46539/jfs.v9i2.568 an error was made on page 200 regarding the date of birth of the artist Minas Avetisyan. The published version lists his life dates as 1938–1975, whereas the correct year of birth is 1928. Please consider the following wording as correct: Minas Avetisyan (1928–1975). The Editorial Bo

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Walton, Karen Doyle. "Albrecht Dürer's Renaislance Connections between Mathematics and Art." Mathematics Teacher 87, no. 4 (1994): 278–82. http://dx.doi.org/10.5951/mt.87.4.0278.

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The great German artist Albrecht Durer (1471-1528) is best known for his woodcuts, paintings, and copper engravings as well as the thousands of books and articles that have been written about him. However, the mathematics in Durer's work has been given inadequate recognition, except by the occasional mathematics or art historian who has appreciated the important connections Durer made between the two fields. The purpose of this article is to bring those connections to the readers of this journal.

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Yobe, Norlando Thomson Carlheinzt, and Suwardana Winata. "DESAIN MODUL HUNIAN KHUSUS SENIMAN." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 6, no. 2 (2024): 961–72. http://dx.doi.org/10.24912/stupa.v6i2.30880.

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The Ismail Marzuki Park Art Center has become an area for artists to work and exhibit. In 2019-2024, the art center is undergoing revitalization, but artists and culturalists are protesting this change, one of which is the change of the artist's special wedding function to the hotel. This leads to a loss of identity in the area because the artists who were supposed to revive the area of the art center now disappear and set up their own posko with a badge. In fact, artists with a wide range of skills also need space to work. The purpose of writing this journal is to study, understand, and explo

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Benson, LeGrace. "Ecological Disquisitions on Six Paintings by Edouard Jean." Journal of Haitian Studies 29, no. 1 (2023): 145–54. http://dx.doi.org/10.1353/jhs.2023.a922862.

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Abstract: Capois artist Edouard Jean (1953–) created this group of paintings especially for a Haitian Studies Association conference, held in Cap-Haïtien in 2016, with the environment as its central theme. Jean is among the artists who were students and then colleagues of Philomé Obin, founder of the “School of the North History Painters.” Many of Jean’s works depict scenes of Haitian history, and he has been observed walking about with a rolled-up copy of a paperback book on Haitian history sticking out from his back pocket. His history paintings always include keenly observed and finely exec

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Dziuban, Roman. "LUDVIK ZELINSKY AND HIS COOPERATION WITH ILLUSTRATORS OF THE MAGAZINE LWOWIANIN (1835–1842)." Proceedings of Research and Scientific Institute for Periodicals, no. 11(29) (2021): 225–75. http://dx.doi.org/10.37222/2524-0331-2021-11(29)-11.

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The constant growth of interest of both researchers and the general public in studying the formation of the so-called. local (local, narrow-regional) press, in our case – Galicia (Lviv), as well as the role of lithographers in this process, prompted us to study this initial stage of formation of the Galician press. Our task was to outline the circle of artists-collaborators of the first local lore Polish-language magazine Lwowianin in Galicia, through the prism of the biography of its publisher Ludwik Zelinsky to show the creative activity of lithographers involved in the publication of the ma

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Schramm, Lawrence P., Diana C. Schramm, and F. Wilson Jackson. "Homer Wheelon, M.D., physiologist, artist, and poet: origins of the tailpieces in journals of the American Physiological Society." American Journal of Physiology-Regulatory, Integrative and Comparative Physiology 291, no. 6 (2006): R1567—R1578. http://dx.doi.org/10.1152/ajpregu.00390.2006.

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Since 1953, illustrations have been inserted as “tailpieces” at the ends of articles in The American Journal of Physiology and The Journal of Applied Physiology. The drawings were made by Homer Wheelon, a member of the American Physiological Society from 1919 until his death in 1960. Forty-five years after his death, Wheelon is unknown, but he contributed 32 publications to the medical literature and trained J. Earl Thomas, an important 20th century gastrointestinal physiologist. Wheelon was born into poverty in 1883 to itinerant Methodist preachers, circumstances that guided his education and

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Ryan, Honi. "Coda: Persistence at the End of Civilisation." Coolabah, no. 35 (March 19, 2024): 95–114. http://dx.doi.org/10.1344/co20233595-114.

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Honi Ryan reflects on the theme of the journal, Wounded Landscapes, in a visual essay that traces her series of ecologically centred performative installations Persistence at the End of Civilisation, a body of work about climate migration, produced between 2020–21. It comprises sculpture, painting, photography, video, food, participation, embodiment and movement, research and text; as well as sound, text, and performance pieces made in collaboration with artist Abi Tariq. This body of work grew in response to the megafires that burned in Australia in 2019–20 and brings an urban audience into p

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Belsey, Alex. "Written Out of Life: The Death of Keith Vaughan and his Journal." European Journal of Life Writing 9 (July 6, 2020): LW&D223—LW&D241. http://dx.doi.org/10.21827/ejlw.9.36908.

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When the British painter Keith Vaughan (1912–77) ingested a lethal cocktail of barbiturates, having made the decision to end his life after a long struggle with cancer, there was only one thing left to do: write one final entry in his journal, the lifelong literary account he had commenced in 1939 and maintained ever since. Vaughan’s journal is an extraordinary document, its 61 volumes spanning 38 years of impassioned ideas and personal development from his difficult wartime years as a conscientious objector through his post-war life as a successful but troubled artist. This paper focuses on t

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Baugh, Edward. ""She Opened Windows": Edna Manley and Jamaican Literature." Cultural and Pedagogical Inquiry 11, no. 3 (2019): 7–12. http://dx.doi.org/10.18733/cpi29499.

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Edna Manley has been acclaimed for her contribution to Jamaican culture and social consciousness by way of her work as an artist, mainly in sculpture, and her influence, by example and by guidance, on emerging artists in her time. However, that contribution to the emergence of the “new,” pre-Independence Jamaica, must also include what she did for the development of Jamaican literature, although she was not herself a creative writer. In this regard, she made her contribution by way of her influence on, encouragement of, and practical assistance to emerging writers, such as poets H. D. Carberry

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Pavlinov, Pavel Sergeevič. "Le prolongement de l’esthétique de l’Âge d’argent durant la période caucasienne de l’oeuvre d’Eugène Lanceray." Modernités Russes 11, no. 1 (2010): 399–421. http://dx.doi.org/10.3406/modru.2010.940.

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The article is devoted to a question of the late displays of an aesthetics of the Silver age. Without insisting on the term "a late Silver age” concerning 1920s, it is interesting to track lines of the fine arts and a creative life of this time, similar to the classical period of 1890-1910s. It acts of the stylistic variety, the reciprocal influences of the painters inside the country and abroad, of the new experiments of these " renaissance" masters of which Evgenij Lanceray (1917-1934). After moving to Caucasus in 1917 Lanceray continues to work actively in the field of the journal, book, ea

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Chuprikova-Krynskaya, Elizaveta R. "Nikolay Karazin’s Graphic Series for the Amu Darya and Samara Expeditions of 1874 and 1879." Observatory of Culture 18, no. 4 (2021): 378–89. http://dx.doi.org/10.25281/2072-3156-2021-18-4-378-389.

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The article examines the drawings and watercolors by the artist Nikolay Nikolayevich Karazin (1842—1908), based on the materials of the Amu Darya and Samara expeditions of 1874 and 1879. The paper aims at reviewing the graphic series “Amu Darya Scientific Expedition”, published in the magazine “Niva” in 1874—1875, and a series of watercolor portraits made during the Samara expedition, in comparison with the pencil portraits by Vasily Vasilyevich Vereshchagin (1842—1904) in the album of photographs “Russian Turkestan”, published in 1874. This collection of artworks has not previously been the s

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IONESCU, Adrian-Silvan. "A country photo portrait of 1923: E. O. Hoppé In Greater Romania." Dialogica 2 (August 13, 2019): 49–62. https://doi.org/10.5281/zenodo.3366964.

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In 1923 Emil Otto Hoppé (1878-1972), the famous London photographer whose masterful and skilled studio portraiture made him a darling to many elite sitters, left his lucrative studio in Millais House and made a journey to Greater Romania. By train, by car, by coach, by cart or on horseback, Hoppé covered in only six weeks a vast area of the new country that is fair to say few Romanians had a chance to travel through so soon after the Unification, and at such a speed. A year later Hoppé produced his travel journal called “In Gipsy Camp and Royal Palace: Wanderings in

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Lucas, Nduka Oluka, Kelvin Obi Chibueze, and N. Ezeh Augustina. "Influence of Media Programmes on Consumers' Behaviour in Nigeria." International Journal of Trend in Scientific Research and Development 3, no. 6 (2019): 770–74. https://doi.org/10.5281/zenodo.3588974.

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The pertinence of advertising lies in its modest efforts to create awareness, inform and persuade target audience the public of the availability of a product or service. Producers communicate their brands through this medium. Service providers on the other hand showcase their services to the public to attract patronage. Nonetheless, advertising messages in recent times are apparent in everyday life in various media platforms and attract wider audience especially when a popular artist or personality is involved. This study, therefore, examines the influence of media programmes on consumers'

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Esipova, Valeriya A. "Amateur student journals: The emergence of creolized texts in Siberia." Tekst. Kniga. Knigoizdanie, no. 37 (2025): 67–82. https://doi.org/10.17223/23062061/37/5.

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The aim of the article is to consider the history of the creolized text (CT) based on Siberian materials of the late 19th century. As a special case of such a text amateur student journals published in Tomsk are considered. Previously this type of materials has not been used to study the history of CT. As an example, the journals RodnayaSibir'. [Native Siberia] and Les [Forest] are used. They are stored in the funds of the Tomsk State University Research Library and the Tomsk Regional Museum of Local History. The journal Rodnaya Sibir' is represented by two issues for 1918-1919; it was publish

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Bagaskara, Enrico Giyan. "Pemisahan Warna Karakter dan Background pada Animasi 2D “Point of View”." INVENSI 3, no. 2 (2018): 37–49. http://dx.doi.org/10.24821/invensi.v3i2.2419.

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Animasi adalah media yang dapat menyampaikan sebuah informasi dengan sedikit teks dan sedikit suara, dalam animasi sendiri tidak memiliki batas, apapun bisa dibuat sesuai dengan imajinasi seniman pembuat karya tersebut. Warna merupakan salah satu elemen penting dalam animasi, warna membuat sebuah animasi menjadi lebih hidup dan terlihat real, selain itu warna dapat memberikan impresi yang berbeda secara psikologis terhadap audiens. Sementara oleh seniman, warna sering digunakan sebagai sarana untuk menyimbolkan suatu hal pada karyanya. Jurnal ini menjelaskan tentang eksperimen pemisahan warna

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Kade, Richard. "De Profundus: Adumbrative Reflections?" Leonardo 33, no. 3 (2000): 237–38. http://dx.doi.org/10.1162/002409400552432.

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Leonardo was a man who designed war engines. He also anatomized, stripped The flesh from the body And saw the soul; made perspective From a flat sheet flex Round as a moving limb. Transmuted the past to the future In a credible flying device. He inspired a journal's creation over four centuries later; A journal of fine art that grips The same universe as Leonardo And fills it with vigor. That covers the whole field of inquiry made possible with Modern scientific techniques. The art is new. The journal is Leonardo. Subscription is a solid chunk of man's future.

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Erzincan, Aysun, Nurcan Yıldız, and Demet Hancı. "Researching And Examining Traditional Blue-White Iznik Tile Patterns And Application Of Their Contemporary Interpretations In Industrial Table Ceramics." Made By Artist Journal (MBAJ) 1, no. 1 (2025): 1–29. https://doi.org/10.5281/zenodo.14655647.

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The production of traditional blue-white tiles in Iznik began in the 14th century and experienced its golden age in the 16th century. The tile masters of the period produced important works in this regard, while reflecting the era they were in on the one hand, and carrying the cultural codes of the period to the present day with the works they produced. Blue-white tiles left their mark on ceramic art with their patterns and decorations, as well as their forms and production techniques. Blue-white decorated tiles, which were used in daily use, especially as tableware during&

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Jakovljević, Branislav. "The Howling Wilderness of the Maladaptive Struggle in Belgrade in New York." ARTMargins 7, no. 2 (2018): 17–41. http://dx.doi.org/10.1162/artm_a_00207.

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Between 1974 and 1975, Zoran Popović, a conceptual artist from Belgrade, Yugoslavia, and his wife Jasna Tijardović, an art historian, spent a year in New York. During that time they engaged closely with the New York Art and Language group. This friendship and collaboration resulted in a rare instance of East-West exchange in Conceptual art: Popović and Tijardović published both co-authored and individual articles in the US journal The Fox, and members of Art and Language (Mel Ramsden, Michael Corris, and Jill Breakstone) gave a seminar in Belgrade's Student Cultural Center in the fall of 1975.

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Fortuna, Carlos. "Reapproaching Old Buildings within the City." Joelho Revista de Cultura Arquitectonica, no. 9 (December 26, 2018): 90–99. http://dx.doi.org/10.14195/1647-8681_9_5.

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Suddenly for some reason I thought of Brasilia. The city of Brasilia was inaugurated in 1960. It was a perfect multidisciplinary exercise of harmonization between the urban planner (Lúcio Costa), the architect Óscar Niemeyer), and the landscape artist-architect (Roberto Burle Marx). Moreover, Brasilia was a typical construction of a city by the conquest of the open space made of sheer optimism, the triumph of talent over doubt and of the audacity over pessimism (Gorelik, 2005). This reference to Brasilia serves as a sort of epigraph with which I will unravel some of my loose topics about

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Hajiyeva, Gulmira. "EDUCATIONAL OPINIONS OF ALIBEY HUSEYNZADEH." 3i intellect idea innovation - интеллект идея инновация 3 (2023): 169–75. http://dx.doi.org/10.52269/22266070_2023_3_169.

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The article is about the educational opinions of Alibey Huseynzade, who dedicated his whole life to the enlightenment of his nation. It is noted that, Ali Bey Huseynzade made speeches on the press pages or on the “Fuyuzat” journal founded by him with his considerations on the problems, views and opinions of the national literary press on such educational issues. The ideas about the great and exceptional service of Ali bey Huseynzade as a public figure, educator, pedagogue, poet, artist, and journalist are discussed in the article,his contribution to the history of Azerbaijan's enlightenment, t

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Kesuma, Roni, I. Nyoman Sukerna, and Siswati Siswati. "PERAN ENDANG SRI SEDEP DALAM PADEPOKAN SENI PANDHANSARI DI KABUPATEN KARANGANYAR." Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi 23, no. 1 (2023): 103–14. http://dx.doi.org/10.33153/keteg.v23i1.4817.

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The journal entitled “The role of Endang Sri Sedepin the Pandhansari Art Padepokan in Karanganyar Regency”, aims to reveal (1) What is the role of Endang Sri Sedep in managing art performance activities at the Pandhansari Art Padepokan? (2) Why and what factors made the Pandhansari Art POPULAR IN Karanganyar Regency? Endang Sri Sedep has a very important role in the Pandhansari Art Padepokan, this cannot be separated fromEndang who is a businessman, artist, and owner of the Pandhansari Art Padepokan. The background of thisresearch is Endang Sri Sedep abilityto manage the activities of the Pand

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Drąg, Wojciech. "“Houses. Cats. Cars. Trees. Me”: Outward and Inward Journeys in Joe Brainard’s Collage Travelogues." Studia Anglica Posnaniensia 56, no. 1 (2021): 235–48. http://dx.doi.org/10.2478/stap-2021-0030.

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Abstract This article examines two brief travelogues by the American writer and visual artist Joe Brainard (1942–1994) as formally unique fusions of the travel journal and literary collage, in which the experience of travel becomes a catalyst for introspection. “Wednesday, July 7th, 1971 (A Greyhound Bus Trip)” is a record of a bus journey that Brainard made in the summer of 1971, from the Port Authority Bus Terminal in New York City to Montpelier, Vermont, while “Washington D.C. Journal 1972” is a diary of a three-day car trip to the capital, taken with Brainard’s oldest friend (and future bi

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Burganova, Maria A. "Letter from the editor." Scientific and analytical journal Burganov House. The space of culture 18, no. 3 (2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-3-6-9.

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Dear readers, We are pleased to present to you Issue 3, 2022, of the scientific and analytical journal Burganov House. The Space of Culture. Upon the recommendation of the Expert Council of the Higher Attestation Commission, the journal is included in the List of Leading Peer-reviewed Scientific Journals and Publications in which the main scientific results of theses for the academic degrees of doctor and candidate of science must be published. The journal publishes scientific articles by leading specialists in various humanitarian fields, doctoral students, and graduate students. Research are

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Lopezosa, Carlos, and Mari Vállez. "AUDIENCIAS AMPLIAS Y VISIBILIDAD WEB: POSICIONAMIENTO DE REVISTAS ACADÉMICAS DE COMUNICACIÓN EN GOOGLE." INDEX COMUNICACION 13, no. 01 (2023): 153–71. http://dx.doi.org/10.33732/ixc/13/01audien.

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This research analyzes the web visibility of the main Ibero-American academic journals on communication with the aim of identifying the degree of dissemination of their contents to broad audiences. For this purpose, an analysis of the search engine optimization (SEO) was carried out by taken into consideration the web portals of the 50 academic journals identified for positioning in Google.es, using the Sistrix Toolbar. This study has made it possible to identify which journals are most visible when a query is made on Google.es, to draw up a web visibility ranking of the journals analyzed and

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YILMAZ, SERHAT SABRİ, and MUSTAFA HAN. "SİVAS-YILDIZELİ KAYNAKLI BİR ALEVİ-BEKTAŞİ ŞİİR MECMUASI ÜZERİNE İNCELEME." Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 103 (September 20, 2022): 323–62. http://dx.doi.org/10.34189/hbv.103.016.

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Junks and journals are valuable writings; in this case they are used in evaluation and in formation of the Turkish literature. In earlier junk and journal studies, a serious work of literature has been formed and a lot of materials, especially biographies and poems of poets have been collected. Even though the fact that a significant number of studies have been done, these studies are insufficient, considering the large number of manuscripts waiting to be brought out. Together with the digital archives of libraries and the manuscript collections of individuals, the junks and journals found in

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Hikmiyah, Hawa’ Hidayatul, and Nur Rachmat Arifin. "Virtual Stage: Economic Recovery of A Family of East Java Artist in The Time of The Covid-19 Pandemic Sharia Maqosid Perspective." Proceeding of Annual Conference on Islamic Economy and Law 1, no. 1 (2022): 36–46. http://dx.doi.org/10.21107/aciel.v1i1.66.

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The government's policy in preventing the transmission of COVID-19 has made many people disadvantaged. One of them is the artists, with crowd restrictions, artists cannot perform live performances during the covid-19 pandemic, so it has an impact on the economy of the artist's family. The pandemic has made artists think to introspect creative practices to support their families during the pandemic. Challenges like this make artists innovate to continue to display their creative music, by turning on a virtual stage. This virtual stage can be accessed via zoom, where each participant pays a tick

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Crispin, Darla. "“Examining Anew”:." European Journal of Musicology 22, no. 2 (2024): 15–29. http://dx.doi.org/10.5450/ejm.22.2.2024.15.

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In common with many Viennese thinkers of his time, Arnold Schoenberg was an avid reader of the writings of Karl Kraus. In his day, Kraus was as famous for his recitations of his own works as for the writings themselves, his charismatic renderings producing almost ecstatic responses from audiences. Elias Canetti describes Kraus’ recitations as sites within which the audience was “learning how to hear”.[1] This is both about refining one’s sensitivity to sound and about becoming more sensitive to ideas that are carried upon the acoustic cantilena of the words. The importance of a focus upon list

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Pace-Asciak, P., and T. Gelfand. "38. Max Brodel (1870-1941): His artistic influence on surgical learning at John Hopkins Medical School." Clinical & Investigative Medicine 30, no. 4 (2007): 47. http://dx.doi.org/10.25011/cim.v30i4.2798.

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Medical students depend on illustration to learn anatomical facts and details that may be too subtle for the written or spoken word. For surgical disciplines, learners rely on tools such as language, 2-dimensional illustrations, and 3-dimensional models to pass on important concepts. Although a photograph can convey factual information, illustration can highlight and educate the pertinent details for understanding surgical procedures, neurovascular structures, and the pathological disease processes. In order to understand the current role of medical illustration in education, one needs t

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Skare, Roswitha. "“First I was an explorer; then I was an artist.” Robert J. Flaherty som fotograf." Nordlit, no. 35 (April 22, 2015): 161. http://dx.doi.org/10.7557/13.3432.

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<p align="left">Robert J. Flaherty is today best known for his films, and especially for his first film Nanook of the North <em><span style="font-family: TimesNewRomanPS-ItalicMT;"><span style="font-family: TimesNewRomanPSMT;">(1922). In discussions about the early years of Flaherty’s career </span></span></em>there has been much emphasis on Flaherty as a man with little formal education, a self- made man and an explorer. Flaherty’s statement “First I was an explorer; then I was an artist” is quoted over and over again. In this article I take a closer

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Ziganshina, Aigul N. "Specialized law journals “Hokuk ve Hayat” (1913–1914) and “Law and Life in Tatarstan” (1998 to present): on the issue of publications succession." Neophilology, no. 4 (2022): 806–12. http://dx.doi.org/10.20310/2587-6953-2022-8-4-806-812.

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We establish the succession of the typological characteristics of law journals “Hokuk ve Hayat” (1913–1914) and the modern journal “Law and Life in Tatarstan”. Revival of periodicals in the 1990s – this is a trend that can be traced by studying post-Soviet periodicals. During the indicated period, printed publications were resumed, which were published back in the pre-revolutionary period – until 1917. The conquest of revolution – publicity – made it possible to develop the mass media and modernize them. Along with public, party, commercial publications, specialized publications also appeared.

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Weinberg, Robert. "Demonizing Judaism in the Soviet Union during the 1920s." Slavic Review 67, no. 1 (2008): 120–53. http://dx.doi.org/10.2307/27652771.

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In this article, Robert Weinberg explores the visual representation of Judaism and observant Jews in the Soviet journalBezbozhnik u stanka(The atheist at the workbench), which appeared in the 1920s. In their efforts to promote atheism and undermine organized religion, the artists responsible for the images in this journal singled out the Jewish god to be depicted with inhuman, bestial, and bizarre features such as a single eye and a nose made out of a fist. This portrayal of Judaism and religious Jews drew upon the pervasive antisemitic tropes and motifs in Russian culture and society and serv

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Garachkovska, Oksana. ""Shershen" – the First Ukrainian Magazine of Political Satire in the Russian Empire." Ukrainian Information Space, no. 1 (August 22, 2018): 44–52. https://doi.org/10.31866/2616-7948.1.2018.141092.

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The article deals with the history of the activities of «Shershen», the first Ukrainian satirical periodical in the Russian Empire; with genre specificity of satirical poetry, published on «Shershen» pages (1906); with the analysis of genre modifications of poetic satirical works, published in this journal. The author of the article ascertains varieties of forms of political satire in its interconnections with social, political, cultural and literary life of the 20th century. Satiric verses, miniatures, epigrams, parodies, cutlines under caricatures, which were written

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Monti, Ednardo Monteiro Gonzaga do. "Música da terra dos faraós: aprendizagens de Anttonieta de Souza numa viagem ao Egito." Revista de História e Historiografia da Educação 1, no. 2 (2017): 106. http://dx.doi.org/10.5380/rhhe.v1i2.51169.

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O presente estudo tem como horizonte as aprendizagens da professora Anttonieta de Souza na viagem que realizou ao Egito na década de 1950. Com base na série de artigos intitulada “Minhas impressões sobre o Egito”, as perguntas que norteiam o texto são: quais tradições e culturas musicais egípcias a artista apresentou aos leitores da Revista do Conservatório Brasileiro de Música? O que aprendeu com os estudos arqueológicos e históricos sobre a música e os músicos da terra dos faraós? Os escritos da cantora dos palcos de concerto do Rio de Janeiro, publicados no periódico oficial da instituição

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BILYK, Nataliіa. "Intermediate improvisations in M. Prodanovich's novel “Red handkerchief made of pure silk”." Problems of slavonic studies 70 (2021): 223–30. http://dx.doi.org/10.30970/sls.2021.70.3750.

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Background. The article highlights the precedent of complex improvisational modeling of semantics in a prose work. The functionality and practice of its implemen-tation in popular intermediate forms with paratextual involvement, in particular, the phe-nomena of visual discourse are considered. Purpose. The figurative solution corresponding to a separate – complementary – model is contained in the concept of publishing M. Prodanovich's novel "Red handker-chief made of pure silk", where in a complementary configuration a combination of in-termediate photographic reproduction of the fresco by Fra

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Strobl, Wolfgang. "Marietta, Tizian und die Ampezzaner. Zur kuriosen (Wirkungs-) Geschichte des ampezzanischen Liebesgedichts. Ara mé noviza." Ladinia 46 (2022): 59–92. http://dx.doi.org/10.54218/ladinia.46.59-91.

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The love poem Ara mé noviza (“To my beloved”) was written in the 19th century in the Ladin municipality of Ampezzo. This composition is mostly attributed to the Ampezzo engineer Firmiliano De Gaspari (1828-1877), but it could also be a piece of ancient Ampezzo song literature. The 13-stanza poem was recorded – and thus made accessible to a larger audience – for the first time in Ampezzo illustrato, a publication about the history of Cortina written by De Gaspari (probably around 1860), which is unfortunately lost or missing today. In the following decades, several stanzas from this work were r

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Wooden, Isaiah Matthew. "In Praise of Performance Reviews." Theatre Journal 75, no. 4 (2023): 437–43. http://dx.doi.org/10.1353/tj.2023.a922214.

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Abstract: For decades, Theatre Journal has served as an important venue for documenting what made past theatrical productions or performances compelling and significant. As the journal commemorates its achievements over its first seventy-five volumes, this essay reflects on the vital contributions of the performance review section by considering its enduring impact on the field. In addition to tracing the evolution of the section from its earliest days as a single-authored article highlighting productions from the Broadway season to its current iteration, the essay argues that performance revi

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Thoma, Colleen A., and LaRon A. Scott. "The Role of Journal Editors in Implementing Equity-Focused Research." American Journal on Intellectual and Developmental Disabilities 128, no. 5 (2023): 386–87. http://dx.doi.org/10.1352/1944-7558-128.5.386.

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Abstract We respond to the recommendations made by Kover and Abbeduto in their article, “Toward Equity in Research on Intellectual and Developmental Disabilities,” through the discussion of what journal editors should be considering in advancing equitable processes for research with individuals with intellectual and developmental disabilities (IDD). We provide practical suggestions from our experience as co-editors in promoting diversity in research partnerships with people with IDD.

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Greb, Fabian, Paul Elvers, and Timo Fischinger. "Trends in Empirical Aesthetics." Empirical Studies of the Arts 35, no. 1 (2016): 3–26. http://dx.doi.org/10.1177/0276237415625258.

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This article evaluates trends in empirical aesthetics by systematically reviewing the contents of the journal Empirical Studies of the Arts from its first issue in 1983 up to 2014. To sufficiently capture the wide distribution of art divisions, diverse approaches, and variety of methods involved in empirical aesthetics, 398 articles were examined in the following three categories: Art Domains, Topics, and Methods. In a second step, all 38 music-related articles were reviewed in terms of study design, participants, stimuli, analysis methods, results, and their relation to the field of empirical

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Wenninger, Magnus J., and Peter W. Messer. "Patterns On The Spherical Surface." International Journal of Space Structures 11, no. 1-2 (1996): 183–92. http://dx.doi.org/10.1177/026635119601-224.

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This article is a sequel to that which the first author presented in Vol. 5, Nos. 3 & 4 (1990), of this Journal. In that article he displayed his work on patterns derived from skew networks. Here he extends this to patterns derived from subdivisions of the faces of other regular and semiregular polyhedra as these are projected onto the spherical surface. Some mathematical formulas are presented by the second author which can readily be used in a programmable calculator to obtain arcs, chord factors and radian measures for any frequency of subdivision and any suitable spherical radius. The

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RAE, PAUL. "Editorial: Begin, Again." Theatre Research International 41, no. 1 (2016): 1–4. http://dx.doi.org/10.1017/s0307883315000577.

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This is my first issue as senior editor of Theatre Research International. That the journal and I are almost exactly the same age is at once thrilling and a little unsettling. One feels both the weight of tradition, and the sense of mission and possibility that contemporaries can share. Indeed, looking through back issues, I am struck by how integrally TRI has both reflected and driven changes in performance practice and scholarship that I recognize from my own intellectual development. I began my undergraduate studies at Bristol University Drama Department – publisher, from 1959 to 1974, of o

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Najmi, Fahimeh. "Relations between Theatre and Power: The Iranian Quarterly Faslnameh Teatr (1977—)." New Theatre Quarterly 39, no. 1 (2023): 50–60. http://dx.doi.org/10.1017/s0266464x22000367.

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The quarterly journal Faslnameh Teatr has been published in the Iranian capital of Tehran since 1977, although with some interruptions. In a country where, since the Islamic Revolution, systematic efforts have been made to erase any trace of past monarchies, the continued publication of this journal proves to be an extremely rare, if not unique, occurrence. Of course, the prominence of the Ta’zieh ritual gives imposing visibility to the current dominant ideology within Iranian society, and the journal is effective in propagating the desired vision of the ruling Shi’ite power. The journal, then

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Fadhillah, Alam, and Eko Hadi Prayitno. "Eksplorasi Mainan Seni Dengan Pendekatan Berbasis Praktik." Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual 3, no. 1 (2023): 14–19. https://doi.org/10.21009/qualia.31.03.

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Toys as a Media for Self-Emotional Representation, Thesis for Creation of Fine Arts, Department of Fine Arts Education. Faculty of Languages and Arts, State University of Jakarta. An art or designer toy is a product made by artists and designers who are self- produced or made by small, independent toy companies, usually in very limited editions. A personal journal is made, designed by carrying the concept of telling stories and expressing each emotion through sketch images, summarizing various sketches that have been made into one character that represents these emotions during the work, 3D mo

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Baldini, Andrea Lorenzo. "There and Back Again: Redistributing Visibility between the Virtual and Real Alleys of Graffiti." Street Art & Urban Creativity 5, no. 1 (2020): 74–77. https://doi.org/10.25765/sauc.v5i1.186.

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Blu’s 2008 short film Muto is probably the most ambitious celebration of the intimate relationship connecting new-media technologies and street art.1 Critically acclaimed and viewed almost 12 million times on YouTube, this award-winning video is a stop-motion animation of hundreds of murals that the Italian street artist painted in different cities across the globe.2 Blu’s surreal figures invade the city and their gestures are experienced and appreciated through computer screens and mobile phone displays. When looking at street art’s relationship with new media, Muto is hardly an exception. Te

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Macleod, Catriona Ida, Rose Capdevila, Jeanne Marecek, Virginia Braun, Nicola Gavey, and Sue Wilkinson. "Celebrating 30 years of Feminism & Psychology." Feminism & Psychology 31, no. 3 (2021): 313–25. http://dx.doi.org/10.1177/09593535211027457.

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Feminism & Psychology ( F&P) was launched in 1991 with a sense of possibility, enthusiasm and excitement as well as a sense of urgent need – to critique and reconstruct mainstream psychology (theory, research methods, and clinical practice). Thirty years have now passed since the first issue was produced. Thirty volumes with three or four issues have been published each year, thanks to the efforts of many. On the occasion of F&P’s 30th anniversary, we, the present and past editors, reflect on successes, changes and challenges in relation to the journal. We celebrate the prestigious

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Larivière, Vincent, Éric Archambault, Yves Gingras, and Étienne Vignola-Gagné. "The place of serials in referencing practices: Comparing natural sciences and engineering with social sciences and humanities." Journal of the American Society for Information Science and Technology 57, no. 8 (2006): 997–1004. https://doi.org/10.5281/zenodo.10035617.

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Journal articles constitute the core documents for the diffusion of knowledge in the natural sciences. It has been argued that the same is not true for the social sciences and humanities where knowledge is more often disseminated in monographs that are not indexed in the journal-based databases used for bibliometric analysis. Previous studies have made only partial assessments of the role played by both serials and other types of literature. The importance of journal literature in the various scientific fields has therefore not been systematically characterized. The authors address this issue

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Semrau, Luke. "Understanding choice, pressure and markets in kidneys." Journal of Medical Ethics 46, no. 4 (2019): 277–78. http://dx.doi.org/10.1136/medethics-2019-105781.

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Here, I briefly respond to a recent paper by Julian Koplin, in which he criticises my earlier work in this journal. I show that Koplin has misunderstood the distinction I have made between pressure to vend and pressure with the option to vend. I also show that his pessimism about the market regulations I favour is unwarranted.

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Yakovleva, I. V., T. S. Kosenko, and Yu Zhang. "The ontology of changes in the educational space: A review of articles in the scientific journal «Philosophy of education» (2016–2020). Part 1." Professional education in the modern world 14, no. 4 (2025): 711–32. https://doi.org/10.20913/2618-7515-2024-4-18.

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Ideas about the ontology of the educational space in the format of philosophical, sociological, and pedagogical sciences are becoming an increasingly widespread discourse in Russian and foreign philosophy of education. The review article aims to comprehend the key provisions of ontological approaches to the study of education. The methodology of the review material is set within the framework of a critical analysis of scientific articles in the scientific journal «Philosophy of education» in the period 2016–2020 based on the analytical frame of the author’s discourses in the form of a summary

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Neff, Hector. "EVOLUTION OF THE MESOAMERICAN MOTHER CULTURE." Ancient Mesoamerica 22, no. 1 (2011): 107–22. http://dx.doi.org/10.1017/s0956536111000150.

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AbstractAn ongoing debate about Early Formative cultural elaboration in Mesoamerica is based largely on claims about where innovations originated and when different regions influenced each other. One view is that Gulf lowland populations called “Olmec” by archaeologists made a number of key innovations and that their influence on contemporary societies stimulated the rise of Mesoamerican civilization. Another view is that multiple regions participated equally and all made innovations that became the legacy of later Mesoamerican societies. Additional empirical work will help resolve some of the

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Micheline, Hancock-Beaulieu, and Susan Holland. "Indexing The Athenaeum: aims and difficulties." Indexer: The International Journal of Indexing: Volume 17, Issue 3 17, no. 3 (1991): 167–72. http://dx.doi.org/10.3828/indexer.1991.17.3.7.

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The acquisition of the marked file of the Victorian journal The Athenaeum led to the current project based at City University, London. Relational database software provided the means to create a unique bibliographic research tool of reviews and reviewers, supported by an authority file with biographical details. Problems of inclusion, identification, attribution and indexing procedures are discussed. How the index will be made available to scholars is briefly considered.

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