Relevant bibliographies by topics / Madness in Art

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Reports

Academic literature on the topic 'Madness in Art'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Madness in Art"

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Morton, Brian. "The Madness of Art." Dissent 59, no. 2 (2012): 81–82. http://dx.doi.org/10.1353/dss.2012.0033.

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Araoz, Gonzalo. "Madness in the Arts and the Art of Madness." International Journal of the Arts in Society: Annual Review 4, no. 4 (2009): 153–60. http://dx.doi.org/10.18848/1833-1866/cgp/v04i04/35700.

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Williams, Tony. "Art In Spite of Madness." Film International 14, no. 3 (December 1, 2016): 182–87. http://dx.doi.org/10.1386/fiin.14.3-4.182_5.

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Bastos, Othon. "Camille Claudel: a revulsion of nature. The art of madness or the madness of art?" Jornal Brasileiro de Psiquiatria 55, no. 3 (2006): 250–53. http://dx.doi.org/10.1590/s0047-20852006000300012.

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Caughey, Meghan. "Personal Accounts: Making Art, Exploring Madness." Psychiatric Services 62, no. 2 (February 2011): 126–27. http://dx.doi.org/10.1176/ps.62.2.pss6202_0126.

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Riley, Alexis. "Madness, Art and Society: Beyond Illness." Contemporary Theatre Review 29, no. 1 (January 2, 2019): 97–98. http://dx.doi.org/10.1080/10486801.2018.1561018.

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Shaw, Michael M. "Madness, Art, and the End of History." Philosophy Today 52, no. 9999 (2008): 158–67. http://dx.doi.org/10.5840/philtoday200852supplement65.

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Hessling, Gabriele. "Madness and art in the Prinzhorn collection." Lancet 358, no. 9296 (December 2001): 1913. http://dx.doi.org/10.1016/s0140-6736(01)06868-4.

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Swain, Gloria. "The Healing Power of Art in Intergenerational Trauma." Canadian Journal of Disability Studies 8, no. 1 (February 21, 2019): 15–31. http://dx.doi.org/10.15353/cjds.v8i1.469.

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Throughout this paper, I use a political and activist lens to think about disability arts and its potential role in opening up a necessary conversation around how madness is produced by experiences of racism, poverty, sexism, and inter-generational trauma within the Black community. I begin by explaining how the Black body has a history of being the site of medical experimentation. From the perspective of my own experience, I suggest that this history of medical abuse has caused Black people to be suspicious and wary of the healthcare system, including the mental healthcare system, which forecloses discussions around the intersection of Blackness and mental health. I go on to argue that this discussion is further silenced through the trope of the ‘strong Black woman,’ which, in my experience works to perpetuate the idea that Black women must bear the effects of systemic racism by being ‘strong,’ rather than society addressing this racism, and she must not admit the toll that this ‘resilience’ might have on her mental health. I close with a discussion of how my art practice seeks to open up a conversation about madness in the Black community by suggesting that madness is political.
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Hardman, Malcolm, and Jay Fellows. "Ruskin's Maze: Mastery and Madness in His Art." Yearbook of English Studies 15 (1985): 321. http://dx.doi.org/10.2307/3508611.

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Dissertations / Theses on the topic "Madness in Art"

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Welch, Mark, University of Western Sydney, and Faculty of Nursing and Health Studies. "Reel madness : the representation of madness in popular western film." THESIS_FNHS_XXX_Welch_M.xml, 1997. http://handle.uws.edu.au:8081/1959.7/705.

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This thesis considers the representation of madness in popular film, in the main from the Western canon and English speaking, and argues that madness is seen and represented as an extreme of human experience, a form of Otherness, which throws into relief notions of ontology, sanity and personal and cultural identity. It progresses from a consideration of the historical representations of madness and sanity in art and literature to a review of the pertinent literature on cinema and representation, and uses seminal examples from throughout cinematic history mostly from English language films, from 1906-1996, to illustrate the argument. Alternative methodological approaches are considered for the insights they may provide, and also for the contribution they make to the development of the thesis, in particular the influence of semiotics. A number of stereotypical portrayals of madness, such as the 'mad scientist', the 'crazed murderer', and the 'doomed heroic outsider' are examined in detail. Finally, the thesis proposes the way madness, and mad people, are represented in popular film is reflective and indicative of social and cultural concerns over what can be known, how identity can be established and what it means to live in the contemporary world fraught with uncertainty, anxiety and change
Doctor of Philosophy (Hons)
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Welch, Mark. "Reel madness : the representation of madness in popular western film /." View thesis, 1997. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030915.132224/index.html.

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Love, Damian. "Samuel Beckett and the art of madness." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.415352.

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Salel, Stephen Francis Tsuji Nobuo. "Retracting a diagnosis of madness : a reconsideration of Japanese eccentric art /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/6243.

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Byrne, Josephine. "Madness and the art of writing : constructions of madness in Janet Frame's Owls do cry and Faces in the water /." Title page and introduction only, 1992. http://web4.library.adelaide.edu.au/theses/09AR/09arb9951.pdf.

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Pazzaglia, Nicoletta. "Madness Apparatus: Gender Politics, Art and the Asylum in Fin-de-Siècle Italy." Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/18729.

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My dissertation focuses on literary and photographic representations of female madness as a means of exposing the material violence that notions of normality and of national identity produced in Italian society during the fin-de-siècle. Although many studies explore the exclusion of minorities in the project of nation-making, the mentally ill have rarely been discussed. Those studies that focus on literary representations of madness usually treat it as a metaphor or literary expedient and leave unexplored the material violence that psychiatric institutions inflicted on the mentally ill body. I aim to connect cultural realities and their representations, exploring the ways in which psychiatric and state power constructed and used the mentally ill body in the quest to create national identity. This quest was rooted in the widespread image of Italians as effeminate southerners from a backward, pre-modern part of Europe, an image that led to a crisis of masculinity. In my study I consider the crisis of masculinity vis-à-vis practices of asexualization of the body conducted inside the asylum. Through a parallel analysis of psychiatric photography and literary representations of female madness in Giovanni Verga, Luigi Capuana, Gabriele D'Annunzio, and Futurist avant-garde writers, my study shows how these practices actively contributed to social constructions of madness. Chapter I is an introduction to the development of modern psychiatry vis-à-vis the project of national identity formation in post-unification Italy. Chapter II analyzes first literary representations of female madness and psychiatric portraits of female patients to argue that the asexualization of patients' bodies was used to offer an ontological weight to national manhood. Chapter III explores the phenomenon of hysteria to show how the body of the hysterical woman functioned as apparatus used to produce normalization. Chapter IV examines how the futurist avant-garde overturned the madness apparatus at the beginning of the twentieth century. The conclusion I draw is that the mentally ill body functioned as an abjected or excluded other whose alterity was key to the construction of Italian identity.
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Paddock, Virginia Lee. "Madness as metaphor : a study of mysticism in the life and art of Emily Dickinson." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/762988.

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The present study establishes a more full and accurate understanding of the importance of mysticism in the art and life of Emily Dickinson, and shows that because of the physiological changes endured by the mystic and the unique relationship between mysticism and madness, what might be read literally as madness (psychosis) in Dickinson's poems should be seen as a metaphor for the dark counterpoint of the mystical cycle.Chapter One establishes a necessary background on mysticism and discusses the effects of mystical experience on the mind and body of the mystic. As the mystic undergoes spiritual purification, she will be changed physiologically because the central nervous system has to be cultured and strengthened to withstand the changes created by the transcendental level of consciousness.Chapter Two chronologically documents Dickinson's mystical achievement, using her letters as the primary source and Evelyn Underhill's five stages of mystical development as the base of measurement. Dickinson achieved the first mystic life-Awakening, Purgation, and Illumination. Hints of the Dark Night of the Soul may be seen in her later years, but there does not appear to be firm evidence that it was ever fully established. Oscillating between states of pain and pleasure throughout her life, she did not achieve the perfect serenity, peace, and certitude that characterizes Union. Chapter Three examines the symbiotic relationship between mysticism and madness, to show that they share a common source and the end result depends on the preparedness of the individual. Chapter Four examines selected poems, written from 1859-65, from the perspective that Dickinson is a mystic describing mystical experience rather than a psychotic describing insanity. Chapter Four, as does Chapter Three, refers to the interpretation of Dickinson's poetry made by the Freudian psychiatrist, Dr. John Cody, because his interpretation has made the strongest argument for literal madness in Dickinson's work. Chapter Three shows the insufficiency of the argument to explain Dickinson, other mystics, and two of the parallel cases Cody used to support his thesis; Chapter Four demonstrates the same insufficiency when applied to Dickinson's poems of madness, terror, and despair. Chapter Five briefly examines the relationship between Dickinson, the mystic, and Dickinson, the poet.
Department of English
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Smith, Philip. "The truth of a madman : the works of Art Spiegelman." Thesis, Loughborough University, 2014. https://dspace.lboro.ac.uk/2134/16364.

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Art Spiegelman is one of the most important figures in the history of American comics. His work Maus (1980 and 1991) is arguably the landmark text in the field of comic book studies. Given the relatively recent reissue of his first collection Breakdowns (2008) and the publication of his interview/essay collection/scrapbook Metamaus (2011), it is likely that his work will continue to be the subject of critical interest. This thesis concerns the collections Breakdowns (1977 and 2008), Maus (1980 and 1991) and In the Shadow of No Towers (2004). It represents the first book-length extended study of Spiegelman s three major works. The central argument put forth in this thesis is that the Spiegelman oeuvre articulates and manifests a madness which its author perceives to underlie supposedly rational society. In support of this thesis I will employ critical models from the following fields: Holocaust studies, trauma theory, the anti-psychiatry movement, theories concerning the representation of madness, formalist analyses of comics, and Genette s narratological taxonomy.
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Vanderlinden, Cedric. "Going beyond illustration of the Lovecraft novel at the mountains of madness." Thesis, Nelson Mandela Metropolitan University, 2013. http://hdl.handle.net/10948/d1020950.

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The research examines the relationship between the Sublime, the written works of H. P. Lovecraft, and the researcher’s production in the studio arts. It analyses how the Sublime is approached as a subject matter and principal objective within philosophical and artistic discourses, historically and within a contemporary paradigm. It also investigates the applicability of the Sublime to selected themes uncovered in H. P. Lovecraft’s work in general, and At the Mountains of Madness in particular. This is undertaken through an investigation of primary and secondary sources whose explorations and contextualization informs and supports the researcher’s practical visual studies. A reflective and critical analysis of this studio work is performed and included in the main body of the dissertation, from which a conclusion is drawn about the effectiveness of this approach. Specifically, the research explores the relevance of the Sublime both as a critical component of contemporary fine arts and as a fundamental element of the work of H. P. Lovecraft, At the Mountains of Madness in particular. In addition, the research’s practical component consists of a visual exploration of the intersection between the two. Furthermore, it represents an evaluation of this overlap in its effective translation across modes of expression, as interpreted through the medium of the researcher’s creative process.
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Heighton, Luke. "Exhibiting madness, art & the asylum : the creation & exhibition of images by psychiatric hospital patients in Vienna, 1890-1914." Thesis, Birkbeck (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.565893.

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Books on the topic "Madness in Art"

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Guimón, J. Art and madness. Aurora, Colo: Davies Group, 2006.

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Harpin, Anna. Madness, Art, and Society. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257.

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Okum, David. Manga fantasy madness. Cincinnati, OH: Impact Books, 2006.

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Snow white and the madness of truth. Stockholm: Ordfront, 2014.

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Manga monster madness. Cincinnati, OH: North Light Books, 2005.

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Kottler, Jeffrey A. Divine Madness. New York: John Wiley & Sons, Ltd., 2005.

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Madness, women and the power of art. Oxford, United Kingdom: Inter-Disciplinary Press, 2013.

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Madness appropriation: Sheng Qi's body and other things. [China?: s.n.], 2004.

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Edinger, Claudio. Madness. Stockport: Dewi Lewis, 1997.

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Edinger, Claudio. Madness. Stockport: Dewi Lewis Pub., 1997.

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Book chapters on the topic "Madness in Art"

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Lange, Volker. "State of the Art." In Meeting Madness, 38–43. Heidelberg: Steinkopff, 2003. http://dx.doi.org/10.1007/978-3-642-57350-7_6.

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Carroll, Noël. "Of war and madness." In Figuring Out Figurative Art, 149–54. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315744179-11.

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Harpin, Anna. "‘I am no more mad than you are; make the trial of it in any constant question’ 1." In Madness, Art, and Society, 17–44. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257-2.

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Harpin, Anna. "‘I guess that this must be the place’ 1." In Madness, Art, and Society, 45–77. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257-3.

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Harpin, Anna. "Imagining reality." In Madness, Art, and Society, 109–38. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257-5.

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Harpin, Anna. "‘I watch myself disappear in their eyes, in their tesses, I talk loud but still I don’t exist’ 1." In Madness, Art, and Society, 139–71. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257-6.

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Harpin, Anna. "Introduction." In Madness, Art, and Society, 1–14. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257-1.

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Harpin, Anna. "‘It was a brilliant cure but we lost the patient’ 1." In Madness, Art, and Society, 78–106. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257-4.

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Harpin, Anna. "Something and nothing." In Madness, Art, and Society, 172–212. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257-7.

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Harpin, Anna. "Appendix." In Madness, Art, and Society, 213–20. Milton Park, Abingdon, Oxon; New York: Routledge, 2017.: Routledge, 2018. http://dx.doi.org/10.4324/9781315149257-8.

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Reports on the topic "Madness in Art"

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Fisher, Thomas S. Civil Considerations & Operational Art: Polluting the Process of Method to the Madness. Fort Belvoir, VA: Defense Technical Information Center, February 2002. http://dx.doi.org/10.21236/ada400979.

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