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1

Decker, Jan-Oliver. "Madonna: where's that girl? : Starimage und Erotik im medialen Raum." Kiel Ludwig, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=014629970&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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Israëls, Machtelt. "Sassetta's Madonna della Neve an image of patronage /." [Leiden : Amsterdam : Primavera Pers] ; Universiteit van Amsterdam [Host], 2003. http://dare.uva.nl/document/70426.

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Eriksson, Elin. "Frontlinjen, Persson & Madonna : En uppsats om personer som bärare av varumärken." Thesis, University of Kalmar, Baltic Business School, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hik:diva-1221.

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<p>The purpose of this essay is to analyze and understand how people in different ways can take on the role as carriers of brands and understand what part they play in today’s society. Brands are everywhere today and the competitions are becoming harder and harder for the customers’ attention and consumption, which is why I am curious of how an individual in a company’s frontline or a celebrity can help the success of a brand. The essay is based on a qualitative method where six interviews have been performed. The persons I have interviewed are selected after their knowledge of people as carri
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El-Hanany, Efrat. "Beating the devil : images of the Madonna del Soccorso in Italian Renaissance art /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3230546.

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Nakad, Valeska Fonseca. "Madonna e os meios massivos de comunicação: pactos para a construção de uma persona." Universidade Anhembi Morumbi, 2008. http://sitios.anhembi.br/tedesimplificado/handle/TEDE/1429.

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Made available in DSpace on 2015-08-18T17:46:10Z (GMT). No. of bitstreams: 1 366060.pdf: 1016572 bytes, checksum: f6bc2cf2d201d09ba688515ac7c93609 (MD5) Previous issue date: 2008-10-13<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Este estudo tem como objetivo apresentar a comunicação contemporânea, como foco de uma pesquisa que aborda a mídia, a moda, enquanto um processo de mudanças constantes. Com premissa o estudo da construção imagética do ícone Madonna por meio desses veículos. São abordadas hipóteses para a construção de sua persona, um construto que se deu pela in
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6

Barreto, Rodrigo Ribeiro. "A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna." reponame:Repositório Institucional da UFBA, 2011. http://www.repositorio.ufba.br/ri/handle/ri/1075.

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Submitted by Pós-Com Pós-Com (pos-com@ufba.br) on 2011-04-20T13:23:47Z No. of bitstreams: 1 Rodrigo Ribeiro Barreto.pdf: 2107299 bytes, checksum: 3e73fdeda94b4f5c2446eddf572b2e4e (MD5)<br>Made available in DSpace on 2011-04-20T13:23:47Z (GMT). No. of bitstreams: 1 Rodrigo Ribeiro Barreto.pdf: 2107299 bytes, checksum: 3e73fdeda94b4f5c2446eddf572b2e4e (MD5)<br>A trajetória videográfica de Madonna, iniciada há mais de 20 anos, confunde-se com o próprio desenvolvimento do videoclipe, cuja consolidação aconteceu também a partir dos anos 1980. Desde então, a contínua popularidade da artista deu a
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Williamson, Beth Ann. "The Virgin Lactans and the Madonna of Humility : image and devotion in Italy, Metz and Avignon in the thirteenth and fourteenth centuries." Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338804.

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Toerien, Monica Jane. "Jellybean Madonna." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8995.

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9

Douglas-scott, Michael. "Art patronage and the function of images at the Madonna del l'Orto in Venice under the secular canons of S. Giorgio in Alga circa 1462-1668." Thesis, Birkbeck (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261794.

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Motta, Valeria. "Le spectacle de la dévotion. Le sanctuaire de la Madone des Grâces de Mantoue : image votive et représentation (XVe-XVIIe siècles)." Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0118.

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Cette thèse s’intéresse aux processus de production de l’image votive à travers l’étude d’un ensemble de sculptures conservées dans le Sanctuaire de la Madone des Grâces de Curtatone, proche de Mantoue. L’extraordinaire apparat votif que l’on peut y admirer est constitué de cinquante-trois effigies polychromes et polymatheriques, datant pour la plupart du XVIe siècle, représentant le donateur grandeur nature, et pourvues d’accessoires réels (vêtements, cordes, objets dévotionnels…). Ces figures sont disposées dans des niches au sein d’une structure architecturale en bois totalement couverte d’
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Guilbert, Georges-Claude. "Madonna : un mythe postmoderne." Paris 10, 1998. http://www.theses.fr/1998PA100117.

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Kaspersen, Kristian. "Madonna- en missionär för sin samtid? : en analys av religionens återkomst utifrån popartisten Madonna." Thesis, Södertörn University College, School of Gender, Culture and History, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1685.

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13

Gans-Morse, Ethan. "The Canticle of the Black Madonna." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13253.

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The Canticle of the Black Madonna is an original opera-oratorio in two acts, comprising 27 pieces for six operatic soloists, mixed chorus, and chamber orchestra. It is based on an original libretto by Tiziana DellaRovere and is approximately two hours in duration. The Canticle of the Black Madonna combines elements of numerous musical traditions—including medieval organum, baroque oratorio, and both classical and contemporary chamber opera—to tell the story of a fictional American soldier returning from Afghanistan to his wife in Louisiana, the challenges they face to their marriage and liveli
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Highhouse, Galadriel Bree. "Madonna Inn: A Hotel In Context." DigitalCommons@CalPoly, 2011. https://digitalcommons.calpoly.edu/theses/669.

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This paper examines the political, economic and social influences that contributed to the development of the Madonna Inn in San Luis Obispo. I provide a brief history of the hotel industry and place the Madonna Inn within the historiography and argue that the nexus of three elements in the 1950s and 1960s led to the growth and popularity of the Madonna Inn: fear of nuclear war, growth of the middle class, and the rise of automobile culture in America.
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Dungan, Bebhinn. "Eve and the Madonna in Victorian art." Thesis, University of Plymouth, 2012. http://hdl.handle.net/10026.1/1254.

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This study identifies and addresses representations of Eve and the Madonna exhibited at seven well-known London venues during the Victorian era (1838-1901). The subjects of Eve and the Madonna are here selected for detailed analysis from the broader context of Victorian religious subject pictures, a category of Victorian art that remains arguably under-researched. Nineteenth-century religious art was rooted in a Romantic sensibility and was invested with the purpose of providing a balm during a course, commercial industrial age, which, like the Enlightenment that preceded it, heralded the birt
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Landman, Melanie Rose. "An investigation into the phenomenon of the black Madonna." Thesis, University of Roehampton, 2012. https://pure.roehampton.ac.uk/portal/en/studentthesis/an-investigation-in-to-the-phenomenon-of-the-black-madonna(e4eae3da-843f-4207-b65f-b9205344de55).html.

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The following thesis investigates the figure of the black Madonna. Because there is a lack of information on why and when these figures were created, this has created an air of mystery and intrigue around them and they have become the subject of highly speculative assumptions. The thesis has two main aims. Firstly, it analyses the trends in the existing literature; it considers the problems such research raises and how these might be addressed more critically. Secondly, this thesis will argue that it is possible to adopt a different way of approaching the subject of black Madonnas. The researc
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Davis, Leon W. "The Shrine of the Black Madonna and the afrocentric personality." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2013. http://digitalcommons.auctr.edu/dissertations/720.

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The purpose of this study was to investigate the fact that the Shrine of the Black Madonna creates an Afrocentric personality in its members. The essential questions of this study are the following: (1) How does the Shrine of the Black Madonna create Afrocentric personalities in its members? (2) How will members of the Shrine, using communal economics, self knowledge, and an African orientation, reflect the collective identity of the African saying, "I am because we are, because we are, therefore I Am." This study is significant because the study is based on the premise that Afrocentric organi
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18

Bardi, Monica. "Le voci dell'assenza : una lettura dell'"Elegia di Madonna Fiammetta /." Torino : Tirrenia stampatori, 1998. http://catalogue.bnf.fr/ark:/12148/cb37548341c.

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Salib, Prisca. "Ermanno Wolf-Ferrari - Der Schmuck der Madonna eine veristische Oper?" Tutzing Schneider, 2009. http://d-nb.info/997776129/04.

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Scaperoth, Deborah. "Not so immaculately conceived imagining the Protestant Madonna 1850 - 1910." Saarbrücken VDM Verlag Dr. Müller, 2006. http://d-nb.info/985466596/04.

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21

Giuffredi, Ottavia. "Translating the Untranslated: Heterolingualism in F. G. Paci’s Black Madonna." Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38443.

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The approach to translating multilingual texts has long been a subject of debate among scholars and translators, sparking discussions on which translational choices and strategies should be employed. An additional challenge occurs when a minority language in a multilingual (or rather, heterolingual) text becomes the target language. In these circumstances, the translator faces the dilemma of choosing how to preserve the Otherness that the non-dominant language conveys in the first text without overly manipulating it or stripping it of its nature. My analysis focuses on the challenges of trans
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Russell, Sandra E. "Donatello's Terracotta Louvre Madonna: A Consideration of Structure and Meaning." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1429041274.

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23

Hayne, Christopher J. "Structural depth in Jonathan Harvey's 'Madonna of Winter and Spring'." Thesis, University of Surrey, 2015. http://epubs.surrey.ac.uk/808997/.

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The English composer Jonathan Harvey was a distinctive and major presence in contemporary music since the early 1960s up to his death in 2012. His output in the 1970s and 1980s reflects a key transition in the development of his style and through such works as the Inner Light Trilogy, Mortuos Plango, Vivos Voco and Bhakti could be seen to reach a zenith in his 1986 work Madonna of Winter and Spring. A major element of this work and those that precede it was the composer’s interest in techniques and approaches providing the structural depth the composer was endeavouring to realise. The purpose
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Wu, Jennifer. "Reinventing donor family portraiture| Hans Holbein the Younger's Darmstadt Madonna." Thesis, American University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10239480.

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<p> This thesis examines how Hans Holbein the Younger negotiated the genre of donor family portraiture in the <i>Darmstadt Madonna</i> (1526/1528) by creating a contemporary representation of the patron Jakob Meyer&rsquo;s family. In early sixteenth-century Basel, reforms within the Catholic Church and the advent of Protestantism contested late medieval concepts of gender, kinship, and piety. I argue that the <i>Darmstadt Madonna </i> addressed this tumultuous context by partially reorienting the focus of traditional devotionally-themed paintings from the holy figures to the donor family. In t
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Williamson, Beth. "The Madonna of Humility : development, dissemination & reception, c. 1340-1400 /." Woodbridge : Boydell, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=017045935&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Williamson, Beth. "The Madonna of Humility : development, dissemination & reception, c.1340-1400 /." Woodbridge : The Boydell Press, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9781843834199.

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27

Harrold, Jillian May. "The Madonna del Parto in Trecento Tuscany, symbolic meaning and ritual use." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22321.pdf.

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Van, Vuuren Sonja. "South African satire : a study of Zakes Mda's The Madonna of Excelsior." Thesis, Stellenbosch : University of Stellenbosch, 2004. http://hdl.handle.net/10019.1/16455.

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Thesis (MA)--University of Stellenbosch, 2004.<br>ENGLISH ABSTRACT: This thesis analyses Zakes Mda’s The Madonna of Excelsior from three different points of view, namely post-colonial, feminist and satirical. The latter constitutes the main interpretation of the novel and serves as a link with the other two discourses – the key argument being that satire is not a solipsistic form of art, and thus a satirical text should not be considered on its own, but should rather be interpreted in conjunction with other cultural discourses. This thesis is of the opinion that one needs all three of th
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Busse, Till. "Madonna con Santi Studien zu Domenico Ghirlandaios mariologischen Altarretabeln ; Auftraggeber, Kontext und Ikonographie /." [S.l. : s.n.], 1999. http://deposit.ddb.de/cgi-bin/dokserv?idn=962672718.

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Davis, Maryellen Tweed Thomas A. "Mary as media icon the Madonna in twentieth-century American Catholic devotional cultures /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1102.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2007.<br>Title from electronic title page (viewed Mar. 27, 2008). " ... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies." Discipline: Religious Studies; Department/School: Religious Studies.
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Wilde, Marc. "Das unbekannte Schlüsselwerk : Die Madonna del Bordone des Coppo di Marcovaldo in Siena /." Weimar : VDG, 2004. http://www.loc.gov/catdir/toc/fy0701/2005424884.html.

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Satzinger, Georg. "Antonio da Sangallo der Ältere und die Madonna di San Biagio bei Montepulciano /." Tübingen : E. Wasmuth, 1991. http://catalogue.bnf.fr/ark:/12148/cb35699883v.

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Santos, Sandra Cristina da Costa. "Harmonia, timbre e espaço em Madonna of Winter and Spring de J. Harvey." Master's thesis, Universidade de Aveiro, 2005. http://hdl.handle.net/10773/4572.

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Mestrado em Música - Estudos Teóricos<br>O presente trabalho realiza uma analogia entre a importância de harmonia, timbre e espaço na criação musical, pois são conceitos que se revelam cada vez mais como a base da investigação de futuro no campo da música. Através do conhecimento cimentado nas tendências composicionais de Jonathan Harvey, são comparados os níveis de interpenetração entre estes três parâmetros na obra Madonna of Winter and Spring, estabelecendo relações que se articulam com a espiritualidade reclamada pelo compositor para as suas obras. Assim, a análise musical abrange d
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Jahosky, Michael Thomas. "“Some Marvelous Thing”: Leonardo, Caterina, and the Madonna of the Rocks." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1666.

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Leonardo's Virgin of the Rocks (or Madonna of the Rocks, c.1486) is a masterpiece. Scholars have been unclear, however, about the unconventional cave setting and where Leonardo's inspiration came from. The Song of Songs mentions a beautiful bride being invited to come "into the wall of rocks," and the apocryphal Gospel of James (written around 150 A.D.) tells the story of Jesus being born in a cave outside of Bethlehem. But Leonardo's own personal cave experience in 1481 spurred his desire to find literature that placed Jesus' birth in a cave, or a "wall of rocks." This thesis focuses on a spe
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Santos, Sandra Cristina da Costa. "Harmonia, timbre e espaço em Madonna of Winter and Spring de J. Harvey." Master's thesis, Universidade de Aveiro, 2005. http://hdl.handle.net/10198/6913.

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O presente trabalho realiza uma analogia entre a importância de harmonia, timbre e espaço na criação musical, pois são conceitos que se revelam cada vez mais como a base da investigação de futuro no campo da música. Através do conhecimento cimentado nas tendências composicionais de Jonathan Harvey, são comparados os níveis de interpenetração entre estes três parâmetros na obra Madonna of Winter and Spring, estabelecendo relações que se articulam com a espiritualidade reclamada pelo compositor para as suas obras. Assim, a análise musical abrange diferentes formas de consolidar os elementos escr
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Sekti, Rizky Purbaya. "3-D Stratigraphy and Fracture Characterization in Late Cretaceous Carbonates (Madonna della Mazza, Italy)." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_theses/38.

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Comprehensive fracture assessment is not an easy task as most fracture analyses rely on two-dimensional outcrops. A newly developed acquisition system of full resolution 3D Ground Penetrating Radar (GPR) and subsequent migration of the data allow, for the first time, to image fracture and deformation band networks in three dimensions. A full resolution GPR data set was acquired in the Madonna della Mazza quarry in the Maiella mountains, Italy. The quarry is cut into the Upper Cretaceous (Maastrichtian) Orfento Formation in the limb of an anticline. Combining 3D GPR and outcrop analysis reveal
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Fried, Alexandra. "The Swedish Madonnas : a comparative study of wooden sculptures of the Virgin and Child between 1250 and 1350." Thesis, University of Leicester, 2012. http://hdl.handle.net/2381/27642.

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This thesis provides a new overview of the wooden, sculpted image of the Madonna and Child in thirteenth - and early fourteenth - century Sweden. It comprises five parts: a socio-political and economic contextualisation of the images; a critique of the existing literature in the form of an analytical bibliography; a detailed evaluation of the sculptures; a catalogue of selected material; and a bibliography. In Chapter one, the historical examination discusses the Scandinavian context between 1250 and 1350. Scandinavia was then a thriving area, both economically and culturally, and was far less
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Larsson, Amanda. "Horan och madonnan : En kvalitativ analys över kvinnans gestaltning i moderna livsstilsmagasins personporträtt." Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-26409.

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Lifestyle magazines portray women in different manners and have an influence on how media consumers create self-images. The importance of knowing how different visual representation of the female acts out in magazines with large target audiences is therefore of weight for the magazines’ readers to understand. This thesis analyze how the two lifestyle magazines ELLE and LOVE portrays women in images and how they in turn create ideal images of women. The thesis has been conducted through a qualitative analysis of 5 images from each magazine that represents the magazines artistic styles. The the
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Schade-Schlieder, Ingrid [Verfasser], and Stefan [Akademischer Betreuer] Kummer. "Die Kopien der Madonna mit der Nelke von Raffael / Ingrid Schade-Schlieder. Betreuer: Stefan Kummer." Würzburg : Universitätsbibliothek der Universität Würzburg, 2012. http://d-nb.info/1019944897/34.

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Krems, Eva-Bettina. "Raffaels römische Altarbilder : Kontext, Ikonographie, Erzählkonzept : Die Madonna del Pesce und Lo Spasimo di Sicilia /." München : Akademischer Verlag, 2002. http://catalogue.bnf.fr/ark:/12148/cb389393130.

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Fransson, André. "Like a Prayer : En studie om hur religion skildras i populärkulturen med fokus på Madonna." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-33251.

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Syftet med uppsatsen var att undersöka hur kristendomen framställs i i populärmusik med Madonna som fokus. Som metod har jag genomfört videoanalyser av två av Madonnas musikvideos, Like a prayer och Oh Father. Teorin som använts är social konstruktivism som från början är presenterad av sociologiprofessorerna Peter L. Berger och Thomas Luckmann. Jag har även riktat fokus mot skolan då jag undersökt hur och i vilken utsträckning musik och musikvideos kan användas i utbildningssyfte. Enligt 2011 års läroplan står det att elevernas estetiska aspekter ska uppmärksammas och att bland annat musicera
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Tootle, Martavyrene L. "The political philosophy incorporated within Black theology: a case study of the shrine of the Black Madonna." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1988. http://digitalcommons.auctr.edu/dissertations/1676.

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The Black Christian Nationalists under the leadership of the Reverend Albert B. Cleage, Jr., the founder of the Shrine of the Black Madonna of the Pan-African Orthodox Christian Church, act as a separatist by seeking to establish their own separate black institutions in order to gain power with.in the. black community. Reverend Cleage asserts that the "traditional" black church has failed the black community by addressing only the spiritual -needs of its members. Although Reverend Cleage claims that the Shrine is the only black church meeting the needs of the black community, the majority of t
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Driskill, Richard T. "Madonna, maiden and martyr : models of femininity in some early works of André Gide and D.H. Lawrence." Thesis, University of St Andrews, 1995. http://hdl.handle.net/10023/14828.

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This dissertation studies certain similarities between some early Bildungsroman of D. H. Lawrence and André Gide. In Lawrence's Sons and Lovers and The Rainbow, and Gide's L'lmmoraliste and La Porte étroite, the authors explore the destructive effects of cultural "Icons", narrowly codified gender roles, upon sensitive young European women at the turn of the century. Through an intricate subtext of allusive imagery, postures, language, and "mythical" patterns, Lawrence and Gide imply that a patristic Christianity had somehow enlisted certain strains of Romance to fashion a pervasive cultural
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Agar, Bruno. "La force du religieux et du politique chez Madonna. Une approche de son expression à partir de ses trois documentaires : Madonna, Truth or Dare, 1991 ; I'm Going to Tell You a Secret, 2005 ; I Am Because We Are, 2008." Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLE060/document.

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La thèse « La force du religieux et du politique chez Madonna. Une approche de son expression à partir de ses trois documentaires : Madonna : Truth or Dare, 1991, I’m Going to Tell You a Secret, 2005, I Am Because We Are, 2008 » s'intéresse à la façon dont la culture populaire contemporaine utilise des concepts et des outils originaires des domaines du religieux et du politique pour s'exprimer et exercer son influence dans la société. La longévité de la carrière de la chanteuse Madonna fait de son corpus de travail un lieu privilégié pour saisir et analyser l'emploi de tels concepts depuis les
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Classen, Sigrid Ulrike. "The black madonna figure as a source of female empowerment in the works of four Italian-Canadian authors." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq21732.pdf.

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Neff, Melissa Dawn. "Social constructions of women and how they divide women from other women: the Madonna/Whore and PMS constructs." Thesis, Boston University, 1999. https://hdl.handle.net/2144/27730.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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Lundborg, Rebecka. "Medmänsklighet och Gudomligt Beskydd : En receptionsestetisk studie av Maria (Återkomsten) och Skyddsmantelmadonnan." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-413687.

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Syftet med uppsatsen ”Medmänsklighet och Gudomligt Beskydd – en receptionsestetisk studie av Maria (Återkomsten) och Skyddsmantelmadonnan” är att ur ett receptionsestetiskt perspektiv närma sig skulpturerna Maria (Återkomsten) av Anders Widoff och Skyddsmantelmadonnan av Lena Lervik. Skulpturerna finns i och i anslutning till Uppsala respektive Lunds domkyrka. Genom receptionsestetikens metod där man tittar på ett konstverks interna faktorer som rör verkets inre organisation samt externa faktorer såsom platsen där konstverken är placerade, andra konstverk som relaterar till verket,
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Loggins, Genevieve Pearl. "Use of social media tools to promote a community event analysis and recommendations for the Madonna Plaza farmer's maket /." Click here to view, 2010. http://digitalcommons.calpoly.edu/joursp/6/.

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Thesis (B.S.)--California Polytechnic State University, 2010.<br>Project advisor: Doug Swanson. Title from PDF title page; viewed on Apr. 20, 2010. Includes bibliographical references. Also available on microfiche.
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Monteiro, Maria Helena Guerra. "“You must be my Lucky Star”: Crítica, agendamento e valor sobre a obra da cantora Madonna na Revista Rolling Stone." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/7973.

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Submitted by Viviane Lima da Cunha (viviane@biblioteca.ufpb.br) on 2016-03-11T14:53:43Z No. of bitstreams: 1 arquivototal: 2770501 bytes, checksum: 673f9f42c06177cc1080680e5b748ec1 (MD5)<br>Made available in DSpace on 2016-03-11T14:53:43Z (GMT). No. of bitstreams: 1 arquivototal: 2770501 bytes, checksum: 673f9f42c06177cc1080680e5b748ec1 (MD5) Previous issue date: 2015-04-30<br>The critical fortune on Madonna's musical production brings out elements that make the speech of journalists in the coverage of cultural affairs. This work concerns the way in which this music criticism in cultural
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Makgato, Kgokologa Saltiel. "The portrayal of sexual abuse in Zakes Mda's the Madonna of Excelsior and J. M. Coetzee's disgrace : a comparative study." Thesis, University of Limpopo, 2010. http://hdl.handle.net/10386/2448.

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Thesis (M.A.(English) --University of Limpopo, 2010.<br>This dissertation examines the way in which two South African novelists, Zakes Mda and J.M. Coetzee, portray the sexual abuse of women during the apartheid and post-apartheid eras. The two selected novels used in this research are The Madonna of Excelsior (2002) by Mda and Disgrace (2000) by Coetzee. The research, furthermore, analyses the attitudes of the sexual abusers and their victims in both eras as well as examines the effects of socio-economic imbalances that might have prompted the men to sexually abuse women whom they
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