Relevant bibliographies by topics / Maeterlinck, Maurice

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  2. Dissertations / Theses
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Academic literature on the topic 'Maeterlinck, Maurice'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Maeterlinck, Maurice"

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Mankovskaya, Nadezhda B. "Maurice Maeterlinck’s Philosophy of Art." Journal of Flm Arts and Film Studies 10, no. 1 (2018): 76–90. http://dx.doi.org/10.17816/vgik10176-90.

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In the article the key ideas of Maurice Maeterlincks philosophy of art, inspired by the spirit of German idealism, European Romanticism and also mysticism and occultism are considered. On this basis his own original philosophical-aesthetic and artistic views which have laid down in a basis of philosophy of art of symbolism crystallize. The main problems interesting for Maeterlinck in this sphere are metaphysics of art and its philosophical-aesthetic aspects: silence, hidden, destiny, external and internal, madness, mystical ecstasy; essence of artistic image and symbol in art; aesthetic catego
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Avram, Cristi. "Isabelle – The Last Princess of Maurice Maeterlinck." Theatrical Colloquia 10, no. 2 (2020): 166–76. http://dx.doi.org/10.2478/tco-2020-0028.

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AbstractMaurice Maeterlinck, the author of some of the plays associated with the symbolist aesthetic, in which the character is often an unseen presence associated to destiny or death, writes in the first part of his career a collection of dramas in which the heroines seem to appear each time under different guises. At the end of his career, Maeterlinck returns to the mysterious universe proposed in his first text – The Princess Maleine, finishing the circle of love dramas, the dramas of the profound self discovery. The princess Isabelle comes and claims the unfulfillment of her sisters from t
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TOKSOY ÇEBER, Duygu. "Maurice Maeterlinck Oyunlarında Ses." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 60, no. 2 (2020): 942. http://dx.doi.org/10.33171/dtcfjournal.2020.60.2.22.

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Maurice Maeterlinck'in oyunları Avrupa modernizminin ilk anti-Aristotelesyen dramaturgisi olarak addedilir. Olayörgüleştirmeyi baştacı eden dönemin tiyatro anlayışına karşılık Maeterlinck oyunları, belli bir değişimi işaret etmektedir. Bu yönüyle Maeterlinck oyunları konvansiyonel tiyatro pratiklerine meydan okuyarak yeni tiyatro formlarına yol açar. Bu çalışmada, Aristotelesçi sava karşı, sahnenin şiirsel dilini amaçlayan Maeterlinck'in “Evin İçi”, “Çağrılmadan Gelen” ve “Körler” adlı oyunları ses açısından incelenecektir.
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Williams, Christine Sustek. "Intérieur by Maurice Maeterlinck." Theatre Journal 67, no. 2 (2015): 323–24. http://dx.doi.org/10.1353/tj.2015.0070.

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Parisse, Lydie. "Le théâtre intérieur de Maurice Maeterlinck dans La Mort de Tintagiles." Cahiers ERTA, no. 21 (2020): 83–97. http://dx.doi.org/10.4467/23538953ce.20.005.12026.

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Maeterlinck`s Innertheater in Tintagile`s death Tintagile’s death (1894) is an etape in the Maeterlinck’s work. This drama bears the strong imprint of a decisive évent in the life of the author : the discovery of the writings of the médieval Flemish mystic Ruysbroeck, of wich he became the translator from 1885 to 1888. The langage of mysti‐ cism allows a renowal of writing and dramatic aesthetics.
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Ghigny, Laurence. "Maurice Maeterlinck. Correspondance, n° 6." Textyles, no. 21 (August 15, 2002): 125–26. http://dx.doi.org/10.4000/textyles.1027.

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Bowditch, Lucy. "Eduard Steichen and Maurice Maeterlinck." History of Photography 17, no. 4 (1993): 334–41. http://dx.doi.org/10.1080/03087298.1993.10442315.

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De Vos, Jozef. "Nicolas Maeterlinck & André Capiteyn, Maurice Maeterlinck. Wonen in Dromen." Documenta 30, no. 1 (2019): 69–70. http://dx.doi.org/10.21825/doc.v30i1.10645.

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Turk, Boštjan Marko. "Maurice Maeterlinck in nerazrešljivi blodnjak eksistence." Linguistica 53, no. 1 (2013): 251–62. http://dx.doi.org/10.4312/linguistica.53.1.251-262.

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Pričujoča študija želi opozoriti na vlogo ontološke krščanske podstati, ki je prisotna v delu belgijskega pisatelja, dramatika, pesnika in esejista Maurica Maeterlincka. V resnici je razvedovanje po fenomenih bivajočega ter njihove eventualne metafizične korenine skupni imenovalec premnogih del tega avtorja. Še posebej je prepoznavno v pomembnem delu dramatskega opusa, h kateremu prištevamo Slepce, Sestro Beatriče, Modro ptico, Marijo iz Magdale in Čudež svetega Antona.
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Piret, Pierre. "Maurice Maeterlinck. Études réunies par Georges Dottin." Textyles, no. 15 (March 1, 1999): 242–43. http://dx.doi.org/10.4000/textyles.1291.

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Dissertations / Theses on the topic "Maeterlinck, Maurice"

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Mitchell, M. P. "Les pieces symbolistes de Maurice Maeterlinck." Thesis, University of Canterbury. French, 2013. http://hdl.handle.net/10092/8658.

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La puissance, l’inquiétude et la détermination don’t est pénétrée l’oeuvre de Maeterlinck n’ent pas laissé de marquer son visage même. G Rodenbach ls décrit comme “beardless with shorthair, protruding forehead, clear, distinct eyes, with a straightforward gaze his face harshly set, the whole denoting will-power, decision, stubbornness, a real Flemish face with undertones of reverie and colourful sensibility. At heart a taciturn person, who is very reserved.” Il est evident que le College de Sainte-Barbe avait exercé sur lui une influence énorme. Le pessimism qui l’envahissait pendant ses ann
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Gorceix, Paul. "Les affinités allemandes dans l'oeuvre de Maurice Maeterlinck : contribution à l'étude des relations du symbolisme français et du romantisme allemand /." Paris : Eurédit, 2005. http://catalogue.bnf.fr/ark:/12148/cb400311745.

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McGuinness, Patrick. "Maurice Maeterlinck and the development of modern drama." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308899.

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Kolbus, Anita. "Maeterlinck, Debussy, Schönberg und andere : Pelléas et Mélisande : zur musikalischen Rezeption eines symbolitischen Dramas /." Marburg : Tectum Verlag, 2001. http://catalogue.bnf.fr/ark:/12148/cb38982759r.

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Leijnse, Elisabeth. "Symbolisme en nieuwe mystiek in Nederland voor 1900 : een onderzoek naar de Nederlandse receptie van Maurice Maeterlinck : met de uitgave van een handschrift van Lodewijk van Deyssel /." Liège : Bibliothèque de la faculté de philosophie et lettres de l'Université de Liège, 1995. http://catalogue.bnf.fr/ark:/12148/cb39118552j.

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Strohmann, Dirk. "Die Rezeption Maurice Maerterlincks in den deutschsprachigen Ländern (1891-1914) /." Bern : P. Lang, 2006. http://catalogue.bnf.fr/ark:/12148/cb412992267.

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Molnár, Zsófia. "Palimpsestes maeterlinckiens : étude de la dramaturgie de Maurice Maeterlinck." Paris 3, 2006. http://www.theses.fr/2006PA030035.

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La présente thèse propose une relecture systématique de la production dramatique du Prix Nobel de 1911, le Belge Maurice Maeterlinck. Il s'agit de vingt-neuf pièces de théâtre jouées, pour la plupart, relativement rarement dans les théâtres du monde. Cet " oubli " partiel est avant tout dû à la position de plusieurs points de vue frontalière ou intermédiaire de cet auteur – c'est ce que notre ouvrage tente de définir et d'illustrer. L'image du palimpseste a semblé appropriée à guider nos analyses : nous n'avions qu'à gratter la couche supérieure picturale du " premier théâtre " pour retrouver
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Moler, Lara Biasoli. "Da palavra ao silêncio: o teatro simbolista de Maurice Maeterlinck." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8146/tde-08082007-155902/.

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Nos últimos anos do século XIX, o poeta, dramaturgo e ensaísta belga Maurice Maeterlinck (1862-1949) concretiza as aspirações teatrais do movimento simbolista com um conjunto de oito peças, escritas entre 1889 e 1894, que são testemunho não apenas de sua concepção dramática, mas também da própria evolução do teatro simbolista. Fundamentando-se nas limitações da comunicação verbal e na premissa de um silêncio eloqüente, Maeterlinck desenvolve um projeto de reformulação da linguagem dramática que, recentemente, tem sido apreciado do ponto de vista de sua contribuição para a formação do teatro mo
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Rosé, Claire. "Augmenter l'inentendu : poétique de Maeterlinck." Paris 8, 2010. http://www.theses.fr/2010PA083180.

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Maurice Maeterlinck en se plaçant dans l’intervalle entre une parole et une écoute, tant dans ses traductions, que dans ses essais, poèmes et pièces poétiques, travaille le concept même d’historicité. L’un des principaux enjeux de la thèse aura été de mettre en avant la différence entre l’historicité de l’inconnu, qui est l’aventure du langage chez Maeterlinck, et la métaphysique de l’inconnaissable dans laquelle on circonscrit trop souvent son travail. Le problème de l’« inentendu » est au cœur de ce questionnement, en ce qu’entendre doit nécessairement passer par une instanciation subjective
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Laoureux, Denis. "Maurice Maeterlinck et la dramaturgie de l'image : les arts et les lettres dans le symbolisme en Belgique /." Brasschaat (Belgique) : [Le Kremlin-Bicêtre] : Pandora ; [les Belles Lettres diff.], 2008. http://catalogue.bnf.fr/ark:/12148/cb41282431g.

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Texte remanié de: Thèse de doctorat--Histoire de l'art--Université libre de Bruxelles, 2005.<br>Publ. à l'occasion de l'exposition "Le musée imaginaire de Maurice Maeterlinck" organisée au Musée provincial Félicien Rops, Namur, Belgique, du 19 janvier au 13 avril 2008. Notes bibliogr. Index.
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Books on the topic "Maeterlinck, Maurice"

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Maurice Maeterlinck. La Manufacture, 1990.

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Rykner, Arnaud. Maurice Maeterlinck. Mimini, 1998.

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Maurice Maeterlinck: Pelléas et Mélisande. Editions Labor, 1986.

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Maurice Maeterlinck: L'arpenteur de l'invisible : essai. Le Cri, 2005.

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Maurice Maeterlinck: Le symbolisme de la différence. Editions InterUniversitaires, 1997.

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Gorceix, Paul. Maurice Maeterlinck: Le symbolisme de la différence. Eurédit, 2000.

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Maurice Maeterlinck and the making of modern theatre. Oxford University Press, 2000.

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1862-1949, Maeterlinck Maurice, and Maeterlinck Maurice 1862-1949, eds. Dramaturgie de la mort chez Maurice Maeterlinck: Essai. Eurédit, 2006.

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1862-1949, Maeterlinck Maurice, ed. Maurice Maeterlinck: Du mysticisme à la pensée ésotérique. Eurédit, 2006.

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Paul, Gorceix, ed. Maurice Maeterlinck et le drame statique: L'intruse, Intérieur. Eurédit, 2005.

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Book chapters on the topic "Maeterlinck, Maurice"

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Wild, Gerhard. "Maurice Maeterlinck." In Kindler Kompakt Französische Literatur 19. Jahrhundert. J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05516-3_32.

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Wild, Gerhard. "Maeterlinck, Maurice." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12966-1.

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Heine, Mechthild, and KLL. "Maeterlinck, Maurice: Les aveugles." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12968-1.

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Schäfer, Christian, and KLL. "Maeterlinck, Maurice: L'oiseau bleu." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12971-1.

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Gorceix, Paul. "Maeterlinck, Maurice: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12967-1.

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Schäfer, Christian, and KLL. "Maeterlinck, Maurice: Pelléas et Mélisande." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12969-1.

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Wild, Gerhard. "Maeterlinck, Maurice: Ariane et Barbe-Bleue." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12970-1.

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Upton, Carole-Anne. "The Translator as metteur en scène, with Reference to Les Aveugles [The Blind] by Maurice Maeterlinck." In Staging and Performing Translation. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230294608_3.

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Lazare, Bernard. "Maurice Maeterlinck." In Figures contemporaines. UGA Éditions, 2002. http://dx.doi.org/10.4000/books.ugaeditions.8406.

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"Interior (Maurice Maeterlinck)." In The Routledge Drama Anthology and Sourcebook. Routledge, 2012. http://dx.doi.org/10.4324/9780203124406-13.

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