Relevant bibliographies by topics / Magahi literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Magahi literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Magahi literature"

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Hernández, Librada. "Ras de Magali Alabau." Revista Iberoamericana 56, no. 152 (December 3, 1990): 1381–82. http://dx.doi.org/10.5195/reviberoamer.1990.4836.

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Hernández, Librada. "Hermana de Magali Alabau." Revista Iberoamericana 56, no. 152 (December 3, 1990): 1384–86. http://dx.doi.org/10.5195/reviberoamer.1990.4838.

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Esteves, Carmen C. "Literature/Journalism: The Frontier: An Interview with Magali Garcia Ramis." Callaloo 17, no. 3 (1994): 862. http://dx.doi.org/10.2307/2931869.

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Gavins, R. "Literature on Jim Crow." OAH Magazine of History 18, no. 2 (January 1, 2004): 13–16. http://dx.doi.org/10.1093/maghis/18.2.13.

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Muzraeva, Delyash N. "Некоторые вопросы исследования сочинения «Sumagadha-avadāna» в отечественном и зарубежном востоковедении (на материале «Легенды о Сайн Магаде» из Монгольского Ганджура)." Oriental studies 15, no. 4 (November 15, 2022): 731–39. http://dx.doi.org/10.22162/2619-0990-2022-62-4-731-739.

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Introduction. The Sumagadha-Avadāna (‘Avadāna of Sumagadha’) is often mentioned in Oriental studies, including works on the history of classical Mongolian literature examining writings of Indo-Tibetan origin. This text is included in both the Tibetan- and Mongolian-language canonical Kangyur (Kanjur) editions. Despite frequent references, the former has neither been translated into Russian, nor there are any descriptions of its structure and content. Goals. So, the article attempts to fill the gap and aims at considering the narrative about Sayin Magada through the analysis of The Legend of Sayin Magada (Mong. Sayin Magada-yin domuγ), the latter being integral to the canonical collection of Kanjur in Mongolian. The work explores the text, describes its genre characteristics, identifies its structure, reveals contents, and investigates data contained in the colophon. Materials. The study focuses on the text titled ‘Sayin Magada-yin domuγ-i ögülegči kemekü’ (‘[Sutra] Narrating the Legend of Sayin Magada’) from the Eldeb (‘Collection of Sutras’) section of the Mongolian Kanjur (vol. 91). Results. The textual and content analysis of works by Tibetologists, Mongolists, and Sinologists dealing with writings of the avadāna genre included in the canon makes it possible to reveal key characteristics of the genre, describe the structure of the Mongolian text, and outline its content.
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Muzraeva, Delyash N. "Некоторые вопросы исследования сочинения «Sumagadha-avadāna» в отечественном и зарубежном востоковедении (на материале «Легенды о Сайн Магаде» из Монгольского Ганджура)." Oriental studies 15, no. 4 (November 15, 2022): 731–39. http://dx.doi.org/10.22162/2619-0990-2022-61-4-731-739.

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Introduction. The Sumagadha-Avadāna (‘Avadāna of Sumagadha’) is often mentioned in Oriental studies, including works on the history of classical Mongolian literature examining writings of Indo-Tibetan origin. This text is included in both the Tibetan- and Mongolian-language canonical Kangyur (Kanjur) editions. Despite frequent references, the former has neither been translated into Russian, nor there are any descriptions of its structure and content. Goals. So, the article attempts to fill the gap and aims at considering the narrative about Sayin Magada through the analysis of The Legend of Sayin Magada (Mong. Sayin Magada-yin domuγ), the latter being integral to the canonical collection of Kanjur in Mongolian. The work explores the text, describes its genre characteristics, identifies its structure, reveals contents, and investigates data contained in the colophon. Materials. The study focuses on the text titled ‘Sayin Magada-yin domuγ-i ögülegči kemekü’ (‘[Sutra] Narrating the Legend of Sayin Magada’) from the Eldeb (‘Collection of Sutras’) section of the Mongolian Kanjur (vol. 91). Results. The textual and content analysis of works by Tibetologists, Mongolists, and Sinologists dealing with writings of the avadāna genre included in the canon makes it possible to reveal key characteristics of the genre, describe the structure of the Mongolian text, and outline its content.
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Pursell, C. "A Review of the Literature." OAH Magazine of History 12, no. 2 (January 1, 1998): 5–8. http://dx.doi.org/10.1093/maghis/12.2.5.

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Kato, K., and E. Rybicki. "Congressional History: A Literature Review." OAH Magazine of History 12, no. 4 (June 1, 1998): 5–12. http://dx.doi.org/10.1093/maghis/12.4.5.

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Soares, Ana Carolina Eiras Coelho. "Magali, de M. Delly e a trilogia Cinquenta Tons de Cinza: uma análise da literatura de massa para mulheres." OPSIS 17, no. 1 (April 3, 2017): 99. http://dx.doi.org/10.5216/o.v17i1.39429.

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O presente trabalho busca a percepção das relações amorosas de meados do século XX e XXI através da comparação de duas obras de grande sucesso: o romance Magali de M. Delly e a trilogia romântica os Cinquenta tons Cinza de E. L. James. Partindo de uma análise histórica e antropológica das fontes, busco compreender a construção discursiva realizada sobre as construções sociais primárias entre os gêneros, revelando a edificação das expectativas almejadas sobre os comportamentos, valores e condutas sociais esperadas nos romances best-sellers que são veículo de divulgação em massa. Assim, analiso as formas da propagação de ideais sentimentais e sociais historicamente construídos que existem em nossa sociedade.
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Rodríguez Gutiérrez, Milena. "Dos poéticas del exilio cubano. Nivaria Tejera y Magali Alabau: París / Nueva York, o el espacio que no es." Mitologías hoy 25 (February 11, 2022): 150–62. http://dx.doi.org/10.5565/rev/mitologias.805.

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Este artículo se acerca a la literatura cubana del exilio y, en concreto, a la obra poética de las escritoras Nivaria Tejera (1929-2016) y Magali Alabau (1945). Tras plantearse un recorrido por diversas construcciones teóricas y reflexiones en torno a esta temática, a partir de autores como María Zambrano o Edward Said, entre otros, el trabajo se centra en el análisis de dos textos poéticos de cada una de estas escritoras, indagando en la construcción del espacio y, específicamente, de las ciudades de París (Tejera) y de Nueva York (Alabau) que aparece en estos textos. La tesis del artículo es la de concebir el exilio como un espacio singular, al que se refería Zambrano como “espacio sin lugar”.
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Dissertations / Theses on the topic "Magahi literature"

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DADALTO, W. "Encontraria a literatura? As buscas pela Maga em Rayuela, de Julio Cortázar." Universidade Federal do Espírito Santo, 2010. http://repositorio.ufes.br/handle/10/3235.

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Made available in DSpace on 2016-08-29T14:11:22Z (GMT). No. of bitstreams: 1 tese_4257_.pdf: 1151490 bytes, checksum: e645df406f4c89af265ae999497cf189 (MD5) Previous issue date: 2010-05-25
Rayuela, de Julio Cortázar, empreende uma busca por uma literatura que seja capaz de promover o encontro com uma outra realidade possível, questionando assim os valores estéticos, cognitivos e sociais do Ocidente. A Maga, que se apresenta em diversas outras mulheres do romance, é a melhor representação dessa busca; por se constituir enquanto poesia, a Maga está ligada a personagens femininas de outras obras literárias renovadoras, tanto de outros escritores quanto do próprio Cortázar. Horacio Oliveira, por sua vez, protagonista buscador, pensa questões existenciais e estéticas que o relacionam também a outros grandes personagens. A busca pela literatura aparece, por fim, no debate do autor fictício Morelli, cujas proposições elevam a um plano teórico-especulativo a busca pela Maga, simbólica, empreendida por Oliveira. Por meio de uma análise interpretativa e da investigação de algumas relações intertextuais, tentamos uma aproximação pessoal desse romance cortazariano, aventurando-nos no jogo proposto pelo texto, cujos resultados são aqui apresentados.
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Dadalto, Weverson. "Encontraria a literatura? As buscas pela Maga em Rayuela, de Julio Cortázar." Universidade Federal do Espírito Santo, 2010. http://repositorio.ufes.br/handle/10/6439.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Rayuela, de Julio Cortázar, emprende una búsqueda por una literatura que sea capaz de promover el encuentro con otra realidad posible, cuestionando así los valores estéticos, cognitivos y sociales del Occidente. La Maga, que se presenta en diversas otras mujeres de la novela, es la mejor representación de esa búsqueda; por constituirse como poesía, la Maga está ligada a personajes femeninas de otras obras literarias renovadoras, tanto de otros escritores como del propio Cortázar. Horacio Oliveira, por su vez, protagonista buscador, piensa cuestiones existenciales y estéticas que lo relacionan también a otros grandes personajes. La búsqueda por la literatura aparece, por fin, en el debate del autor ficticio Morelli, cuyas proposiciones elevan a un plan teórico-especulativo la búsqueda por la Maga, simbólica, emprendida por Oliveira. Por medio de un análisis interpretativo y de la investigación de algunas relaciones intertextuales, hemos intentado un acercamiento personal a esa novela cortazariana, aventurándonos en el juego propuesto por el texto, cuyos resultados son aquí presentados
Rayuela, de Julio Cortázar, empreende uma busca por uma literatura que seja capaz de promover o encontro com uma outra realidade possível, questionando assim os valores estéticos, cognitivos e sociais do Ocidente. A Maga, que se apresenta em diversas outras mulheres do romance, é a melhor representação dessa busca; por constituir-se enquanto poesia, a Maga está ligada a personagens femininas de outras obras literárias renovadoras, tanto de outros escritores quanto do próprio Cortázar. Horacio Oliveira, por sua vez, protagonista buscador, pensa questões existenciais e estéticas que o relacionam também a outros grandes personagens. A busca pela literatura aparece, por fim, no debate do autor fictício Morelli, cujas proposições elevam a um plano teórico-especulativo a busca pela Maga, simbólica, empreendida por Oliveira. Por meio de uma análise interpretativa e da investigação de algumas relações intertextuais, tentamos uma aproximação pessoal desse romance cortazariano, aventurando-nos no jogo proposto pelo texto, cujos resultados são aqui apresentados
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3

Mounziegou-Mombo, Narcice. "Les modalités de l'élaboration romanesque dans la littérature gabonaise. : Lecture des oeuvres de Peter Ndemby et de Chantal Magalie Mbazoo Kassa." Thesis, Limoges, 2014. http://www.theses.fr/2014LIMO0015/document.

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Des travaux sur la littérature gabonaise en général et le roman en particulier, suscitent de l’étonnement, des exclamations du fait de leur rareté. Notre travail de thèse a eu pour objet de réajuster certaines approches de l’esthétique romanesque gabonaise. Il a été question de conjurer la notion du retard souvent utilisée pour présenter l’écriture romanesque gabonaise. L’esthétique romanesque gabonaise admet une identité d’isolement. Les systèmes de son élaboration découlent principalement de cet aspect. Dire les modalités de l’élaboration romanesque dans la littérature gabonaise à travers les écritures de Peter Ndemby et de Chantal Magalie Mbazoo Kassa, c’est d’une part, préciser les questions d’influences de la prose gabonaise et configurer le rapport entre le texte et la société. Un procédé qui a permis de révéler une redéfinition de la notion de littérarité au Gabon selon les travaux de Fortunat Obiang Essono. D’autre part, parler des modalités du Roman gabonais, c’est décliner la spécificité littéraire autour de la littérarité mimétique, de la littérarité autistique et de l’exiguïté. De l’histoire littéraire de Lanson en passant par la sociocritique de Claude Duchet et de Pierre Zima, le texte romanesque gabonais a révélé des spécificités qui imposent des nouvelles approches, une nouvelle conception du phénomène littéraire romanesque au Gabon
Gabonese literary works in general and the novel in particular raise amazement because of their being scarce. The goal of our dissertation has been to improve some aesthetical approaches of the Gabonese novel. It has consisted in turning down the common description of the Gabonese novel as being behind. The aesthetics of the Gabonese novel reveals an identity of isolation. The systems of its setting up result mainly from this aspect. Revealing how the novel has been built up in the Gabonese literature through the writings of Peter Ndemby and Chantal Magalie Mbazoo Kassa means, on the one hand, developing issues of influences in the Gabonese prose and shaping the relationship between text and society. This process helps to uncover a better definition of literariness in Gabon according to the works of Fortunat Obiang Essono. On the other hand, in dealing with the modalities of the Gabonese novel, we have had to develop its literary peculiarity through its mimetic and autistic literariness, and its ‘exiguousness’. From the literary story of Lanson through the sociocriticism of Claude Duchet and Pierre Zima, the Gabonese novel has unveiled peculiarities requiring new approaches, a new conception of literariness in the Gabonese novel
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Steinebach, Mario, Alexander Friebel, Christine Häckel-Riffler, Volker Tzschucke, Wolfram Dötzel, Egon Müller, Thomas Gäse, et al. "TU-Spektrum "Sonderausgabe Auto & Verkehr" 2004, Magazin der Technischen Universität Chemnitz." Universitätsbibliothek Chemnitz, 2004. http://nbn-resolving.de/urn:nbn:de:swb:ch1-200400909.

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Ntsame, Okourou Franckline. "Lecture du discours romanesque féminin du Gabon : Analyse sociopragmatique des œuvres de Chantal Magalie MBAZOO-KASSA, Honorine NGOU et Sylvie NTSAME." Phd thesis, Université Paris-Est, 2012. http://tel.archives-ouvertes.fr/tel-00856016.

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Aborder le roman féminin sous l‟angle d‟un énoncé discursif nécessite raisonnablement que l‟on prenne en compte, le contexte social, culturel et linguistique de production, les stratégies d‟énonciation, le champ de signification et les instances réceptrices qui déterminent ce discours. L‟approche sociopragmatique nous autorise pour ce faire à cette lecture plurielle qui, selon nous, mène incontestablement à une lisibilité optimale des textes. D‟abord, en tant que communication, le roman féminin implique des techniques discursives basées sur un environnement culturel et linguistique qui influence incontestablement le fonctionnement des énoncés en ce qui concerne les activités de production. Ensuite, la particularité des discours que nous étudions c‟est leur langage multiforme fait de paroles, d‟actes à valeur énonciatives, et d‟autres types de manifestations communicatives. C‟est un langage allégorique par essence, fait de sous-entendus, de diverses tournures imagées et aussi de silences parlants qui permettent d‟exprimer sans vraiment dire. Cette mise en scène théâtralisée du discours confère à l‟expression romanesque féminine un statut artistique particulier où la langue s‟enrichit d‟" accessoires linguistiques " d‟origine ethnique, régionale ou nationale. Enfin, la réception elle-même est fonction d‟un ensemble d‟éléments nécessaires à sa réalisation à savoir un espace, un temps, une orientation de réception intentionnellement glissée par l‟auteur. Ces éléments mis ensemble correspondent à ce que Kleiber nomme la "mémoire discursive" de l‟énonciateur et les "savoirs partagés" entre l‟émetteur et le récepteur
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Lindgren, Fanny. "Vad gömmer sig i Norrlands skogar? : Om natur, människor och exotism i tre samtida norrländska romaner." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-122022.

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What’s Hiding in the Woods of the Swedish North? – About nature, humans, and exoticism in three contemporary northern Swedish novels – This essay aims at exploring the use of nature and the supernatural in contemporary northern Swedish literature, in the light of the long historical exploitation of the area and the conflicts this caused. The novels that are being examined are Stallo by Stefan spjut, Glupahungern by Andrea Lundgren and Ett föremåls berättelse om obesvar by Mikael Berglund. The essay is underpinned, first and foremost, by theories of ecocritisism and postcolonial ecocritisism in order to explore the relations between humans and environment. In addition to this, theories of time-space relations and movement as well as theories of human-animal relationships and transformations are used. The analysis focuses on movement in time-space, the relationship between bear and child, and human-bear and troll-bear transformations in the novels. The different paths that are chosen by the characters in the novels reveal varying ways in which humans relate to nature, and as a result also relations to, and ideas about, the Swedish north. For example, the nomadic people in Ett föremåls berättelse om obesvar moves according to seasonal change, while the crowns men from the south establish their settlements close to the natural resources they are exploiting, in this case silver, and adjust nature to their own needs. These relationships are also made visible in relation to the non-human animals as well as non-human animal transformations in the novels: for example the troll-bear transformations in Stallo elaborates the idea of northern Sweden as a wilderness, whilst Glupahungern rather use this idea of northern Sweden in order to criticise the anthropocentric norm. In conclusion, all three novels relate in different ways to the history of, and ideas about, the Swedish north, which in turn are closely connected to stories about nature and the supernatural. The novels display a critical relationship towards historical events, as well as present day ideas and approaches to northern Sweden, nature and animals.
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Tiger, Louise. "Skenet Bedrar : En ekokritisk studie av förvandlingstematiken i Skönheten och Odjuret och Nötknäpparen och Råttkungen." Thesis, Södertörns högskola, Litteraturvetenskap, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-43752.

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The following essay investigates the artificial magic environment in two fairy tales with similar tropes and themes, to find out if the magic is necessary for the growth of the characters. The ecocritical movement constitutes the essay’s theoretical background in order to shine a light on the physical nature that has been slightly neglected when it comes to discerning the inner nature of the heroines in these stories. By employing theoretical concepts from animal studies, the essay also examines the relationship between animals and humans for the purpose of including the portrayal of animals in an expanded view on nature. The major conclusion of the essay is that magic can both help and hinder the protagonist’s journey to maturity. Furthermore, these fairy tales portray different methods of downgrading animals, but they also challenge an anthropocentric view of the world.
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Wright, Alexander Robert. "William Cave (1637-1713) and the fortunes of Historia Literaria in England." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/278574.

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This thesis is the first full-length study of the English clergyman and historian William Cave (1637-1713). As one of a number of Restoration divines invested in exploring the lives and writings of the early Christians, Cave has nonetheless won only meagre interest from early-modernists in the past decade. Among his contemporaries and well into the nineteenth century Cave’s vernacular biographies of the Apostles and Church Fathers were widely read, but it was with the two volumes of his Scriptorum Ecclesiasticorum Historia Literaria (1688 and 1698), his life’s work, that he made his most important and lasting contribution to scholarship. The first aim of the thesis is therefore to build on a recent quickening of research into the innovative early-modern genre of historia literaria by exploring how, why, and with what help, in the context of late seventeenth-century European intellectual culture, Cave decided to write a work of literary history. To do so it makes extensive use of the handwritten drafts, annotations, notebooks, and letters that he left behind, giving a comprehensive account of his reading and scholarly practices from his student-days in 1650s Cambridge and then as a young clergyman in the 1660s to his final, unsuccessful attempts to publish a revised edition of his book at the end of his life. Cave’s motives, it finds, were multiple, complex, and sometimes conflicting: they developed in response to the immediate practical concerns of the post-Restoration Church of England even as they reflected some of the deeper-lying tensions of late humanist scholarship. The second reason for writing a thesis about Cave is that it makes it possible to reconsider an influential historiographical narrative about the origins of the ‘modern’ disciplinary category of literature. Since the 1970s the consensus among scholars has been that the nineteenth-century definition of literature as imaginative fictions in verse and prose – in other words literature as it is now taught in schools and universities – more or less completely replaced the early-modern notion of literature, literae, as learned books of all kinds. This view is challenged in the final section of this thesis, which traces the influence of Cave’s work on some of the canonical authors of the English literary tradition, including Johnson and Coleridge. Coleridge’s example, in particular, helps us to see why Cave and scholars like him were excluded lastingly from genealogies of English studies in the twentieth century, despite having given the discipline many of its characteristic concerns and aversions.
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Kim, Soo-Jung [Verfasser]. "Vorhersehungsvermögen und Taubstummheit : zwei Aspekte der Leib-Seele-Problematik in Karl Philipp Moritz' "Magazin zur Erfahrungsseelenkunde" / vorgelegt von Kim, Soo-Jung." 2001. http://d-nb.info/969924429/34.

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Lorenzo, Feliciano Violeta. "El bildungsroman en el Caribe hispano." Thesis, 2011. http://hdl.handle.net/1807/29796.

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This dissertation examines the bildungsroman genre in Cuba, Puerto Rico, and the Dominican Republic. A close examination of the development of this genre demonstrates that it has ideological implications that link the young protagonists’ development with that of the nation. The authors on whom I focus—Ángela Hernández, Rita Indiana Hernández, René Marqués, Pedro Juan Soto, Magali García Ramis, Severo Sarduy, and Jesús Díaz—do not merely imitate the European model but revise, adapt, and often subvert it thematically and, in some cases, aesthetically. I argue that these bildungsromane differ, for the most part, from the European prototype due to their openly political themes, such as the establishment of the Estado Libre Asociado in Puerto Rico, the 1959 Revolution in Cuba, and, in the case of the Dominican Republic, Trujillo’s dictatorship. I claim that Dominican bildungsromane do not propose national projects or models but rather question the purported homogeneity of identity of the country as a normalized political body. On the other hand, in Cuba and Puerto Rico the genre has been used to promote absolute discourses of nationality as well as political projects that must be questioned due to their discriminatory and sometimes racist and violent nature.
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Books on the topic "Magahi literature"

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Aryāṇī, Sampatti. Magahī nibandha saurabha: Magahī bhāshā āura sāhitya tathā saṃskr̥ti sambandhī Magahī nibandhāvalī. Paṭanā: Bihāra Magahī Akādamī, 1989.

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1933-, Siṃha Rāma Prasāda, Varmā Rāmanareśa Prasāda 1940-, and Vidyārthī Rājū Kumāra, eds. Magahī śodha nibandha. Paṭanā: Magahī Akādamī Bihāra, 2002.

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Enāmulahaqa. Magahī loka-gāthāoṃ kā sāhityika anuśīlana. Paṭanā: Viśāla Pablikeśana, 2006.

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Kumāra, Dilīpa. Nibandha bhāratī: Magahī nibandha saṅkalana. Paṭanā: Magahī Sāhitya Sammelana, 2004.

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Kumāra, Surendra. Magahī loka sāhitya meṃ vedanānubhūti. Vārāṇasī: Kalā Prakāśana, 2009.

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Kumāra, Surendra. Magahī loka sāhitya meṃ vedanānubhūti. Vārāṇasī: Kalā Prakāśana, 2009.

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Yano, Tamaki. Kōdō chōdozu, Kōdō magaki no kiku: Chikuyū Bunko no kōdō densho. Kyōto-shi: Tankōsha, 2020.

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Schiaffino, Paola. Maghi e babbani: Analisi antropologica della saga di Harry Potter. Ariccia (RM): Aracne editrice int.le S.r.l., 2014.

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Asoshiētsu, Nichigai, ed. Bungei zasshi naiyō saimoku sōran: Sengo ritoru magajin hen. Tōkyō: Nichigai Asoshiētsu, 2006.

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Cardini, Franco. I re magi: Storia e leggende. Venezia: Marsilio, 2000.

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Book chapters on the topic "Magahi literature"

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Vögele, Hannelore. "Imam, Abubakar: Magana Jari Ce." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_10819-1.

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"Chapter III.4. Some Indications In Late-Vedic Literature." In Greater Magadha, 219–47. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004157194.i-416.40.

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Höcker, Arne. "“Observe, Write!”." In The Case of Literature, 49–70. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501749353.003.0003.

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This chapter examines how Karl Philipp Moritz invoked the psychological productivity of novelistic storytelling in publishing the “psychological novel” Anton Reiser (1785–1790) as part of his project of empirical psychology or Erfahrungsseelenkunde. This use of fictional narrative for the representation of dispassionate observation, and the choice of engaging a literary genre for the production of psychological knowledge assigned irreducible cognitive qualities to literature. Anton Reiser is not only another case of Moritz's extensive psychological project but also a paradigmatic case for the importance of literary form in the observation and recording of psychic phenomena. The institutional framework of the novel is not just the Magazin zur Erfahrungsseelenkunde, but literary discourse as an epistemological rather than aesthetic enterprise. Ultimately, Anton Reiser is a literary exercise in establishing a perspective from which self-observation becomes possible.
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Kirkland, N. Bryant. "Hellenism in the Distance." In Herodotus and Imperial Greek Literature, 152—C4.N85. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197583517.003.0005.

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Abstract This chapter studies Herodotean evocations in Dio Chrysostom’s Borystheniticus (Or. 36). Although the Borystheniticus has long been recognized as situating itself in the Herodotean mold, this chapter argues that the Herodotean backdrop is far from straightforward; indeed, ambiguous hypotextual activations of Herodotus’s Scythian logos inflect the oration from start to finish and are essential to its meaning. The oration’s climax, in which Dio claims to quote a myth of the Persian Magi on the cycles of cosmic history, presents a world in flux, in echo of the historical cycles of Herodotus’s text, and permits the Magi to speak with historiographic authority. That the myth itself has been shown to be Greek, not Persian, ironizes the whole operation, allowing Dio to sound Herodotean while also rearticulating the Hellenic usurpation of alien wisdom.
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"T." In The Oxford Companion To Irish Literature, edited by Robert Welch and Bruce Stewart, 588–98. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198661580.003.0020.

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Abstract ‘Tables of the Law, The’ (1897), a short prose romance in W. B. “Yeats’s triptych on a mystical theme which also includes *’Rosa Alchemica’ and ‘The *Adoration of the Magi’. It was first printed with the latter. Owen Aheme, a spoiled priest, shows the narrator the lost text of Joachim of Fiore, a12th-cent. Calabrian prophet. Aheme believes that he must evangelize for the coming era of individuality, an ‘Age of the Holy Spirit’. Ten years later Aheme returns and tells the narrator of the ecstasies and miseries he has experienced.
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Finkelstein, David. "Literature, Propaganda, and the First World War: The Case of Blackwood’s Magazine." In Grub Street and the Ivory Tower, 91–111. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198184133.003.0006.

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Abstract Former editors of Blackwood’s Magazine (or Maga as it was universally known) cherished the following anecdote of a near death experience. It is February 1918, and in a dugout on the Arras line in France, a soldier sits reading his favourite monthly journal. The call to arms is sounded and, slipping the issue into a pocket of his trenchcoat, the soldier prepares for duty. A shell explodes nearby, sending shrapnel spinning through the trenches. A fragment finding its way to him is stopped by the thick pages of the magazine nestling in his breast pocket. The chewed-up pages of the journal are subsequently sent to Edinburgh as proof that Blackwood’s Magazine possesses miraculous powers. The relic is still preserved in the archives of the National Library of Scotland.
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"Bronze Age Reed Boats of Magan and Magillum Boats of Meluḫḫa in Cuneiform Literature." In Stories of Globalisation: The Red Sea and the Persian Gulf from Late Prehistory to Early Modernity, 119–53. BRILL, 2018. http://dx.doi.org/10.1163/9789004362321_009.

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Michaels, Axel. "Alliances and Resistance." In Nepal, 262–89. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197650936.003.0010.

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Abstract This chapter deals with the little-known history of selected regions and ethnic groups: with the Tarai in the south and its Maithili culture and literature, the Sherpa and their significance for mountaineering, with the long inaccessible kingdom of Mustang, and with the Kiranti or Rai-Limbu groups. The role of language, stories, and religion in shaping group identities is considered. The chapter delineates how the identities of these and other groups and their relation with the central power groups in the Kathmandu Valley are important for the nation-building process of Nepal. The chapter also briefly describes what is known about the histories of the Magar, Tamang, Gurung, Thakali, and many more ethnic groups.
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Ellis, Peter Berresford. "S." In Dictionary Of Celtic Mythology, 190–201. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195089615.003.0019.

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Abstract Sacra. A name anciently applied to Ireland, mentioned by Rufus Festus Avienius (ca. fourth century A.o.) in an account of the voyage of Himilco the Phoenician in 510 B.c. Sacrifices. In Celtic literature there is little evidence of human sacrifice being practised except in a story in the Dinnsenchas tract (Book of Leinster), which speaks of children being sacrificed to Cromm Cruach, an idol set up by Tighernmas on Magh Slecht. The story is put forward as an aberration rather than a norm. Cromm Cruach was qickly overthrown.
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"3 A Critical Look at the History of Interpreting the Star of Bethlehem in Scientific Literature and Biblical Studies." In The Star of Bethlehem and the Magi, 43–84. BRILL, 2015. http://dx.doi.org/10.1163/9789004308473_004.

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Conference papers on the topic "Magahi literature"

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Petrović, Nemanja. "„DANAS SE HRISTOS U VITLEJEMU OD DJEVE RAĐA“ ZAPAŽANjA IKONOGRAFSKIH POJEDINOSTI BOŽIĆNE HIMNE KAO ODRAZA POBOŽNOSTI KRALjA MILUTINA." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.763p.

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Fresco-composition, painted above the entrance of the katholikon of Žiča monastery, represents a unique scene within Serbian monumental painting from the beginning of the second decade of 14th century. This carefully thought-up picture illustrates a Christmas' Hymn which ascribes to the authorship of John of Damaskus. However, verses written on the arc, above the composition, are associated with poems of Anatoly of Constatinopole’s poetic content. Decora- tion of the entrance consists of clearly expressed theme of the portal, therefore it can be said that frescoes obviously indicate activities that could have been happening inside this space, to be precise in front of the temple’s entrance. It is important to analyze mention verses written on the arc, which belong to the poem that’s sung on the first day of the celebration of Christmas, when, it is believed, monarch himself attended. In the upper part of the composition, we can see The Mother of God on the throne with Child, surrounded by Angels, Shepherds and the Magi with their gifts. They are joined with a fragment of historic content, which additionally completes the complexity of the painting. In the lower part of the fresco-composition, there are visible two ceremonial proseccions moving towards each other. On the left side, beneath the Magi, we can see a group of cantors, monks, priesthood led by archbishop Sava III. On the right, beneath the Shephards, there is Court Retinue led by King Milutin. All participants of this saint cortege are painted wearing rich vestments with apparent attributes that define them. There are clear indications of taking over and transmitting Constantionopoli- tan models within the painting subject of gate entrance as the emphasized place as part of the ruling adventus. It is obvious that it is about iconography shaped by forceful influence of liturgy, theological literature of Incarnation, specifically the influence of hymnography in shaping different artistic models that had been growing in the Empire of Palaiologos and the land of king Milutin.
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