Journal articles: 'Magahi literature'

1

Hernández, Librada. "Ras de Magali Alabau." Revista Iberoamericana 56, no. 152 (December 3, 1990): 1381–82. http://dx.doi.org/10.5195/reviberoamer.1990.4836.

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Hernández, Librada. "Hermana de Magali Alabau." Revista Iberoamericana 56, no. 152 (December 3, 1990): 1384–86. http://dx.doi.org/10.5195/reviberoamer.1990.4838.

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3

Esteves, Carmen C. "Literature/Journalism: The Frontier: An Interview with Magali Garcia Ramis." Callaloo 17, no. 3 (1994): 862. http://dx.doi.org/10.2307/2931869.

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4

Gavins, R. "Literature on Jim Crow." OAH Magazine of History 18, no. 2 (January 1, 2004): 13–16. http://dx.doi.org/10.1093/maghis/18.2.13.

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Muzraeva, Delyash N. "Некоторые вопросы исследования сочинения «Sumagadha-avadāna» в отечественном и зарубежном востоковедении (на материале «Легенды о Сайн Магаде» из Монгольского Ганджура)." Oriental studies 15, no. 4 (November 15, 2022): 731–39. http://dx.doi.org/10.22162/2619-0990-2022-62-4-731-739.

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Introduction. The Sumagadha-Avadāna (‘Avadāna of Sumagadha’) is often mentioned in Oriental studies, including works on the history of classical Mongolian literature examining writings of Indo-Tibetan origin. This text is included in both the Tibetan- and Mongolian-language canonical Kangyur (Kanjur) editions. Despite frequent references, the former has neither been translated into Russian, nor there are any descriptions of its structure and content. Goals. So, the article attempts to fill the gap and aims at considering the narrative about Sayin Magada through the analysis of The Legend of Sayin Magada (Mong. Sayin Magada-yin domuγ), the latter being integral to the canonical collection of Kanjur in Mongolian. The work explores the text, describes its genre characteristics, identifies its structure, reveals contents, and investigates data contained in the colophon. Materials. The study focuses on the text titled ‘Sayin Magada-yin domuγ-i ögülegči kemekü’ (‘[Sutra] Narrating the Legend of Sayin Magada’) from the Eldeb (‘Collection of Sutras’) section of the Mongolian Kanjur (vol. 91). Results. The textual and content analysis of works by Tibetologists, Mongolists, and Sinologists dealing with writings of the avadāna genre included in the canon makes it possible to reveal key characteristics of the genre, describe the structure of the Mongolian text, and outline its content.

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Muzraeva, Delyash N. "Некоторые вопросы исследования сочинения «Sumagadha-avadāna» в отечественном и зарубежном востоковедении (на материале «Легенды о Сайн Магаде» из Монгольского Ганджура)." Oriental studies 15, no. 4 (November 15, 2022): 731–39. http://dx.doi.org/10.22162/2619-0990-2022-61-4-731-739.

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Introduction. The Sumagadha-Avadāna (‘Avadāna of Sumagadha’) is often mentioned in Oriental studies, including works on the history of classical Mongolian literature examining writings of Indo-Tibetan origin. This text is included in both the Tibetan- and Mongolian-language canonical Kangyur (Kanjur) editions. Despite frequent references, the former has neither been translated into Russian, nor there are any descriptions of its structure and content. Goals. So, the article attempts to fill the gap and aims at considering the narrative about Sayin Magada through the analysis of The Legend of Sayin Magada (Mong. Sayin Magada-yin domuγ), the latter being integral to the canonical collection of Kanjur in Mongolian. The work explores the text, describes its genre characteristics, identifies its structure, reveals contents, and investigates data contained in the colophon. Materials. The study focuses on the text titled ‘Sayin Magada-yin domuγ-i ögülegči kemekü’ (‘[Sutra] Narrating the Legend of Sayin Magada’) from the Eldeb (‘Collection of Sutras’) section of the Mongolian Kanjur (vol. 91). Results. The textual and content analysis of works by Tibetologists, Mongolists, and Sinologists dealing with writings of the avadāna genre included in the canon makes it possible to reveal key characteristics of the genre, describe the structure of the Mongolian text, and outline its content.

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7

Pursell, C. "A Review of the Literature." OAH Magazine of History 12, no. 2 (January 1, 1998): 5–8. http://dx.doi.org/10.1093/maghis/12.2.5.

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Kato, K., and E. Rybicki. "Congressional History: A Literature Review." OAH Magazine of History 12, no. 4 (June 1, 1998): 5–12. http://dx.doi.org/10.1093/maghis/12.4.5.

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Soares, Ana Carolina Eiras Coelho. "Magali, de M. Delly e a trilogia Cinquenta Tons de Cinza: uma análise da literatura de massa para mulheres." OPSIS 17, no. 1 (April 3, 2017): 99. http://dx.doi.org/10.5216/o.v17i1.39429.

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O presente trabalho busca a percepção das relações amorosas de meados do século XX e XXI através da comparação de duas obras de grande sucesso: o romance Magali de M. Delly e a trilogia romântica os Cinquenta tons Cinza de E. L. James. Partindo de uma análise histórica e antropológica das fontes, busco compreender a construção discursiva realizada sobre as construções sociais primárias entre os gêneros, revelando a edificação das expectativas almejadas sobre os comportamentos, valores e condutas sociais esperadas nos romances best-sellers que são veículo de divulgação em massa. Assim, analiso as formas da propagação de ideais sentimentais e sociais historicamente construídos que existem em nossa sociedade.

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10

Rodríguez Gutiérrez, Milena. "Dos poéticas del exilio cubano. Nivaria Tejera y Magali Alabau: París / Nueva York, o el espacio que no es." Mitologías hoy 25 (February 11, 2022): 150–62. http://dx.doi.org/10.5565/rev/mitologias.805.

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Este artículo se acerca a la literatura cubana del exilio y, en concreto, a la obra poética de las escritoras Nivaria Tejera (1929-2016) y Magali Alabau (1945). Tras plantearse un recorrido por diversas construcciones teóricas y reflexiones en torno a esta temática, a partir de autores como María Zambrano o Edward Said, entre otros, el trabajo se centra en el análisis de dos textos poéticos de cada una de estas escritoras, indagando en la construcción del espacio y, específicamente, de las ciudades de París (Tejera) y de Nueva York (Alabau) que aparece en estos textos. La tesis del artículo es la de concebir el exilio como un espacio singular, al que se refería Zambrano como “espacio sin lugar”.

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11

Silva, Sandro Luis Costa da. "A literatura dramática de Maria Clara Machado no teatro brasileiro moderno." Revista Crioula, no. 25 (July 27, 2020): 312–29. http://dx.doi.org/10.11606/issn.1981-7169.crioula.2020.170166.

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Esse texto surgiu a partir de uma pesquisa em nível de mestrado e apresenta os desdobramentos das experiencias com o uso da literatura dramática de Maria Clara Machado no ambiente escolar. O referencial teórico está apoiado em textos científicos de Beatriz Cabral, Sábato Magaldi, Bruno Betelheim entre outros. A proposta desse artigo é apontar o quão potente é a literatura dramática de Maria Clara Machado, podendo a sua obra ser mais utilizada como conteúdo pedagógico na educação.

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12

Trapassi, Leonarda. "La tradición del Romanticismo y la literatura de la ROA." mAGAzin Revista intercultural e interdisciplinar, no. 16 (2005): 56–61. http://dx.doi.org/10.12795/magazin.2005.i16.08.

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13

Wright, D. R. "Recent Literature on Slavery in Colonial North America." OAH Magazine of History 17, no. 3 (April 1, 2003): 5–9. http://dx.doi.org/10.1093/maghis/17.3.5.

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14

Selverstone, M. J. "A Literature So Immense: The Historiography of Anticommunism." OAH Magazine of History 24, no. 4 (October 1, 2010): 7–11. http://dx.doi.org/10.1093/maghis/24.4.7.

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15

Thomas Grub, Frank. ""JEDE REVOLUTIONÄRE BEWEGUNG BEFREIT AUCH DIE SPRACHE" - WENDE: SPRACHE UND LITERATUR." mAGAzin Revista intercultural e interdisciplinar, no. 15 (2004): 34–43. http://dx.doi.org/10.12795/magazin.2004.i15.05.

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16

Heidmann, Ute, and Jean-Michel Adam. "Le Conte à visée morale et philosophique, de Fénelon à Voltaire par Magali Fourgnaud." Eighteenth-Century Fiction 31, no. 1 (October 2018): 239–41. http://dx.doi.org/10.3138/ecf.31.1.239.

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17

Basker, J. G. ""Amazing Grace": Literature as a Window on Colonial Slavery." OAH Magazine of History 17, no. 3 (April 1, 2003): 28–30. http://dx.doi.org/10.1093/maghis/17.3.28.

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18

Kelly, D. "Using Literature to Teach History: An ERIC/ChESS Sample." OAH Magazine of History 13, no. 2 (January 1, 1999): 53–55. http://dx.doi.org/10.1093/maghis/13.2.53.

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19

Elisabeth Marie, Héloïse, and Vincent Ghislaine Ducatteau. "Meid, V. Das Buch der Literatur. Deutsche Literatur vom frühen Mittelalter bis ins 21. Jahrhundert. Jubiläumsausgabe [2004], Stuttgart, Reclam, 2017, 526 pp. 604 Abb. ISBN: 978-3-15-011117-8 ." mAGAzin Revista intercultural e interdisciplinar, no. 29 (2021): 95–96. http://dx.doi.org/10.12795/magazin.2021.i29.06.

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20

Borrero Zapata, Víctor Manuel, and José Javier Martos Ramos. "Perspectivas actuales de la lengua y la literatura alemanas en los estudios interculturales." mAGAzin Revista intercultural e interdisciplinar, no. 18 (2008): 14–19. http://dx.doi.org/10.12795/magazin.2008.i18.02.

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21

Sitkoff, H. "Segregation, Desegregation, Resegregation: African American Education, A Guide to the Literature." OAH Magazine of History 15, no. 2 (January 1, 2001): 6–13. http://dx.doi.org/10.1093/maghis/15.2.6.

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22

Pichler, Georg. "Ist ihre Heimat heute noch vor Madrid? Der Spanische Bürgerkrieg und die deutschsprachige Literatur." mAGAzin Revista intercultural e interdisciplinar, no. 17 (2006): 36–43. http://dx.doi.org/10.12795/magazin.2006.i17.06.

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23

Acosta Cruz, María I. "Historia y escritura femenina en Olga Nolla, Magali García Ramis, Rosario Ferré y Ana Lydia Vega." Revista Iberoamericana 59, no. 162 (June 11, 1993): 265–77. http://dx.doi.org/10.5195/reviberoamer.1993.5142.

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24

Winter, D. "The Slave Narrative as a Vehicle to Link History and Literature Instruction." OAH Magazine of History 13, no. 2 (January 1, 1999): 24–28. http://dx.doi.org/10.1093/maghis/13.2.24.

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25

Forcolin, Francesca. "Magali Nachtergael et Lucille Toth (dir.), Danse contemporaine et littérature. Entre fictions et performances écrites." Studi Francesi, no. 177 (LIX | III) (December 1, 2015): 654–55. http://dx.doi.org/10.4000/studifrancesi.1516.

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26

Borrero Zapata, Victor Manuel. "¿EXISTE UNA LITERATURA ALEMANA DE LOS OCHENTA?." mAGAzin Revista intercultural e interdisciplinar 6, no. 6 (1999): 14–18. http://dx.doi.org/10.12795/magazin.1999.i06.02.

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Maldonado Alemán, Manuel. "CONSTRUCTIVISMO RADICAL Y ENSEÑANZA DE LA LITERATURA." mAGAzin Revista intercultural e interdisciplinar 2, no. 2 (1997): 35–41. http://dx.doi.org/10.12795/magazin.1997.i02.05.

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28

Szymyslik, Robert. "La traducción de mundos ficticios en la literatura entre el alemán y el español: el caso de Die andere Seite. Ein phantastischer Roman de Alfred Kubin." mAGAzin Revista intercultural e interdisciplinar, no. 28 (2020): 69–82. http://dx.doi.org/10.12795/magazin.2020.i28.06.

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El presente artículo se centra en la indagación de la traducción de las estructuras narrativas denominadas «mundos ficticios» en la modalidad literaria entre el alemán y el español. De forma concreta, en él se pretenden analizar los mecanismos que pueden aplicarse al trasvase de los elementos específicos que actúan como cimientos de los mundos ficticios entre entornos socioculturales. La transferencia funcional de estos componentes garantiza que los receptores meta sean capaces de concebir mentalmente una nueva realidad narrativa, por lo que es fundamental que esta tarea se lleve a cabo eficientemente. Los objetivos de investigación de este trabajo se cumplen a través de la observación del mundo ficticio construido en la obra Die andere Seite. Ein phantastischer Roman de Alfred Kubin, que presenta un ejemplo destacado de esta clase de dimensiones hipotéticas. Este análisis está basado en teorías provenientes de los estudios descriptivos de traducción y en los trabajos de autores como Toury (1980), Lambert y Van Gorp (1985) o Munday (2001). Consiste en un vaciado integral de los elementos conceptuales fundacionales del universo de esta novela, una selección de los ejemplos más relevantes para los propósitos de este trabajo y su disección traductológica con la meta de identificar los procesos utilizados para trasvasarlos y para evaluar la funcionalidad de cada uno de los equivalentes propuestos para evocar la realidad de esta novela en el contexto hispanohablante.

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29

Ehlers, M. G. ""No Pictures In My Head": The Uses of Literature in the Development of Historical Understanding." OAH Magazine of History 13, no. 2 (January 1, 1999): 5–9. http://dx.doi.org/10.1093/maghis/13.2.5.

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30

Pizarroso Acedo, Patricia, and Alejandro Rivero Vadillo. "Pichler, Georg (ed.), Extremos. Visiones de lo extremo en literatura, historia, música, arte, cine y lingüística en España y Austria." mAGAzin Revista intercultural e interdisciplinar, no. 24 (2016): 32–42. http://dx.doi.org/10.12795/magazin.2016.i24.07.

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31

Puppo, María Lucía. "Sobre el arte de no pertenecer: la experiencia del pos-exilio en Hemos llegado a Ilión de Magali Alabau." Recial 14, no. 23 (July 9, 2023): 34–46. http://dx.doi.org/10.53971/2718.658x.v14.n23.41363.

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En el poema-libro Hemos llegado a Ilión (1992) Magali Alabau (Cienfuegos, 1945) da cuenta del viaje de regreso a La Habana que realizó veinte años después de haber partido a vivir a Estados Unidos. Reeditado en 2013 nuevamente por Editorial Betania en Madrid, el texto no pierde vigencia como relato contemporáneo de la diáspora cubana. Este trabajo ofrece una lectura del poema a la luz de la noción de pos-exilio tal como la desarrolla Alexis Nouss (2015), integrando los aportes de las ciencias sociales en la perspectiva de la literatura comparada. Por una parte, se examinan las diversas estrategias que confluyen en la representación fantasmal de la ciudad, donde los referentes espaciales se entrecruzan con los mitológicos, poniendo de relieve el vacío que dejaron los ausentes. Por otra, se analizan algunos factores que en el largo poema de Alabau definen el estatuto de la hablante poética como sujeto del pos-exilio.

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32

Maldonado Alemán, Manuel, and Julia Borreguero Beltrán. "LA LITERATURA EN LA ENSEÑANZA DEL ALEMÁN COMO LENGUA EXTRANJERA." mAGAzin Revista intercultural e interdisciplinar 1, no. 1 (1996): 8–15. http://dx.doi.org/10.12795/magazin.1996.i01.01.

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33

Blessing, M. "Literature Connections to World History, 7-42: Resources to Enhance and Entice. By Lynda G. Adamson. Englewood, Co: Libraries Unlimited, 1998. and Literature Connections to American History, 7-12: Resources to Enhance and Entice. By Lynda G. Adamson. Englewood, Co: Libraries Unlimited, 1998." OAH Magazine of History 13, no. 2 (January 1, 1999): 59. http://dx.doi.org/10.1093/maghis/13.2.59.

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Muniraja, H. A. "Mapping and analysis of topography of Bangalore metropolitan region." Geographical Analysis 7, no. 1 (June 15, 2018): 1–3. http://dx.doi.org/10.53989/bu.ga.v7i1.1.

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Bangalore was built by Magadi Kempegowda at 1537. Bangalore ruled by various kingdom in 1758- Hyder Ali, in 1799- British overthrew Tippu sultan, in 1881- Mysore wodeyar, After the independence, Bangalore was designed as the capital of Mysore state in 1956, Bangalore Metropolitan Region comprises Bangalore urban district, Bangalore rural district & Ramanagara district. The Bangalore Metropolitan Region lies towards the south-east in the south Indian state of Karnataka. The Bangalore Metropolitan Region situated between 12◦ 14’ 16” to 13◦ 30’ 26” north latitude & 77◦ 2’ 51” to 77◦ 57’ 45” east longitude. The total geographical area of Bangalore Metropolitan Region is 8005 sq. Km. The main aim of the paper are To Know Topography of Bangalore Metropolitan Region. To Mapping Topography of Bangalore Metropolitan Region. To reach set goals first literature collected from various works and to prepare maps for topography of Bangalore metropolitan region remote sensing data and GIS techniques are used. Bangalore is fast growing metropolitan city hence to know and mapping of the topography is required. Keywords: Topography; Lithology; soil; remote sensing

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35

Colombo Timelli, Maria. "Magali Vène, À propos d’une traduction retrouvée (la “Deiphire” de 1539) – Nouveaux éléments sur la diffusion française au." Studi Francesi, no. 161 (LIV | II) (September 1, 2010): 349–50. http://dx.doi.org/10.4000/studifrancesi.6581.

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36

Spagna, Maria Immacolata. "“Ma conscience est pure…”. Lettres des prisonniers de la Terreur. Textes recueillis, présentés et annotés par Magali Mallet." Studi Francesi, no. 158 (LIII | II) (July 1, 2009): 401. http://dx.doi.org/10.4000/studifrancesi.7936.

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37

Fassina, Filippo. "Magali Vène, L’imprimeur de la «Deffence» et de «L’Olive» de 1549 et le mystère des lettrines «C E»." Studi Francesi, no. 157 (LIII | I) (May 1, 2009): 157. http://dx.doi.org/10.4000/studifrancesi.8213.

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Putra, I. Made Pande Agus Cahyadi, I. Dewa Putu Gede Budiarta, and I. Made Jodog. "“Gelungan” Characters of Kamasan Puppet in the Magala-Gala Tradition Game." CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 4, no. 1 (April 26, 2024): 85–94. http://dx.doi.org/10.59997/ctkr.v4i1.3641.

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Feudalism, which is a social or political system that gives great power to the nobility, in Indonesia, especially in Bali, still adheres to this system, where in literature and in traces of discourse it is stated that this system was already in effect at that time. However, apart from the Feudal system, Indonesia, especially Bali, has many existing traditions, such as the art of wayang kamasan painting and also Ma-gala-galaan or Gala-gala. The techniques used in the process of creating works of painting are the Dussel and Sigar techniques and how to visualize them on plywood media. The method used in the creation process is Hawkins, which consists of three stages, namely idea exploration, improvisation, and realization or forming.The result of this method is to search for ideas and how to visualize the concept of the Gelungan Wayang Kamasan character on plywood media. Improvise to find harmonious proportions and colors. The manifestation (forming) of all visual results found related to the title adopted is undergoing development. With the creation of this work, it is hoped that it will be useful for the community related to this state system and also about traditional painting and traditional games in Bali.

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Gilliot, Claude, and Abdel-Magid Turki. "Kitab al-Gami' fi s-sunan wa l-adab wa l-hikam wa l-magazi wa gayr dalika." Studia Islamica, no. 75 (1992): 190. http://dx.doi.org/10.2307/1595631.

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40

Park, Sangsoo, Youngho Lee, and Kunhee Kim. "Krav Maga Program to Combat Indiscriminate Violence." J-INSTITUTE 8 (August 31, 2023): 38–52. http://dx.doi.org/10.22471/martialarts.2023.8.38.

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Purpose: This study delves into the significance of Krav Maga training for enhancing self-defense abilities against indiscriminate violence, a societal issue impacting personal safety, and emphasizes its practicality in combination with the Israeli military combat system as a fundamental approach to applying martial arts for self-defense. The study seeks to reevaluate Krav Maga's pivotal role in bolstering self-defense against indiscriminate violence and to identify prospects for its future development. Method: The research method and data collection method to achieve the purpose of this study used electronic literature platform search. Validity as data was verified through triangulation. Results: Krav Maga is a practical and effective self-defense system that originated in Israel, initially developed for military use but later adapted for civilian self-defense. Martial arts for security, military martial arts, and police martial arts programs are presented as a vitalization plan. Conclusion: The revitalization plan for the Krav Maga program against indiscriminate violence can emphasize the importance of a tailored curriculum, certified instructors, scenario-based training, ethical considerations, periodic assessments and interdisciplinary collaborations, and empowers participants self-defense, bodyguards, soldiers and police. Training can be instilled with the aim of ensuring the ability to manage problems effectively in a variety of situations by equipping them with practical self-defense skills, legal awareness and enhanced situational preparedness.

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Zayas Martínez, Francisco. "APLICACIÓN DE LA LITERATURA ALEMANA EN LOS ESTUDIOS UNIVERSITARIOS DE DAF EN ALEMANIA. BREVE INFORME PARA PROFESORES, ESTUDIANTES E INVESTIGADORES." mAGAzin Revista intercultural e interdisciplinar 4, no. 4 (1998): 26–36. http://dx.doi.org/10.12795/magazin.1998.i04.05.

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42

Pimentel Costa, Elaine Cristina. "A segurança pública a partir de lentes interseccionais sobre raça, classe e gênero." Argumentum 12, no. 3 (December 24, 2020): 26–34. http://dx.doi.org/10.47456/argumentum.v12i3.31051.

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A relação entre segurança pública e racismo está no cerne do texto de Andréa Pires Rocha, que se propõe a pensá-los como pilares sustentadores do Estado burguês, proporcionando diversas reflexões acerca do capitalismo e das práticas punitivas no Brasil. Amparada em importantes referenciais teóricos da filosofia política, das ciências sociais, da literatura e da criminologia crítica, a autora transita entre categorias como singularidade, particularidade e universalidade, nas matrizes do materialismo histórico-dialético de Marx, para tecer uma severa crítica à sociabilidade burguesa e seus desdobramentos no campo da segurança pública, marcada pelo racismo estrutural. Dialoga, então, como os escritos de Michelle Alexandrer (2017), Magali da Silva Almeida (2014), Angela Davis (2018), Lélia González (1984), Silvio Almeida (2018), Abdias Nascimento (2016), Ana Flauzinha (2008), Juliana Borges (2018), Alessandro Baratta (1999), David Garland (2014), Loïc Wacquant (2001 e 2013), George Rusche e Otto Kirchheimer (2004), além de Erick Williams (2012), Frederick Engels (1984) e Lênin (2007), numa interessante interface teórica entre os estudos sobre raça e a criminologia crítica, que a leva à construção de sólidos argumentos em torno dos temas da segurança pública e do racismo. O texto aponta elementos importantes para pensar o Estado capitalista como um Estado historicamente penal, sustentado pelo princípio burguês da segurança, que estabelece uma relação simbiótica com o racismo, opressão fortemente estruturada no capitalismo.

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Tosha, Mallika, and Rajiv Ranjan Dwivedi. "Perception through the Personified: A Study of Children’s Folklore from Bihar, India." IAFOR Journal of Literature & Librarianship 12, no. 1 (June 7, 2023): 51–64. http://dx.doi.org/10.22492/ijl.12.1.04.

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The research explores the children-related literature of Bihar, an eastern state of India, in order to find their impact on the perception of the listeners. There is a range of research on folklore from India; however, there has yet to be much research on children-related folklore in Bihar. Considering this research gap, the present research intends to study the effect of children’s folklore on shaping their psyche. Through a qualitative analysis, the research attempts to find answers to questions such as: how do the verbal elements of the Bihari folklore affect children’s way of thinking; do these folk genres always boost their wisdom or at times question their sense of perceiving morality; does folklore play any role in spreading awareness. We recorded rare folklore and folk beliefs and interviewed the natives of three districts as representatives of the ancient Magadh, Mithila, and Anga regions of Bihar. We concluded that folklore and folk beliefs could be important tools in spreading wisdom, humanitarian perspectives, and environmental consciousness among children. Therefore, the folk genre contributes to raising awareness of cultural norms within society.

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Tosha, Mallika, and Rajiv Ranjan Dwivedi. "Perception through the Personified: A Study of Children’s Folklore from Bihar, India." IAFOR Journal of Literature & Librarianship 12, no. 1 (June 7, 2023): 51–64. http://dx.doi.org/10.22492/ijl.12.2.04.

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The research explores the children-related literature of Bihar, an eastern state of India, in order to find their impact on the perception of the listeners. There is a range of research on folklore from India; however, there has yet to be much research on children-related folklore in Bihar. Considering this research gap, the present research intends to study the effect of children’s folklore on shaping their psyche. Through a qualitative analysis, the research attempts to find answers to questions such as: how do the verbal elements of the Bihari folklore affect children’s way of thinking; do these folk genres always boost their wisdom or at times question their sense of perceiving morality; does folklore play any role in spreading awareness. We recorded rare folklore and folk beliefs and interviewed the natives of three districts as representatives of the ancient Magadh, Mithila, and Anga regions of Bihar. We concluded that folklore and folk beliefs could be important tools in spreading wisdom, humanitarian perspectives, and environmental consciousness among children. Therefore, the folk genre contributes to raising awareness of cultural norms within society.

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Vieira, Haydê Costa, and Wagner Corsino Enedino. "Teatro e sociedade: Uma abordagem de Liberdade, liberdade, de Millôr Fernandes e Flávio Rangel." Literatura e Autoritarismo, no. 15 (January 1, 2010): 109–28. http://dx.doi.org/10.5902/1679849x73879.

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Ancorado em contribuições de Schiller (1991); Magaldi (1997, 2008); Pavis (2005); Pallottini (2006) e Heliodora (2008), no que se refere à constituição do discurso teatral, de Cotrim (2002); Olivieri (2009) e Santana (2009) no que se refere à ditadura militar e a censura, e nos pressupostos teóricos de Pesavento (1998); Esteves (1998) e White (1994) para a abordagem das relações que se estabelecem entre Literatura e História, este artigo analisará a importância da Literatura na formação de identidade nacional,bem como as possibilidades do uso da História com a finalidade de despertar a consciência dos leitores. Nos anos sessenta e setenta do século passado osbrasileiros vivenciaram a atuação da censura no teatro ao longo dossucessivos governos militares. A peça Liberdade, liberdade (1965), de Millôr Fernandes e Flávio Rangel está entre as obras pioneiras do teatro de resistência política, pois denunciava o esquema repressor que dominava o país. Para a realização deste trabalho, o procedimento básico foi a pesquisa bibliográfica. A obra circula do dramático ao cômico, alicerçado pelo discurso político. Por meio da obra Liberdade, liberdade é possível refletir sobre os temas que se destacaram nos anos sessenta e setenta, como o poder militar, o inconformismo da nação e a busca incessante da liberdade de expressão.

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Nogueira Júnior, José Everaldo. "COMICIDADE E HISTÓRIA." Open Minds International Journal 4, no. 2 (August 23, 2023): 65–82. http://dx.doi.org/10.47180/omij.v4i2.232.

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O objetivo deste artigo é proporcionar a oportunidade de entrar em contato com a teoria do riso e vê-la aplicada nos textos do principal autor de comédia da primeira metade do século XIX no Brasil: Martins Pena. Recorremos aos postulados de Aristóteles com o intuito de fundamentar teoricamente as reflexões. Nesse mesmo sentido, autores modernos estrangeiros como Wladimir Propp, Henri Bergson e Geroges Minois, e brasileiros como Luiz Carlos Travaglia e Sírio Possenti serviram-nos de base. Naturalmente recorremos também à literatura brasileira clássica sobre teatro (Sabato Magaldi, por exemplo) e, para a análise dos dados, escolhemos a edição crítica que Darcy Damasceno fez para a obra de Martins Pena. As análises propiciaram uma clara imagem dos tipos de comicidade explorados pelo comediógrafo brasileiro. Sem sombra de dúvida, as comédias trazem em seu bojo uma série de costumes socioculturais reveladores não só das práticas sociais comumente realizadas em uma dada época, mas também expõem aspectos de natureza linguística que são mediadores das interações do período em cujo contexto elas se inserem.

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Busca, Maurizio. "Aa. Vv., Psyché à la Renaissance, actes du LIIe Colloque International d’Études Humanistes (29 juin-2 juillet 2009), textes réunis et édités par Magali Bélime-Droguet, Véronique Gély, Lorraine M." Studi Francesi, no. 175 (LIX | I) (April 1, 2015): 138–39. http://dx.doi.org/10.4000/studifrancesi.422.

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Andrade, Ricardo. "Los idilios del mundo petrificado: Stine de Theodor Fontane o el asedio de la inhumanidad." mAGAzin Revista intercultural e interdisciplinar, no. 28 (2020): 7–19. http://dx.doi.org/10.12795/magazin.2020.i28.01.

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El presente artículo busca reflexionar sobre los mecanismos sociales, políticos e ideológicos en el período de la fundación del imperio alemán (Gründerzeit) a través de una novela poco estudiada de la producción literaria de Theodor Fontane: Stine. A través de esta novela, el autor expone las contradicciones inherentes del incipiente capitalismo alemán y su unión con un elemento central de la política de su tiempo, el prusianismo. Nacido de los estratos sociales terratenientes y aristocráticos reaccionarios, la ideología prusiana es un elemento importante para entender el proyecto imperialista de Alemania y sus últimas consecuencias, manifestadas estas en el nacionalsocialismo. En este sentido, el artículo propone una lectura, a través de la literatura, de los orígenes de dicha tendencia política en la vida nacional del país germano. Por medio de este análisis, también se problematiza sobre la noción de realismo en el ámbito literario específicamente alemán.

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Carrillo-Durán, María Victoria, María García García, and Lydia Corzo Cortés. "Influencers virtuales de apariencia humana como forma de comunicación online: el caso de Lil Miquela y Lu do Magalu en Instagram." Revista de Comunicación 23, no. 1 (March 1, 2024): 119–40. http://dx.doi.org/10.26441/rc23.1-2024-3453.

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La inteligencia artificial y la evolución de las redes sociales ha permitido la aparición de los influencers virtuales de apariencia humana sobre todo en Instagram. Estos se pueden definir como figuras diseñadas por ordenador que muestran en redes sociales una imagen similar a los humanos. Este artículo aplica un diseño exploratorio-descriptivo que tiene como objetivo analizar, mediante un estudio cualitativo que sigue el método de casos, la definición de qué son y cómo actúan en Instagram los influencers virtuales de apariencia humana. Además, también se ha analizado cómo funcionan estas figuras al trabajar con marcas como recursos publicitarios. Los resultados de este estudio ponen de manifiesto la forma en que estas figuras se comportan, y permiten a las marcas entender su funcionamiento como potentes soportes de comunicación empresarial. Además, se aporta un primer instrumento de estudio a través de dos fichas de análisis que parten de la literatura y de la observación del fenómeno en Instagram y que son aplicables a otros casos.

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Paras Duhan. "Origin of Brahmi Script from Logographic Elements: An Analysis." Integrated Journal for Research in Arts and Humanities 2, no. 5 (September 5, 2022): 18–24. http://dx.doi.org/10.55544/ijrah.2.5.4.

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When it comes to language and literature, the richness of a culture can only be comprehended via reading and listening. Brahmi is believed to have been responsible for the script of all northern Indian languages except for Urdu. The result of a lengthy and tedious process. There are currently over 200 different languages and dialects spoken throughout India. Some are extensively employed, while others are only found in a single location of the country or planet. Only twenty-two of these amendments has made it into the text of our country's founding constitution. In addition to Braj Bhasha, Avadhi who is spoken in the Oudh region, Bhojpuri, Magadhi, and Maithili which is spoken in Mithila, Rajasthani who is spoken in Rajasthan, and Khadi Boli which is spoken around Delhi. A substantial number of people speak Hindi in its various forms. Another script, known as Brahmi, was also established in the region during this period and was used throughout India and the rest of South Asia at the same time. Even though historians, archaeologists, and epigraphists have been interested in Brahmi Script for centuries, the script's varied forms, structures, and typographical peculiarities as an alphabet have been mostly overlooked and never examined. Within the scope of this paper, we shall look at the origins of the Brahmi script as a type of logography. Historical appreciation for the distinct anatomical symmetry and phonetic logic of the Brahmi script exists. This has led some outsiders to think that it is an import, yet a consensus has developed over time. "Brahmi" is no longer thought to be a stolen script, but rather an Indigenous one that developed over time. Brahmi is a typographic entity that is basic yet graceful, bold yet lyric, distinct yet easy to recall, symmetrical with decent legibility even when scaled-down, and generally easy to recognise when touched on with closed eyes as a typographic entity. Brahmi is a typeface with a wide range of distinct features. This study investigates the history of the Brahmi script as a logographic element.

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Journal articles on the topic 'Magahi literature'

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