Relevant bibliographies by topics / Mages – Fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Mages – Fiction'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Mages – Fiction"

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Sangadieva, Erzhen Gendenovna. "Ethnographic and mythopoetic space of the novel “Big Argish” by Mikhail Osharov." Litera, no. 7 (July 2021): 12–21. http://dx.doi.org/10.25136/2409-8698.2021.7.35920.

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The problem of studying the traditional cultures of the peoples of Russia is relevant in the modern social science and humanities research. A significant role in this process is played by literature that reveals the peculiarities of ethnopoetics, worldview, and perception of the world. In fiction writing, the ethnic specificities are reflected in depiction in the natural world, everyday life, mentality, as well ethnographic features of lifestyle of a certain community. Based on the novel by Mikhail Osharov (1894-1937), the article examines the ethnographic peculiarities of depicting the world
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Zheltikova, Inga Vladislavovna. "Possible future options in the Russian modern cinematography." Культура и искусство, no. 11 (November 2020): 36–52. http://dx.doi.org/10.7256/2454-0625.2020.11.34473.

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The subject of this research is ten Russian science-fiction films released over the period from 2013 to 2020. The goal of this article consists in examination of scenarios of seeing the future presented in the Russian modern cinematography. An overview of approaches towards studying visual images is provided, based on which the author offers a new strategy for studying film images of the future that demarcates three groups of elements in the film – cognitive, visual, and emotional-modal, and four thematic components that correspond to the spheres of social life. As a result of implem
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Schleher, D. C. "LPI Radar: Fact or Fiction." IEEE Aerospace and Electronic Systems Magazine 21, no. 5 (2006): 3–6. http://dx.doi.org/10.1109/maes.2006.1635166.

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Bréhin, Yannick. "Menoud Lorenzo, Qu’est-ce que la fiction ?" Marges, no. 06 (October 15, 2007): 130–31. http://dx.doi.org/10.4000/marges.654.

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Allahyari. "Jack Maggs and Peter Carey's Fiction as a World." Antipodes 31, no. 2 (2017): 326. http://dx.doi.org/10.13110/antipodes.31.2.0326.

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Marion, Anaël. "L’immersion dans les ruines de Passaic : le rôle créateur de la fiction dans la perception des monuments." Marges, no. 14 (June 1, 2012): 47–59. http://dx.doi.org/10.4000/marges.293.

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Alcalde, Maxence. "L’imaginaire science-fictif de Robert Smithson." Marges, no. 14 (June 1, 2012): 124–36. http://dx.doi.org/10.4000/marges.295.

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S., Roopha, and Patchainayagi S. "The Postmodern Rewritings of Great Expectations to Reinvent Antipodean identities; A Study on Jack Maggs by Peter Carey and Mister Pip by Lloyd Jones." Revista de Gestão Social e Ambiental 18, no. 7 (2024): e05530. http://dx.doi.org/10.24857/rgsa.v18n7-062.

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The present study pivots on the individual analysis of the antipodean writers` novels Jack Maggs by Peter Carey and Mister Pip by Lloyd Jones the retellings of Great Expectations by Charles Dickens. The paper concentrates on the approaches based on its perception towards ideological, historical, authorial, cultural, narrative and geographical representations of Australia in literature. The select novels are under analysis for their employment of postmodern narrative strategies such as intertextuality and carnivalesque. By applying these theories, the writers are successful in generating new id
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Faruk, Faruk, and Fadlil Munawwar Manshur. "Pelatihan Penulisan Cerita Lokal Bergenre Magis di Komunitas Sastra Darussalam." Bakti Budaya 5, no. 1 (2022): 61–73. http://dx.doi.org/10.22146/bakti.4076.

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The third-year of service activities (2021) at the Komunitas Sastra Darussalam were centered on training in writing local stories of the magical genre. Komunitas Sastra Darussalam has the potential to maximize the pesantren’s cultural background as the basis for their writing, such as through the genre of magical realism which is considered very close to their lives. Through training and mentoring held by the service community team, it is expected that they will ignite their ability to continue developing to compete at the national or global level. In the first year (2019), activities are focu
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Holmes, Frederick M. "Fictions, Reality, and the Authority of the Novelist: Barth’s The Sot-Weed Factor and Fowles’s The Magus." ESC: English Studies in Canada 11, no. 3 (1985): 346–60. http://dx.doi.org/10.1353/esc.1985.0007.

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Dissertations / Theses on the topic "Mages – Fiction"

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Davies, Richard Blaine Davies Richard Blaine. "Historical fiction makes American history come to life!" [Boise, Idaho : Boise State University, 2002. http://education.boisestate.edu/bdavies.

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Thesis (M.A.)--Boise State University, 2002.<br>Web site. Master's project includes an explanatory text and CD-ROM entitled: Historical fiction : a web site supporting secondary U.S. history courses of study-Idaho Department of Education. Includes bibliographical references.
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Drouet-Richet, Stéphanie. "Les marges du regard dans la fiction eliotienne." Paris 3, 2000. http://www.theses.fr/2000PA030127.

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Ce travail a pour objet de montrer comment, dans la fiction eliotienne, l'ecriture du regard contribue a ebranler les fondations de la representation realiste, remettant ainsi en cause les ambitions de stabilite, de permanence et d'ordre universel affichees par cette ideologie. Certes le regard descripteur encadrant est bien present dans cette oeuvre fortement ancree dans un systeme referentiel essentiellement mimetique. Le regard instaure cependant au sein du texte, veritable "machine a faire voir", un dynamisme qui l'entraine vers des espaces limites ou de l'entre-deux de la representation.
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Wilson, Deborah Lynn. "Perceptual Differences Between Males and Females Concerning Sexually Harassing Behavior: Fact or Fiction? /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487935125882303.

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Gelas, Nicolas. "Fiction et humanisme dans l'oeuvre de Romain Gary : s'affranchir des limites, s'éprouver dans les marges." Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20123/document.

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Récusant à la fois les déterminismes naturels et les représentations d’un ordre politique ou moral, l’œuvre de Gary est marquée par une aspiration au dépassement des limites et par une posture de résistance. Face à la haine ou à la barbarie, elle défend les vertus de la dérision et le pouvoir de l’imaginaire et s’engage dans une double démarche de mise à distance et de réenchantement du monde. Nourrie par le traumatisme de la seconde Guerre Mondiale, elle soutient l’idée que l’humain est à réinventer, qu’il n’est pas une donnée préalable mais un fiction à construire, un idéal à atteindre. Arti
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De, Nittis Elizabeth MacInnes. "Gender and the grotesque in the short fiction of Joyce Carol Oates." View electronic thesis, 2008. http://dl.uncw.edu/etd/2008-1/denittise/elizabethdenittis.pdf.

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Franks, Jamie N. "Becoming Other: Virtual Realities in Contemporary Science Fiction." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1908.

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The purpose of this thesis was to explore the boundary between human and other created by virtual worlds in contemporary science fiction novels. After a close reading of the three novels: Surface Detail, Existence, and Lady of Mazes, and the application of contemporary literary theories, the boundary presented itself and led to the discovery of where the human becomes other. The human becomes other when it becomes lost to the virtual world and no longer exists or interacts with material reality. Each of the primary texts exhibits both virtual reality and humanity in different ways, and each is
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King, Nikole June. "Men's physique standars of embodiment and Middle-class masculinity in Nineteenth-century British and American fiction /." Diss., UC access only, 2009. http://proquest.umi.com/pqdweb?index=96&did=1906549281&SrchMode=1&sid=1&Fmt=7&retrieveGroup=0&VType=PQD&VInst=PROD&RQT=309&VName=PQD&TS=1270483425&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2009.<br>Includes abstract. Includes bibliographical references (leaves 262-274). Issued in print and online. Available via ProQuest Digital Dissertations.
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Martins, de Carvalho Adilia Cristina Ferreira Castro. "Lecture des marges dans les oeuvres de Maria Velho da Costa et Teolinda Gersão." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030032/document.

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Les textes de Maria Velho da Costa et de Teolinda Gersão sont habités par des paysages, des archétypes et des autoréflexivités configurés dans des marges, lieux périphériques, qui révèlent simultanément la place centrale occupée par le sujet féminin. La notion de paysage, matière de la première partie de cette étude, s’articule avec celle d’archétype (de relation archétypique) et d’autoréflexivité, notions traitées respectivement dans la deuxième et troisième parties, à travers - une coordonnée commune - l’espace envisagé sous les trois aspects suivants : le physique, le social et le mental. L
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Couderc, Mathieu. "Identités subies, identités intégrées : les Grecs dans les sociétés européennes du nord-ouest (Angleterre, Etats bourguignons, France et leurs marges) : début XVè - fin XVIè siècles." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H009/document.

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Ce travail de thèse entend prendre en compte l'analyse d'un groupe humain évoluant dans un cadre géographique trop longtemps délaissé par l'historiographie et pour une période chronologique élargie par rapport à la tradition consacrée. Les Grecs, qui quittent leurs cadres de vie originels sous l'effet de causes variées (exils suite à la conquête ottomane intérêts économiques, humanistes ou religieux) entre le début du XVe siècle et la fin du XVI" siècle, se dirigent e majorité vers la Péninsule italienne. Certains n'y effectuent qu'un passage quand d'autres décident de s'implante durablement.
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REGAM, ABDELHAD. "Les marges du texte : incipit, desinit et paratexte dans la fiction narrative francaise aux dix-neuvieme et vingtieme siecles." Paris 8, 1991. http://www.theses.fr/1992PA080686.

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A partir d'un corpus de 43 romans francais des dix-neuvieme et vigntieme siecles, il s'agit de decrire et d'interpreter le fonctionnement de ces marges du texte que sont l'incipit, le desinit et le paratexte, considerees separement d'abord, dans leurs rapports ensuite, en utilisant l'appareil methodologique structuraliste et l7analyse socio-historique, ceci dans le but de voir dans quelle mesure ces marges appartiennent a la zone d'un contrat de lecture, ou sont uniquement le respect des conventions d'un genre, ou revelent une operation de mise en sens. Il apparait alors que si les procedures
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Books on the topic "Mages – Fiction"

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Condé, Maryse. Les derniers rois mages. Mercure de France, 1992.

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Miller, Karen. A blight of mages. Orbit, 2011.

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Condé, Maryse. Les derniers rois mages: Roman. Mercure de France, 1992.

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DeWitt, Kelly, ed. I Eat Butterflies: Tales of Vampires, Mages & Mutants. Swooping Grizzly Publications, 2011.

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Locke, Katica. Magebound. P.D. Pub., 2009.

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1926-, FOWLES JOHN. The magus. Modern Library, 1998.

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1926-, FOWLES JOHN. The magus. Dell Pub. Co., 1985.

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1926-, FOWLES JOHN. The magus. Vintage, 1997.

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Walker, Fiona. Between males. Coronet, 2001.

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Kompelien, Tracy. Lion manes. ABDO Pub. Co., 2006.

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Book chapters on the topic "Mages – Fiction"

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Hart, Jonathan. "The Author Makes a Comeback." In Fictional and Historical Worlds. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012647_3.

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Wiegandt, Kai. "Futurology, Allegory, Time Travel: What Makes Science Fiction Fascinating." In The Fascination with Unknown Time. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66438-5_13.

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Gomel, Elana. "The Human Trinity: What Makes Us Other?" In Science Fiction, Alien Encounters, and the Ethics of Posthumanism. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137367631_6.

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Greiner, Rasmus. "Fiction Film and History." In Cinematic Histospheres. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70590-9_2.

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AbstractAs well as taking stock of the existing literature on film and history, this chapter aims to develop a terminological apparatus for describing the conceptual core of the historical film. The first section makes reference to a classic semiological model according to which a film’s production of meaning is determined by its specific arrangement of signs. It draws parallels to debates within historical studies that have enabled a reassessment of fiction film as a historiographical medium and mode of conceptualizing history. Building on these considerations, the second section posits a gen
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Zaplana, Esther. "Self-Representation “Between Two”: Aging Males and the “Otherness Within” in Philip Roth’s Patrimony." In Aging Masculinities in Contemporary U.S. Fiction. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-71596-0_7.

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Lavery, Charne. "“Spoken Nowhere but on the Water”: Amitav Ghosh’s Sea of Poppies and Lost-and-Found Languages of the Indian Ocean World." In Maritime Mobilities in Anglophone Literature and Culture. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-91275-8_12.

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AbstractAmitav Ghosh’s fictional oeuvre makes a major contribution to contemporary sea fiction, particularly that written from a non-Eurocentric perspective. His Ibis trilogy, for instance, paints a vivid picture of historical oceanic mobility in the form of ship journeys and littoral interconnections, centered on and in the Indian Ocean world. This chapter explores one aspect of that mobility, a language “spoken only on the water,” a roving dialect that Ghosh both painstakingly and playfully recreates in the first novel of the trilogy, Sea of Poppies. Laskari is a dialect that was spoken amon
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Hennessey, John L. "Introduction to History and Speculative Fiction: Essays in Honor of Gunlög Fur." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_1.

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AbstractThis introductory chapter makes the case that despite different epistemological starting points, history and speculative fiction are both arguably “literatures of cognitive estrangement.” Both can help expose invisible problematic aspects of their authors’ and readers’ societies and suggest possible solutions or futures. Summarizing relevant existing literature and theoretical perspectives, the chapter suggests the usefulness of the postcolonial concept of concurrences for both modes and different possible ways to define the two. It also investigates the relationship that history and s
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Zunshine, Lisa. "Belief Is a Mess. That Makes It Good for Fiction. (A Perspective From Cognitive Literary Theory)." In The Routledge Handbook of Fiction and Belief. Routledge, 2023. http://dx.doi.org/10.4324/9781003119456-9.

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Loreau, Michel. "Homo sapiens, a species among many others . . . but not quite like the others." In Nature That Makes Us Human. Oxford University Press, 2023. http://dx.doi.org/10.1093/oso/9780197628430.003.0002.

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Abstract This chapter begins by establishing some scientific foundations on the point of convergence of humans and nature, namely the nature of humans themselves. It shows that science is systematically destroying, one by one, all the old prejudices that claimed to make humans a species apart, at the top of creation. In particular, recent scientific studies have convincingly shown that self-awareness, empathy, thought, language, culture, morality, tool making, and tool use are also present in animals. What appears to distinguish humans from other animals is their capacity for creative supposit
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Langland-Hassan, Peter. "Consuming Fictions Part I." In Explaining Imagination. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198815068.003.0009.

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Given that we imagine in response to fictions, the key question is whether these imaginings can be understood in more basic folk psychological terms. This chapter argues that we can determine what is true in a fiction without use of sui generis imaginative states. Related arguments from Derek Matravers (2014) and Kathleen Stock (2017) are discussed in some depth. Uses of genre conventions and symbolism by an author to generate fictional truths do not imply any special role for imagination. Moreover, Stock’s “extreme intentionalist” view of what constitutes truth in fiction can be configured to
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Conference papers on the topic "Mages – Fiction"

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Birzul', Aleksei Nikolaevich, and Dmitry Aleksandrovich Pitilyak. "DEVELOPMENT OF THE LITERARY METHODS IN STRENGTH OF MATERIALS IN HIGHER SCHOOL." In International Research-to-practice conference. Publishing house Sreda, 2023. http://dx.doi.org/10.31483/r-107803.

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The article makes an attempt to generalize the experience of using educational, fiction and memoir literature when lecturing on the course on strength of materials. Specific methodological recommendations are given for using of fiction in certain topics of the strength of materials course. There are creative tasks offered to students and which contain literary subjects.
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Vasilateanu, Andrei, Sebastian Wyrazic, and Bujor ionel Pavaloiu. "A SCIENCE FICTION SERIOUS GAME FOR LEARNING PROGRAMMING LANGUAGES." In eLSE 2016. Carol I National Defence University Publishing House, 2016. http://dx.doi.org/10.12753/2066-026x-16-082.

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The paper presents a serious game, implemented as a software application, aimed towards beginner programmers with the purpose of teaching programming languages fundamentals. The application is a top-down 2D game combining elements from the shooter and strategy (particularly tower defense) genres, with high-level visual programming elements, giving it an educational component. The user creates the scripts in a visual manner, creating the flow of scripting elements then programming each element. Serious games are games which are designed and developed without having entertainment as their main p
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Brookner, Eli. "Boston radar history - from $10,000 magee to $10 single chip T/R module … better than fiction." In 2009 IEEE MTT-S International Microwave Symposium Digest (MTT). IEEE, 2009. http://dx.doi.org/10.1109/mwsym.2009.5165968.

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PRELIPCEANU, Cosmin. "Image and Post-Truth." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0024.

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Nowadays, under the non-stop assault of over-information and the multitude of sources and media, the consumers of information (related to non-fiction audio-visual content) suffer from an overflow. They are oversaturated, blasé, disinterested, they have the feeling they know everything and are entitled to jump straight to conclusion (their own or ready-made conclusions). The content they cannot process is rejected. With such an audience, content creators diversify their arsenal of stimuli: shocking images and sound, partisan speech that confirms the viewer's own perceptions and beliefs. But mos
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Grogorick, Linda, Moritz Rohde, Bijan Khosrawi-Rad, and Susanne Robra-Bissantz. "Fiction or Reality – Which Game Story Promotes Learning Outcome More?" In 36th Bled eConference – Digital Economy and Society: The Balancing Act for Digital Innovation in Times of Instability. University of Maribor Press, 2023. http://dx.doi.org/10.18690/um.fov.6.2023.28.

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Digital Game-based Learning (DGBL) has achieved several positive results in recent years, e.g., increased fun, motivation, or learning outcome. However, many DGBL applications fail, which makes an isolated consideration of individual game elements and their influence on learning necessary to better design future DGBL applications. One widely used game element is the game story. As there is little research on how a game story should be designed to promote learning, this paper conducts an experiment comparing a fictional game story with a realistic one. The results show that both game stories le
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Poverennaya, Anastasiya Alexandrovna, and Yuriy Petrovich Nechay. "THE ROLE OF METAPHOR AND COMPARISON IN THE VERBALIZATION OF THE CONCEPT OF "EMIGRANT" (BASED ON THE MATERIAL OF V. NABOKOV'S PROSE)." In Themed collection of papers from Foreign International Scientific Conference « Science in the Era of Challenges and Global Changes» Ьу НNRI «National development» in cooperation with AFP (Puerto Cabezas, Nicaragua). Мау 2023. - Caracas (Venezuela). Crossref, 2023. http://dx.doi.org/10.37539/230527.2023.17.20.009.

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Based on the material of V. Nabokov's fiction, a linguistic analysis of the functional role of metaphor and comparison in the verbalization of the concept of "emigrant" is carried out. Despite their proximity, the ways of implementing these tropes in the texts of the novels are carried out in different ways. It is concluded that the presence of metaphorical formations and comparisons makes it possible to convey with greater efficiency and emotional and expressive authenticity the writer's intention and his subjective positive or negative attitude to the depicted.
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Vasileva, Irina. "ABOUT THE BOUNDARY MARKERS OF THE TRANSITION PERIODS: LYRICAL DIGRESSIONS IN THE FICTION BY ANTON CHEKHOV." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.03.

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Anton Chekhov is generally acknowledged as a writer who symbolizes a transition period, marks the end of the Classical Russian literature of the 19th century and establishes the basics of the poetics of the 20th century. Scholars are traditionally focused on Chekhov’s innovations but not on the connections with the previous tradition. This contribution makes an attempt to reassess the aspect of Chekhov’s poetics which could be called historical “form’s thinking” (in Alexander Mikhailov’s terminology). I mean the features of tradition which result from historical dynamics of culture and are bey
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Tereshko, Ekaterina V. "CONTEXTS OF THE USE OF THE DEFINITE ARTICLE UNDER STRESS IN DUTCH." In Проблемы языка: взгляд молодых учёных. Институт языкознания РАН, 2023. http://dx.doi.org/10.37892/978-5-6049527-1-9-2.

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In linguistics, there is a widespread belief that the article cannot be in the stressed position, because if it is in this position, we perceive it as a (short) form of the indicative pronoun. However, the materials of the Dutch language refute this statement, telling us that at least in some languages the article can take on the accent. In Dutch, this accent is often marked graphically, which makes it easier to find examples and prove their relevance. This article examines the contexts in which the accented article is used in Dutch, among which the contrastive and the emphatic contexts stand
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Манцаева, Айна Новрдиевна, and Фарида Абдулхаевна Ибрагимова. "MEANINGS OF NAMES IN THE WORKS OF BRITISH WRITERS: NAMES IN J. R. R. TOLKIEN’S FICTION." In Наука. Исследования. Практика: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2020). Crossref, 2020. http://dx.doi.org/10.37539/srp290.2020.42.50.014.

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В данной статье рассматриваются основные тенденции в изучении лингвистических ономастических процессов толкования имен, семантическое положение имен собственных и вероятные последствия, которые имена оказывают на читателей. Цель данной статьи - подчеркнуть актуальность и потенциал литературной ономастики, использование и роль имен в литературных произведениях, а также аспекты именования, которые играют важную роль в сложности и привлекательности художественной литературы. В качестве примера рассматривается новое исследование в области имен из журнала ономастики о том, что делают имена собствен
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Légrádi, Miklós. "‘Find the book that speaks to you! – A qualitative pilot study for research on Book Consumption." In Egyesület a Marketing Oktatásért és Kutatásért XXIX. Nemzetközi Konferencia. Egyesület a Marketing Oktatásért és Kutatásért, Szegedi Tudományegyetem Gazdaságtudományi Kar, 2023. http://dx.doi.org/10.62561/emok-2023-19.

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Sales numbers in printed books have been on the slope since many years in Hungary and in many other countries too. Finding the motivations among these decreasing trends of reading and book consumption may eventually help in turning the book industry’s way on this downhill backwards and putting the book consumption on rising trails again. A series of interviews and focus group interviews are coming up within the frames of a doctoral research targeting the exploration of motivators for book consumption and the consumer behavior of book consumers. This article presents a pilot study done in the e
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Reports on the topic "Mages – Fiction"

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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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