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Journal articles on the topic 'Mages – Fiction'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Sangadieva, Erzhen Gendenovna. "Ethnographic and mythopoetic space of the novel “Big Argish” by Mikhail Osharov." Litera, no. 7 (July 2021): 12–21. http://dx.doi.org/10.25136/2409-8698.2021.7.35920.

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The problem of studying the traditional cultures of the peoples of Russia is relevant in the modern social science and humanities research. A significant role in this process is played by literature that reveals the peculiarities of ethnopoetics, worldview, and perception of the world. In fiction writing, the ethnic specificities are reflected in depiction in the natural world, everyday life, mentality, as well ethnographic features of lifestyle of a certain community. Based on the novel by Mikhail Osharov (1894-1937), the article examines the ethnographic peculiarities of depicting the world

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2

Zheltikova, Inga Vladislavovna. "Possible future options in the Russian modern cinematography." Культура и искусство, no. 11 (November 2020): 36–52. http://dx.doi.org/10.7256/2454-0625.2020.11.34473.

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The subject of this research is ten Russian science-fiction films released over the period from 2013 to 2020. The goal of this article consists in examination of scenarios of seeing the future presented in the Russian modern cinematography. An overview of approaches towards studying visual images is provided, based on which the author offers a new strategy for studying film images of the future that demarcates three groups of elements in the film &ndash; cognitive, visual, and emotional-modal, and four thematic components that correspond to the spheres of social life. As a result of implem

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3

Schleher, D. C. "LPI Radar: Fact or Fiction." IEEE Aerospace and Electronic Systems Magazine 21, no. 5 (2006): 3–6. http://dx.doi.org/10.1109/maes.2006.1635166.

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4

Bréhin, Yannick. "Menoud Lorenzo, Qu’est-ce que la fiction ?" Marges, no. 06 (October 15, 2007): 130–31. http://dx.doi.org/10.4000/marges.654.

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5

Allahyari. "Jack Maggs and Peter Carey's Fiction as a World." Antipodes 31, no. 2 (2017): 326. http://dx.doi.org/10.13110/antipodes.31.2.0326.

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6

Marion, Anaël. "L’immersion dans les ruines de Passaic : le rôle créateur de la fiction dans la perception des monuments." Marges, no. 14 (June 1, 2012): 47–59. http://dx.doi.org/10.4000/marges.293.

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7

Alcalde, Maxence. "L’imaginaire science-fictif de Robert Smithson." Marges, no. 14 (June 1, 2012): 124–36. http://dx.doi.org/10.4000/marges.295.

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8

S., Roopha, and Patchainayagi S. "The Postmodern Rewritings of Great Expectations to Reinvent Antipodean identities; A Study on Jack Maggs by Peter Carey and Mister Pip by Lloyd Jones." Revista de Gestão Social e Ambiental 18, no. 7 (2024): e05530. http://dx.doi.org/10.24857/rgsa.v18n7-062.

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The present study pivots on the individual analysis of the antipodean writers` novels Jack Maggs by Peter Carey and Mister Pip by Lloyd Jones the retellings of Great Expectations by Charles Dickens. The paper concentrates on the approaches based on its perception towards ideological, historical, authorial, cultural, narrative and geographical representations of Australia in literature. The select novels are under analysis for their employment of postmodern narrative strategies such as intertextuality and carnivalesque. By applying these theories, the writers are successful in generating new id

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9

Faruk, Faruk, and Fadlil Munawwar Manshur. "Pelatihan Penulisan Cerita Lokal Bergenre Magis di Komunitas Sastra Darussalam." Bakti Budaya 5, no. 1 (2022): 61–73. http://dx.doi.org/10.22146/bakti.4076.

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The third-year of service activities (2021) at the Komunitas Sastra Darussalam were centered on training in writing local stories of the magical genre. Komunitas Sastra Darussalam has the potential to maximize the pesantren’s cultural background as the basis for their writing, such as through the genre of magical realism which is considered very close to their lives. Through training and mentoring held by the service community team, it is expected that they will ignite their ability to continue developing to compete at the national or global level. In the first year (2019), activities are focu

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10

Holmes, Frederick M. "Fictions, Reality, and the Authority of the Novelist: Barth’s The Sot-Weed Factor and Fowles’s The Magus." ESC: English Studies in Canada 11, no. 3 (1985): 346–60. http://dx.doi.org/10.1353/esc.1985.0007.

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11

Dhiya Ulhaq, Salma. "REALISME MAGIS SEBAGAI REPRESENTASI KRITIK KEADAAN DALAM MANUSIA KELELAWAR KARYA DAMHURI MUHAMMAD." Jurnal Ilmiah SEMANTIKA 5, no. 01 (2023): 49–56. http://dx.doi.org/10.46772/semantika.v5i01.1170.

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Indonesian people are one of many eastern countries that still believe in the tradition of honoring their ancestors, therefore people still believe in mystical things. This has led some writers to use people's 'trust' in mysticism in their literary works. This article provides insight into how Wendy B. Faris' magical realism theory can be applied in the analysis of fictional stories. by analyzing magical realism in the selected short story by Kompas, “Bat Man” Damhuri Muhammad in 2022, through magical realism elements; (a) irreducible elements; (b) world phenomenal; (c) dimensions of the amalg

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12

Strout, Irina. "Nicholas Urfe’s Masculine Trap or the Construction of Manhood, its Ambivalences and Limitations in John Fowles’s The Magus." Anglica. An International Journal of English Studies, no. 26/1 (September 11, 2017): 73–86. http://dx.doi.org/10.7311/0860-5734.26.1.05.

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Western society and its fiction faces the overwhelming problem of masculinity and its modeling. The era of war, capitalism, the challenges of feminism affect the ideology within which men are constructed both as individuals and as a social group. John Fowles’s fi ction tackles the crucial issue of male power and control as masculinity is put to test and trial in his 1965 novel The Magus. The defi nition of manhood, male virility and social respectability of the period shape the 20th century male characters in Fowles’s fi ction. This paper aims to explore how John Fowles investigates the role o

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13

Tomberg, Olga V., and Marina A. Ananyina. "The Dynamic and Classifying Types of Frame Structures of the Allusive Anthroponym in a Fictional Text (Based on John Fowles’ Novel The Magus)." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 5 (December 1, 2024): 63–75. https://doi.org/10.37482/2687-1505-v384.

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Turning to John Fowles’ novel The Magus, this paper aims to describe the structure of the dynamic and classifying frames represented by the allusive anthroponym as a type of literary concept having national and cultural features. It is demonstrated that, in the cognitive aspect, allusive anthroponyms contain a reduced frame associated with a certain situation related to the referent; this frame is kept readily available in the cognitive space and can be actualized at the moment chosen by the author of the text. Verbalization of a classifying frame requires a certain structure that includes the

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14

Seha, Nur. "CITRA PEREMPUAN BANTEN DALAM CERPEN RADAR BANTEN (The Image of Banten Women in The Short Story in Radar Banten Daily)." METASASTRA: Jurnal Penelitian Sastra 5, no. 1 (2016): 55. http://dx.doi.org/10.26610/metasastra.2012.v5i1.55-66.

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Tulisan ini membahas citra perempuan Banten dalam cerpen yang dimuat di harian Radar Banten dengan menggunakan metode deskriptif kualitatif. Budaya Banten melatarbelakangi para cerpenis dalam melukiskan perempuan Banten. Para penulis dapat memotret sebagian kehidupan para perempuan tersebut melalui tokoh-tokoh rekaan yang diciptakan. Tujuan penelitian ini adalah mengkaji citra perempuan Banten melalui deskripsi para cerpenis dalam harian Radar Banten. Sumber data utama berasal dari empat belas cerpen yang dimuat tahun 2006—2010. Setelah analisis data melalui teori feminisme, diketahui bahwa ci

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15

SUKHIKH, E. V. "THE CINEMATIC IMAGE OF MEXICO IN THE FILM QUE VIVA MEXICO! BY SERGEI EISENSTEIN." Imagologiya i komparativistika, no. 22 (2024): 246–61. https://doi.org/10.17223/24099554/22/14.

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Mexico has long been attractive to Russian culture. But, perhaps, only Sergei Eisenstein, who made a real “film discovery” of Mexico, felt a special kinship with this country. Mexico was the final part of Eisenstein’s overseas business trip to Europe and America. For more than a year, the director, together with Grigory Alexandrov and Eduard Tisse, worked on a grandiose epic. Eisenstein was completely captivated by this film. However, the director was not destined to fully realize his idea, his Que Viva Mexico! was released many years later in the editing version by Grigory Alexandrov. Eisenst

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16

Bruns, Axel. "The Fiction of Copyright." M/C Journal 2, no. 1 (1999). http://dx.doi.org/10.5204/mcj.1737.

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It is the same spectacle all over the Western world: whenever delegates gather to discuss the development and consequences of new media technologies, a handful of people among them will stand out from the crowd, and somehow seem not quite to fit in with the remaining assortment of techno-evangelists, Internet ethnographers, multimedia project leaders, and online culture critics. At some point in the proceedings, they'll get to the podium and hold a talk on their ideas for the future of copyright protection and intellectual property (IP) rights in the information age; when they are finished, th

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17

"Regaining the Lost Momentum toward Authenticity: Heideggerian Being in Fowles's The Magus and Golding's Free Fall." Jordan Journal of Modern Languages and Literatures 15, no. 4 (2023): 1297–309. http://dx.doi.org/10.47012/jjmll.15.4.9.

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The post-war human, contrary to the Cartesian self, is so enmeshed in the inauthenticity of the modern time that he has lost sight of who he is and what he seeks in the banality of the present time. Martin Heidegger, in this regard, introduces the notion of an authentic being called ‘Dasein’ who has accepted his mortality as ‘being-in-the-world.’ In the same vein, an idea embraced by twentieth-century fiction writers was the modern human being and its idiosyncratic hallmarks extensively discussed in modern literature. The Magus by John Fowles and Free Fall by William Golding are two investigat

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18

Parey, Armelle. "WHEN CHARLES DICKENS ENTERS THE HOUSE OF FICTION: PETER CAREY’S JACK MAGGS AND JOSEPH O’CONNOR’S STAR OF THE SEA." ODISEA. Revista de estudios ingleses, no. 9 (March 7, 2017). http://dx.doi.org/10.25115/odisea.v0i9.206.

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Abstract:Charles Dickens is probably THE Victorian novelist posterity remembers best, or at least the most, to the extent that he also occasionally appears as a character of fiction. Part of his private life is thus rewritten in Peter Carey’s Jack Maggs (1997) which also dwells on his activity as a writer, pretending to account for the circumstances of the writing of Great Expectations. Dickens has also appeared in Joseph O’Connor’s Star of the Sea (2002), where circumstances for his writing are emphasized too. This paper is thus a modest attempt at assessing these fictional representations of

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19

Hassall, Anthony J. "A Tale of Two Countries: ‘Jack Maggs’ and Peter Carey’s Fiction." Australian Literary Studies, October 1, 1997. http://dx.doi.org/10.20314/als.ef67f2bd42.

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20

Nairn, Angelique, and Lorna Piatti-Farnell. "The Power of Chaos." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3012.

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In 2019, Netflix released the first season of its highly anticipated show The Witcher. Based on the books of Polish author Andrzej Sapkowski, the fantasy show tells the intersecting stories of the Witcher Geralt of Rivia (Henry Cavill), the princess of Cintra Ciri (Freya Allan), and sorceress Yennefer of Vengerberg (Anya Chalotra), who is commonly referred to as a ‘mage’. Although not as popular among critics as its original book incarnations and adapted game counterparts, the show went on to achieve an 89% audience score on Rotten Tomatoes and was subsequently renewed for more seasons. Althou

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21

YAVAŞLAR ÖZAKINCI, Yasemin. "Victorian London, England and Englishness in Peter Carey’s Jack Maggs." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, February 8, 2024. http://dx.doi.org/10.29000/rumelide.1433867.

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Neo-Victorianism is described as a genre in critical and fictional writing which alters our perspective of past and present by bringing two different centuries into focus. From a new genre which is rooted in the past and strongly attached to the present, arise analytical comparisons and alternative-creative works. Victorian England is a vantage point for the Industrial Revolution; when contemporary readers and critics trace effects and results of major social, economic and intellectual changes in the twenty-first century back to their source, Victorian England appears as a model for the indust

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