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Journal articles on the topic 'Magic. Latin literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Linhares, Bruno J. "Theopoetic and Pastoral Counseling. Using Magic Realism and Reframing: A Latin American Perspective." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 7, no. 9 (2015): 9. http://dx.doi.org/10.20890/reflexus.v7i9.132.

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Baseado em um artigo de Rubem Alves, escrito em 1977, sobre os Cuidados Pastorais sob a perspectiva da Teologia da Libertação, e no uso do Realismo Mágico na literatura e religião, sugiro ser o Reenquadramento uma proposta genuinamente latino-americana para a poimênica, sobretudo o aconselhamento, seguindo uma prática já feita por Rubem Alves. Palavras-Chave: Rubem Alves, Teologia da Libertação, Realismo Mágico, literatura latino-americana, poimênica. Based on a 1977 article written by RubemAlves about Pastoral Care under the perspective of theology of liberation and on the use of Magic Realis

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2

Pollack, Sarah. "After Bolaño: Rethinking the Politics of Latin American Literature in Translation." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 660–67. http://dx.doi.org/10.1632/pmla.2013.128.3.660.

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On 25 november 2012, when the united states novelist jonathan franzen opened mexico's feria internacional del libro de guadalajara, he spoke of his experience of reading Latin American fiction. Asked about the region's representation through literature in English translation, Franzen stated that, magic realism having now “run its course,” Roberto Bolaño had become the “new face of Latin America.” Franzen's words echo what has almost become a commonplace in the United States over the last five years: naming Bolaño “the Gabriel García Márquez of our time” (Moore), after the publication by Farrar

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3

Piñeiro, Aurora. "A Trail of Bread Crumbs to Follow, or Gothic Rewritings of ‘Hansel and Gretel’ by Lina Meruane, Jorge Volpi and Mariana Enríquez." Gothic Studies 22, no. 1 (2020): 49–63. http://dx.doi.org/10.3366/gothic.2020.0037.

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This article analyses postmodern Gothic rewritings of ‘Hansel and Gretel’ by three Latin American writers as works in which different degrees of appropriation of themes and strategies from the classic tale, and the use of the metaphor of the magic mirror, achieve ideologically subversive effects. Gothic rewritings of ‘Hansel and Gretel’ by Meruane, Volpi and Enríquez denounce intolerance and present an eminent link between literary works and troubled historical contexts.

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4

Prytoliuk, Svitlana. "CONCEPTUALIZATION OF THE NOTION “MAGICAL REALISM” IN GERMAN LITERATURE." Research Bulletin Series Philological Sciences 1, no. 193 (2021): 252–59. http://dx.doi.org/10.36550/2522-4077-2021-1-193-252-259.

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The article is devoted to the study of magical realism in German literary criticism, the origins of the term and its conceptual principles are considered. The author of the article relies on the research of German scientists, in particular M. Scheffel, D. Kirchner, H. Roland, T.W. Leine, M. Niehaus, J. Schuster and notes the differences and contradictions in the interpretation of the term, the vagueness of the concept and its heterogeneity. It is emphasized that the period of formation of the magic-realistic method of writing in Germany in the historical perspective generally covers the period

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5

Brescia, P. "A "Superior Magic": Literary Politics and the Rise of the Fantastic in Latin American Fiction." Forum for Modern Language Studies 44, no. 4 (2008): 379–93. http://dx.doi.org/10.1093/fmls/cqn056.

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6

Sundusiah, Suci. "MEMAHAMI REALISME MAGIS DANARTO DAN MARQUEZ." LINGUA: Journal of Language, Literature and Teaching 12, no. 1 (2015): 123–36. http://dx.doi.org/10.30957/lingua.v12i1.76.

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Begun as a theme of painting art, magical realism exists as a typical place in litarature. The works of magical realism literature efforts to appear magical aspects such as superstition, beliefs, folklor and spiritual substance exceding from the logic into reality of daily lifes. The substance of the magic is integrated in the accepted traditions and cultures. This article analyzes short stories of Danarto and a novel of Marquez. Both aouthors are selected as they represent pionneers of writing style of magical realism from two different cultures. Both authors express the same writing style, b

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7

Magnarelli, Sharon. "Knives and Angels: Women Writers in Latin America, and: Women's Voice in Latin American Literature, and: Narrative Magic in the Fiction of Isabel Allende (review)." MFS Modern Fiction Studies 37, no. 2 (1991): 284–87. http://dx.doi.org/10.1353/mfs.0.0561.

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8

Wisniewski, Brett L. "Magic - (R.L.) Gordon, Simón (F.) Marco (edd.) Magical Practice in the Latin West. Papers from the International Conference held at the University of Zaragoza, 30 Sept. – 1 Oct. 2005. (Religions in the Graeco-Roman World 168.) Pp. xxvi + 676, ills, maps, pls. Leiden and Boston: Brill, 2010. Cased, €188, US$278. ISBN: 978-90-04-17904-2." Classical Review 61, no. 1 (2011): 236–38. http://dx.doi.org/10.1017/s0009840x10002726.

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9

Coulon, Jean-Charles. "Autour de Ġāyat al-ḥakīm (Le but du sage) (Compte rendu critique des actes du colloque Images et magie)". Arabica 61, № 1-2 (2014): 89–115. http://dx.doi.org/10.1163/15700585-12341263.

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Résumé Les 11 et 12 mai 2007 eut lieu un colloque sur le « Picatrix entre Orient et Occident ». Le thème central du colloque concernait un traité de magie, la Ġāyat al-ḥakīm (Le but du sage), attribué à al-Maǧrīṭī et traduit en latin au xiiie siècle sous le titre de Picatrix. Si les actes de ce colloque viennent combler un certain manque historiographique autour de l’histoire de la magie en Islam, ils soulèvent également de nombreuses questions. La vocation universalisante des approches des chercheurs en Occident médiéval chrétien semble inégale entre un évident souci de rigueur historique po

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10

Gardini, Michela. "Le mage comme métaphore de l'écrivain: le cas de Joséphin Péladan." Nordlit 15, no. 2 (2012): 63. http://dx.doi.org/10.7557/13.2037.

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Joséphin Péladan, author of Décadence Latine and also founder of the Rose+Croix du Temple et du Graal Confraternity, represents from various angles the symbol of that cultural atmosphere which characterizes the end of the nineteenth century. As he stigmatizes the moral and cultural decline of his contemporaries, Péladan creates the character of Mérodack the Magus, described as a supreme being that arises above the bourgeois mediocrity and who, thanks to a self-sublimation process based on will-power, according to the outlook already traced by Eliphas Lévi, not only can redeem himself, but also

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11

Demissie, Mekdes, Charlotte Hanlon, Rahel Birhane, Lauren Ng, Girmay Medhin, and Abebaw Fekadu. "Psychological interventions for bipolar disorder in low- and middle-income countries: systematic review." BJPsych Open 4, no. 5 (2018): 375–84. http://dx.doi.org/10.1192/bjo.2018.46.

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BackgroundAdjunctive psychological interventions for bipolar disorder have demonstrated better efficacy in preventing or delaying relapse and improving outcomes compared with pharmacotherapy alone.AimsTo evaluate the efficacy of psychological interventions for bipolar disorder in low- and middle-income countries.MethodA systematic review was conducted using PubMed, PsycINFO, Medline, EMBASE, Cochrane database for systematic review, Cochrane central register of controlled trials, Latin America and Caribbean Center on Health Science Literature and African Journals Online databases with no restri

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Pereira, Luciana De Araújo, Charles Maycon deAlmeida Mota, and Fabrício Oliveira da Silva. "Modos de viver, partilhar e construir experiências na Pedagogia Griô (Ways of living, sharing and building experiences in the Griot pedagogy)." Revista Eletrônica de Educação 14 (January 15, 2020): 3060025. http://dx.doi.org/10.14244/198271993060.

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This work approaches orality as an educational principle of the pedagogy of the griot from the memories of the quilombola community Remanso / BA. Its main objective is to analyze the importance of the oral tradition for the maintenance of collective memory and the identity of the group in the narratives of the protagonists of the Trail Griô do Quilombo, in the light of literacy practices and events. Memory, identity, and oral tradition of teachings emerge as major categories that give shape to discussions about griot pedagogy. It is a study that is based on the principles of qualitative resear

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13

Losada, José Manuel. "Myth and Anthropogony in Latin American Literature." Rassegna iberistica, no. 113 (June 19, 2020). http://dx.doi.org/10.30687/ri/2037-6588/2020/113/003.

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In Mayan civilization, collective imagination about the origin of human beings follows its own patterns. Quichean mythology tells of the hazardous process that, after various failed attempts, ended in the creation of first human beings from corn. Men of Maize (Hombre de maíz), by Miguel Ángel Asturias (1949), allows us to delve into this myth of anthropogony: the fight between indigenous people and exploiters of the land is presented as a metaphor for those difficult beginnings and for the commercial corruption of a particularly symbolic food. This article highlights two important debates: tha

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14

Kostadinović, Danijela. "“UNEXPECTED ALTERNATION OF REALITY”: MAGICAL REALISM IN PAINTING AND LITERATURE." Facta Universitatis, Series: Visual Arts and Music, January 27, 2019, 35. http://dx.doi.org/10.22190/fuvam1802035k.

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The term magical realism was coined by the German art historian Franz Roh in his essay After expressionism: Magical Realism: Problems of the newest European painting (1925), and it initially referred to a new view of the real-world painting in Germany in the 1920s. It originated as a response to Impressionism, Expressionism, and Surrealism. Magical realism painters realistically depicted objects and beings in detail, while magic and mystery were highlighted by creating illusions and through a change in perspective. Venezuelan writer Arturo Uslar-Pietri used the term magical realism to describe

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15

Davies, Elizabeth. "Bayonetta: A Journey through Time and Space." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1147.

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Art Imitating ArtThis article discusses the global, historical and literary references that are present in the video game franchise Bayonetta. In particular, references to Dante’s Divine Comedy, the works of Dr John Dee, and European traditions of witchcraft are examined. Bayonetta is modern in the sense that she is a woman of the world. Her character shows how history and literature may be used, re-used, and evolve into new formats, and how modern games travel abroad through time and space.Drawing creative inspiration from other works is nothing new. Ideas and themes, art and literature are f

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16

Jones, Timothy. "The Black Mass as Play: Dennis Wheatley's The Devil Rides Out." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.849.

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Literature—at least serious literature—is something that we work at. This is especially true within the academy. Literature departments are places where workers labour over texts carefully extracting and sharing meanings, for which they receive monetary reward. Specialised languages are developed to describe professional concerns. Over the last thirty years, the productions of mass culture, once regarded as too slight to warrant laborious explication, have been admitted to the academic workroom. Gothic studies—the specialist area that treats fearful and horrifying texts —has embraced the growi

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17

Morrison, Susan Signe. "Walking as Memorial Ritual: Pilgrimage to the Past." M/C Journal 21, no. 4 (2018). http://dx.doi.org/10.5204/mcj.1437.

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This essay combines life writing with meditations on the significance of walking as integral to the ritual practice of pilgrimage, where the individual improves her soul or health through the act of walking to a shrine containing healing relics of a saint. Braiding together insights from medieval literature, contemporary ecocriticism, and memory studies, I reflect on my own pilgrimage practice as it impacts the land itself. Canterbury, England serves as the central shrine for four pilgrimages over decades: 1966, 1994, 1997, and 2003.The act of memory was not invented in the Anthropocene. Rathe

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18

VIEIRA, Eliana Sales. "REMEMORAR É PRECISO: ECOS DA ESCRAVIDÃO NOS POEMAS DE FÁTIMA TRINCHÃO." Trama 15, no. 36 (2019). http://dx.doi.org/10.48075/rt.v15i36.22335.

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O presente texto propõe-se a analisar a produção literária da escritora negra baiana Fátima Trinchão, como uma prática de (r)existência, com base nos estudos sobre feminismo negro a partir de uma leitura decolonial. Para compor tal reflexão, foram selecionados poemas da escritora que rememoram a escravidão, período no qual o corpo das mulheres negras foi destituído de mente (HOOKS, 1995), sendo sistematicamente violentado pelos senhores brancos. A partir dessa análise, pretende-se pensar como essa escrita (re)significa as memórias da escravidão, entendendo que esse ato de rememoração reveste-s

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19

Mac Con Iomaire, Máirtín. "Towards a Structured Approach to Reading Historic Cookbooks." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.649.

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Introduction Cookbooks are an exceptional written record of what is largely an oral tradition. They have been described as “magician’s hats” due to their ability to reveal much more than they seem to contain (Wheaton, “Finding”). The first book printed in Germany was the Guttenberg Bible in 1456 but, by 1490, printing was introduced into almost every European country (Tierney). The spread of literacy between 1500 and 1800, and the rise in silent reading, helped to create a new private sphere into which the individual could retreat, seeking refuge from the community (Chartier). This new technol

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20

Maxwell, Richard, and Toby Miller. "The Real Future of the Media." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.537.

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When George Orwell encountered ideas of a technological utopia sixty-five years ago, he acted the grumpy middle-aged man Reading recently a batch of rather shallowly optimistic “progressive” books, I was struck by the automatic way in which people go on repeating certain phrases which were fashionable before 1914. Two great favourites are “the abolition of distance” and “the disappearance of frontiers”. I do not know how often I have met with the statements that “the aeroplane and the radio have abolished distance” and “all parts of the world are now interdependent” (1944). It is worth revisit

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21

Marsh, Victor. "The Evolution of a Meme Cluster: A Personal Account of a Countercultural Odyssey through The Age of Aquarius." M/C Journal 17, no. 6 (2014). http://dx.doi.org/10.5204/mcj.888.

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Introduction The first “Aquarius Festival” came together in Canberra, at the Australian National University, in the autumn of 1971 and was reprised in 1973 in the small rural town of Nimbin, in northern New South Wales. Both events reflected the Zeitgeist in what was, in some ways, an inchoate expression of the so-called “counterculture” (Roszak). Rather than attempting to analyse the counterculture as a discrete movement with a definable history, I enlist the theory of cultural memes to read the counter culture as a Dawkinsian cluster meme, with this paper offered as “testimonio”, a form of q

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