Relevant bibliographies by topics / Magic realism (Literature)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
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  5. Conference papers

Academic literature on the topic 'Magic realism (Literature)'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Magic realism (Literature)"

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Dr. R. Hithayath Khan. "Magical Realism in Indian Literature." Tuijin Jishu/Journal of Propulsion Technology 44, no. 3 (October 9, 2023): 1958–61. http://dx.doi.org/10.52783/tjjpt.v44.i3.625.

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Magic realism or magical realism is a genre where magical or unreal elements play a natural part in an otherwise realistic environment. Although it is most commonly used as a literary genre, magic realism also applies to film and the visual arts. An example of magic realism occurs when a character in the story continuous to be alive beyond the normal length of life and this is subtly depicted by the character being present throughout many generations. On the surface the story has no clear magical attributes and everything is conveyed in a real setting and breaks the rules of our real world. Magic realism is term used to describe the everyday reality with supernatural events. The two terms ‘magic’ and ‘realism’ have become to intertwined that strange, unearthly happenings become almost an accepted, even normal part of daily life. Magic realism considers being a postcolonial phenomenon. Magic realism is to be found only in the post colonial texts. The writers of colonized countries incorporate magic realism in their writings as a mode of resistance to western rationalism. There is no place for logic in magic realism. In countries like India, People believe in myths and ghosts as they believe in history. Magical things do not constitute the Indian culture. There is realism also. Diaspora writers’ characters make use of magic realism to escape to a world of fantasy for it provides them pleasure, relief, and an escape from the excruciating pain they experience in an alien land. The term magical realism was introduced by Franz Roh, a German art critic in 1952. When Roh coined the term the mean it to create an art category the strayed from the strict guidelines of realism, but the term did not name an artistic movement until the 1940s in Latin America and the Caribbean. Magic realism or Magical realism is a genre of 20th century English literature. This paper deals Magical Realism in Indian literature and its authors.
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Mat Hussain, Eizah, Siti Nur Anis Muhammad Apandi, and Nurhasyimah Saidin. "ASPEK REALISME MAGIS DALAM NOVEL CEBISAN MANTERA TERAKHIR." Jurnal Pengajian Melayu 33, no. 2 (October 29, 2022): 27–43. http://dx.doi.org/10.22452/jomas.vol33no2.2.

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Abstract Magical realism, which combines reality and fantasy, has become a trend in the world of literature, sparking a new way of thinking while producing a literary work. Studies on magical realism in literature are crucial as they could reflect the cultural and societal norms of the society featured. This article utilised the theory of magical realism by Faris (2004) to discuss the aspect of magical realism presented in the novel “Cebisan Mantera Terakhir” (2013) by Hasanuddin Md. Isa and published by the Malaysian Institute of Translation and Books (ITBM). The genre of the novel is classified as mystery or mysticism in the setting of a supernatural world where shamans practise “santau” (a type of black magic) in the Malay community. This qualitative study aims to identify and analyse the way the author depicts magical realism through content analysis of the text. Findings showed that the magic element in the form of “santau” was evident in the Malay community featured in the novel. The application of Faris‟s principles showed the clear connection between reality and the magical elements of “santau” which can be categorised into particular aspects of the text, such as objects, events, characters, beliefs and texts. Religion and beliefs are also inseparable from the Malay community, a factor portrayed as a connection between reality and the supernatural worlds. Keywords: magical realism, novel, Cebisan Mantera Terakhir, shaman, santau, black magic Abstrak Kemunculan aliran realisme magis dilihat melalui gabungan antara dua dunia, iaitu dunia nyata dan dunia fantasi yang membawa pemikiran baru dalam karya sastera. Penelitian terhadap realisme magis dalam suatu karya sastera sangat penting kerana pada dasarnya realisme magis merupakan satu cerminan atau refleksi yang nyata mengenai budaya dan sosial masyarakat. Kajian ini mengaplikasikan Teori Realisme Magis oleh Faris (2004) untuk memperlihatkan aspek realisme magis dalam novel Cebisan Mantera Terakhir (2013) karya Hasanudin Md Isa dan diterbitkan oleh Institut Terjemahan & Buku Malaysia Berhad (ITBM). Novel ini memaparkan genre misteri atau mistik yang menerapkan elemen dunia ghaib dan golongan pawang yang terlibat dalam kegiatan santau dalam masyarakat Melayu. Kajian ini bertujuan untuk mengenal pasti dan menganalisis aspek realisme magis dalam novel yang memperlihatkan bagaimana pengarang mengungkapkan elemen realisme magis dalam karya. Kajian ini dilakukan secara kualitatif dengan membuat analisis kandungan teks. Dapatan kajian ini jelas menggambarkan unsur magis yang dapat dikesan dalam amalan santau dengan berlatarkan masyarakat Melayu. Penggunaan prinsip-prinsip oleh Faris (2004) telah menonjolkan perhubungan yang jelas antara unsur realiti dan unsur magis dalam amalan santau itu dengan adanya pembahagian kepada kelompok-kelompok tertentu, iaitu objek, peristiwa, watak, kepercayaan, teks, dan sebagainya. Dalam masyarakat Melayu, konteks agama dan kepercayaan tidak dapat diasingkan dalam tradisinya yang turut dipaparkan sebagai satu perkaitan antara alam nyata dan alam ghaib. Kata Kunci: realisme magis, novel, Cebisan Mantera Terakhir, pawang, santau
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Linhares, Bruno J. "Theopoetic and Pastoral Counseling. Using Magic Realism and Reframing: A Latin American Perspective." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 7, no. 9 (March 3, 2015): 9. http://dx.doi.org/10.20890/reflexus.v7i9.132.

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Baseado em um artigo de Rubem Alves, escrito em 1977, sobre os Cuidados Pastorais sob a perspectiva da Teologia da Libertação, e no uso do Realismo Mágico na literatura e religião, sugiro ser o Reenquadramento uma proposta genuinamente latino-americana para a poimênica, sobretudo o aconselhamento, seguindo uma prática já feita por Rubem Alves. Palavras-Chave: Rubem Alves, Teologia da Libertação, Realismo Mágico, literatura latino-americana, poimênica. Based on a 1977 article written by RubemAlves about Pastoral Care under the perspective of theology of liberation and on the use of Magic Realism in literature and religion, I suggest being reframing a truly Latin American proposal for Pastoral Care, particularly Pastoral Counseling, a practice already done by RubemAlves. Keywords: RubemAlves, Theology of Liberation, Magic Realism, Latin American Literature, Pastoral Care.
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Ananyeva, S. V., and A. K. Kalieva. "From Social Realism to Magic Realism." Contemporary Issues of Literary Studies - International Symposium Proceedings 16 (December 11, 2023): 51–56. http://dx.doi.org/10.62119/cils.16.2023.7521.

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Entire layers of fiction in retrospective light might escape the attention of modern literary criticism. Russian speaking writers and poets living in Kazakhstan introduce elements of Kazakh culture into their work: these are details of Kazakh life, song culture, and the bright imagery inherent in Kazakh literature and its unique artistic flavor. Regional Russian literature, connected by roots with Slavic literature, contributed to the development and mutual enrichment of literary ties between Kazakhstan and Russia. Already by the beginning of the 1920s, two directions in the approach to the Kazakh theme emerged: a contemplative attitude towards the historical past of the Kazakh people, the desire to idealize antiquity in a traditionally romantic sense, and a progressive perception and coverage of everything connected with the life of the Kazakhs. Russian-language literature in Kazakhstan has gone from socialist realism to magical realism. It is closely connected with the reality, history and traditions of the ethnic groups of Kazakhstan. Historical and revolutionary themes were developed in the spirit of the dominant ideology. The range of material covered included the period of collectivization before the development of virgin lands and the problems of the scientific and technological revolution. Magical realism gives literary texts a unique originality.
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Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (December 1, 2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.

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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data dan pengumpulan data yang meliputi klasifikasi data menjadi dua kategori utama, yaitu data magis dan data riil. Dalam hasil dan pembahasan, dibuktikan bahwa puisi “Gong” mengandung narasi realisme magis atas mitos Calon Arang melalui lima karakteristik realisme magis yang terdapat di dalamnya. Selain itu, terdapat hubungan relasional di antara elemen yang menjadi karakteristik tersebut. Kadar realisme magis dilihat dari tokoh dan peristiwa dapat dikatakan cukup kuat. Puisi ini menggarisbawahi isu perempuan dan akhir patriaki. Isu tersebut berkait dengan konteks posmodernisme. Penggunaan mitos dalam puisi memperlihatkan cara pandang posmodernisme yang tidak terlepas dari Jakarta sebagai konteks sosial penyair. Kata kunci: mitos, narasi, realisme, magis, karakteristik AbstractThe impact of global literature of magical realism is found in Indonesia literature in both prose and poetry. One indication of the work of magical realism is the representation of myth in the contemporary context. The problem discussed in this research are the narration of the magic and the real in Gong poem and the connection between elements, also the level of magical realism in it. This research used narrative theory of magical realism by Wendy B Faris. This research method was based on magical realism theory in the form of data determination and data collection which included the classification into two categories namely magical data and real data. In result and discussion proved that Gong poem contained a narrative of magical realism upon Calon Arang myth through five characteristic of magical realism in it beside the relation among the elements. Magical realism level seen from character and events was strong enough. This poem underlines the issues of women and the end of patriarchy. The issues are related with postmodernism context. The myths in poem shows postmodernism point of view that can’t be separate from Jakarta as social context. Keywords: myth, narrative, magical, realism, characteristic
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Mahesh Chandra Tiwari. "Magic Realism in the Works of Isabel Allende and Gabriel García and Laura Esquivel." Creative Launcher 6, no. 5 (December 30, 2021): 30–37. http://dx.doi.org/10.53032/tcl.2021.6.5.04.

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To begin, this article provides a short overview of Magic Realism. The meaning of the term the origins and development of Magical Realist literature, as well as "Magic Realism," must be explored next. Three famous authors will be discussed: Garcia Marquez, Isabelle Allende, and Laura Esquivel, as well as female writers Isabelle Allende and Laura Esquivel. In addition, a number of outstanding works by well-known authors connected with the literary movement Magical Realism are critically analysed. A Very Old Man with Enormous Wings, Like Water for Chocolate and The House of the Spirits are among the notable literary works to be studied in terms of their Magical Realist aspects.
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Yudono, Kristophorus Divinanto Adi, Godang Lamtiur Sitanggang, and Nugroho Widiyanto. "Realisme Magis dalam Naskah Drama Kejahatan Membalas Dendam Karya Idrus Tahun 1948." Indonesian Journal of Performing Arts Education 3, no. 1 (June 22, 2023): 8–14. http://dx.doi.org/10.24821/ijopaed.v3i1.8602.

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AbstrakRealisme magis merupakan karya sastra yang mengaburkan batas antara nalar dan luar nalar. Aliran ini tidak terlepas dari masyarakat Indonesia dengan masing-masing kepercayaan berkaitan magis/mistis yang merupakan unsur kebudayaan. Kajian ini dilakukan untuk menganalisis dan mendeskripsikan unsur realisme magis yang terdapat pada naskah drama Kejahatan Membalas Dendam karya Idrus. Analisis realisme magis pada naskah drama dilakukan berdasarkan penanda realisme magis yang dipetakan oleh Wendy Bush Faris. Pendekatan kajian ini adalah kualitatif deskriptif. Teknik dokumentasi literatur dilakukan sebagai metode pengumpulan data. Analisis dilakukan dengan simak catat, dengan cara membaca naskah drama dan mengklasifikasi naskah berdasarkan ciri realisme magis. Naskah Kejahatan Membalas Dendam karya Idrus memuat lima penanda realisme magis, yakni irreducible element, phenomenal world, unsettling doubt, merging realms, dan disruption identity. Penanda realisme magis ini tampak melalui dialog dan petunjuk lakuan atau tindakan tokoh. Berdasarkan hal tersebut, naskah Kejahatan Membalas Dendam karya Idrus tergolong naskah drama dengan unsur realisme magis. AbstractMagical realism is a literary work that blurs the boundaries between reason and beyond reason. This flow is inseparable from Indonesian society with their respective beliefs related to magic/mystics, which are elements of culture. This study was conducted to analyze and describe the elements of magical realism found in Idrus's drama Crimes of Revenge. The analysis of magical realism in the drama script is based on the markers of magical realism mapped by Wendy Bush Faris. The approach of this study is descriptive qualitative. The literature documentation technique is used as a data collection method. The analysis was carried out by observing notes, by reading the drama scripts and classifying the scripts based on the characteristics of magical realism. Idrus's manuscript of Evil Membas Revenge contains five magical realism markers: irreducible element, phenomenal world, unsettling doubt, merging realms, and identity disruption. This marker of magical realism can be seen through the dialogue and instructions for the behavior or actions of the characters. Based on this, the script for Crimes of Revenge by Idrus is classified as a drama script with elements of magical realism.
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Rahmani, Gulrahman, and Sayed Mojtaba Nayel. "Magic Realism and Fantastic in Contemporary Literature." International Journal of Middle Eastern Research 3, no. 1 (January 6, 2024): 01–03. http://dx.doi.org/10.32996/ijmer.2024.3.1.1.

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Magical Realism and Fantastic are two widely used concepts in contemporary literature. Fantastic is such fiction that blends the realities of our physical world with the supernatural in an indistinguishable manner, with the aim of leading minds of varying abilities on different trails. Both are used in combination to complete the novel. The reader is amazed by the inability to differentiate between real life and the world of fantasy. In Magical Realism, as the name implies, magic, history, fiction and myths are employed. The characters often possess supernatural abilities. It is often mistaken for imaginary realism. The main difference between the two is that in Fantastic, the characters feel shocked and horrified by the happenings, as in Harry Potter’s series, where the sudden disappearance of ‘the mirror’ causes shock. By contrast, in magical realism, the characters tend to react to the occurrence of magic. Another important point is the relation of both to scientific fiction, where events are analyzed on the basis of facts and scientific development in order to enable humans to face life intelligently.
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Pritchard, William H. "Realism without Magic." Hudson Review 42, no. 3 (1989): 484. http://dx.doi.org/10.2307/3850828.

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SPINDLER, WILLIAM. "MAGIC REALISM: A TYPOLOGY." Forum for Modern Language Studies XXIX, no. 1 (1993): 75–85. http://dx.doi.org/10.1093/fmls/xxix.1.75.

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Dissertations / Theses on the topic "Magic realism (Literature)"

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Spence, Leah Mogford. "Magic words : a reconceptualization of magic realism /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9423.

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Adams, Jennifer. "Magic Realism in Holocaust Literature : Troping the Traumatic Real." Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.521912.

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Chan, Siu-wai Sylvia, and 陳小惠. "Carnivalesque adventures in Kiss of the spider woman and Nights at thecircus." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29789151.

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邱偉平 and Wai-ping Yau. "Magic realism and `root-searching' in the works of Mo Yan, Zhaxi Dawa and Han Shaogong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31213844.

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Rave, Maria Eugenia B. "Magical Realism and Latin America." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RaveMEB2003.pdf.

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Spear, Keith. "A genetic model of duality in Latin American magical realism /." View online, 1995. http://repository.eiu.edu/theses/docs/32211998781347.pdf.

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Pedros-Gascon, Antonio Francisco. "Dialogos transatlanticos un "Boom" de Uda y Vuelta /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1187031136.

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Berg, Sharon Louise. "Magic in the North : magical realism in contemporary Scandinavian fiction /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10243.

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Jansen, Anne Mai Yee. "Momentary Magic: Magical Realism as Literary Activism in the Post-Cold War US Ethnic Novel." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365952312.

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Takolander, Maria, and mikewood@deakin edu au. "Apprehending butterflies and flying beauties: Bringing magical realism to ground." Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050825.154534.

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Books on the topic "Magic realism (Literature)"

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Adams, Jenni. Magic Realism in Holocaust Literature. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353.

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Zlotchew, Clark M. Varieties of magic realism. [Fair Haven], NJ: Academic Press ENE, 2006.

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Angulo, María-Elena. Magic realism: Social context and discourse. New York: Garland Pub, 1995.

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Durix, Jean-Pierre. Mimesis, genres, and post-colonial discourse: Deconstructing magic realism. New York, N.Y: St. Martin's Press, 1998.

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Sánchez, María Ruth Noriega. Challenging realities: Magic realism in contemporary American women's fiction. València: Universitat de València, 2002.

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Heras, Saúl Hurtado. Por las tierras de Ilóm: El realismo mágico en Hombres de maíz. México: Universidad Autónoma del Estado de México, 1997.

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Jacqueline, Arnaud, Garnier Xavier, and Université Paris-Nord. Centre d'études littéraires francophones et comparées., eds. Le réalisme merveilleux. Paris, France: Harmattan, 1998.

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Reyna, Ludvimin. Tetong in the land of the unknown. Place of publication not identified]: [Createspace], 2012.

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Víttori, José Luis. Del Barco Centenera y "La Argentina": Orígenes del realismo mágico en América. Santa Fe, Argentina: Ediciones Colmegna, 1991.

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Díez, Luis Mateo. Los frutos de la niebla. Madrid: Alfaguara, 2008.

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Book chapters on the topic "Magic realism (Literature)"

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Adams, Jenni. "Introduction." In Magic Realism in Holocaust Literature, 1–20. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_1.

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Adams, Jenni. "The Dream of the End of the World: Magic Realism and Holocaust History in Jonathan Safran Foer’s Everything Is Illuminated." In Magic Realism in Holocaust Literature, 21–49. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_2.

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Adams, Jenni. "Magic Realism and Dialogic Postmemory: David Grossman’s See Under: Love." In Magic Realism in Holocaust Literature, 50–81. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_3.

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Adams, Jenni. "Trauma and the Grotesque Body: D. M. Thomas’s The White Hotel." In Magic Realism in Holocaust Literature, 82–111. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_4.

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Adams, Jenni. "The Light of Dead Stars: Magic Realist Time in André Schwarz-Bart’s The Last of the Just." In Magic Realism in Holocaust Literature, 112–43. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_5.

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Adams, Jenni. "‘Into Eternity’s Certain Breadth’: Ambivalent Escape in Markus Zusak’s The Book Thief." In Magic Realism in Holocaust Literature, 144–72. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_6.

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Adams, Jenni. "Conclusion." In Magic Realism in Holocaust Literature, 173–81. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_7.

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Thody, Philip. "Magic Realism, Post-modernism and Toni Morrison." In Twentieth-Century Literature, 225–72. London: Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24399-0_13.

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Hanán Díaz, Fanuel. "Realism and magic in Latin American children’s books." In The Routledge Companion to International Children’s Literature, 31–38. Abingdon, Oxon; New York: Routledge, 2017. |: Routledge, 2017. http://dx.doi.org/10.4324/9781315771663-4.

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de la Campa, Román. "Latinos and Magic Realism." In Moments of Magical Realism in US Ethnic Literatures, 259–68. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137329240_13.

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Conference papers on the topic "Magic realism (Literature)"

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Salam, Aprinus. "The Postcolonial Subject Vis A Vis Magic Realism. Some Cases From Indonesian Novels And Its Pedagogical Contribution To The Teaching Of Literature." In Proceedings of the International Conference on Science, Technology, Education, Arts, Culture and Humanity - "Interdisciplinary Challenges for Humanity Education in Digital Era" (STEACH 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/steach-18.2019.24.

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Zimmermann, Joelle, Karen Bredenkamp, John Hwong, and Ketki Jadhav. "Human Interface Guidelines for Interaction Zones in AR." In 8th International Conference on Human Interaction and Emerging Technologies. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002742.

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In Augmented, Virtual and Mixed Reality, users interact with content in 3D space. Currently, surprisingly little is known about where these user interfaces should be placed in 3D space for optimal comfort and productivity. In this presentation, we will discuss factors that affect content placement and put forward a set of best practices for interaction zones in 3D. The output of the project is a set of Human Interface Guidelines (HIG) for Interaction Zones in AR. The Guidelines can be thought of as an AR version of the original Human Interface Guidelines put forward by Macintosh in 1995. The purpose of the Guidelines is to help application designers and developers in AR to design user-centric content in AR. Given the limited research that exists on the range of factors affecting interaction zones in AR, this document will contribute towards growing shared knowledge on this topic. This project combined knowledge of human physiological capabilities and limitations, Anthropometric ranges of the American target population, and current ergonomics guidelines and principles, as well as functional capabilities of Magic Leap 2 mixed reality device in the establishment of the HIG. Specific focus areas of the Human Interface Guidelines (HIG) for Interaction Zones in AR include: Ergonomics and Visual Comfort, Direct vs Indirect Interactions (gesture, gaze, controller), Field of View, and UI Behavior. In Ergonomics and Visual Comfort, we provide recommendations on content placement based on natural human line of sight, ergonomically comfortable head movement, and natural range of eye rotation. In Direct vs Indirect Interactions, we describe that where content is presented relative to the user depends on the way in which the user is expected to interact with the content. For example, content placement for direct (i.e. touch) interactions may be dictated by arm length anthropometry, as well as the field of view of the gesture-perceiving cameras. In Field of View, we review the relationship between field of view and viewing distance, and provide some techniques that designers can use to mitigate the noticeability of cut-off content due to limited FOV. In UI Behavior, we put forward best practices for how the UI moves with the user to prevent discomfort. The methodology to create the Human Interface Guidelines for Interaction Zones in AR is a literature review of existing research and guidelines on ergonomics as well as primary research in AR. The Guidelines will provide functional instructions for Developers and Designers of Augmented, Virtual and Mixed Reality applications, informing the design of content that is comfortable, convenient and optimally placed for the user.
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Tomassoni, Rosella, Stefania Liburdi, Monica Alina Lungu, and Rosalba Roccolini. "THE ARTIST AS THE FORERUNNER OF SOCIO-CULTURAL VALUES." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.15.

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Introduction This paper intends to propose a thinking about art and science as different manifestations of human culture. Objective and Method Goal of this paper, through analysis and observation, is to underline how art and science are interpenetrated so as to interface, inspire and influence each other. [1] (Arieti S., Creativita. La Sintesi Magica. Il Pensiero Scientifico, Italy, 1979) Intuition is what promotes and moves art and science. this is the basis of creativity and man, through him, supposes and glimpses reality by giving it shape. This work also intends to demonstrate how the artist is often a forerunner of sociocultural values (Fusco-Tomassoni) Topic This paper concerns mental mechanisms, which underlie the work of artists and scientists and show both an analogy between science and art, and their common origin with the elaboration of abstract thought and the sophisticated representation of the world. Conclusion In conclusion, if the scientific version of the world has significantly influenced art in general and, even more literature, the literary work of art, as Italo Calvino states, would be the map of the world and of science. In the same way art has influenced science, for example Gould, in elaborating the concept of "contingency" and its role in the structure of biological evolution, was inspired by the structure of the dome of the Basilica of San Marco in Venice. Moreover, art and science often capture the spirit of the times in unison and, especially the artist, can be a forerunner of socio-cultural values by sensing new realities, out of their own time, but in any case by making a synthesis between conscious and unconscious. A ciociarian artist of the twentieth century, a certain Michele Rosa, expresses the figuration of the unconscious and the irrational, he senses the historical and cultural development of peoples. through informal painting, in fact, this artist, anticipating the times, shifts attention to the negative consequences of pathogens, such as viruses, long before what would have been the current Covid-19 pandemic.
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