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Journal articles on the topic 'Magic realism'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Fitria, Ajeng Aisyah. "Realisme Magis dalam Crita Cekak Berjudul Kerisku Kasangsaranmu Karya Suparto Brata." Arnawa 2, no. 1 (2024): 1–12. https://doi.org/10.22146/arnawa.v2i1.12513.

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Literary works are considered the result of human reflection on the realist world. However, some literary works contain not only realist but also topics of magic, such as in the short story (cerkak) titled Kerisku Kasangsaranmu by Suparto Brata in the book Trem Anthology of Crita Cekak (2000). This study uses the theory of magical realism to uncover the magical nature of a realist literature. This theory is defined as an understanding that presents magical or irrational things that live in modern literary works. This study focuses on analyzing the characteristics and determining the level of m

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Adama, Roziah, and Asmiaty Amat. "ELEMEN REALISME MAGIS YANG TIDAK DAPAT DIJELASKAN (THE IRREDUCIBLE ELEMENT) DALAM KUMPULAN CERPEN LARON (2010) OLEH JASNI MATLANI." Jurnal Gendang Alam (GA) 8 (December 20, 2018): 113. http://dx.doi.org/10.51200/ga.v8i.1572.

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ABSTRAK Kajian ini bertujuan menganalisis ciri-ciri realisme magis yang terdapat dalam kumpulan cerpen Laron karya Jasni Matlani (2010) yang menghimpunkan 30 buah cerpen Jasni Matlani. Walau bagaimanapun, kajian ini hanya meneliti lima buah cerpen dalam kumpulan cerpen Laron, iaitu Di Bawah Pohon Angsana, Dua Helai Daun, Kisah di Sebuah Taman dan Perempuan Berbau Harum. Penelitian ciri irreducible element dalam gaya penulisan realisme magis mengikut aliran Wendy B. Faris, iaitu elemen yang tidak dapat dijelaskan menjadi tumpuan analisis kelima-lima cerpen tersebut. Mengikut Wendy B.Faris

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3

Botes, N., and N. Cochrane. "’n Ondersoek na die kunstenaarskap in Die swye van Mario Salviati binne die konteks van die magiese realisme." Literator 27, no. 3 (2006): 27–50. http://dx.doi.org/10.4102/lit.v27i3.200.

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An investigation into the nature of the artist in The long silence of Mario Salviati within the context of magic realism This article investigates the nature of the artist in “The long silence of Mario Salviati” (2000) within the context of magic realism. This novel by Etienne van Heerden is particularly interesting as the theme of art is directly intertwined with magic realism. The specific relationship between artistry and magic realism in “The long silence of Mario Salviati” has not been the focus of any particular study yet. Several artists in the novel will be analysed within the context

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Aldama, Frederick Luis. "Structural Configuration of Magic Realism in the Works of Gabriel García Márquez, Leslie Marmon Silko, Charles Johnson, and Julie Dash." Journal of Narrative and Life History 5, no. 2 (1995): 147–60. http://dx.doi.org/10.1075/jnlh.5.2.03str.

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Abstract This article raises the question of how contemporary multicultural authors and film directors build upon the magic-realist convention, with its specific narra-tive-discourse configurations (the way the story is told) to allow their audience access to foreign, often bizarre worlds. The first section of the analysis deals with understanding the precise structural configurations that make a text work as magic realism and explores variations that complicate the schemata. The second section relies on the first section's discussion of magic-realist codes to look closely at Julie Dash's film

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Mat Hussain, Eizah, Siti Nur Anis Muhammad Apandi, and Nurhasyimah Saidin. "ASPEK REALISME MAGIS DALAM NOVEL CEBISAN MANTERA TERAKHIR." Jurnal Pengajian Melayu 33, no. 2 (2022): 27–43. http://dx.doi.org/10.22452/jomas.vol33no2.2.

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Abstract Magical realism, which combines reality and fantasy, has become a trend in the world of literature, sparking a new way of thinking while producing a literary work. Studies on magical realism in literature are crucial as they could reflect the cultural and societal norms of the society featured. This article utilised the theory of magical realism by Faris (2004) to discuss the aspect of magical realism presented in the novel “Cebisan Mantera Terakhir” (2013) by Hasanuddin Md. Isa and published by the Malaysian Institute of Translation and Books (ITBM). The genre of the novel is classif

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Delbaere, Jeanne. "Magic Realism in Jack Hodgins’s Short Stories." Recherches anglaises et nord-américaines 20, no. 1 (1987): 41–49. http://dx.doi.org/10.3406/ranam.1987.1164.

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Magic realism in Jack Hodgins’s Short Stories. After tracing the development of magic realism and attempting to bring out its main features the author shows that Canadian magic realism combines elements of the two main orientations found elsewhere - fabulation and the marvellous - with a strong visual element borrowed from the school of painting of the same name. She then proceeds to analyse the magic realist elements in Jack Hodgins and more particularly in three of his stories, «Separating », «Spit Delaney’s Island », and «The Plague Children ».

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Azizmohammad, Fatemeh, and Atieh Rafati. "A Comparative Study of Isabel Allende “Ines of My Soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from the View Point of Features of Magic Realism." English Language and Literature Studies 8, no. 1 (2018): 57. http://dx.doi.org/10.5539/ells.v8n1p57.

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This tentative study suggests Isabel Allende “Ines of my soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from magic realism point of view. Magic Realism is a Latin American literary movement which attempts to depict the reality in human’s mind. This literary movement is originated in the Latin American’s fiction in the middle of twentieth century. Isabel Allende, who is famous because in the most of her novels the magic realism is used, depicts the life of Ines Suarez, without whom the settlement of Chile could not be achieved, in the historical novel “Ines of my soul”.The fathe

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Yudono, Kristophorus Divinanto Adi, Godang Lamtiur Sitanggang, and Nugroho Widiyanto. "Realisme Magis dalam Naskah Drama Kejahatan Membalas Dendam Karya Idrus Tahun 1948." Indonesian Journal of Performing Arts Education 3, no. 1 (2023): 8–14. http://dx.doi.org/10.24821/ijopaed.v3i1.8602.

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AbstrakRealisme magis merupakan karya sastra yang mengaburkan batas antara nalar dan luar nalar. Aliran ini tidak terlepas dari masyarakat Indonesia dengan masing-masing kepercayaan berkaitan magis/mistis yang merupakan unsur kebudayaan. Kajian ini dilakukan untuk menganalisis dan mendeskripsikan unsur realisme magis yang terdapat pada naskah drama Kejahatan Membalas Dendam karya Idrus. Analisis realisme magis pada naskah drama dilakukan berdasarkan penanda realisme magis yang dipetakan oleh Wendy Bush Faris. Pendekatan kajian ini adalah kualitatif deskriptif. Teknik dokumentasi literatur dila

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Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.

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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data d

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Hajra, Khalid. "Unveiling the Magical Realism of Pakistan: A Thematic Analysis of A Firefly in the Dark and Midnight Doorways." Al-Qantara 10, no. 02 (2024): 355–74. https://doi.org/10.5281/zenodo.13309865.

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Academic scholarship on Magical Realism has focused majorly on Latin America and, later, on other nations around the world, Pakistani Magic realist literature, however, has not garnered enough scholarly attention. The irreal has long been a part of Pakistani oral and literary tradition, especially in Urdu literature (Kanwal and Mansoor 2021). Recently, Pakistani Anglophone writers have started experimenting with the genre of Speculative fiction by appropriating local folklore and mythological worlds and motifs inspired by the Islamic and South Asian civilizations. To generate an understanding

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Mahesh Chandra Tiwari. "Magic Realism in the Works of Isabel Allende and Gabriel García and Laura Esquivel." Creative Launcher 6, no. 5 (2021): 30–37. http://dx.doi.org/10.53032/tcl.2021.6.5.04.

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To begin, this article provides a short overview of Magic Realism. The meaning of the term the origins and development of Magical Realist literature, as well as "Magic Realism," must be explored next. Three famous authors will be discussed: Garcia Marquez, Isabelle Allende, and Laura Esquivel, as well as female writers Isabelle Allende and Laura Esquivel. In addition, a number of outstanding works by well-known authors connected with the literary movement Magical Realism are critically analysed. A Very Old Man with Enormous Wings, Like Water for Chocolate and The House of the Spirits are among

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Sharma, Khum Prasad. "Magic Realism as Rewriting Postcolonial Identity: A Study of Rushdie’s Midnight’s Children." SCHOLARS: Journal of Arts & Humanities 3, no. 1 (2021): 74–82. http://dx.doi.org/10.3126/sjah.v3i1.35376.

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Magic realism as a literary narrative mode has been used by different critics and writers in their fictional works. The majority of the magic realist narrative is set in a postcolonial context and written from the perspective of the politically oppressed group. Magic realism, by giving the marginalized and the oppressed a voice, allows them to tell their own story, to reinterpret the established version of history written from the dominant perspective and to create their own version of history. This innovative narrative mode in its opposition of the notion of absolute history emphasizes the po

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13

Koch, Bonojyotsna. "Magic Realism: Representations in One Hundred Years of Solitude and Shame." International Journal of English Literature and Social Sciences 10, no. 3 (2025): 755–61. https://doi.org/10.22161/ijels.103.104.

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Magic Realism is a literary genre which comprises magical or supernatural elements with the narrative representing the events as something mundane and realistic without inviting the question of improbability and allowing the readers to question reality itself. Ambiguous in its articulation and innovative in its style, magic realism has been employed by several writers across different regions and is considered to be one of the most experimental and popular literary genres. This study explores two texts namely Gabriel Garcia Marquez’s One Hundred Years of Solitude and Salman Rushdie’s Shame and

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NAIMI, Nabila. "Gabriel Garcia Marquez’s One Hundred Years of Solitude as a Metaphor of Reality in a Magical Realist Way." Journal of Languages and Translation 1, no. 1 (2021): 46–60. http://dx.doi.org/10.70204/jlt.v1i1.170.

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In literature, writers work with magic, their works treat magic as a force that is acquired through studying books and also to depict their real life in a “magical realist ”way. Magical Realism is commonly associated with Latino American literature. Authors like Gabriel Garcia Marquez (1927-2014) used magical realist techniques to propelled Latin American literature to the front stage of the world literature. The present paper is an attempt to render García Márquez’s One Hundred Years of Solitude as a means of depicting the writer’s real life experience in a fictional narrative way. It aims to

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Maria, Mureșan. "THE ALLOHISTORIES OF MAGIC REALISM FRANZ ROH AND THE MAGIC REALIST MODE." Incursions Into The Imaginary 15, no. 2 (2024): 149–66. https://doi.org/10.29302/inimag.2024.15.2.5.

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History as narrative, turning away from the material universe and folding in upon itself in an act of language, is further understood as a matter of tropes by Hayden White (Metahistory, 1975) and of determinism by Ferguson, but not a determinism of causes and effects in the progress of mankind through time; this determinism is actually the set of rules and constraints governing the making of stories:” the teleology of the traditional narrative form” (Ferguson 1997: 65). Yet can we say that the fiction falling under the headings of historiographic metafiction or magical realism, where there is

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Dr. R. Hithayath Khan. "Magical Realism in Indian Literature." Tuijin Jishu/Journal of Propulsion Technology 44, no. 3 (2023): 1958–61. http://dx.doi.org/10.52783/tjjpt.v44.i3.625.

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Magic realism or magical realism is a genre where magical or unreal elements play a natural part in an otherwise realistic environment. Although it is most commonly used as a literary genre, magic realism also applies to film and the visual arts. An example of magic realism occurs when a character in the story continuous to be alive beyond the normal length of life and this is subtly depicted by the character being present throughout many generations. On the surface the story has no clear magical attributes and everything is conveyed in a real setting and breaks the rules of our real world. Ma

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Luburić-Cvijanović, Arijana. "Magic, realism and the river between: The cultural weight of postcolonial magic(al) realism." Kultura, no. 168 (2020): 69–87. http://dx.doi.org/10.5937/kultura2068069l.

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Magic(al) realism has for long attracted critical attention as one of the more theoretically elusive concepts which has been termed magic, magical, and magic(al), interpreted as a narrative genre, mode, or strategy, and analyzed alongside similar terms and neighbouring genres. While it briefly summarizes the troubling terminology associated with magic(al) realism, this paper focuses on the cultural significance of-magic(al) realism for postcolonial writing, and delves into its role as a strategy of resistance in the representation of culture and history, its destabilizing project, and the poss

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Subedi, Yubaraj. "Magic Realism in Rabindra Sameer's Mrityuko Aayu." Journal of Janta Multiple Campus 3, no. 1 (2024): 167–80. http://dx.doi.org/10.3126/jjmc.v3i1.66155.

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This article analyzes the novel Mrityuko Aayu in the light of Magic Realism. Applying magic realism is methodological approach for critical analysis of the novel in this article. It follows interpretive textual analysis. Free translation has been used while taking the citation from the novel. I have drawn the conclusion that the novel is a magic realist novel as it has introduced innovative style of narrating the story. The story begins from the death of the protagonist, but he is capable of seeing everything even after the death. It has blended mundane and supernatural, ordinary and extraordi

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Pritchard, William H. "Realism without Magic." Hudson Review 42, no. 3 (1989): 484. http://dx.doi.org/10.2307/3850828.

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Khan, Scheherazade. "Intersectional Magical Realism: Articulating Suppressed and Ignored Realities." Postcolonial Interventions: An Interdisciplinary Journal of Postcolonial Studies ISSN 2455 6564 Vol. VI, Issue 2 (July 15, 2021): 133–65. https://doi.org/10.5281/zenodo.5105168.

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This paper seeks to demonstrate the potential to describe complex realities by developing our reading of traditional forms of literary genres, such as magical realism, to coincide with developments of identity politics. Moreover, ignored and suppressed voices cannot be acknowledged solely with a subscription to literary realism without recognising its complicity in the suppression of marginalised and intersectional voices. Hence, magic, which inherently defies the rules of realism, can reveal the fiction of dominant discourse and construct accurate narratives of complex intersectional narrativ

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Golan, Romy. "Is Fascist realism a magic realism?" Res: Anthropology and aesthetics 73-74 (March 1, 2020): 221–37. http://dx.doi.org/10.1086/710830.

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Ananyeva, S. V., and A. K. Kalieva. "From Social Realism to Magic Realism." Contemporary Issues of Literary Studies - International Symposium Proceedings 16 (December 11, 2023): 51–56. http://dx.doi.org/10.62119/cils.16.2023.7521.

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Entire layers of fiction in retrospective light might escape the attention of modern literary criticism. Russian speaking writers and poets living in Kazakhstan introduce elements of Kazakh culture into their work: these are details of Kazakh life, song culture, and the bright imagery inherent in Kazakh literature and its unique artistic flavor. Regional Russian literature, connected by roots with Slavic literature, contributed to the development and mutual enrichment of literary ties between Kazakhstan and Russia. Already by the beginning of the 1920s, two directions in the approach to the Ka

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Mahmudah, Mahmudah. "Magical Realism in Aḥmad Sa‘dāwiy’s Frankenstein fī Bagdād". Jurnal Humaniora 28, № 2 (2016): 142. http://dx.doi.org/10.22146/jh.v28i2.16397.

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This article discusses the use of magic realism as a literary device in the Iraqi novel Frankenstein fī Bagdād written by Aḥmad Sa‘dāwiy. The novel is set in the period of inter-ethnic conflict which arose after the American invasion of 2003. Hādī, the main character of the novel, ‘creates a monster’ namely Syismah from the corpses of the many bomb victims in Baghdad. The writer combines setting of the novel with belief of the Iraq people, horoscope practice, and magic, in mystical and illogical atmosphere. Given its magic realist qualities, the analysis draws on the approach of Wendy B. Faris

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Mojsieva Gusheva, Jasmina. "THE PRESENCE OF MAGIC REALISM IN THE NOVEL AND SHORT STORY OF ŽIVKO ČINGO." PALIMPSEST/ ПАЛИМПСЕСТ 10, no. 19 (2025): 77–89. https://doi.org/10.46763/palim25101977mg.

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This paper first provides a brief history of the term Magic Realism, which is linked to two significant anniversaries: 100 years since the establishment of the term by the German art historian Franz Roh and 90 years since the birth of the Macedonian writer Živko Čingo. The primary aim of this paper is to highlight the magical realist writing style in Čingo's prose. The theoretical insights of Wendy Faris and her five constituent elements of magical realist narrative are utilized to achieve this. After conducting a detailed analysis with numerous examples from Čingo's work, the conclusion reaff

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Linhares, Bruno J. "Theopoetic and Pastoral Counseling. Using Magic Realism and Reframing: A Latin American Perspective." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 7, no. 9 (2015): 9. http://dx.doi.org/10.20890/reflexus.v7i9.132.

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Baseado em um artigo de Rubem Alves, escrito em 1977, sobre os Cuidados Pastorais sob a perspectiva da Teologia da Libertação, e no uso do Realismo Mágico na literatura e religião, sugiro ser o Reenquadramento uma proposta genuinamente latino-americana para a poimênica, sobretudo o aconselhamento, seguindo uma prática já feita por Rubem Alves. Palavras-Chave: Rubem Alves, Teologia da Libertação, Realismo Mágico, literatura latino-americana, poimênica. Based on a 1977 article written by RubemAlves about Pastoral Care under the perspective of theology of liberation and on the use of Magic Realis

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Sharma, Khum Prasad. "Blending of Fiction with Historical Reality in Salman Rushdie’s Midnight’s Children and Grabiel Gracia Marquez’s One Hundred Years of Solitude." Literary Studies 34, no. 01 (2021): 67–76. http://dx.doi.org/10.3126/litstud.v34i01.39525.

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This paper investigates the use of magic realism as a strategic tool in Salman Rushdie’s Midnight’s Children (1981) and Gabriel Garcia Marquez’s One Hundred Years of Solitude (1967). Both the authors belong to two distinct continents; still, they have similar histories and stories of struggle. They develop a unique relationship while untangling reality. They create the mysterious relationship between the human beings and their circumstances in a way more realistic than the realist text.Also, the textual analysis reveals the basic goal of both the novelist to revisit their past through magic re

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Pieldner, Judit. "Magic Realism, Minimalist Realism and the Figuration of the Tableau in Contemporary Hungarian and Romanian Cinema." Acta Universitatis Sapientiae, Film and Media Studies 12, no. 1 (2016): 87–114. http://dx.doi.org/10.1515/ausfm-2016-0005.

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Abstract The paper surveys two modes of representation present in contemporary Hungarian and Romanian cinema, namely magic realism and minimalist realism, as two ways of rendering the “real” in the Central Eastern European geocultural context. New Hungarian Film tends to display narratives that share the features of what is generally assumed as being magic realist, accompanied by a high degree of stylization, while New Romanian Cinema is more attracted to creating austere, micro-realistic universes. The paper argues that albeit apparently being forking modes of representation that traverse dis

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Murtaza, Aemen, Mamona Yasmin Khan, and Masroor Sibtain. "Magical Realism: Portrayal of Human Suffering in The Particular Sadness of Lemon Cake by Aimee Bender." Global Social Sciences Review VI, no. I (2021): 246–55. http://dx.doi.org/10.31703/gssr.2021(vi-i).24.

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Magical realism is a genre of literature where fantasy and magic are normalized in reality, and the real world has an undercurrent of magical elements going on. The research is based on the qualitative method within the framework of the theory of Magical Realism presented by Wendy B. Faris (2004). The study at hand explores different aspects of magical realism in the selected novel by analyzing major themes according to Faris's theory of Magical Realism. The research aims to show how the typical presences of people in the novel have been super naturalized through heavenly magical realist segme

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SPINDLER, WILLIAM. "MAGIC REALISM: A TYPOLOGY." Forum for Modern Language Studies XXIX, no. 1 (1993): 75–85. http://dx.doi.org/10.1093/fmls/xxix.1.75.

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Alenscia Prescilla Alexius, Rosli Bin Sareya, and Low Kok On. "ELEMEN REALISME MAGIS DALAM LEGENDA ETIOLOGIKAL ETNIK TATANA DI KUALA PENYU." Jurnal Gendang Alam (GA) 14, no. 2 (2024): 128–36. https://doi.org/10.51200/ga.v14i2.5771.

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ABSTRAK Kegiatan menyampaikan naratif lisan dalam kalangan masyarakat Tatana yang disebut sebagai batangon sudah lama diamalkan sejak zaman nenek moyang lagi. Dalam kalangan orang Tatana, aktiviti bercerita dipraktikkan sebagai alat hiburan dan media pendidikan. Sebanyak lima buah etiologikal Tatana telah dikumpulkan dari kerja lapangan yang dijalankan di daerah Kuala Penyu dengan melibatkan informan dari keturunan Tatana. Setelah diamati, dalam penceritaan legenda etiologikal Tatana memaparkan unsur realisme yang digabungkan dengan unsur magis. Unsur realisme terlihat pada latar tempat, dan m

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Prof. Sanjay Kumar Swarnkar and Shalini Shukla. "The Elements of Supernatural and Magic Realism in Toni Morrison’s Beloved." Creative Launcher 6, no. 3 (2021): 40–43. http://dx.doi.org/10.53032/tcl.2021.6.3.08.

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The present research paper is a study of the elements of Magic Realism and the supernatural elements in the novel, Beloved by the Nobel laureate novelist Toni Morrison. The term Magic Realism was originally applied in the 1920s to the school of surrealist German painters and was later used to describe the process fiction of writers like George Luis Burges, Gabriel Garcia Marquez, and Salman Rushdie etc. These writers weave a sharply etched realism representing ordinary events and details together with fantastic and dream-like elements, as well as with material derived from myth and fairy tales

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Shafiq, Qasim, Sardar Ahmad Farooq, and Asim Aqeel. "Magical Realism Revisited in Erdrich's Tracks: An Interactional Thick Inscription." Global Social Sciences Review IV, no. IV (2019): 487–93. http://dx.doi.org/10.31703/gssr.2019(iv-iv).59.

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This study revisits Louise Erdrich's practice of 'magic realism' to explain how the realistic presentation of unreal elements in Erdrich's writings differs from the western expression of magic realism. With the interactional thick inscription of Erdrich's magic realism, this study argues that the unreal events in Tracks are not based on Erdrich's imagination but the spiritual facts of her inheritance. Her description of naturalcum-supernatural elements cohesively achieves a synthesis of the Chippewa Anishinaabe magic-realistic world and, simultaneously, derives the social and cultural hierarch

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Chernyshova, Svitlana. "Elements of ontological magical realism in Ibi Zoboy's American Street." MESSENGER of Kyiv National Linguistic University. Series Philology 24, no. 2 (2022): 87–95. http://dx.doi.org/10.32589/2311-0821.2.2021.252115.

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The article explores the novel American Street by contemporary US writer of Haitian origin Ibi Zoboy from the perspective of using the technique of magical realism. The novel embraces magic, faith in spirits, otherworldly forces as well as strategies of realism. The narrative mode of magic realism dominates in postcolonial writings as well as in fictional works that describe migration experience. The development of magical realism in different national traditions caused its variety and diverse forms of expression. Therefore, in this paper, the term magic realism or marvelous realism is conside

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Cañete, April Rose U., Rulthan Sumicad, and Gloria Con-ui Cuevas. "Reading Nick Joaquin: Magic Realism and Filipino Psyche." International Journal of Linguistics, Literature and Translation 7, no. 9 (2024): 251–81. http://dx.doi.org/10.32996/ijllt.2024.7.9.26.

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The term ‘magic realism’ extensively refers to the style of writing or technique that includes magical and supernatural events narrated realistically. This research investigates the elements of magic realism in Nick Joaquin’s select short stories, The Mass of St. Sylvestre, Dona Jeronima, and May Day Eve, as juxtaposed with reality, specifically on the magic realism and realities, cultural milieu, and Filipino psyche. The assumption is supported by the literary theories of Mary Ann Cain’s Formalism Theory, Homi K. Bhaba’s Postcolonialism Theory, and Aristotle’s Mimetic Theory. This research us

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Deore, Manisha. "The Interplay of Magic Realism and Historical Realism: Amitav Ghosh's Novels." Shodh Sari-An International Multidisciplinary Journal 03, no. 03 (2024): 238–46. http://dx.doi.org/10.59231/sari7731.

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This abstract delves into the captivating blend of magic realism and historical realism in the works of renowned Indian author Amitav Ghosh. Ghosh, celebrated for his historical and socio-political narratives, occasionally infuses elements of magic realism into his storytelling. Notable novels such as “The Shadow Lines,” “The Calcutta Chromosome,” and “Sea of Poppies” serve as examples where Ghosh adeptly blurs the boundaries between the magical and the real. This research paper emphasizes the diverse ways in which Ghosh explores the interplay between reality and fantasy, encouraging the reade

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Ajeng, Galuh Dwi, and Aksendro Maximilian. "Reading Magical Realism in Salman Rushdie’s Midnight’s Children for Supporting EFL Students’ Cross-Cultural Awareness." Ksatra: Jurnal Kajian Bahasa dan Sastra 5, no. 1 (2023): 195–208. http://dx.doi.org/10.52217/ksatra.v5i1.1245.

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The present study explores the magical realism contents in the Midnight’s Children by Salman Rushdie. It also aims to investigate the way the magical realism contents to be adapted and integrated into the cross-cultural understanding material to support the EFL students’ cross-cultural awareness. The qualitative research method is employed for analysing the primary source by consulting it to the secondary sources. From the story, it is found that the struggle is available between two opposing structures in a mystical realist document, and one of them is working toward the development of a fant

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D'haen, Theo. "Magic Realism and World Literature." Journal of Foreign Languages and Cultures 8, no. 2 (2024): 13–25. https://doi.org/10.53397/hunnu.jflc.202402003.

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The term magic(al) realism originated some one hundred years ago. Since then, it has been used to cover sometimes widely divergent literary productions. My argument will be that the success of magic(al) realism results from how it resonates with a set of literary-critical dispensations changing over time. I will discuss four of these.

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Zakrevskaya, Anna Andreyevna. "Magic Realism of André Delvaux." Journal of Flm Arts and Film Studies 5, no. 2 (2013): 134–43. http://dx.doi.org/10.17816/vgik52134-143.

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The article explores the artistic merit of the underestimated Belgian director’s major films which combine magic irrational elements with visible real life attributes. Employing imaginary space and cinematic time in the films which could be classified as “magic realism”, helps reveal a specific truth: the shift of the angle enables one to see the hidden depth and the mystery, to create a complex picture of the world.

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Fangyuan, JIANG. "A Comparative Study on Magic Realism in Beloved and Big Breasts & Wide Hips." Asia-Pacific Journal of Humanities and Social Sciences 3, no. 2 (2023): 066–82. http://dx.doi.org/10.53789/j.1653-0465.2023.0302.009.p.

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Originating in Latin America in the 1950s, magic realism has become a literary trend because of its artistic and aesthetic values. World-renowned writers such as Gabriel Garcia Marquez, Toni Morrison, and Mo Yan have published a series of literary masterpieces embedded with magical realistic elements, which draw the attention of many literary critics. This thesis uses text analysis and comparative study as research methods and examines the magical realistic elements in Mo Yan and Toni Morrison’s representative works Beloved and Big Breasts & Wide Hips. The discussion focuses on similaritie

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Rizkita Laily, Vany. "NARRATIVE OF MAGIC REALISM IN THE JOHN BELLAIRS’ NOVEL: THE HOUSE WITH THE CLOCK IN ITS WALLS." ANAPHORA: Journal of Language, Literary and Cultural Studies 3, no. 2 (2021): 88–101. http://dx.doi.org/10.30996/anaphora.v3i2.4621.

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This research aims to analyze the relationship between the novel written by John Bellairs entitled The House With A Clock In Its Walls and the magical elements of realism. By using Wendy B. Faris magic realism theory which focuses on the five characters of magic realism, namely, irreducible, phenomenal world, unsettling doubt, merging of nature, and the disturbance of time, space and identity. This research also uses a descriptive qualitative approach. Through this approach, this research can find the results that the five elements or characters of magical realism can be found in the novel.

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Wechsler, Jeffrey. "Magic Realism: Defining the Indefinite." Art Journal 45, no. 4 (1985): 293. http://dx.doi.org/10.2307/776800.

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Morwood, Nicholas. "From ‘Magic’ to ‘Tragic Realism’." Interventions 19, no. 1 (2016): 91–107. http://dx.doi.org/10.1080/1369801x.2015.1129912.

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Jameson, Fredric. "On Magic Realism in Film." Critical Inquiry 12, no. 2 (1986): 301–25. http://dx.doi.org/10.1086/448333.

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Wechsler, Jeffrey. "Magic Realism: Defining the Indefinite." Art Journal 45, no. 4 (1985): 293–98. http://dx.doi.org/10.1080/00043249.1985.10792313.

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R.Gopinathan. "Exploration of Supernatural Allusions in Gabriel Garcia Marquez's "One Hundred Years of Solitude"." Literary Druid 2, no. 2 (2020): 11–15. https://doi.org/10.5281/zenodo.3833406.

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The supernatural transcends the limit of questionable state of existence in magic realism. Even if the readers are conscious about the conflicting and opposing polarities of the rational and irrational, they are not disconcerted at the coherence of elements in magic realism. The article Traces such elements in the chosen topic. 

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Rahayu, Anik Cahyaning, Sudarwati Sudarwati, and Susie Chrismalia Garnida. "Magical Phenomena in Reality in Rick Riordan’s Percy Jackson and The Olympians: The Lightning Thief." Seltics Journal: Scope of English Language Teaching Literature and Linguistics 7, no. 1 (2024): 109–25. http://dx.doi.org/10.46918/seltics.v7i1.2198.

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This research examines the elements of magical realism, using descriptive qualitative method, a literary genre depicting magic in the modern world, in Rick Riordan's "Percy Jackson and the Olympians: The Lightning Thief." Applying Wendy B. Faris' theory of magical realism's five characteristics: the irreducible element, the phenomenal world, unsettling doubts, merging realism, and disruption of time/space/identity. The research identifies these aspects in the novel. The analysis reveals the novel contains irreducible magical elements like worlds, characters, and objects, exemplified by Percy's

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Jaffar Shah, Ghulam Rasool, and Zia-ur-Rehman. "Magic Realism: An Overview of Gabriel Garcia Marquezs’ One Hundred Years of Solitude." Al-Burz 11, no. 1 (2019): 21–31. http://dx.doi.org/10.54781/abz.v11i1.57.

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Magic Realism refers to the method of describing reality in a mythical, magical and supernatural version of the indigenous cultures. This paper highlights the significance of the tool of Magic Realism with reference to Gabriel Garcia Marquez’s One Hundred Years of Solitude as a fantastic literary form employed by the writer to present his culture, society and political history. Reality combined with magical elements, this paper has Magic Realism as theoretical framework to prove how Gabriel Garcia Marquez manipulates this tool to tell the reality of his national history, colonialism, and post-

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Hossain, Md Amir. "Magic Realism in Shakespeare’s The Tempest and Rushdie’s Midnight’s Children." Studies in Linguistics and Literature 2, no. 2 (2018): 63. http://dx.doi.org/10.22158/sll.v2n2p63.

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<em>The aim of this paper is to examine a comparative study between Shakespeare’s The Tempest and Salman Rushdie’s Midnight’s Children in the light of Magic Realism. It aims to examine Shakespeare’s and Rushdie’s treatment of Magic Realism during 16th century England and 20th century India, respectively. For this propose, it attempts to portray some important characters, like Prospero, Caliban, and Ariel in the play, The Tempest and the narrator, Saleem Sinai in the novel, Midnight Children. It aims to look at applying the theory of Magic Realism made by prominent critics and scholars. I

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Flenninacia Basil Raj, B., and K. B. Shalini. "Diving into the Enigma: The Magic Realism of Haruki Murakami’s “Kafka on the Shore”." Shanlax International Journal of Arts, Science and Humanities 11, S2-March (2024): 69–72. http://dx.doi.org/10.34293/sijash.v11is2-march.7513.

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In literature, magic realism presents real-world occurrences that combine elements of fantasy, magic, and dreams. Magic realism makes it difficult to distinguish between fact and fiction and infuses regular events and ordinary life with a dreamlike quality. Most frequently, the term “magic realism” refers to the literary subgenre made popular by Latin American authors like Ruben Dario and Jose Marti in the 1950s. Japanese author Haruki Murakami was born in Kyoto in 1949, during Japan’s post-World War II era. His writings are influenced by many different cultures and traditions and frequently c

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Grobler, G. M. M. "Extraordinary events and primeval images: Magic realism in the works of Northern Sotho novelist O.K. Matsepe." Literator 14, no. 1 (1993): 89–98. http://dx.doi.org/10.4102/lit.v14i1.692.

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Fictive reality in the conventional novel is required to adhere to the laws of real life. Magic realism, however, presents a peculiar and unique world: a fictive but everyday reality, interspersed with extraordinary or 'unreal’ events. In addition, primeval images or archetypes operate in the text, e.g. the image of happiness or paradise, of the father, of the wise old man, of the Messiah and of the eternal return. The art of O.K. Matsepe sufficiently displays these features to justify the conclusion that he may be regarded as a magic realist in the mould of Hubert Lampo and Gabriel García Már

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