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Dissertations / Theses on the topic 'Magical realism'

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1

Rave, Maria Eugenia B. "Magical Realism and Latin America." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RaveMEB2003.pdf.

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Robinson, Lorna Sophia. "Magical realism in Ovid's 'Metamorphoses'." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1446551/.

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This thesis explores aspects of magical realism in Ovid's Metamorphoses . It uses the Cien anos de soledad of Gabriel Garcia Marquez as a comparative tool, examining narrative devices common to both texts; each chapter analyses an important feature of magical realist theory or technique. The first chapter studies the narrative methods that create magical realism, such as anachronism, hybridism and use of internal narrators. In the second chapter, the theory that magical realism arises from a clash of cultures is explored by analysing magical realist episodes in each text from a cultural perspe
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Stockwell, Trefor. "Magical realism : master or servant?" Thesis, Bangor University, 2014. https://research.bangor.ac.uk/portal/en/theses/magical-realism--master-or-servant(686d8e14-4843-4a96-8973-8d051d3abd33).html.

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This study seeks to show the process of development by which my writing of this series of short stories has responded to my relationship to a welcoming, albeit alien, culture; namely: a small mountain village in south west Bulgaria. It also explores my responses to living and working within that c.ulture, and the ways in which my studies of the folk culture, history and the impact of western culture on existing cultural beliefs and values have also affected both my writing and my own rather ambiguous cultural background (see introduction p. 1). The core of the thesis is a collection of eightee
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Reeds, Kenneth S. "An evolutionary definition of magical realism." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/16684/.

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This thesis, titled ‘An Evolutionary Definition of Magical Realism’, studies the changing meaning attached to the term in the secondary literature and, more importantly, contextualizes the criticism with a detailed analysis of key literary texts from throughout magical realism’s more than eighty years of evolution. The work of Jorge Luis Borges and Alejo Carpertier is used to elucidate the magical-realist pre-history, with particular focus on two tropes: the ‘neo-fantastic’ (a term created by Jamie Alazraki for a notion first outlined by Tzvetan Todorov) and ‘recasting of history’. The thesis
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Aldea, Ewa Veverica. "A new theory of magical realism." Thesis, Royal Holloway, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538316.

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Lyons, Reneé C. "Magical Realism Fosters Creativity to Innovation." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2368.

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Do you hope to promote, encourage and foster critical thinking and creativity in your library? Visit this session to discover reader response, literature-based, and interdisciplinary activities appropriate to selected works of magical realism (grades 4-7).
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Berg, Sharon Louise. "Magic in the North : magical realism in contemporary Scandinavian fiction /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10243.

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Stanford, Amanda Theresa. "Outsized reality : how 'magical realism' hijacked modern Latin American fiction." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7847.

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Creative Portion abstract (75%): Literary Fiction Manuscript Souvenirs of the Revolution Against the backdrop of the Mexican Revolution of 1910, betrayal, sexual deviance, rigid morality and a fatal subservience to moral correctness drives the Montelejos clan: complex and self-serving, innocent and deluded, larger than life, an illustrious family line in its final decline. Mariabella Montelejos, who tries to sell her only daughter for the price of a new carriage during the bloodiest part of the Revolution. Her daughter, Portensia Montelejos, who leaves her mother’s body to moulder in the front
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Boyd, Joan. "From realism to magical realism : the American Vietnam War novel." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551596.

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This thesis argues that changes in the form of the novel in post Second World War America, particularly certain novelists' considerations of realism as a viable mode of expression, have had a profound and lasting effect on Vietnam War literature and have been sustained into the twenty first century by a new generation of writers from ethnic minority groups. It examines prior criticism and points of view concerning the work of a number of established authors and considers the recent opinions on contemporary writers addressing the Vietnam experience for the first time. Where necessary the work w
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Young, Jennifer Maria. "Paradidomi : magical realism and the American South." Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/169817/.

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The thesis is comprised of a novel and a critical reflection. The novel component, entitled The Mathers’ Land, draws on traditions of magical realism, storytelling, memory and metafiction. The framing narrative of the novel follows Luanne Richardson, a librarian who has moved South with her new boyfriend, Kenneth Miers. As soon as they arrive in Peebles, North Carolina, Kenneth disappears. Luanne only knows that he last visited a particular house that belongs to the Mathers, the richest family in Peebles. Luanne forces an encounter with the head of the family, Walter Mathers. Despite her initi
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Bundy, Dallin J. "Magical Realism and the Space Between Spaces." DigitalCommons@USU, 2012. https://digitalcommons.usu.edu/etd/1309.

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Magical realism comes from Franz Roh, a german art historian and critic, who first used the term to describe the Post-Expressionism movement in visual art. His seminal writings and definitions on Post-Expressionism, then known as magical realism, were translated into Spanish and made available to Latin America in the mid twentieth century. Authors like Jorge Luis Borges and Gabriel Garcia Marquez adopted Roh's writings and re-appropriated magical realism into literary art, and from there the new genre proliferated through the Latin American Boom and magical realism in literary fiction reached
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Schwalm, Tanja. "Animal writing : magical realism and the posthuman other." Thesis, University of Canterbury. English, 2009. http://hdl.handle.net/10092/4470.

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Magical realist fiction is marked by a striking abundance of animals. Analysing magical realist novels from Australia and Canada, as well as exploring the influence of two seminal Latin American magical realist narratives, this thesis focuses on representations of animals and animality. Examining human-animal relationships in the postcolonial context reveals that magical realism embodies and represents an idea of feral animality that critically engages with an inherently imperialist and Cartesian humanism, and that, moreover, accounts for magical realism's elusiveness within systems of genre c
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Bennett, Caroline Jane. "The politics and poetics of Latin American magical realism." Thesis, Goldsmiths College (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400587.

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Guest, Dorothy Glenda. "Magical Realism and Writing Place: A Novel and Exegesis." Thesis, Griffith University, 2006. http://hdl.handle.net/10072/367538.

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The aim of this thesis is to interrogate, in the exegesis, and amplify, in the creative work, the conjunctions of literary magical realism and writing place. The exegesis is presented in four chapters that examine some aspects of magical realism, with the main focus on the Latin American strand that has as a main influence Alejo Carpentier’s concept of lo real maravilloso americano (the marvellous place of America). The accompanying novel, Siddon Rock, takes the concept of mythology- and place-centred magical realism and places it in the Australian landscape of a small country town just after
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Foster, Natalie. "Eaten: A Novel." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849746/.

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This novel operates on two levels. First, it is a story concerning the fate of a young woman named Raven Adams, who is prompted into journeying westward after witnessing what she believes to be an omen. On another level, however, the novel is intended to be a philosophical questioning of western modes of “science-based” singular conceptualizations of reality, which argue that there is only one “real world” and anyone who deviates from this is “crazy,” “stupid,” or “wrong.” Raven as a character sees the world in terms of what might be called “magical thinking” in modern psychology; her closest
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Takolander, Maria, and mikewood@deakin edu au. "Apprehending butterflies and flying beauties: Bringing magical realism to ground." Deakin University. School of Communication and Creative Arts, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050825.154534.

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Warnes, Christopher Graham. "Magical realism and the cultural politics of the postcolonial novel." Thesis, University of Cambridge, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411212.

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Rocha, Ana Cristina Gomes da. "Narratives of women: gender and magical realism in postcolonial texts." Master's thesis, Universidade de Aveiro, 2012. http://hdl.handle.net/10773/10506.

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Mestrado em Estudos Ingleses<br>Este estudo centra-se na análise de diversos textos pós-coloniais que destacam a relevância de re-imaginar a História através de diferentes perspectivas, nomeadamente a re-invenção do passado com base numa abordagem feminista. A dissolução dos limites entre história e ficção é actualmente aceite como um indicador relevante da "metaficção historiográfica", conforme teorizada por Linda Hutcheon. As obras analisadas neste estudo são, portanto, variantes deste género contemporâneo e das suas interseções com Realismo Mágico. Estas narrativas também têm ainda em comum
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Spear, Keith. "A genetic model of duality in Latin American magical realism /." View online, 1995. http://repository.eiu.edu/theses/docs/32211998781347.pdf.

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Jansen, Anne Mai Yee. "Momentary Magic: Magical Realism as Literary Activism in the Post-Cold War US Ethnic Novel." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365952312.

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Sasser, Kimberly Danielle Anderson. "Magically strategized belonging : magical realism as cosmopolitan mapping in Ben Okri, Cristina García, and Salman Rushdie." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5696.

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Since literary magical realism exploded out of Latin America and into international critical attention in the mid twentieth century, the limbs of its narrative genealogy continue to be sketched in both lower and higher than the branch bearing the immense impact of el boom. Perhaps the most often cited figure from magical realism’s pre-Latin American and pre-literary phase is Franz Roh, who deployed the term in 1925 to describe the German painting movement Magischer realismus, as critics such as Irene Guenther, Kenneth Reeds, Wendy Faris, and Lois Parkinson Zamora have shown. After having migra
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Corum, John. "THE RELEVANCE OF GABRIEL GARCÍA MÁRQUEZ TO CONTEMPORARY ECOCRITICAL THEORY." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/theses/2042.

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Monoculture represents a hindrance to literary ecocriticism. While the ecocritical project aims to think globally, doing so within the linguistic confines of a single language restricts access to very helpful (but non-Anglo) textual material. I argue that of this material, Gabriel García Márquez’s novels are particularly useful because of his unique execution of magical realism towards environmental ends. This project uses ecocritical scholarship to revisit Márquez’s works and to examine the ways in which his deployments of environmental magical realism synthesize and build upon ecocritical el
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Afzal, Amina. "The Beauty and the Beast : Magical Realism in Salman Rushdie’s Shame." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-27801.

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Mild psychological effects, such as sleep-deprivation, on an oppressed and tortured human being can be characterized as “normal”. However, Shame by Salman Rushdie uses magical realist style to describe the psychological effects of shame in a patriarchal society which is based on capitalistic class values. This essay will focus on the Marxist feminist reading of the novel with a psychoanalytical perspective which is going to help analyse the effects of the oppressed female characters, Bilquis Hyder, Sufiya Zinobia and Rani Harappa.  The essay focuses on different incidents in the lives of these
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Nelson, Katherine Snow. "Influenza, Heritage, and Magical Realism in Katherine Anne Porter's Miranda Stories." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/4416.

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Despite the devastating scope of the Spanish Influenza Pandemic of 1918, curiously few references to the flu exist in literature. Katherine Anne Porter offered one of modernism's only extensive fictional treatments of the pandemic in her short novel “Pale Horse, Pale Rider,” decades after her own near-death encounter with the flu. Porter was able to give voice to an experience that had traumatized others into silence by drawing on an early form of magical realism. Magical realism's ghosts—everyday presences rather than otherworldly beings to be feared—are of particular relevance to “Pale Hors
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Vetrano, Katherine. "A Certain Kind Of Hunger." PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/1274.

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The five short fiction stories in this collection vary in styles from Realism, Fairy Tale, to Magical Realism, and all relate in some degrees, to the world of food. "The Food Ghost," told between two parallel perspectives, is the story of a young girl whose apartment is haunted by the ghost of a woman cooking through her last days on earth. "Fig," is a fairytale about a little girl who won't eat, and how her slightly over-bearing parents deal with her refusal. "Drive," tells what happens when a woman tries to hitchhike away from a sour relationship. "How Not To Cook An Emu Egg," tells the stor
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Dickerson, Brendhan Bailie. "Magical realism and subjective reality : an investigation of poetic symbolism and the development of related sculptures." Master's thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/13862.

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Bibliography: leaves 58-62.<br>To meet the requirements for the Master of Fine Art degree at the University of Cape Town my intention was to develop a series of sculptural assemblages which address a sense of subjective or poetic reality, using symbolically resonant found and fabricated objects. The body of work is to be understood as a sculptural parallel to (but not illustrative of) Magical Realist literature, in which arcane phenomena are incorporated into a narrative in order to achieve just such a sense of subjective reality.
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Carothers, Luke Antony. "From Middle-Earth to Macondo: Tolkienian Fantasy, Aesthetic Response, and Magical Realism." Ohio Dominican University Honors Theses / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=oduhonors1462278439.

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Mellas, Michael John. "Constructing multiple realities on stage conceiving a magical realist production of José Rivera's Cloud tectonics /." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1218129542.

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Maxwell, Grayson Lee. "The Junkman's Daughter." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1458584320.

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Thomas, Susan J. "Hideous Progeny: Postcolonial Fiction and the Gothic Tradition." Diss., The University of Arizona, 2014. http://hdl.handle.net/10150/344423.

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Hideous Progeny: Postcolonial Fiction and the Gothic Tradition explores the vexed relationship between postcolonial fiction and the Anglo-European-American Gothic mode. Gothic motifs figure abundantly in postcolonial works, but they are not always meant to be taken seriously; often they take a comic and ironic stance toward the subject matter. When horror does appear in these works, it is usually not situated in the abject Other (the pharmakos figure), but in the projecting mindset of the dominant culture. As the title Hideous Progeny implies, such postcolonial novels are the rebellious off
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Wilson, Corey Carter. "Dis/entwining Bodies: Magical Realism, Corporeality, and Reconciliation in Achmat Dangor’s Short Fiction." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1307.

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Following the formal conclusion of reconciliatory processes in a newly post-apartheid South Africa, narrative remained a perdurable, centripetal force. Extending into the realm of literature, the inquiries of the Truth and Reconciliation Commission were altered and enlarged. The mode of magical realism, in particular, emerged as a viable method not only for representing the world, but for working through uncertain futures and traumatic histories. Shimmering with the extraordinary and ineffable strangeness of the magical realist text, Achmat Dangor’s short story “The Devil”, offers expansive, r
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Howat, Tyler Paul. "Scott Pilgrim's Gaming Reality: An Introduction to Gamer Realism." University of Dayton / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1343318875.

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Burback, Kyle. "Expanded and Integrated Entries from the Orthogonal Encyclopedia on Nature." Ohio University Art and Sciences Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors149277574680419.

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DuBois, Bourenane Heather L. "Rewriting the real : magical realism and the fiction of Wilson Harris and Ben Okri." The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1282836376.

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Walawalkar, Sanjot Aroon. "Retelling histories: magical realism in Gunter Grass's Die Blechtrommel and Salman Rushdie's Midnight's Children." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1409836356.

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Schlosser, Tobias. "„Knowing that Magical Things Were Still Living in the World“." Doctoral thesis, Universitätsbibliothek Chemnitz, 2018. http://nbn-resolving.de/urn:nbn:de:bsz:ch1-qucosa-233141.

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Die vorliegende Studie beschäftigt sich mit dem Phänomen der zeitgenössischen kanadischen Geistergeschichten. Ausgangspunkt ist die außergewöhnlich hohe Anzahl an veröffentlichten Geistergeschichten, die es um bzw. seit Anfang der Jahrtausendwende gab. Die Besonderheit liegt darin, das Kanada gemäß seines Selbstverständnisses ein „matter-of-fact-country“ ist, das im Gegensatz zu seinem südlichen Nachbarn, den USA, weder Gründungsmythen noch eine reichhaltige Tradition an Schauerliteratur vorweisen kann. Dieses Phänomen wird unter einer ästhetisch-ontologischen Perspektive untersucht. Mithilfe
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Daie, Fabio Salem. "A glória e a queda: construção e desagregação do romance na periferia do capitalismo." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-10042014-114554/.

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O presente trabalho visa explorar a forma do romance na periferia do capitalismo no século XX e XXI, tendo como paradigmas dois de seus mais destacados escritores, Alejo Carpentier e Mia Couto. Para tanto, analisa-se aqui as obras Los Pasos Perdidos (Carpentier) e O Outro Pé da Sereia (Couto) à luz da teoria do realismo de György Lukács. O que se deseja demonstrar é: visto que o romance é a epopéia do mundo burguês, autores como Carpentier se valeram do período de desenvolvimentismo industrial no continente latino-americano inserido no crescimento mundial do capitalismo pós-Segunda Guerra (19
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Marchetto, Faye Nicole. "Lo mágico en Allende: Una investigación mágicorrealista y feminista de “El cuaderno de Maya”." University of Toledo / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1430173026.

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Lamb, Elizabeth T. "The Alchemy of Space: A Translation." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1490701723931841.

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Abualhassan, Amani Ahmed D. "Magical Realism in Saudi Novels Between the Return to Origin and the Impact of Foreign trend." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17598.

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This study is mainly concerned with the renewal in Saudi novel in late 1980s. It also links this renewal with global literary trends via studying the most prominent foreign influences that influenced the writing of Saudi novelists in that period. The study focuses on magical realism trend, which has emerged in Latin America and then expanded to be a global trend influencing many novelists around the word including Saudi novelists. The study is divided into five chapters in addition to an introduction and a conclusion. Chapter one provides an overview of the main aspects of the study. It clarif
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Ngara, Kudzayi Munyaradzi. "Imagining the real-magical realism as a post-colonial strategy for narration of the self in Zakes Mda's Ways of dying and the Madonna of Excelsior." Thesis, University of the Western Cape, 2007. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_9422_1254822217.

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<p>The thesis examines the role of magical realism as a postcolonial trope in Ways of Dying and The Madonna of Excelsior. It begins by stating that the author uses magical realism as an alternative strategy for self narration in the face of the dominant ideologies of colonialism (apartheid) and nationalism. Chapter One examines the absurd taxonomies of colour that were legislated under apartheid in South Africa and, using ideas of postcolonial deconstruction, locate Toloki and Niki as characters in existing in incongrous circumstances. Chapter Two shows the strategies adopted by Toloki to fash
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Holgate, Ben. "Porous borders : the amorphous nature of magical realist fiction in Asia and Australasia." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:32abdfeb-baa7-40ee-b721-89b66bc74043.

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This thesis aims to broaden the scope of magical realism by examining contemporary fiction in Asia and Australasia, regions which have been largely neglected in critical discussion of the narrative mode. My research seeks to modify and expand our collective conception of magical realism through key texts that challenge not only how we read the narrative mode, but also our expectations of it. My analysis involves a dual intervention in the fields of postcolonial studies and world literature. I supplement existing scholarship of magical realism with new paradigms of critical thought, such as epi
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Cummins, Jacqueline. "Restoration Myths." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1429109890.

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Boswell, Timothy. "Portraits: A Collection." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28396/.

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This collection consists of a critical preface and five short stories. The preface analyzes what it terms 'fringe fiction,' or stories dealing with elements that are improbable or unusual, though not impossible, as it distinguishes this category from magical realism and offers guidelines for writing this kind of fiction. The short stories explore themes of attachment, loss, guilt, and hope. Collection includes the stories "Portrait," "Dress Up," "Change," "Drawn Onward, We Few, Drawn Onward," and "Broker."
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Lopes, Tania Mara Antonietti [UNESP]. "O realismo mágico e seus desdobramentos em romances de José Saramago." Universidade Estadual Paulista (UNESP), 2011. http://hdl.handle.net/11449/102368.

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Made available in DSpace on 2014-06-11T19:32:07Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-05-03Bitstream added on 2014-06-13T19:21:19Z : No. of bitstreams: 1 lopes_tma_dr_arafcl.pdf: 976896 bytes, checksum: 282dcda3c22061cec439592b7e2fd70e (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>O presente estudo tem como objetivo principal apresentar os desdobramentos do realismo mágico numa análise de A jangada de pedra (SARAMAGO, 2006) e em leituras de As intermitências da morte (SARAMAGO, 2005) e Ensaio sobre a cegueira (SARAMAGO, 2007), em que o proce
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Best, Karen. "A FLOATING WORLD: STORIES." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2070.

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A Floating World is a collection of short stories inspired by fairy tales. Often set in worlds where the mundane and the fantastic come together, these stories explore moments of strangeness that slip beyond the bounds of realist fiction. Fantastical events intrude into mundane reality as characters attempt to reconcile the known with the unknowable.<br>M.F.A.<br>Department of English<br>Arts and Humanities<br>Creative Writing MFA
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Matthews, Elise. ""Stealing Dreams" and Other Stories." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700046/.

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The critical preface, "Learning to Break the Rules" discusses workshop rules as guidelines, as well as how and why I learned to break them. The creative portion of this thesis is made up of eight short stories: "The Many Incarnations of Blazer Chief," "Anna's Monsters," "The Pecan Tree's Daughter," "When the Seas Emptied," "The Umbrella Thief," "How to Forget," "Fracture," and "Stealing Dreams."
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Miller, Laura I. "“Almost Astronauts”: Short Stories." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115120/.

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In this collection of short stories, I abduct experiences from my own life and take them on an imaginative journey. I experiment with elements of structure and point of view, often incorporating the magical or surreal to amplify the narrator’s internal landscape. As demonstrated in the title story, “Almost Astronauts,” these stories all deal with a sudden and sometimes destructive shift in the narrator’s perspective.
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Norell, de Pelcastre Christina Margareta. "Los sabores de la verdad : La presencia del realismo mágico en la novela Como agua para chocolate de Laura Esquivel." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-25206.

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Pedrós-Gascón, Antonio Francisco. "Diálogos transatlánticos: un “Boom” De Ida Y Vuelta." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1187031136.

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