Relevant bibliographies by topics / Magický realismus

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Academic literature on the topic 'Magický realismus'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Magický realismus"

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Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (December 1, 2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.

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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data dan pengumpulan data yang meliputi klasifikasi data menjadi dua kategori utama, yaitu data magis dan data riil. Dalam hasil dan pembahasan, dibuktikan bahwa puisi “Gong” mengandung narasi realisme magis atas mitos Calon Arang melalui lima karakteristik realisme magis yang terdapat di dalamnya. Selain itu, terdapat hubungan relasional di antara elemen yang menjadi karakteristik tersebut. Kadar realisme magis dilihat dari tokoh dan peristiwa dapat dikatakan cukup kuat. Puisi ini menggarisbawahi isu perempuan dan akhir patriaki. Isu tersebut berkait dengan konteks posmodernisme. Penggunaan mitos dalam puisi memperlihatkan cara pandang posmodernisme yang tidak terlepas dari Jakarta sebagai konteks sosial penyair. Kata kunci: mitos, narasi, realisme, magis, karakteristik AbstractThe impact of global literature of magical realism is found in Indonesia literature in both prose and poetry. One indication of the work of magical realism is the representation of myth in the contemporary context. The problem discussed in this research are the narration of the magic and the real in Gong poem and the connection between elements, also the level of magical realism in it. This research used narrative theory of magical realism by Wendy B Faris. This research method was based on magical realism theory in the form of data determination and data collection which included the classification into two categories namely magical data and real data. In result and discussion proved that Gong poem contained a narrative of magical realism upon Calon Arang myth through five characteristic of magical realism in it beside the relation among the elements. Magical realism level seen from character and events was strong enough. This poem underlines the issues of women and the end of patriarchy. The issues are related with postmodernism context. The myths in poem shows postmodernism point of view that can’t be separate from Jakarta as social context. Keywords: myth, narrative, magical, realism, characteristic
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Prasetyohadi, Dio Catur, Hat Pujiati, and Irana Astutiningsih. "Magical Realism-Like in Shakespeare's A Midsummer Night's Dream (Serupa Realisme Magis dalam “A Midsummer Night's Dream” karya Shakespeare)." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 30, 2018): 52. http://dx.doi.org/10.26499/jentera.v7i1.508.

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This article uses concepts of magical realism by Wendy B. Faris to analyze Shakespeare's A Midsummer Night's Dream. We analyze elements of magical realism of the work in mapping discourses between the text and the real life. The chosen material object that published earlier than the theory we chose make this work contributes to describe the trace of the civilization development; event of in-betweeness of human consciousness. However, we have found that A Midsummer Night’s Dream is only a magical realism-like mode, since realism is dominant in the text as the trace of modernity. Meanwhile, the characteristics of Magical Realism that is postulated by Faris is in-between realism and fantasy as a trace of transition era; modern to postmodern. Abstrak: Artikel ini menggunakan konsep-konsep realism magis oleh Wendy B. Faris untuk menganalisis “A Midsummer Night’s Dream” karya Shakespeare. Kami menganalisis elemen-elemen realism magis yang ada dalam karya untuk memetakan wacana-wacana yang ada antara teks dan kenyataan. Pemilihan objek materi yang telah dipublikasi lebih awal dari kelahiran teori yangkami pilih ini berkontribusi untuk menjelaskan jejak perkembanan peradaban Kebudayaan; peristiwa keberantaraan pada kesadaran manusia. Namun demikian, kami menemukan bahwa “A Midsummer Night’s Dream” hanyalah moda tulisan Serupa Realisme Magis, karena dominan teks lebih pada realisme yang merupakan jejak dari modernitas. Sementara syarat realism magis yang ditawarkan Faris adalah keberantaraan realisme dan fantasi sebagai jejak era transisi modern menuju postmodern.
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Faruk, Faruk, Cahyaningrum Dewojati, Fadil Munawwar Manshur, and Asef Saeful Anwar. "REALISME MAGIS DI PESANTREN DARUSSALAM CIAMIS." Bakti Budaya 3, no. 1 (April 20, 2020): 20. http://dx.doi.org/10.22146/bb.55497.

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AbstractNowadays magical Realism is the most popular literary genre in the world. This genre has strong influences in literature as well as fine art and film. It is for this reason that people competence in working with this genre is very important for developing Indonesian creative industry. Therefore, Magister Program for Literary Studies Faculty of Cultural Sciences Gadjah Mada University necessities to have a workshop program for investing people writing capability in this kind of genre. Target subject for the program is Darussalam Literary Community whose activities located in Islamic Boarding House (Pesantren) Darussalam, Ciamis, West Java. By using theory of Magical Realism and participatory method in three days intensive course the program found that the member of community involved in the course had strong potential capacity in literary writing. Although the first step of the program focused in training for writing in realistic literary work, there was a surprising phenomenon indicated the participant capability in writing magical realist work as well. -----------AbstrakRealisme magis merupakan genre sastra yang saat ini paling populer di dunia. Paham ini tidak hanya berpengaruh di bidang seni sastra, tetapi juga seni rupa, film, dan sebagainya. Oleh karena itu, kemampuan untuk menulis karya sastra dengan genre ini sangat penting bagi industri kreatif. Dengan alasan inilah, Program Magister Ilmu Sastra, Fakultas Ilmu Budaya UGM menganggap perlu untuk mengadakan pelatihan penulisan sastra realisme magis ini bagi masyarakat. Yang dipilih sebagai kelompok sosial sasaran adalah Komunitas Sastra Darussalam yang berlokasi di Pesantren Darussalam Ciamis. Tahap pertama program ini adalah pelatihan dasar penulisan sastra dengan genre realisme yang juga menjadi dasar dari realisme magis. Program itu dilaksanakan secara intensif selama tiga hari dengan menggunakan teori realisme magis sebagai kerangka konseptualnya dan gabungan antara ceramah, diskusi, latihan, dan partisipasi sebagai metodenya. Hasil kegiatan tersebut membuktikan bahwa peserta pelatihan yang berjumlah 15 orang mempunyai kepekaan terhadap persoalan-persoalan empiris yang ada di lingkungan pesantren dan mempunyai kemampuan dalam penulisan latar, tokoh, serta alur cerita. Meskipun program pada tahap ini difokuskan pada penulisan karya sastra yang realistis, peserta sudah memperlihatkan potensi dalam penulisan realisme magis.
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Widijanto, Tjahjono. "JAGAD ALUS MISTIS JAWA DALAM CERPEN-CERPEN DANARTO DAN FANTASI MAGIS TERNATE DALAM NOVEL CALA IBI KARYA NUKILA AMAL." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 30, 2018): 102. http://dx.doi.org/10.26499/jentera.v7i1.682.

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Abstrak: Artikel ini mengkaji kumpulan cerpen Godlob karya Danarto dan novel Cala Ibi karya Nukila Amal dari sudut pandang realisme magis. Realisme magis dipahami sebagai gaya estetetik yang mengandung unsur-unsur magis bercampur aduk dengan realitas. Dalam realisme magis wilayah mistis dan realitas empiris diperlakukan sejajar karena yang fantasi dan supranatural mengakar pada realitas kultural dan historis. Kajian dalam tulisan ini berdasarkan pandangan bahwa teks sastra pasti akan terpengaruh oleh kultur masyarakat dan pengarangnya. Muatan makna yang terdapat di dalam karya sastra akan dipengaruhi dan ditentukan oleh kosmologi budaya, nila-nilai, norma, konvensi sosial budaya atau bahkan ideologi pengarangnya. Metode dalam tulisan ini menggunakan metode kualitatif deskriptif, yakni prosedur penelitian yang menghasilkan data-data deskriptif berupa kata-kata atau kalimat tertulis yang menunjukkan kadar realisme magis dalam cerpen-cerpen Danarto yang terkumpul dalam kumpulan cerpen Godlob dan dalam novel Cala Ibi karya Nukila Amal. Dalam kumpulan crpen Godlob karya Danarto maupun novel Cala Ibi Nukila Amal dapat ditemukan ciri-ciri realisme magis, yakni elemen yang tidak dapat direduksi, dunia fenomenal, keraguan-keraguan yang menggoyahkan, penggabuangan antara yang magis fantasi dengan realitas dan rusaknya batas, ruang, waktu dan identitas. Dalam cerpen-cerpen Danarto, realisme magis berlandaskan mistisisme Jawa berupa konsep-konsep sangkan paraning dumadi, mulih-mulanira, dan manunggaling kawula-gusti, sedangkan dalam novel Cala Ibi, realisme magis berdasarkan mitos-mitos historis Ternate, dan sufisme Islam dengan konsep wahdatul wujud. Abstract: These article investigate the short story collections of Godlob by danarto and novel Cala Ibi by Nukila Amal from from point of view magical realism. Magical realism is being understood as an aesthetic style which is consist of magical elements that mixed by reality. In magical realism, the mistic and empirical reality treated parallely because of the fantasy and supranatural which is rooted to cultural and historical reality. The study of these writing based on a view that literature writing will be affected and determined cultural cosmology, values, norm, cultural social converence or even the writer ideology. The metode in these writing using descriptive qualitative metode, that is research procedure which is produced descriptive datas contain word`s or `written sentences pointed Godlob and the novel Cala Ibi by Nukila Amal can be found in the magical realism: elements that cannot be reducted, fenomenal world, faltering doubts, merging between magical fantasy with reality and the damage limit, space, time and identity. In Danarto’s short story, magical realism based on Javanese mistism such as concept sangkan paraning dumadi,mulih mulanira and manunggaling kawula gusti. While in the novel Cala Ibi, magical realism based on Ternate historical myths and Islamic sufism with wihdatul wujud comcept.
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Murtaza, Aemen, Mamona Yasmin Khan, and Masroor Sibtain. "Magical Realism: Portrayal of Human Suffering in The Particular Sadness of Lemon Cake by Aimee Bender." Global Social Sciences Review VI, no. I (March 30, 2021): 246–55. http://dx.doi.org/10.31703/gssr.2021(vi-i).24.

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Magical realism is a genre of literature where fantasy and magic are normalized in reality, and the real world has an undercurrent of magical elements going on. The research is based on the qualitative method within the framework of the theory of Magical Realism presented by Wendy B. Faris (2004). The study at hand explores different aspects of magical realism in the selected novel by analyzing major themes according to Faris's theory of Magical Realism. The research aims to show how the typical presences of people in the novel have been super naturalized through heavenly magical realist segments. Moreover, the significance of this study lies in the fact that it explored seemingly opposite phenomena of 'magic' and 'realism' and established a connection between them. The study seeks to find how each character of the novel The Particular Sadness of Lemon Cake is enduring in their own particular manner, representing the suffering of individuals in the real world considering the situation after World Wars. This research will open the ways for future researchers to work in the direction of magical realism and enhance its scope in general.
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Rizkita Laily, Vany. "NARRATIVE OF MAGIC REALISM IN THE JOHN BELLAIRS’ NOVEL: THE HOUSE WITH THE CLOCK IN ITS WALLS." ANAPHORA: Journal of Language, Literary and Cultural Studies 3, no. 2 (February 7, 2021): 88–101. http://dx.doi.org/10.30996/anaphora.v3i2.4621.

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This research aims to analyze the relationship between the novel written by John Bellairs entitled The House With A Clock In Its Walls and the magical elements of realism. By using Wendy B. Faris magic realism theory which focuses on the five characters of magic realism, namely, irreducible, phenomenal world, unsettling doubt, merging of nature, and the disturbance of time, space and identity. This research also uses a descriptive qualitative approach. Through this approach, this research can find the results that the five elements or characters of magical realism can be found in the novel.
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Sundusiah, Suci. "MEMAHAMI REALISME MAGIS DANARTO DAN MARQUEZ." LINGUA: Journal of Language, Literature and Teaching 12, no. 1 (March 1, 2015): 123–36. http://dx.doi.org/10.30957/lingua.v12i1.76.

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Begun as a theme of painting art, magical realism exists as a typical place in litarature. The works of magical realism literature efforts to appear magical aspects such as superstition, beliefs, folklor and spiritual substance exceding from the logic into reality of daily lifes. The substance of the magic is integrated in the accepted traditions and cultures. This article analyzes short stories of Danarto and a novel of Marquez. Both aouthors are selected as they represent pionneers of writing style of magical realism from two different cultures. Both authors express the same writing style, but their patterns of rhetoric differ. Danarto focuses on the magical realism of religion, sufism and Javanese cultures, combining magical realism with surealism styles. In addition, Marquez brings readers to the structure of Latin American society that produces unpredictable magical cultures.
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Luburić-Cvijanović, Arijana. "Magic, realism and the river between: The cultural weight of postcolonial magic(al) realism." Kultura, no. 168 (2020): 69–87. http://dx.doi.org/10.5937/kultura2068069l.

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Magic(al) realism has for long attracted critical attention as one of the more theoretically elusive concepts which has been termed magic, magical, and magic(al), interpreted as a narrative genre, mode, or strategy, and analyzed alongside similar terms and neighbouring genres. While it briefly summarizes the troubling terminology associated with magic(al) realism, this paper focuses on the cultural significance of-magic(al) realism for postcolonial writing, and delves into its role as a strategy of resistance in the representation of culture and history, its destabilizing project, and the possible pitfalls in its employment.
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Azizmohammad, Fatemeh, and Atieh Rafati. "A Comparative Study of Isabel Allende “Ines of My Soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from the View Point of Features of Magic Realism." English Language and Literature Studies 8, no. 1 (February 8, 2018): 57. http://dx.doi.org/10.5539/ells.v8n1p57.

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This tentative study suggests Isabel Allende “Ines of my soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from magic realism point of view. Magic Realism is a Latin American literary movement which attempts to depict the reality in human’s mind. This literary movement is originated in the Latin American’s fiction in the middle of twentieth century. Isabel Allende, who is famous because in the most of her novels the magic realism is used, depicts the life of Ines Suarez, without whom the settlement of Chile could not be achieved, in the historical novel “Ines of my soul”.The father of magic realist writers, Gabriel Garcia Marquez in “Love in the time of cholera”, depicts the inside and outside worlds of man in this world, with the using of magic realism, he wants to show these opposites clearly.In this study, firstly, a model of analysis will be assumed by the features of magic realism. Next, Allende’s and Marquez’s novels will be read and analyzed within the magic realism pattern, the magic realism’s features will be traced in the novel. Finally, possible implications of both the model and the findings of the research for literary criticism and teaching novels of this kind will be discussed.
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Salsabila, Ananda Farah, and Karkono. "Unsur Elemen tak Tereduksi (Irreducible Element) Realisme Magis Dalam Novel Bumi Karya Tere Liye." JoLLA: Journal of Language, Literature, and Arts 1, no. 1 (January 30, 2021): 49–61. http://dx.doi.org/10.17977/um064v1i12021p49-61.

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Abstract: Magical realism is a theory by Wendy B. Faris that tells about a narrative that combines the elements of fantasy and reality. The term magical realism was created in 1925 throughout the world of painting and was introduced by Franz Roh, a German art critic. The novel Bumi by Tere Liye that was published in 2014 has the concept of magical realism in it. The writing in this novel contains an imaginary adventure where the main characters are trying to find their true self until they reach the parallel universe. This qualitative research uses a library research method. The data collected were verbal and linguistic data that contains an irreducible element in the data source that is the novel Bumi by Tere Liye. Irreducible element contained in the narrative includes the magical abilities of the main characters, such as Raib who can turn invisible, Seli who can radiate blue lightning, and Ali who can transform into a giant bear. There are also magical objects in this novel, such as the moving alley, The Book of Life, The Sun gloves, and others. The existence of a parallel universe is also a factor that strengthens the irreducible element in this novel. Keywords: magical realism, irreducible element, Bumi novel Abstrak: Realisme magis adalah sebuah teori yang dirumuskan oleh Wendy B. Faris mengenai narasi yang memadukan unsur fantasi dan realita. Istilah realisme magis lahir pada 1925 melalui dunia lukis dan diperkenalkan oleh Franz Roh, seorang kritikus seni Jerman. Novel Bumi karya Tere Liye yang terbit pada tahun 2014 mengangkat konsep realisme magis. Penulisan dalam novel ini mengandung petualangan imajinasi dimana para tokoh-tokoh utamanya dikisahkan bahwa mereka sedang berada dalam petualangan mencari jati diri mereka dan pencarian itu mereka lakukan hingga ke dunia paralel. Penelitian kualitatif ini menggunakan pendekatan kepustakaan. Data yang dikumpulkan berupa data verbal dan kebahasaan yang mengandung unsur Irreducible Element dalam sumber data berupa novel Bumi karya Tere Liye. Unsur Irreducible Element yang terdapat dalam narasi meliputi kemampuan magis tokoh-tokoh utama, seperti Raib yang dapat berubah menjadi tak kasat mata, Seli yang dapat memancarkan petir biru, dan Ali yang dapat berubah menjadi beruang raksasa. Dalam novel ini juga terdapat objek-objek magis seperti lorong berpindah, Buku Kehidupan, sarung tangan Klan Matahari, dan lain sebagainya. Keberadaan Dunia Paralel juga merupakan faktor yang memperkuat unsur Irreducible Element dalam novel ini. Kata kunci: realisme magis, irreducible element, novel Bumi
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Dissertations / Theses on the topic "Magický realismus"

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Belicová, Klára. "Pojetí přírody ve filmovém magickém realismu." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2017. http://www.nusl.cz/ntk/nusl-367414.

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The purpose of this thesis is to define the term ,,magical realism“ and reveal its main features. Based on that I choose four films that differ both in time and place of origin but share common magickorealistic tendency. The most important aspect of this research is the approach to representation of the nature and natural elements in these movies.
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Berg, Sharon Louise. "Magic in the North : magical realism in contemporary Scandinavian fiction /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10243.

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Jansen, Anne Mai Yee. "Momentary Magic: Magical Realism as Literary Activism in the Post-Cold War US Ethnic Novel." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365952312.

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Rave, Maria Eugenia B. "Magical Realism and Latin America." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RaveMEB2003.pdf.

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Stockwell, Trefor. "Magical realism : master or servant?" Thesis, Bangor University, 2014. https://research.bangor.ac.uk/portal/en/theses/magical-realism--master-or-servant(686d8e14-4843-4a96-8973-8d051d3abd33).html.

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This study seeks to show the process of development by which my writing of this series of short stories has responded to my relationship to a welcoming, albeit alien, culture; namely: a small mountain village in south west Bulgaria. It also explores my responses to living and working within that c.ulture, and the ways in which my studies of the folk culture, history and the impact of western culture on existing cultural beliefs and values have also affected both my writing and my own rather ambiguous cultural background (see introduction p. 1). The core of the thesis is a collection of eighteen short stories, written to be performed, and consequently written in storyteller's style. All of the stories, excluding the first and the eighteenth, were written during my two year stay in Bulgaria, and linked using the conceit of the fictional storyteller, Ivan levsky, and all were written in response either to historical events, cultural events or local incidents or characters. It also seeks to illustrate the way in which my work became increasingly reliant on the freedom that Magical Realism allows. It was this freedom that led me to write this collection in the style in which it is written, and led me to the final conclusion that I had no other option of saying what I wished to say in the way in which it was said; hence the rather ambiguous title: Magical Realism; Master or Servant? The literary background is explored through critical reflections in the final chapters. Where appropriate I have explained the genesis of each work and, where appropriate, the influences of the work of other writers upon my writing; in particular the works of Salman Rushdie and Angela Carter. I have also included short critical explorations of the major works of both of these writers. As the stories contain Bulgarian and Turkish words which may not be familiar to some readers I have also included a glossary. For the same reason I have included a brief historical time line relevant to each story.
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Robinson, Lorna Sophia. "Magical realism in Ovid's 'Metamorphoses'." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1446551/.

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This thesis explores aspects of magical realism in Ovid's Metamorphoses . It uses the Cien anos de soledad of Gabriel Garcia Marquez as a comparative tool, examining narrative devices common to both texts; each chapter analyses an important feature of magical realist theory or technique. The first chapter studies the narrative methods that create magical realism, such as anachronism, hybridism and use of internal narrators. In the second chapter, the theory that magical realism arises from a clash of cultures is explored by analysing magical realist episodes in each text from a cultural perspective. The third chapter focuses exclusively on magical realism's connection to Latin America, while the fourth chapter uses case studies of characters from each text to examine how effectively the mode depicts reality. The final chapter investigates the representation of artists and creativity in each work. By exploring Ovid's poem using a modern critical theory, this thesis provides fresh insight into magical aspects of Metamorphoses and broadens the scope of magical realism as a literary term.
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Boyd, Joan. "From realism to magical realism : the American Vietnam War novel." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551596.

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This thesis argues that changes in the form of the novel in post Second World War America, particularly certain novelists' considerations of realism as a viable mode of expression, have had a profound and lasting effect on Vietnam War literature and have been sustained into the twenty first century by a new generation of writers from ethnic minority groups. It examines prior criticism and points of view concerning the work of a number of established authors and considers the recent opinions on contemporary writers addressing the Vietnam experience for the first time. Where necessary the work will be contextualized with social history. The contribution to knowledge is fulfilled by the inclusion of Mexican- American writing within the past decade and by explaining its place in the overall literary contribution to the American Vietnam War novel. The method of investigation is literary critical analysis of selected novels from 1968 to 2002 as applied to examples of the authors' use of realism and magical realism, their imaginative language, the effect of trauma on literary expression and the manifestation of trauma in memory. When necessary, reference is made to myth criticism. The thesis outlines the tendency to go beyond realism and the forces which contributed to it, and argues that the more recent evolution from realism to magical realism, within the wide range of the Vietnam narrative, has facilitated a potentially more powerful and valid means of expression. The investigation concludes that despite being overtaken by other theatres of war, the conflict in Vietnam still maintains its place in American consciousness and that the recent examples of magical realism offered by ethnic minority writers have made a significant contribution to ensuring that the voices from a wider cultural mix are being added to the literary representations of the Vietnam experience.
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Reeds, Kenneth S. "An evolutionary definition of magical realism." Thesis, University College London (University of London), 2008. http://discovery.ucl.ac.uk/16684/.

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This thesis, titled ‘An Evolutionary Definition of Magical Realism’, studies the changing meaning attached to the term in the secondary literature and, more importantly, contextualizes the criticism with a detailed analysis of key literary texts from throughout magical realism’s more than eighty years of evolution. The work of Jorge Luis Borges and Alejo Carpertier is used to elucidate the magical-realist pre-history, with particular focus on two tropes: the ‘neo-fantastic’ (a term created by Jamie Alazraki for a notion first outlined by Tzvetan Todorov) and ‘recasting of history’. The thesis subsequently analyses the presence of these two tropes in five test-cases taken from various stages in magical realism’s evolution: Gabriel García Márquez’s Cien Años de soledad, Salman Rushdie’s Midnight’s Children, Günter Grass’s The Tin Drum, Toni Morrison’s Son of Solomon, and Orhan Pamuk’s Snow. The thesis’s final goal is to demonstrate that magical realism is a combination of the neo-fantastic and recasting of history and with this definition and the close-readings which support it, confront the critical imprecision which has beleaguered the magical-realist debate for many years.
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Aldea, Ewa Veverica. "A new theory of magical realism." Thesis, Royal Holloway, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.538316.

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Lyons, Reneé C. "Magical Realism Fosters Creativity to Innovation." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2368.

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Do you hope to promote, encourage and foster critical thinking and creativity in your library? Visit this session to discover reader response, literature-based, and interdisciplinary activities appropriate to selected works of magical realism (grades 4-7).
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Books on the topic "Magický realismus"

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Sasser, Kim Anderson. Magical Realism and Cosmopolitanism. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137301901.

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Elena, Pontiggia, and Società per le belle arti ed esposizione permanente (Milan, Italy), eds. Pompeo Borra: Un realismo magico. [Milano]: G. Mondadori, 2009.

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Manzanas Calvo, Ana Ma. (Ana María) and Simal González Begoña, eds. Uncertain mirrors: Magical realisms in US ethnic literatures. Amsterdam: Rodopi, 2009.

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Magical Realism in West African Fiction. London: Taylor & Francis Group Plc, 2004.

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Dispenza, Joseph. The magical realism of Alyce Frank. [Santa Fe, N.M.]: New Mexico Magazine, 1999.

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Rediscovering magical realism in the Americas. Westport, Conn: Praeger, 2004.

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Warnes, Christopher. Magical Realism and the Postcolonial Novel. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230234437.

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Magical realism in contemporary Chicano fiction. Frankfurt am Main: Vervuert Verlag, 1993.

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Magical realism and the postcolonial novel: Between faith and irreverence. Basingstoke: Palgrave Macmillan, 2009.

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After colonialism: African postmodernism and magical realism. Johannesburg: Wits University Press, 2005.

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Book chapters on the topic "Magický realismus"

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Gibson, Marion. "Magical realism, magical romance." In Rediscovering Renaissance Witchcraft, 111–30. 1 [edition]. | New York: Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315147802-8.

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"Realismo magico / Magic Realism." In Harsh World and Other Poems, 164–67. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869169-060.

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Delbaere-Garant, Jeanne. "Psychic Realism, Mythic Realism, Grotesque Realism." In Magical Realism, 249–63. Duke University Press, 1995. http://dx.doi.org/10.1215/9780822397212-014.

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DELBAERE-GARANT, JEANNE. "Psychic Realism, Mythic Realism, Grotesque Realism:." In Magical Realism, 249–64. Duke University Press, 1995. http://dx.doi.org/10.2307/j.ctv11cw5w1.17.

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Zamora, Lois Parkinson. "Magical Romance/Magical Realism." In Magical Realism, 497–550. Duke University Press, 1995. http://dx.doi.org/10.1215/9780822397212-025.

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ZAMORA, LOIS PARKINSON. "Magical Romance/Magical Realism:." In Magical Realism, 497–550. Duke University Press, 1995. http://dx.doi.org/10.2307/j.ctv11cw5w1.28.

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"Magical Realism." In The Routledge Companion to Latino/a Literature, 350–57. Routledge, 2012. http://dx.doi.org/10.4324/9780203097199-41.

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D’haen, Theo. "Magical Realism." In Magical Realism and Literature, 117–30. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108551601.010.

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Sieber, Sharon. "Magical realism." In The Cambridge Companion to Fantasy Literature, 165–78. Cambridge University Press, 2012. http://dx.doi.org/10.1017/ccol9780521429597.016.

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Siskind, Mariano. "Magical realism." In The Cambridge History of Postcolonial Literature, 833–68. Cambridge University Press, 2012. http://dx.doi.org/10.1017/chol9781107007031.007.

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Conference papers on the topic "Magický realismus"

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Schofield, Tom, Diego Trujillo Pisanty, Gabriella Arrigoni, Kim Reynolds, and Rachel Pattinson. "Magical Realism and Augmented Reality." In DIS '19: Designing Interactive Systems Conference 2019. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3322276.3322293.

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Xuemin, Heng. "Aboriginality Construction of the Magic Realism in Mo Yan’s Novels." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.90.

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Kenderdine, Sarah. "Somatic solidarity, Magical Realism and Animating Popular Gods: Place-Hampi "where intensities are felt"." In 2007 11th International Conference Information Visualization (IV '07). IEEE, 2007. http://dx.doi.org/10.1109/iv.2007.103.

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Salam, Aprinus. "The Postcolonial Subject Vis A Vis Magic Realism. Some Cases From Indonesian Novels And Its Pedagogical Contribution To The Teaching Of Literature." In Proceedings of the International Conference on Science, Technology, Education, Arts, Culture and Humanity - "Interdisciplinary Challenges for Humanity Education in Digital Era" (STEACH 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/steach-18.2019.24.

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Reports on the topic "Magický realismus"

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Hawkins, Benjamin. Exploring Realism and Magical Realism in Slum Novels of the Global South. Portland State University Library, January 2013. http://dx.doi.org/10.15760/honors.6.

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