Relevant bibliographies by topics / Magisk realism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Magisk realism'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Magisk realism"

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Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (December 1, 2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.

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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data dan pengumpulan data yang meliputi klasifikasi data menjadi dua kategori utama, yaitu data magis dan data riil. Dalam hasil dan pembahasan, dibuktikan bahwa puisi “Gong” mengandung narasi realisme magis atas mitos Calon Arang melalui lima karakteristik realisme magis yang terdapat di dalamnya. Selain itu, terdapat hubungan relasional di antara elemen yang menjadi karakteristik tersebut. Kadar realisme magis dilihat dari tokoh dan peristiwa dapat dikatakan cukup kuat. Puisi ini menggarisbawahi isu perempuan dan akhir patriaki. Isu tersebut berkait dengan konteks posmodernisme. Penggunaan mitos dalam puisi memperlihatkan cara pandang posmodernisme yang tidak terlepas dari Jakarta sebagai konteks sosial penyair. Kata kunci: mitos, narasi, realisme, magis, karakteristik AbstractThe impact of global literature of magical realism is found in Indonesia literature in both prose and poetry. One indication of the work of magical realism is the representation of myth in the contemporary context. The problem discussed in this research are the narration of the magic and the real in Gong poem and the connection between elements, also the level of magical realism in it. This research used narrative theory of magical realism by Wendy B Faris. This research method was based on magical realism theory in the form of data determination and data collection which included the classification into two categories namely magical data and real data. In result and discussion proved that Gong poem contained a narrative of magical realism upon Calon Arang myth through five characteristic of magical realism in it beside the relation among the elements. Magical realism level seen from character and events was strong enough. This poem underlines the issues of women and the end of patriarchy. The issues are related with postmodernism context. The myths in poem shows postmodernism point of view that can’t be separate from Jakarta as social context. Keywords: myth, narrative, magical, realism, characteristic
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Faruk, Faruk, Cahyaningrum Dewojati, Fadil Munawwar Manshur, and Asef Saeful Anwar. "REALISME MAGIS DI PESANTREN DARUSSALAM CIAMIS." Bakti Budaya 3, no. 1 (April 20, 2020): 20. http://dx.doi.org/10.22146/bb.55497.

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AbstractNowadays magical Realism is the most popular literary genre in the world. This genre has strong influences in literature as well as fine art and film. It is for this reason that people competence in working with this genre is very important for developing Indonesian creative industry. Therefore, Magister Program for Literary Studies Faculty of Cultural Sciences Gadjah Mada University necessities to have a workshop program for investing people writing capability in this kind of genre. Target subject for the program is Darussalam Literary Community whose activities located in Islamic Boarding House (Pesantren) Darussalam, Ciamis, West Java. By using theory of Magical Realism and participatory method in three days intensive course the program found that the member of community involved in the course had strong potential capacity in literary writing. Although the first step of the program focused in training for writing in realistic literary work, there was a surprising phenomenon indicated the participant capability in writing magical realist work as well. -----------AbstrakRealisme magis merupakan genre sastra yang saat ini paling populer di dunia. Paham ini tidak hanya berpengaruh di bidang seni sastra, tetapi juga seni rupa, film, dan sebagainya. Oleh karena itu, kemampuan untuk menulis karya sastra dengan genre ini sangat penting bagi industri kreatif. Dengan alasan inilah, Program Magister Ilmu Sastra, Fakultas Ilmu Budaya UGM menganggap perlu untuk mengadakan pelatihan penulisan sastra realisme magis ini bagi masyarakat. Yang dipilih sebagai kelompok sosial sasaran adalah Komunitas Sastra Darussalam yang berlokasi di Pesantren Darussalam Ciamis. Tahap pertama program ini adalah pelatihan dasar penulisan sastra dengan genre realisme yang juga menjadi dasar dari realisme magis. Program itu dilaksanakan secara intensif selama tiga hari dengan menggunakan teori realisme magis sebagai kerangka konseptualnya dan gabungan antara ceramah, diskusi, latihan, dan partisipasi sebagai metodenya. Hasil kegiatan tersebut membuktikan bahwa peserta pelatihan yang berjumlah 15 orang mempunyai kepekaan terhadap persoalan-persoalan empiris yang ada di lingkungan pesantren dan mempunyai kemampuan dalam penulisan latar, tokoh, serta alur cerita. Meskipun program pada tahap ini difokuskan pada penulisan karya sastra yang realistis, peserta sudah memperlihatkan potensi dalam penulisan realisme magis.
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Prasetyohadi, Dio Catur, Hat Pujiati, and Irana Astutiningsih. "Magical Realism-Like in Shakespeare's A Midsummer Night's Dream (Serupa Realisme Magis dalam “A Midsummer Night's Dream” karya Shakespeare)." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 30, 2018): 52. http://dx.doi.org/10.26499/jentera.v7i1.508.

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This article uses concepts of magical realism by Wendy B. Faris to analyze Shakespeare's A Midsummer Night's Dream. We analyze elements of magical realism of the work in mapping discourses between the text and the real life. The chosen material object that published earlier than the theory we chose make this work contributes to describe the trace of the civilization development; event of in-betweeness of human consciousness. However, we have found that A Midsummer Night’s Dream is only a magical realism-like mode, since realism is dominant in the text as the trace of modernity. Meanwhile, the characteristics of Magical Realism that is postulated by Faris is in-between realism and fantasy as a trace of transition era; modern to postmodern. Abstrak: Artikel ini menggunakan konsep-konsep realism magis oleh Wendy B. Faris untuk menganalisis “A Midsummer Night’s Dream” karya Shakespeare. Kami menganalisis elemen-elemen realism magis yang ada dalam karya untuk memetakan wacana-wacana yang ada antara teks dan kenyataan. Pemilihan objek materi yang telah dipublikasi lebih awal dari kelahiran teori yangkami pilih ini berkontribusi untuk menjelaskan jejak perkembanan peradaban Kebudayaan; peristiwa keberantaraan pada kesadaran manusia. Namun demikian, kami menemukan bahwa “A Midsummer Night’s Dream” hanyalah moda tulisan Serupa Realisme Magis, karena dominan teks lebih pada realisme yang merupakan jejak dari modernitas. Sementara syarat realism magis yang ditawarkan Faris adalah keberantaraan realisme dan fantasi sebagai jejak era transisi modern menuju postmodern.
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Widijanto, Tjahjono. "JAGAD ALUS MISTIS JAWA DALAM CERPEN-CERPEN DANARTO DAN FANTASI MAGIS TERNATE DALAM NOVEL CALA IBI KARYA NUKILA AMAL." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 30, 2018): 102. http://dx.doi.org/10.26499/jentera.v7i1.682.

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Abstrak: Artikel ini mengkaji kumpulan cerpen Godlob karya Danarto dan novel Cala Ibi karya Nukila Amal dari sudut pandang realisme magis. Realisme magis dipahami sebagai gaya estetetik yang mengandung unsur-unsur magis bercampur aduk dengan realitas. Dalam realisme magis wilayah mistis dan realitas empiris diperlakukan sejajar karena yang fantasi dan supranatural mengakar pada realitas kultural dan historis. Kajian dalam tulisan ini berdasarkan pandangan bahwa teks sastra pasti akan terpengaruh oleh kultur masyarakat dan pengarangnya. Muatan makna yang terdapat di dalam karya sastra akan dipengaruhi dan ditentukan oleh kosmologi budaya, nila-nilai, norma, konvensi sosial budaya atau bahkan ideologi pengarangnya. Metode dalam tulisan ini menggunakan metode kualitatif deskriptif, yakni prosedur penelitian yang menghasilkan data-data deskriptif berupa kata-kata atau kalimat tertulis yang menunjukkan kadar realisme magis dalam cerpen-cerpen Danarto yang terkumpul dalam kumpulan cerpen Godlob dan dalam novel Cala Ibi karya Nukila Amal. Dalam kumpulan crpen Godlob karya Danarto maupun novel Cala Ibi Nukila Amal dapat ditemukan ciri-ciri realisme magis, yakni elemen yang tidak dapat direduksi, dunia fenomenal, keraguan-keraguan yang menggoyahkan, penggabuangan antara yang magis fantasi dengan realitas dan rusaknya batas, ruang, waktu dan identitas. Dalam cerpen-cerpen Danarto, realisme magis berlandaskan mistisisme Jawa berupa konsep-konsep sangkan paraning dumadi, mulih-mulanira, dan manunggaling kawula-gusti, sedangkan dalam novel Cala Ibi, realisme magis berdasarkan mitos-mitos historis Ternate, dan sufisme Islam dengan konsep wahdatul wujud. Abstract: These article investigate the short story collections of Godlob by danarto and novel Cala Ibi by Nukila Amal from from point of view magical realism. Magical realism is being understood as an aesthetic style which is consist of magical elements that mixed by reality. In magical realism, the mistic and empirical reality treated parallely because of the fantasy and supranatural which is rooted to cultural and historical reality. The study of these writing based on a view that literature writing will be affected and determined cultural cosmology, values, norm, cultural social converence or even the writer ideology. The metode in these writing using descriptive qualitative metode, that is research procedure which is produced descriptive datas contain word`s or `written sentences pointed Godlob and the novel Cala Ibi by Nukila Amal can be found in the magical realism: elements that cannot be reducted, fenomenal world, faltering doubts, merging between magical fantasy with reality and the damage limit, space, time and identity. In Danarto’s short story, magical realism based on Javanese mistism such as concept sangkan paraning dumadi,mulih mulanira and manunggaling kawula gusti. While in the novel Cala Ibi, magical realism based on Ternate historical myths and Islamic sufism with wihdatul wujud comcept.
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Salsabila, Ananda Farah, and Karkono. "Unsur Elemen tak Tereduksi (Irreducible Element) Realisme Magis Dalam Novel Bumi Karya Tere Liye." JoLLA: Journal of Language, Literature, and Arts 1, no. 1 (January 30, 2021): 49–61. http://dx.doi.org/10.17977/um064v1i12021p49-61.

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Abstract: Magical realism is a theory by Wendy B. Faris that tells about a narrative that combines the elements of fantasy and reality. The term magical realism was created in 1925 throughout the world of painting and was introduced by Franz Roh, a German art critic. The novel Bumi by Tere Liye that was published in 2014 has the concept of magical realism in it. The writing in this novel contains an imaginary adventure where the main characters are trying to find their true self until they reach the parallel universe. This qualitative research uses a library research method. The data collected were verbal and linguistic data that contains an irreducible element in the data source that is the novel Bumi by Tere Liye. Irreducible element contained in the narrative includes the magical abilities of the main characters, such as Raib who can turn invisible, Seli who can radiate blue lightning, and Ali who can transform into a giant bear. There are also magical objects in this novel, such as the moving alley, The Book of Life, The Sun gloves, and others. The existence of a parallel universe is also a factor that strengthens the irreducible element in this novel. Keywords: magical realism, irreducible element, Bumi novel Abstrak: Realisme magis adalah sebuah teori yang dirumuskan oleh Wendy B. Faris mengenai narasi yang memadukan unsur fantasi dan realita. Istilah realisme magis lahir pada 1925 melalui dunia lukis dan diperkenalkan oleh Franz Roh, seorang kritikus seni Jerman. Novel Bumi karya Tere Liye yang terbit pada tahun 2014 mengangkat konsep realisme magis. Penulisan dalam novel ini mengandung petualangan imajinasi dimana para tokoh-tokoh utamanya dikisahkan bahwa mereka sedang berada dalam petualangan mencari jati diri mereka dan pencarian itu mereka lakukan hingga ke dunia paralel. Penelitian kualitatif ini menggunakan pendekatan kepustakaan. Data yang dikumpulkan berupa data verbal dan kebahasaan yang mengandung unsur Irreducible Element dalam sumber data berupa novel Bumi karya Tere Liye. Unsur Irreducible Element yang terdapat dalam narasi meliputi kemampuan magis tokoh-tokoh utama, seperti Raib yang dapat berubah menjadi tak kasat mata, Seli yang dapat memancarkan petir biru, dan Ali yang dapat berubah menjadi beruang raksasa. Dalam novel ini juga terdapat objek-objek magis seperti lorong berpindah, Buku Kehidupan, sarung tangan Klan Matahari, dan lain sebagainya. Keberadaan Dunia Paralel juga merupakan faktor yang memperkuat unsur Irreducible Element dalam novel ini. Kata kunci: realisme magis, irreducible element, novel Bumi
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Botes, N., and N. Cochrane. "’n Ondersoek na die kunstenaarskap in Die swye van Mario Salviati binne die konteks van die magiese realisme." Literator 27, no. 3 (July 30, 2006): 27–50. http://dx.doi.org/10.4102/lit.v27i3.200.

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An investigation into the nature of the artist in The long silence of Mario Salviati within the context of magic realism This article investigates the nature of the artist in “The long silence of Mario Salviati” (2000) within the context of magic realism. This novel by Etienne van Heerden is particularly interesting as the theme of art is directly intertwined with magic realism. The specific relationship between artistry and magic realism in “The long silence of Mario Salviati” has not been the focus of any particular study yet. Several artists in the novel will be analysed within the context of magic realism and according to magic realist characteristics to give an integrated perspective on style and theme. This investigation largely conjoins with the viewpoints of Faris (1995), although perspectives from other theorists are also taken as a point of departure. Some important characteristics of magic realist texts which are discussed within the context of artistry in “The long silence of Mario Salviati” are inter alia the co-existence of two worlds, doubts from the reader concerning the interpretation of events as realist or magical, the questioning of conventional ideas about time, space and identity, the anti-bureaucratic viewpoint and the focus on collective rather than individual memory.
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Sundusiah, Suci. "MEMAHAMI REALISME MAGIS DANARTO DAN MARQUEZ." LINGUA: Journal of Language, Literature and Teaching 12, no. 1 (March 1, 2015): 123–36. http://dx.doi.org/10.30957/lingua.v12i1.76.

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Begun as a theme of painting art, magical realism exists as a typical place in litarature. The works of magical realism literature efforts to appear magical aspects such as superstition, beliefs, folklor and spiritual substance exceding from the logic into reality of daily lifes. The substance of the magic is integrated in the accepted traditions and cultures. This article analyzes short stories of Danarto and a novel of Marquez. Both aouthors are selected as they represent pionneers of writing style of magical realism from two different cultures. Both authors express the same writing style, but their patterns of rhetoric differ. Danarto focuses on the magical realism of religion, sufism and Javanese cultures, combining magical realism with surealism styles. In addition, Marquez brings readers to the structure of Latin American society that produces unpredictable magical cultures.
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Fajrin R., Hasina, and Sarwo Ferdi Wibowo. "KADAR REALISME MAGIS DALAM CERPEN DI TUBUH TARRA DALAM RAHIM POHON KARYA FAISAL ODDANG." TELAGA BAHASA 7, no. 2 (January 15, 2020): 151–62. http://dx.doi.org/10.36843/tb.v7i2.61.

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Secara sosial-kebudayaan, masyarakat Indonesia hingga hari ini masih sangat dekat dengan mitos dalam kesehariannya. Mitos-mitos tersebut dapat menjadi sumber inspirasi bagi sastra Indonesia dalam memberikan kekhasan khususnya pada gaya narasi sastra Indonesia seperti dalam cerpen Di Tubuh Tarra dalam Rahim Pohon karya Faisal Oddang. Dalam tulisan ini, kualitas kesastraan karya diungkap melalui sebuah genre baru dalam sastra Indonesia, yaitu realisme magis yang memungkinkan bersatunya elemen riil dan magis dalam gaya narasi. Penelitian ini menggunakan teori realisme magis Wendy B. Faris sebagai pisau analisis untuk menentukan kadar realisme magis dalam cerpen. Hasil penelitian menunjukkan 1) adanya elemen-elemen tak tereduksi, dunia yang fenomenal, keragu-raguan antara magis dan riil, penggabungan dunia-dunia, dan kekacauan waktu, ruang dan identitas berupa objek, karakter, dan peristiwa serta 2) relasi antarelemen menunjukkan bahwa objek, karakter, dan peristiwa antara yang banyak mendominasi karya ini sehingga dapat disimpulkan bahwa kadar realisme magis cerpen ini cukup kuat untuk dikategorikan sebagai karya realisme magis.Kata kunci: realisme magis, Toraja, Faisal Oddang
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Sjåstad, Øystein. "Jan Valentin Sæthers magiske realisme." Kunst og Kultur 103, no. 01 (March 18, 2020): 4–18. http://dx.doi.org/10.18261/issn.1504-3029-2020-01-01.

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Luburić-Cvijanović, Arijana. "Magic, realism and the river between: The cultural weight of postcolonial magic(al) realism." Kultura, no. 168 (2020): 69–87. http://dx.doi.org/10.5937/kultura2068069l.

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Magic(al) realism has for long attracted critical attention as one of the more theoretically elusive concepts which has been termed magic, magical, and magic(al), interpreted as a narrative genre, mode, or strategy, and analyzed alongside similar terms and neighbouring genres. While it briefly summarizes the troubling terminology associated with magic(al) realism, this paper focuses on the cultural significance of-magic(al) realism for postcolonial writing, and delves into its role as a strategy of resistance in the representation of culture and history, its destabilizing project, and the possible pitfalls in its employment.
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Dissertations / Theses on the topic "Magisk realism"

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NILSSON, Anna-Carin. "En gränsöverskridande resa i text och identitet : Magisk realism i Haruki Murakamis roman Kafka på stranden." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-20359.

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Magisk realism utgör ett sofistikerat berättagrepp i den japanske författaren Haruki Murakamis roman Kafka på stranden. I det realistiska ramverket av japansk vardag inträffar magiska inslag i form av fiskregn eller ikiryou en sorts 'gengångare'. Den magiska realismen utgör en artikulation mellan en medveten och en omedveten värld eller tar läsaren med på en gränsöverskridande resa för att utforska stil eller genre i texten samt identitet hos Jaget och den Andre.
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Klapp, Elvira. "”Namngivet, uppmätt och jämfört fjärmade sig trädet från pojken.” : Magisk realism i Marianne Fredrikssons Simon och ekarna." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-432858.

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Uppsatsen är en litteraturvetenskaplig analys av Marianne Fredrikssons roman Simon och ekarna utifrån genren magisk realism. Uppsatsens syfte är att undersöka och diskutera hur romanens övernaturliga element samspelar och kontrasterar med romanens realistiska element, samt hur romanen passar in i den magiskt realistiska traditionen. Detta görs främst utifrån Wendy B. Faris fem kriterier för magiskt realistisk litteratur, samt hennes begrepp avfokalisering. I uppsatsens analysdel sker en genomgång av samtliga fem kriterier som diskuteras i förhållande till romanens handling och tematik. Uppsatsen förhåller sig också till Talia E. Crocketts artikel om användningen av textuell tystnad för att beskriva Förintelsen i Simon och ekarna, och finner att den magiska realismen liksom den textuella tystnaden används för att hantera och beskriva det obeskrivliga. Uppsatsen finner vidare att Simon och ekarna placerar sig i den magiskt realistiska traditionen genom sin sammanblandning av gammal folktro, övernaturliga element och realistiska stil.
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Ahrling, Jane. "A Feminist Reading of The House of the Spirits, Song of Solomon, and One Hundred Years of Solitude." Thesis, Mittuniversitetet, Institutionen för humaniora, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-13840.

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Winblad, Julia. ""I feel like a person who is already dead" : Förlust, läkning och magisk realism i tre japanska romaner." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86284.

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In this thesis the subject of grief and healing are examined in three novels by the Japanese writers Hiromi Kawakami, Ruth Ozeki and Banana Yoshimoto. The method for the analysis is based on psychiatrist Elisabeth Kübler-Ross’ Five Stages of Grief theory, but in the analysis of these novels, it became clear that the grief/healing-stages for the protagonists are not expressed in the exact same manner as the non-fictional patients of Kübler-Ross’ study. The analysis shows that this is partly due to the fact that the narratives take place in Japan and that there is a clear intervention where the writers have used magical interruptions in their realistic portrayal of bereavement, to help the protagonists begin to recover. These magical interruptions, this thesis states, are the use of magical realism, especially connected to the long history of Japanese folklore and myth. As a result, this thesis presents a modified model of analysis, which also reflects how the protagonists filled with bereavement and sorrow can be helped to heal and recover by the interruption of fantastic and magical events. Through this study it has become clear that not only is the need for healing significant but the need for family, relationships and a sense of belonging are just as important. To re-connect with their lost loved ones, whomever they may be, these characters must cross through the magical interventions within the narratives and dare to reach out to the people around them, strengthened by their loss and trauma, rather than fearing relationships with others due to previous trauma and grief.
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Winblad, Julia. "Försvunna kvinnor : En undersökning av magisk realism i Haruki Murakamis Sputnik Älskling och Fågeln som vrider upp världen." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49700.

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Asplund, Laila. "Men hur skriver jag? : Analys av novellen ”När hedningen kom till byn”." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-30851.

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Syftet med min uppsats har varit att undersöka mitt författarskap, dess litterära språk och plats i den samtida litteraturen, genom att analysera min novell ”När hedningen kom till byn”. Undersökningen består av översikter över de genrer jag tycker min text passar inom: magisk realism, norrländsk litteratur och skräcklitteratur; undersökning av författares verk som har influerat mig och varit representativa för den genre de skriver inom; mina kurskamraters och handledares reaktioner och konstruktiva kritik på novellen. Resultaten av genreundersökningarna visar hur jag använt eller inte använt mig av respektive genres olika särdrag och markörer samt hur min text förhåller sig till dess samtida författare. I undersökningen av skrivprocessen framgick textens styrkor och svagheter. Mina slutsatser är att genrebestämningen av novellen är beroende av med vilken blick man väljer att läsa texten. Jag upptäckte också att jag delvis följer de traditionella skrivmönstren inom respektive genre samtidigt som jag har min egen särprägel och ton samt sätt att framställa en text.
The aim of my thesis is to examine my authorship by making an analysis of my short story ”När hedningen kom till byn”. The literary language and its placement in contemporary literature is what I focused on while examinating. My analysis consists of overviews of the genres in which I think my short story fits: magical realism, Swedish northern literature and horror literature. Analyses of other authors’ essays in these genres have been done, as they influence the story in different ways. Constructive criticisms from my fellow students and supervisors have improved the examination. The result of the investigation of the genres shows whether I have used their different characteristics and markers or not. It also presents where the text remains in relation to other contemporary authors. The analysis of the writing process reveals the strengths and weaknesses of the text. I reached the conclusion that the genre of my short story varies, depending on the perspective with which it is read. Another conclusion is that, although I have followed some of the traditional writing patterns in each genre I have my own distinctiveness when it comes to creating, writing and designing a text.
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Ling, Anette. "Väck mig innan du går." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-103747.

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Elias och Leonora blir sammanförda som av en osynlig kraft. Båda har sina skäl att inte inleda en relation, men de blir motvilligt förälskade i varandra. En förälskelse de inte ens erkänner för sig själva. Under ytan sker dock en dold kommunikation, på flera plan, som de har svårt att värja sig mot. Där upplevs och uttrycks en empati och kärlek som de inte riktigt förstår eller kan styra. En kärlek som lever sitt eget liv. Oavsett avstånd. Denna text är en del av slutet på ett romanprojekt.
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Hanzén, Mia. "Milstolpar." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95664.

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Abstract Detta projekt är ett försök att experimentera med metafiktion och magisk realism. Projektet är skrivet som en triptyk bestående av tre texter som alla hör ihop: The Process, Pantbanken och Post Scriptum. Den första texten, The Process, handlar om en författares och hennes alter egos arbete med och funderingar kring skrivandet av den andra texten, Pantbanken. I The Process använder jag olika metafiktiva element varav några som återkommer i Pantbanken. Pantbanken, i sin tur, består av en ramberättelse med fem infogade berättelser/noveller om några människors olika livsval och livsöden. Ramberättelsen är skriven ur ett andrapersonsperspektiv och har därför ett du-tilltal. Du:et i ramberättelsen brottas med tankar om sina mål i livet och rör sig därför i staden under en natt och en dag för att försöka få klarhet i sina funderingar. Under denna natt och dag upplever du:et olika saker som är förknippade med stadens pantbank. I denna berättelse experimenterar jag med magisk realism och lite metafiktion. Den tredje texten, Post Scriptum, är ett försök att med hjälp av magisk realism och metafiktion återigen låta författaren av text nummer två komma till tals. Denna gång ställs hon till svars för sitt skrivande från ett oväntat håll. Den sammanhållande titeln för texterna är Milstolpar. Titeln har för avsikt att anspela på olika val vi människor kan ställas inför under livet, främst när det gäller mellanmänskliga relationer, men även i övrigt. De val vi gör får oss att ta olika beslut och riktningar i livet, vilket även medför olika konsekvenser för hur livet fortsättningsvis blir.
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Masdeu, Paola. "Övernaturliga vardagar : En studie av det övernaturliga i svensk litteratur som medel för social kritik." Thesis, Södertörn University College, School of Gender, Culture and History, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1403.

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This essay analyses the existence of a literary tendency in Sweden the last decade, which shares many similarities with magical realism. The study includes the work of three writers: Majgull Axelsson with Aprilhäxan; John Ajvide Lindquist with Hanteringen av odöda and Låt den rätte komma in; and finally a short story of Alejandro Leiva Wegner, “Elixir”.

Focus for this work is to expose how these writers use supernatural events/people as a strategy to create a new identity and to effect social criticism, strategies that are common to magical realism.

The aim of this work is therefore to clarify generalities about magical realism as a genre and give it a place in Swedish literature and in a changing Swedish society. Furthermore this essay defines a unique term for the genre as adapted to the Swedish reader and with some characteristics of its own: “övernaturlig realism” (supernatural realism).

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Niblaeus, Frida. "Stories and Dreams, Memories and Secrets : Functions of Narration in Amy Tan's The Hundred Secret Senses." Thesis, Stockholms universitet, Avdelningen för litteraturvetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100455.

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The aim of this dissertation is to explore the functions of narration in Amy Tan’s novel The Hundred Secret Senses. The dissertation is divided into three parts: 1 ‘Introduction’, 2 ‘Analysis’ and 3 ‘Conclusion’. After presenting the writings of Amy Tan and my chosen primary literature, I give a brief survey of terms, theories and previous research. Part 2 ‘Analysis’ is presented in an order that corresponds approximately to the chronology of the primary literature, and will be divided into three chapters: 2.1 ‘Explain, Build a Relationship and Reflect’, 2.2 ‘Influence Thinking and Behaviour’ and 2.3 ‘Remember, Unify and Transmit’. Chapter 2.1 has the first half of the novel as its main focus. It is organised mainly after the clarity of the narrator’s voice, i.e. if the narrator shows (e.g. ‘indirect explanation’) or tells (e.g. ‘explicit explanation’), and analyses how narration functions in order to ‘explain’, ‘build a relationship’ and ‘reflect’ on events and other things. Chapter 2.2 elaborates on the narration that takes place before and after the trip to China, an event that divides the novel into two halves. This chapter deals with the function of ‘influence’, which can be seen as a result of the narrator’s authority and is summarised in the section called ‘Steps of Influence’. Chapter 2.3 delves into the functions of narration most visible in the novel’s second half, which takes place in China. The functions of ‘remembrance’, ‘unification’ and ‘transmission’ have many sub-functions in common, which could perhaps be seen as a result of the blurred perspectives in the novel’s plot. Part 3 aims to summarise the results of the analysis. A theme that recurs through the analysis of functions is the relationship and balance of authority between the two characters/narrators. Sometimes a narrator’s authority, or a shift in this balance, is a prerequisite of a function of narration.
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Books on the topic "Magisk realism"

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Elena, Pontiggia, and Società per le belle arti ed esposizione permanente (Milan, Italy), eds. Pompeo Borra: Un realismo magico. [Milano]: G. Mondadori, 2009.

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Magical realism and the postcolonial novel: Between faith and irreverence. Basingstoke: Palgrave Macmillan, 2009.

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Magic(al) realism. New York: Routledge, 2004.

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Magic realism. Detroit: Gale Group, 2000.

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Erdman, Matthijs, and Emily Ansenk. Schilders van een andere werkelijkheid in de collectie van het Scheringa Museum voor Realisme. Spanbroek: Scheringa Museum voor Realisme, 2006.

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1960-, Telesco Patricia, and NetLibrary Inc, eds. The cyber spellbook: Magick in the virtual world. Franklin Lakes, NJ: New Page Books, 2002.

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Dell'Arco, Maurizio Fagiolo. Classicismo pittorico: Metafisica, valori plastici, realismo magico e "900". Genova: Costa & Nolan, 1991.

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Varieties of magic realism. New Jersey, USA: Academic Press ENE, 2007.

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Zlotchew, Clark M. Varieties of magic realism. [Fair Haven], NJ: Academic Press ENE, 2006.

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Nieuw Realisme: 159 kunstwerken uit de collectie van het voormalige Scheringa Museum voor Realisme. Zwolle: d'Jonge Hond, 2010.

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Book chapters on the topic "Magisk realism"

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Gee, Felicity. "Magic realism." In Magic Realism, World Cinema, and the Avant-Garde, 126–48. Abingdon, Oxon; New York: Routledge, 2021. | Series: Remapping world cinema; 5: Routledge, 2021. http://dx.doi.org/10.4324/9781315312811-5.

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Di Noi, Barbara. "Il Musil di Claudio Magris." In Biblioteca di Studi di Filologia Moderna, 119–34. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.14.

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This paper discusses the importance and frequency of Magris’ explorations of Musil and his major work as a novelist, Der Mann ohne Eigenschaften. It investigates the reasons why Musil’s novel is so important, and not only so for the Germanist. Indeed, Musil’s work and its interpretation can also be considered as a kind of ‘model’ for the writer that Magris would become later on in his career. The paper focuses on different features of Musil’s masterpiece, which better meet Magris’ ideal of diegesis, and somehow subvert the classic and rational paradigm of the Bildungsroman, pointing to the magic realism of a writer like Borges.
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de la Campa, Román. "Latinos and Magic Realism." In Moments of Magical Realism in US Ethnic Literatures, 259–68. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137329240_13.

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Punter, David. "Angela Carter’s Magic Realism." In The Contemporary British Novel Since 1980, 48–58. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-349-73717-8_5.

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Giesekam, Greg. "Magic to Realism: European Pioneers." In Staging the Screen, 27–50. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-09099-7_2.

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Durix, Jean-Pierre. "From Fantasy to Magic Realism." In Mimesis, Genres and Post-Colonial Discourse, 79–148. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230377165_4.

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Landau, Neil. "Dystopias, Multiverses and Magic Realism." In TV Writing on Demand, 71–88. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315202150-4.

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Gee, Felicity. "Ethno-magic-realist documentary." In Magic Realism, World Cinema, and the Avant-Garde, 60–90. Abingdon, Oxon; New York: Routledge, 2021. | Series: Remapping world cinema; 5: Routledge, 2021. http://dx.doi.org/10.4324/9781315312811-3.

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Adams, Jenni. "Introduction." In Magic Realism in Holocaust Literature, 1–20. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_1.

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Adams, Jenni. "The Dream of the End of the World: Magic Realism and Holocaust History in Jonathan Safran Foer’s Everything Is Illuminated." In Magic Realism in Holocaust Literature, 21–49. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_2.

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Conference papers on the topic "Magisk realism"

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Fracaro, Franklin Luiz Do Nascimento, Fabiana Frata Furlan Peres, and Claudio Roberto Marquetto Mauricio. "Montando o Project North Star: Um Dispositivo de Visualização de Baixo Custo Baseado em Visão Óptica Direta." In XXI Symposium on Virtual and Augmented Reality. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/svr_estendido.2019.8459.

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Uma das maiores dificuldades para o estudo da realidade aumentada utilizando a abordagem visão direta é o alto custo dos dispositivos disponíveis comercialmente como o HoloLens da Microsoft ou o Magic Leap One da Magic Leap. Através da união do sensor Leap Motion, impressão 3D, hardware e software de código aberto, a startup desenvolvedora do Leap Motion disponibilizou para o público uma soluçãode um visualizador montado na cabeça que utiliza a visão óptica direta chamado Project North Star. Este artigo tem como objetivo demonstrar o processo de montagem de uma versão deste dispositivo de baixo custo e como ele pode tornar-se uma ferramenta poderosa para o estudo da realidade aumentada.
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Lempitsky, Victor, Alexander Vakhitov, and Andrew Starostin. "CarpetVR: The Magic Carpet Meets the Magic Mirror." In 2018 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). IEEE, 2018. http://dx.doi.org/10.1109/vr.2018.8446576.

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Xuemin, Heng. "Aboriginality Construction of the Magic Realism in Mo Yan’s Novels." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.90.

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Fiorentino, Michele, Rafael Radkowski, Antonio Boccaccio, and Antonio Emmanuele Uva. "Magic Mirror Interface for Augmented Reality Maintenance." In AVI '16: International Working Conference on Advanced Visual Interfaces. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2909132.2909268.

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Fiala, Mark. "Magic Mirror System with Hand-held and Wearable Augmentations." In 2007 IEEE Virtual Reality Conference. IEEE, 2007. http://dx.doi.org/10.1109/vr.2007.352493.

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Blum, Tobias, Valerie Kleeberger, Christoph Bichlmeier, and Nassir Navab. "mirracle: An augmented reality magic mirror system for anatomy education." In 2012 IEEE Virtual Reality (VR). IEEE, 2012. http://dx.doi.org/10.1109/vr.2012.6180909.

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Bork, Felix, Roghayeh Barmaki, Ulrich Eck, Pascal Fallavolita, Bernhard Fuerst, and Nassir Navab. "Exploring non-reversing magic mirrors for screen-based augmented reality systems." In 2017 IEEE Virtual Reality (VR). IEEE, 2017. http://dx.doi.org/10.1109/vr.2017.7892332.

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Baričević, Domagoj, Tobias Höllerer, Pradeep Sen, and Matthew Turk. "User-perspective augmented reality magic lens from gradients." In the 20th ACM Symposium. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2671015.2671027.

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Perey, Christine. "Mobile Magic Wand: Augmented reality on mobile devices." In 2009 8th IEEE International Symposium on Mixed and Augmented Reality (ISMAR). IEEE, 2009. http://dx.doi.org/10.1109/ismar.2009.5336445.

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Mine, Mark. "Mixing reality and magic at Disney theme parks." In 2009 8th IEEE International Symposium on Mixed and Augmented Reality (ISMAR). IEEE, 2009. http://dx.doi.org/10.1109/ismar.2009.5336513.

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