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Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (December 1, 2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.
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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data dan pengumpulan data yang meliputi klasifikasi data menjadi dua kategori utama, yaitu data magis dan data riil. Dalam hasil dan pembahasan, dibuktikan bahwa puisi “Gong” mengandung narasi realisme magis atas mitos Calon Arang melalui lima karakteristik realisme magis yang terdapat di dalamnya. Selain itu, terdapat hubungan relasional di antara elemen yang menjadi karakteristik tersebut. Kadar realisme magis dilihat dari tokoh dan peristiwa dapat dikatakan cukup kuat. Puisi ini menggarisbawahi isu perempuan dan akhir patriaki. Isu tersebut berkait dengan konteks posmodernisme. Penggunaan mitos dalam puisi memperlihatkan cara pandang posmodernisme yang tidak terlepas dari Jakarta sebagai konteks sosial penyair. Kata kunci: mitos, narasi, realisme, magis, karakteristik AbstractThe impact of global literature of magical realism is found in Indonesia literature in both prose and poetry. One indication of the work of magical realism is the representation of myth in the contemporary context. The problem discussed in this research are the narration of the magic and the real in Gong poem and the connection between elements, also the level of magical realism in it. This research used narrative theory of magical realism by Wendy B Faris. This research method was based on magical realism theory in the form of data determination and data collection which included the classification into two categories namely magical data and real data. In result and discussion proved that Gong poem contained a narrative of magical realism upon Calon Arang myth through five characteristic of magical realism in it beside the relation among the elements. Magical realism level seen from character and events was strong enough. This poem underlines the issues of women and the end of patriarchy. The issues are related with postmodernism context. The myths in poem shows postmodernism point of view that can’t be separate from Jakarta as social context. Keywords: myth, narrative, magical, realism, characteristic
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Faruk, Faruk, Cahyaningrum Dewojati, Fadil Munawwar Manshur, and Asef Saeful Anwar. "REALISME MAGIS DI PESANTREN DARUSSALAM CIAMIS." Bakti Budaya 3, no. 1 (April 20, 2020): 20. http://dx.doi.org/10.22146/bb.55497.
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AbstractNowadays magical Realism is the most popular literary genre in the world. This genre has strong influences in literature as well as fine art and film. It is for this reason that people competence in working with this genre is very important for developing Indonesian creative industry. Therefore, Magister Program for Literary Studies Faculty of Cultural Sciences Gadjah Mada University necessities to have a workshop program for investing people writing capability in this kind of genre. Target subject for the program is Darussalam Literary Community whose activities located in Islamic Boarding House (Pesantren) Darussalam, Ciamis, West Java. By using theory of Magical Realism and participatory method in three days intensive course the program found that the member of community involved in the course had strong potential capacity in literary writing. Although the first step of the program focused in training for writing in realistic literary work, there was a surprising phenomenon indicated the participant capability in writing magical realist work as well. -----------AbstrakRealisme magis merupakan genre sastra yang saat ini paling populer di dunia. Paham ini tidak hanya berpengaruh di bidang seni sastra, tetapi juga seni rupa, film, dan sebagainya. Oleh karena itu, kemampuan untuk menulis karya sastra dengan genre ini sangat penting bagi industri kreatif. Dengan alasan inilah, Program Magister Ilmu Sastra, Fakultas Ilmu Budaya UGM menganggap perlu untuk mengadakan pelatihan penulisan sastra realisme magis ini bagi masyarakat. Yang dipilih sebagai kelompok sosial sasaran adalah Komunitas Sastra Darussalam yang berlokasi di Pesantren Darussalam Ciamis. Tahap pertama program ini adalah pelatihan dasar penulisan sastra dengan genre realisme yang juga menjadi dasar dari realisme magis. Program itu dilaksanakan secara intensif selama tiga hari dengan menggunakan teori realisme magis sebagai kerangka konseptualnya dan gabungan antara ceramah, diskusi, latihan, dan partisipasi sebagai metodenya. Hasil kegiatan tersebut membuktikan bahwa peserta pelatihan yang berjumlah 15 orang mempunyai kepekaan terhadap persoalan-persoalan empiris yang ada di lingkungan pesantren dan mempunyai kemampuan dalam penulisan latar, tokoh, serta alur cerita. Meskipun program pada tahap ini difokuskan pada penulisan karya sastra yang realistis, peserta sudah memperlihatkan potensi dalam penulisan realisme magis.
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Prasetyohadi, Dio Catur, Hat Pujiati, and Irana Astutiningsih. "Magical Realism-Like in Shakespeare's A Midsummer Night's Dream (Serupa Realisme Magis dalam “A Midsummer Night's Dream” karya Shakespeare)." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 30, 2018): 52. http://dx.doi.org/10.26499/jentera.v7i1.508.
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This article uses concepts of magical realism by Wendy B. Faris to analyze Shakespeare's A Midsummer Night's Dream. We analyze elements of magical realism of the work in mapping discourses between the text and the real life. The chosen material object that published earlier than the theory we chose make this work contributes to describe the trace of the civilization development; event of in-betweeness of human consciousness. However, we have found that A Midsummer Night’s Dream is only a magical realism-like mode, since realism is dominant in the text as the trace of modernity. Meanwhile, the characteristics of Magical Realism that is postulated by Faris is in-between realism and fantasy as a trace of transition era; modern to postmodern. Abstrak: Artikel ini menggunakan konsep-konsep realism magis oleh Wendy B. Faris untuk menganalisis “A Midsummer Night’s Dream” karya Shakespeare. Kami menganalisis elemen-elemen realism magis yang ada dalam karya untuk memetakan wacana-wacana yang ada antara teks dan kenyataan. Pemilihan objek materi yang telah dipublikasi lebih awal dari kelahiran teori yangkami pilih ini berkontribusi untuk menjelaskan jejak perkembanan peradaban Kebudayaan; peristiwa keberantaraan pada kesadaran manusia. Namun demikian, kami menemukan bahwa “A Midsummer Night’s Dream” hanyalah moda tulisan Serupa Realisme Magis, karena dominan teks lebih pada realisme yang merupakan jejak dari modernitas. Sementara syarat realism magis yang ditawarkan Faris adalah keberantaraan realisme dan fantasi sebagai jejak era transisi modern menuju postmodern.
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Widijanto, Tjahjono. "JAGAD ALUS MISTIS JAWA DALAM CERPEN-CERPEN DANARTO DAN FANTASI MAGIS TERNATE DALAM NOVEL CALA IBI KARYA NUKILA AMAL." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 30, 2018): 102. http://dx.doi.org/10.26499/jentera.v7i1.682.
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Abstrak: Artikel ini mengkaji kumpulan cerpen Godlob karya Danarto dan novel Cala Ibi karya Nukila Amal dari sudut pandang realisme magis. Realisme magis dipahami sebagai gaya estetetik yang mengandung unsur-unsur magis bercampur aduk dengan realitas. Dalam realisme magis wilayah mistis dan realitas empiris diperlakukan sejajar karena yang fantasi dan supranatural mengakar pada realitas kultural dan historis. Kajian dalam tulisan ini berdasarkan pandangan bahwa teks sastra pasti akan terpengaruh oleh kultur masyarakat dan pengarangnya. Muatan makna yang terdapat di dalam karya sastra akan dipengaruhi dan ditentukan oleh kosmologi budaya, nila-nilai, norma, konvensi sosial budaya atau bahkan ideologi pengarangnya. Metode dalam tulisan ini menggunakan metode kualitatif deskriptif, yakni prosedur penelitian yang menghasilkan data-data deskriptif berupa kata-kata atau kalimat tertulis yang menunjukkan kadar realisme magis dalam cerpen-cerpen Danarto yang terkumpul dalam kumpulan cerpen Godlob dan dalam novel Cala Ibi karya Nukila Amal. Dalam kumpulan crpen Godlob karya Danarto maupun novel Cala Ibi Nukila Amal dapat ditemukan ciri-ciri realisme magis, yakni elemen yang tidak dapat direduksi, dunia fenomenal, keraguan-keraguan yang menggoyahkan, penggabuangan antara yang magis fantasi dengan realitas dan rusaknya batas, ruang, waktu dan identitas. Dalam cerpen-cerpen Danarto, realisme magis berlandaskan mistisisme Jawa berupa konsep-konsep sangkan paraning dumadi, mulih-mulanira, dan manunggaling kawula-gusti, sedangkan dalam novel Cala Ibi, realisme magis berdasarkan mitos-mitos historis Ternate, dan sufisme Islam dengan konsep wahdatul wujud. Abstract: These article investigate the short story collections of Godlob by danarto and novel Cala Ibi by Nukila Amal from from point of view magical realism. Magical realism is being understood as an aesthetic style which is consist of magical elements that mixed by reality. In magical realism, the mistic and empirical reality treated parallely because of the fantasy and supranatural which is rooted to cultural and historical reality. The study of these writing based on a view that literature writing will be affected and determined cultural cosmology, values, norm, cultural social converence or even the writer ideology. The metode in these writing using descriptive qualitative metode, that is research procedure which is produced descriptive datas contain word`s or `written sentences pointed Godlob and the novel Cala Ibi by Nukila Amal can be found in the magical realism: elements that cannot be reducted, fenomenal world, faltering doubts, merging between magical fantasy with reality and the damage limit, space, time and identity. In Danarto’s short story, magical realism based on Javanese mistism such as concept sangkan paraning dumadi,mulih mulanira and manunggaling kawula gusti. While in the novel Cala Ibi, magical realism based on Ternate historical myths and Islamic sufism with wihdatul wujud comcept.
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Salsabila, Ananda Farah, and Karkono. "Unsur Elemen tak Tereduksi (Irreducible Element) Realisme Magis Dalam Novel Bumi Karya Tere Liye." JoLLA: Journal of Language, Literature, and Arts 1, no. 1 (January 30, 2021): 49–61. http://dx.doi.org/10.17977/um064v1i12021p49-61.
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Abstract: Magical realism is a theory by Wendy B. Faris that tells about a narrative that combines the elements of fantasy and reality. The term magical realism was created in 1925 throughout the world of painting and was introduced by Franz Roh, a German art critic. The novel Bumi by Tere Liye that was published in 2014 has the concept of magical realism in it. The writing in this novel contains an imaginary adventure where the main characters are trying to find their true self until they reach the parallel universe. This qualitative research uses a library research method. The data collected were verbal and linguistic data that contains an irreducible element in the data source that is the novel Bumi by Tere Liye. Irreducible element contained in the narrative includes the magical abilities of the main characters, such as Raib who can turn invisible, Seli who can radiate blue lightning, and Ali who can transform into a giant bear. There are also magical objects in this novel, such as the moving alley, The Book of Life, The Sun gloves, and others. The existence of a parallel universe is also a factor that strengthens the irreducible element in this novel.
Keywords: magical realism, irreducible element, Bumi novel
Abstrak: Realisme magis adalah sebuah teori yang dirumuskan oleh Wendy B. Faris mengenai narasi yang memadukan unsur fantasi dan realita. Istilah realisme magis lahir pada 1925 melalui dunia lukis dan diperkenalkan oleh Franz Roh, seorang kritikus seni Jerman. Novel Bumi karya Tere Liye yang terbit pada tahun 2014 mengangkat konsep realisme magis. Penulisan dalam novel ini mengandung petualangan imajinasi dimana para tokoh-tokoh utamanya dikisahkan bahwa mereka sedang berada dalam petualangan mencari jati diri mereka dan pencarian itu mereka lakukan hingga ke dunia paralel. Penelitian kualitatif ini menggunakan pendekatan kepustakaan. Data yang dikumpulkan berupa data verbal dan kebahasaan yang mengandung unsur Irreducible Element dalam sumber data berupa novel Bumi karya Tere Liye. Unsur Irreducible Element yang terdapat dalam narasi meliputi kemampuan magis tokoh-tokoh utama, seperti Raib yang dapat berubah menjadi tak kasat mata, Seli yang dapat memancarkan petir biru, dan Ali yang dapat berubah menjadi beruang raksasa. Dalam novel ini juga terdapat objek-objek magis seperti lorong berpindah, Buku Kehidupan, sarung tangan Klan Matahari, dan lain sebagainya. Keberadaan Dunia Paralel juga merupakan faktor yang memperkuat unsur Irreducible Element dalam novel ini.
Kata kunci: realisme magis, irreducible element, novel Bumi
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Botes, N., and N. Cochrane. "’n Ondersoek na die kunstenaarskap in Die swye van Mario Salviati binne die konteks van die magiese realisme." Literator 27, no. 3 (July 30, 2006): 27–50. http://dx.doi.org/10.4102/lit.v27i3.200.
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An investigation into the nature of the artist in The long silence of Mario Salviati within the context of magic realism This article investigates the nature of the artist in “The long silence of Mario Salviati” (2000) within the context of magic realism. This novel by Etienne van Heerden is particularly interesting as the theme of art is directly intertwined with magic realism. The specific relationship between artistry and magic realism in “The long silence of Mario Salviati” has not been the focus of any particular study yet. Several artists in the novel will be analysed within the context of magic realism and according to magic realist characteristics to give an integrated perspective on style and theme. This investigation largely conjoins with the viewpoints of Faris (1995), although perspectives from other theorists are also taken as a point of departure. Some important characteristics of magic realist texts which are discussed within the context of artistry in “The long silence of Mario Salviati” are inter alia the co-existence of two worlds, doubts from the reader concerning the interpretation of events as realist or magical, the questioning of conventional ideas about time, space and identity, the anti-bureaucratic viewpoint and the focus on collective rather than individual memory.
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Sundusiah, Suci. "MEMAHAMI REALISME MAGIS DANARTO DAN MARQUEZ." LINGUA: Journal of Language, Literature and Teaching 12, no. 1 (March 1, 2015): 123–36. http://dx.doi.org/10.30957/lingua.v12i1.76.
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Begun as a theme of painting art, magical realism exists as a typical place in litarature. The works of magical realism literature efforts to appear magical aspects such as superstition, beliefs, folklor and spiritual substance exceding from the logic into reality of daily lifes. The substance of the magic is integrated in the accepted traditions and cultures. This article analyzes short stories of Danarto and a novel of Marquez. Both aouthors are selected as they represent pionneers of writing style of magical realism from two different cultures. Both authors express the same writing style, but their patterns of rhetoric differ. Danarto focuses on the magical realism of religion, sufism and Javanese cultures, combining magical realism with surealism styles. In addition, Marquez brings readers to the structure of Latin American society that produces unpredictable magical cultures.
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Fajrin R., Hasina, and Sarwo Ferdi Wibowo. "KADAR REALISME MAGIS DALAM CERPEN DI TUBUH TARRA DALAM RAHIM POHON KARYA FAISAL ODDANG." TELAGA BAHASA 7, no. 2 (January 15, 2020): 151–62. http://dx.doi.org/10.36843/tb.v7i2.61.
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Secara sosial-kebudayaan, masyarakat Indonesia hingga hari ini masih sangat dekat dengan mitos dalam kesehariannya. Mitos-mitos tersebut dapat menjadi sumber inspirasi bagi sastra Indonesia dalam memberikan kekhasan khususnya pada gaya narasi sastra Indonesia seperti dalam cerpen Di Tubuh Tarra dalam Rahim Pohon karya Faisal Oddang. Dalam tulisan ini, kualitas kesastraan karya diungkap melalui sebuah genre baru dalam sastra Indonesia, yaitu realisme magis yang memungkinkan bersatunya elemen riil dan magis dalam gaya narasi. Penelitian ini menggunakan teori realisme magis Wendy B. Faris sebagai pisau analisis untuk menentukan kadar realisme magis dalam cerpen. Hasil penelitian menunjukkan 1) adanya elemen-elemen tak tereduksi, dunia yang fenomenal, keragu-raguan antara magis dan riil, penggabungan dunia-dunia, dan kekacauan waktu, ruang dan identitas berupa objek, karakter, dan peristiwa serta 2) relasi antarelemen menunjukkan bahwa objek, karakter, dan peristiwa antara yang banyak mendominasi karya ini sehingga dapat disimpulkan bahwa kadar realisme magis cerpen ini cukup kuat untuk dikategorikan sebagai karya realisme magis.Kata kunci: realisme magis, Toraja, Faisal Oddang
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Sjåstad, Øystein. "Jan Valentin Sæthers magiske realisme." Kunst og Kultur 103, no. 01 (March 18, 2020): 4–18. http://dx.doi.org/10.18261/issn.1504-3029-2020-01-01.
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Luburić-Cvijanović, Arijana. "Magic, realism and the river between: The cultural weight of postcolonial magic(al) realism." Kultura, no. 168 (2020): 69–87. http://dx.doi.org/10.5937/kultura2068069l.
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Magic(al) realism has for long attracted critical attention as one of the more theoretically elusive concepts which has been termed magic, magical, and magic(al), interpreted as a narrative genre, mode, or strategy, and analyzed alongside similar terms and neighbouring genres. While it briefly summarizes the troubling terminology associated with magic(al) realism, this paper focuses on the cultural significance of-magic(al) realism for postcolonial writing, and delves into its role as a strategy of resistance in the representation of culture and history, its destabilizing project, and the possible pitfalls in its employment.
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Chengcheng, YOU. "Strange Encounter: Depicting An “Other” Reality for Young Readers." Journal of Urban Society's Arts 2, no. 1 (April 1, 2015): 25–34. http://dx.doi.org/10.24821/jousa.v2i1.1267.
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This article explores fantastic encounters between humans and non-humans inChinese and Japanese Children’s literature. Naoko Awa’s collection of short storiesThe Fox’s Window and Other Stories is closely read to elucidate narrative features ofwhat I call as “strange encounter”, the magic realistic human-animal encounter inChinese and Japanese cultural context. Chinese supernatural literature and culturaltradition of yaoguai, which have been assimilated into Japanese culture (Japaneseyōkai), are referred to throughout my discussion. Todorov’s approach to thefantastic, Judith Zeitlin’s study of Strange Tales of Liaozhai Studio, and RosemaryJackson’s study of fantasy are drawn upon to illuminate the meaning of encountersbetween men and animals. I argue that magic realism as a relatively new genrefor young readers, not only reflects the author’s individual creative experienceof the fantastic but also partakes in the sense of an “other” reality that resonatesthroughout a cultural community.Perjumpaan Ganjil: Gambaran suatu Realitas “Liyan” bagi Pembaca Muda.Artikel ini membahas perjumpaan fantastis antara ‘manusia’ dan ‘non-manusia’ didalam sastra anak Cina dan Jepang. Antologi cerita pendek karangan Naoko Awa TheFox’s Window and Other Stories akan dikupas untuk memaparkan fitur naratif yangdisebut sebagai ‘perjumpaan aneh’ (strange encounter), perjumpaan magis-realis antaramanusia dengan binatang dalam konteks kebudayaan Cina dan Jepang. Karya sastrasupernatural Cina dan keberadaan yaoguai yang telah diasimilasi dalam kebudayaanJepang (disebut youkai) menjadi sebuah referensi penting dalam artikel ini. Pendekatanfantasi dari Todorov, studi Judith Zeitlin tentang Strange Tales of Liaozhai Studio,dan studi fantasi dari Rosemary Jackson digunakan untuk memperjelas arti dariperjumpaan antara manusia dan binatang. Magis-realis sebagai sesuatu yang baru bagi pembaca muda tidak hanya merefleksikan pengalaman kreatif pribadi sang pengarang akan fantasi, tetapi juga berperan dalam pembentukan realitas “liyan” dalam sebuahkomunitas budaya.
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Mulia, Sandra Whilla. "REALISME MAGIS DALAM NOVEL SIMPLE MIRACLE DOA DAN ARWAH KARYA AYU UTAMI." Lakon : Jurnal Kajian Sastra dan Budaya 5, no. 1 (October 10, 2016): 30. http://dx.doi.org/10.20473/lakon.v5i1.2780.
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This study are intend to reach some goals. First, this aimed to uncover the magic realism which is narrated in Ayu Utami’s novel, entitled Simple Miracle DoaDan Arwah. Second, this study aimed to discover socio cultural context which form the background of the emerging of magic realism of narrative in Ayu Utami’s novel entitled Simple Miracle Doa dan Arwah. This research utilizes magic realism narrative theory on the book Ordinary Enchantments Magical Realism andRemystifiction of Narratives written by Wendy B. Faris (2004). This is a qualitative study which employed textual analysis to analyze the obtained data. The results of 2 this study were magic realism which was narrated in the novel were not only loaded by the characteristics of Faris’ magic realism by showing the exquisite existence of myth in this modern era, but also written to be in charge of bracing and reorganizing people’s believe in Javanese myth. Socio cultural context which form the background of the emerging of this novel was Javanese culture that still exist in this modern era. This was also added by the comeback of traditional ambience which made its existence popular nowadays. From the analysis this had emerged two issues, social issues and signification issues. The emerging social issues are the Javanese culture in which the people tend to fancy mystics. These mystics are related to ghosts. In addition, the other issue is about acculturation of religions in Java Island. Besides the issues, the signification obtained were: (1) Javanese will always hold their believe in ghost; (2) in Java, shaman and spirits or ghost are correlated to the second alternative to realize dreams; (3) shaman identity is identical with someone who has an ability to see and communicate with spirits or ghosts; (4) there is a believe that spirits and ghosts are everywhere; (5) Javanese believe that every dead person will soon become spirits and ghosts and they will eternally live around them; (6) atheist will rarely be seen in Java; (7) religions in Java Island will always blend themselves with the culture.
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Hansen, Kai Arne. "Sangfoni: Magisk realisme, leken læring og identitetsutforsking i barns audiovisuelle musikkultur." Studia Musicologica Norvegica 44, no. 01 (November 19, 2018): 102–17. http://dx.doi.org/10.18261/issn.1504-2960-2018-01-07.
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Nah, So-Mi. "The Fantastic Realism (Magic Realism) representation on film Visualization research: The boundaries of Fantasy and reproducibility of Images." Journal of Digital Convergence 14, no. 12 (December 28, 2016): 495–501. http://dx.doi.org/10.14400/jdc.2016.14.12.495.
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Mattia, Delmondo. "La natività din Alberto Moravia tra «realismo magico» e «irrealtà quotidiana»." ACTA IASSYENSIA COMPARATIONIS 24, no. 2 (2019): 73–82. http://dx.doi.org/10.47743/aic-2019-2-0007.
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Ghini, Giuseppe. "Il pentimento in Tolstoj e Dostoevskij. Dal cerchio magico dell’Io al bisogno di perdono." Linguae & - Rivista di lingue e culture moderne, no. 2 (December 2013): 67–90. http://dx.doi.org/10.7358/ling-2013-002-ghin.
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Given the religious metaphysics of Russian Realism (Steiner 1995: 49), repentance is one of the pivotal moments necessary for the characters of Tolstoy’s and Dostoevsky’s works: it is through repentance that such characters radically change their lives, become aware of evil committed, and renounce evil forever; in other words, they die and are reborn. The two great novelists have, however, two very different attitudes towards repentance: Tolstoy examines all its aspects in the psychological consciousness of his characters, while Dostoyevsky shows their necessary openness to the transcendent world.
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Shaw, Donald L., Erik Camayd-Freixas, and Seymour Menton. "Realismo magico y primitivismo. Relecturas de Carpentier, Asturias, Rulfo y Garcia Marquez." Hispanic Review 67, no. 4 (1999): 577. http://dx.doi.org/10.2307/474733.
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Santos, José Deribaldo Gomes. "Alegoria e símbolo." Verinotio – Revista on-line de Filosofia e Ciências Humanas 26, no. 1 (June 25, 2020): 44–63. http://dx.doi.org/10.36638/1981-061x.2020.v26.516.
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Este artigo debate a relação entre a alegoria e o símbolo, temática importante para a Grande Estética de Lukács, uma vez que as distinções e as contraposições entre o alegórico e o simbólico possibilitam que o autor húngaro se aproxime do conceito de realismo. O realismo, para o esteta de Budapeste, é o que marca a autenticidade artística. Este trabalho opta por um estudo de caráter teórico-bibliográfico. Por meio de uma análise imanente sobre recorte da Estética do esteta magiar, o artigo considera que a chamada arte de vanguarda, por se inclinar para uma alegoria vazia de conteúdo, abandona as demandas do drama humano. Esse abandono faz com que a arte moderna, de modo geral, caminhe em direção, do conformismo decorativo, por um lado, e, por outro, do inconformismo irracional.
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Hasanah, Ferli, Mega Subekti, and Vincentia Tri Handayani. "MAKNA REALISME MAGIS DALAM NOVEL JOURS DE COLÈRE DAN ’ENFANT MÉDUSE KARYA SYLVIE GERMAIN." LITERA 17, no. 3 (November 15, 2018). http://dx.doi.org/10.21831/ltr.v17i3.19990.
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AbstrakDalam sastra, realisme magis dianggap sebagai alat yang ampuh untuk menunjukkan perlawanan terhadap kolonialisme dan neokolonialisme, terutama di negara berkembang yang sebagian besar masyarakatnya digambarkan masih menderita akibat efek destruktif kolonialisme. Penelitian bertujuan mendeskripsikan makna realisme magis dalam novel Jours de Colère dan l’Enfant Méduse karya Sylvie Germain. Berbeda dengan definisi genre fantastique (Todorov, 1970), realisme magis hadir sebagai bagian wajar dan tak terpisahkan dari cerita yang realis (Chanady, 1985). Realisme magis yang ada dalam kedua novel ini ada pada mitos, legenda, dan dongeng yang tergambar dalam narasi, deskripsi, maupun tokoh-tokohnya. Sejalan dengan Eugene Arva (1995) yang mengungkapkan bahwa realisme magis adalah jalan untuk mengungkapkan trauma yang tidak bisa diungkapkan, tokoh-tokoh dalam kedua novel memiliki pengalaman traumatis baik yang disaksikan maupun yang dialami sendiri. Dengan menggunakan pendekatan kualitatif dan metode deskriptif analitis, hasil penelitian ini menunjukkan bahwa hal-hal magis yang melekat pada tokoh-tokoh di kedua novel dapat diargumentasikan bermakna sebagai strategi untuk mengungkapkan berbagai kejadian ekstrem yang ada dalam novel seperti kekerasan seksual dan pembunuhan. Penggunaan realisme magis ini tidak berfungsi untuk membuat pembaca memahami, namun untuk merasakan peristiwa yang terjadi.Kata Kunci: realisme magis, le mal, fantasi, traumaAbstractThis paper is intended to reveal the meaning of magical realism in the novels of Sylvie Germain's Jours de Colère l’Enfant Méduse. In contrast to the definition of the genre fantastique (Todorov, 1970), magical realism is present as a reasonable and inseparable part of a realist story (Chanady, 1985). The magical realism that exists in these two novels lies in myths, legends, and fairy tale that are depicted in the narration, description, and characters. Eugene Arva (1995) revealed that magical realism is a way to express unexplained trauma, the characters in both novels have traumatic experiences both witnessed and experienced by themselves. By using a qualitative approach and analytical descriptive method, the results of this study indicate that the magical things inherent in the characters in both novels can be argued as a strategy to express extreme events experienced such as sexual violence and murder. The use of magic realism is not working to make the reader understand, but to feel the events that occurred.Keywords: Magical realism, evil, fantasy, trauma
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Indarwaty, Henny, Sri Utami Budi, and Scarletina Vidyayani Eka. "PERBANDINGAN EXTRAORDINARY ELEMENT DALAM NARASI FANTASI, FIKSI ILMIAH DAN REALISME MAGIS." JENTERA: Jurnal Kajian Sastra 4, no. 1 (August 4, 2017). http://dx.doi.org/10.26499/jentera.v4i1.384.
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Narasi fantasi, fiksi ilmiah, dan realisme magis mempunyai satu unsur yang sama yaitu elemen yang tidak rasional atau disebut extraordinary element. Namun demikian unsur ini tidak digunakan dengan cara yang sama dalam ketiga narasi tersebut sehingga membedakan jenis narasinya. Artikel ini akan mengkaji karakteristik narasi fantasi, fiksi ilmiah, dan realisme magis untuk melihat keberadaan extraordinary element di dalamnya serta fungsinya dalam pembentukan plot. Karakteristik ini akan diambil dari studi pustaka sekaligus dari hasil identifikasi beberapa karya sastra yang telah dilegitimasi sebagai teks dengan narasi-narasi tersebut. Artikel ini menunjukkan keberadaan extraordinary element dalam ketiga jenis narasi ditampilkan dengan aturan yang berbeda sehingga sebuah teks bisa dikatakan memakai gaya narasi fantasi, fiksi ilmiah, atau realisme magis. Extraordinary element dalam fantasi merupakan rekaan yang menciptakan dunia sendiri dan aturan yang memakai logikanya sendiri yang berbeda dengan logika dunia non-fiksi. Extraordinary element dalam fiksi ilmiah merupakan rekaan yang tetap harus berbasis aturan logika ilmu pengetahuan dalam dunia non-fiksi. Sedangkan extraordinary element dalam realisme magisberbasis mitos budaya yang diperlakukan sebagai hal biasa dan bukan dirayakan sebagai pusat tontonan. Artikel ini menggunakan metode perbandingan naratologi. Hasil artikel ini diharapkan bisa membantu para akademisi lainnya, terutama mahasiswa, untuk menentukan obyek material yang tepat sesuai teori yang ingin mereka terapkan; misalnya memilih narasi realisme magis untuk studi poskolonial, narasi fantasi dan fiksi ilmiah untuk studi cultural studies.
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Lukáš, Jakub. "Magický realismus v románu »Žítkovské bohyně«." Bohemistyka, no. 2 (April 15, 2021). http://dx.doi.org/10.14746/bo.2021.2.6.
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Studie je zaměřena na srovnání knihy Žítkovské bohyně Kateřiny Tučkové s jednou z variant estetického konceptu magického realismu. Kateřina Tučková se ve svém románu pokusila historicky věrně zpracovat téma žen, takzvaných bohyní z oblasti Kopanic, a uvést jej do konkrétního příběhu. Na mnoha jeho místech je realita konfrontována s nadpřirozenem. Cílem studie je tato místa detekovat a analyzovat na základě vymezených rysů magického realismu.
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Anker, J. "Magiese realisme en die religieuse in Bidsprinkaan." Tydskrif vir letterkunde 45, no. 2 (July 30, 2008). http://dx.doi.org/10.4314/tvl.v45i2.29827.
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Muhtarom, Imam. "REALISME MAGIS DALAM CERPEN: KASUS CERPEN GABRIEL GARCIA MARQUEZ, TRIYANTO TRIWIKROMO, DAN A.S. LAKSANA." Jurnal POETIKA 2, no. 2 (December 1, 2014). http://dx.doi.org/10.22146/poetika.10444.
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Muhtarom, Imam. "REALISME MAGIS DALAM CERPEN: KASUS CERPEN GABRIEL GARCIA MARQUEZ, TRIYANTO TRIWIKROMO, DAN A.S. LAKSANA." Poetika 2, no. 2 (December 1, 2014). http://dx.doi.org/10.22146/poetika.v2i2.10444.
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Abrehart, Nichola, Kate Frost, Roy Harris, Andrew Wragg, Derek Stewart, Hayfa Sharif, Rachel Matthews, and Luca Marciani. "“A little (PPI) MAGIC can take you a long way” : involving children and young people in research from inception of a novel medical device to multi-centre clinical trial Roald Dahl, James and the Giant Peach (1961)." Research Involvement and Engagement 7, no. 1 (January 6, 2021). http://dx.doi.org/10.1186/s40900-020-00243-0.
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Abstract Background There is often a great urgency to be inclusive when conducting research and to focus efforts with groups and communities that can be referred to as marginalised. This is especially the case in research concerning medical devices aimed at children and young people (CYP). Although involvement methodology has developed over the last two decades, it can be challenging to involve and engage CYP with confidence and clarity of purpose. Main body Our aim was to provide a reflective narrative account of the involvement of CYP, over a period of 5 years, in a research project from conception of a new paediatric medical device through to practical application. We explored a model of patient and public involvement (PPI) through the Nottingham Young Persons Advisory Group (YPAG), part of the National Institute for Health Research (NIHR) GenerationR Alliance, in a NIHR funded research project. The YPAG designed and created a model of the human gut, co-designed the Transicap™ mini-capsules and their packaging, co-produced patient information sheets, came up with the idea to disseminate through a project website and co-wrote and created animation videos. The YPAG involvement continued through the writing and award of the follow-on research grant (MAGIC2). During this process the YPAG modified the clinical study protocol insisting that all participants in the control arm were given the imaging test results as well, save for a delayed reading compared to the intervention arm. Conclusion Involvement of the YPAG over the last 5 years, led to the development of a mutually beneficial partnership, enabling genuine knowledge exchange between researchers and CYP. This influenced the design, plans and actions of the MAGIC study and well into the subsequent MAGIC2 follow-on project. Moreover, these involvement models applied within a feasibility study setting, have enhanced the realism and pragmatism of the study, contributing to the project’s overall success.