Relevant bibliographies by topics / Magisk realisme

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Academic literature on the topic 'Magisk realisme'

Author: Grafiati
Published: 13 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Magisk realisme"

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Hansen, Kai Arne. "Sangfoni: Magisk realisme, leken læring og identitetsutforsking i barns audiovisuelle musikkultur." Studia Musicologica Norvegica 44, no. 01 (November 19, 2018): 102–17. http://dx.doi.org/10.18261/issn.1504-2960-2018-01-07.

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Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (December 1, 2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.

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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data dan pengumpulan data yang meliputi klasifikasi data menjadi dua kategori utama, yaitu data magis dan data riil. Dalam hasil dan pembahasan, dibuktikan bahwa puisi “Gong” mengandung narasi realisme magis atas mitos Calon Arang melalui lima karakteristik realisme magis yang terdapat di dalamnya. Selain itu, terdapat hubungan relasional di antara elemen yang menjadi karakteristik tersebut. Kadar realisme magis dilihat dari tokoh dan peristiwa dapat dikatakan cukup kuat. Puisi ini menggarisbawahi isu perempuan dan akhir patriaki. Isu tersebut berkait dengan konteks posmodernisme. Penggunaan mitos dalam puisi memperlihatkan cara pandang posmodernisme yang tidak terlepas dari Jakarta sebagai konteks sosial penyair. Kata kunci: mitos, narasi, realisme, magis, karakteristik AbstractThe impact of global literature of magical realism is found in Indonesia literature in both prose and poetry. One indication of the work of magical realism is the representation of myth in the contemporary context. The problem discussed in this research are the narration of the magic and the real in Gong poem and the connection between elements, also the level of magical realism in it. This research used narrative theory of magical realism by Wendy B Faris. This research method was based on magical realism theory in the form of data determination and data collection which included the classification into two categories namely magical data and real data. In result and discussion proved that Gong poem contained a narrative of magical realism upon Calon Arang myth through five characteristic of magical realism in it beside the relation among the elements. Magical realism level seen from character and events was strong enough. This poem underlines the issues of women and the end of patriarchy. The issues are related with postmodernism context. The myths in poem shows postmodernism point of view that can’t be separate from Jakarta as social context. Keywords: myth, narrative, magical, realism, characteristic
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Mat Hussain, Eizah, Siti Nur Anis Muhammad Apandi, and Nurhasyimah Saidin. "ASPEK REALISME MAGIS DALAM NOVEL CEBISAN MANTERA TERAKHIR." Jurnal Pengajian Melayu 33, no. 2 (October 29, 2022): 27–43. http://dx.doi.org/10.22452/jomas.vol33no2.2.

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Abstract Magical realism, which combines reality and fantasy, has become a trend in the world of literature, sparking a new way of thinking while producing a literary work. Studies on magical realism in literature are crucial as they could reflect the cultural and societal norms of the society featured. This article utilised the theory of magical realism by Faris (2004) to discuss the aspect of magical realism presented in the novel “Cebisan Mantera Terakhir” (2013) by Hasanuddin Md. Isa and published by the Malaysian Institute of Translation and Books (ITBM). The genre of the novel is classified as mystery or mysticism in the setting of a supernatural world where shamans practise “santau” (a type of black magic) in the Malay community. This qualitative study aims to identify and analyse the way the author depicts magical realism through content analysis of the text. Findings showed that the magic element in the form of “santau” was evident in the Malay community featured in the novel. The application of Faris‟s principles showed the clear connection between reality and the magical elements of “santau” which can be categorised into particular aspects of the text, such as objects, events, characters, beliefs and texts. Religion and beliefs are also inseparable from the Malay community, a factor portrayed as a connection between reality and the supernatural worlds. Keywords: magical realism, novel, Cebisan Mantera Terakhir, shaman, santau, black magic Abstrak Kemunculan aliran realisme magis dilihat melalui gabungan antara dua dunia, iaitu dunia nyata dan dunia fantasi yang membawa pemikiran baru dalam karya sastera. Penelitian terhadap realisme magis dalam suatu karya sastera sangat penting kerana pada dasarnya realisme magis merupakan satu cerminan atau refleksi yang nyata mengenai budaya dan sosial masyarakat. Kajian ini mengaplikasikan Teori Realisme Magis oleh Faris (2004) untuk memperlihatkan aspek realisme magis dalam novel Cebisan Mantera Terakhir (2013) karya Hasanudin Md Isa dan diterbitkan oleh Institut Terjemahan & Buku Malaysia Berhad (ITBM). Novel ini memaparkan genre misteri atau mistik yang menerapkan elemen dunia ghaib dan golongan pawang yang terlibat dalam kegiatan santau dalam masyarakat Melayu. Kajian ini bertujuan untuk mengenal pasti dan menganalisis aspek realisme magis dalam novel yang memperlihatkan bagaimana pengarang mengungkapkan elemen realisme magis dalam karya. Kajian ini dilakukan secara kualitatif dengan membuat analisis kandungan teks. Dapatan kajian ini jelas menggambarkan unsur magis yang dapat dikesan dalam amalan santau dengan berlatarkan masyarakat Melayu. Penggunaan prinsip-prinsip oleh Faris (2004) telah menonjolkan perhubungan yang jelas antara unsur realiti dan unsur magis dalam amalan santau itu dengan adanya pembahagian kepada kelompok-kelompok tertentu, iaitu objek, peristiwa, watak, kepercayaan, teks, dan sebagainya. Dalam masyarakat Melayu, konteks agama dan kepercayaan tidak dapat diasingkan dalam tradisinya yang turut dipaparkan sebagai satu perkaitan antara alam nyata dan alam ghaib. Kata Kunci: realisme magis, novel, Cebisan Mantera Terakhir, pawang, santau
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Widijanto, Tjahjono. "JAGAD ALUS MISTIS JAWA DALAM CERPEN-CERPEN DANARTO DAN FANTASI MAGIS TERNATE DALAM NOVEL CALA IBI KARYA NUKILA AMAL." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 30, 2018): 102. http://dx.doi.org/10.26499/jentera.v7i1.682.

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Abstrak: Artikel ini mengkaji kumpulan cerpen Godlob karya Danarto dan novel Cala Ibi karya Nukila Amal dari sudut pandang realisme magis. Realisme magis dipahami sebagai gaya estetetik yang mengandung unsur-unsur magis bercampur aduk dengan realitas. Dalam realisme magis wilayah mistis dan realitas empiris diperlakukan sejajar karena yang fantasi dan supranatural mengakar pada realitas kultural dan historis. Kajian dalam tulisan ini berdasarkan pandangan bahwa teks sastra pasti akan terpengaruh oleh kultur masyarakat dan pengarangnya. Muatan makna yang terdapat di dalam karya sastra akan dipengaruhi dan ditentukan oleh kosmologi budaya, nila-nilai, norma, konvensi sosial budaya atau bahkan ideologi pengarangnya. Metode dalam tulisan ini menggunakan metode kualitatif deskriptif, yakni prosedur penelitian yang menghasilkan data-data deskriptif berupa kata-kata atau kalimat tertulis yang menunjukkan kadar realisme magis dalam cerpen-cerpen Danarto yang terkumpul dalam kumpulan cerpen Godlob dan dalam novel Cala Ibi karya Nukila Amal. Dalam kumpulan crpen Godlob karya Danarto maupun novel Cala Ibi Nukila Amal dapat ditemukan ciri-ciri realisme magis, yakni elemen yang tidak dapat direduksi, dunia fenomenal, keraguan-keraguan yang menggoyahkan, penggabuangan antara yang magis fantasi dengan realitas dan rusaknya batas, ruang, waktu dan identitas. Dalam cerpen-cerpen Danarto, realisme magis berlandaskan mistisisme Jawa berupa konsep-konsep sangkan paraning dumadi, mulih-mulanira, dan manunggaling kawula-gusti, sedangkan dalam novel Cala Ibi, realisme magis berdasarkan mitos-mitos historis Ternate, dan sufisme Islam dengan konsep wahdatul wujud. Abstract: These article investigate the short story collections of Godlob by danarto and novel Cala Ibi by Nukila Amal from from point of view magical realism. Magical realism is being understood as an aesthetic style which is consist of magical elements that mixed by reality. In magical realism, the mistic and empirical reality treated parallely because of the fantasy and supranatural which is rooted to cultural and historical reality. The study of these writing based on a view that literature writing will be affected and determined cultural cosmology, values, norm, cultural social converence or even the writer ideology. The metode in these writing using descriptive qualitative metode, that is research procedure which is produced descriptive datas contain word`s or `written sentences pointed Godlob and the novel Cala Ibi by Nukila Amal can be found in the magical realism: elements that cannot be reducted, fenomenal world, faltering doubts, merging between magical fantasy with reality and the damage limit, space, time and identity. In Danarto’s short story, magical realism based on Javanese mistism such as concept sangkan paraning dumadi,mulih mulanira and manunggaling kawula gusti. While in the novel Cala Ibi, magical realism based on Ternate historical myths and Islamic sufism with wihdatul wujud comcept.
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Prasetyohadi, Dio Catur, Hat Pujiati, and Irana Astutiningsih. "Magical Realism-Like in Shakespeare's A Midsummer Night's Dream (Serupa Realisme Magis dalam “A Midsummer Night's Dream” karya Shakespeare)." JENTERA: Jurnal Kajian Sastra 7, no. 1 (June 30, 2018): 52. http://dx.doi.org/10.26499/jentera.v7i1.508.

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This article uses concepts of magical realism by Wendy B. Faris to analyze Shakespeare's A Midsummer Night's Dream. We analyze elements of magical realism of the work in mapping discourses between the text and the real life. The chosen material object that published earlier than the theory we chose make this work contributes to describe the trace of the civilization development; event of in-betweeness of human consciousness. However, we have found that A Midsummer Night’s Dream is only a magical realism-like mode, since realism is dominant in the text as the trace of modernity. Meanwhile, the characteristics of Magical Realism that is postulated by Faris is in-between realism and fantasy as a trace of transition era; modern to postmodern. Abstrak: Artikel ini menggunakan konsep-konsep realism magis oleh Wendy B. Faris untuk menganalisis “A Midsummer Night’s Dream” karya Shakespeare. Kami menganalisis elemen-elemen realism magis yang ada dalam karya untuk memetakan wacana-wacana yang ada antara teks dan kenyataan. Pemilihan objek materi yang telah dipublikasi lebih awal dari kelahiran teori yangkami pilih ini berkontribusi untuk menjelaskan jejak perkembanan peradaban Kebudayaan; peristiwa keberantaraan pada kesadaran manusia. Namun demikian, kami menemukan bahwa “A Midsummer Night’s Dream” hanyalah moda tulisan Serupa Realisme Magis, karena dominan teks lebih pada realisme yang merupakan jejak dari modernitas. Sementara syarat realism magis yang ditawarkan Faris adalah keberantaraan realisme dan fantasi sebagai jejak era transisi modern menuju postmodern.
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Faruk, Faruk, Cahyaningrum Dewojati, Fadil Munawwar Manshur, and Asef Saeful Anwar. "REALISME MAGIS DI PESANTREN DARUSSALAM CIAMIS." Bakti Budaya 3, no. 1 (April 20, 2020): 20. http://dx.doi.org/10.22146/bb.55497.

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AbstractNowadays magical Realism is the most popular literary genre in the world. This genre has strong influences in literature as well as fine art and film. It is for this reason that people competence in working with this genre is very important for developing Indonesian creative industry. Therefore, Magister Program for Literary Studies Faculty of Cultural Sciences Gadjah Mada University necessities to have a workshop program for investing people writing capability in this kind of genre. Target subject for the program is Darussalam Literary Community whose activities located in Islamic Boarding House (Pesantren) Darussalam, Ciamis, West Java. By using theory of Magical Realism and participatory method in three days intensive course the program found that the member of community involved in the course had strong potential capacity in literary writing. Although the first step of the program focused in training for writing in realistic literary work, there was a surprising phenomenon indicated the participant capability in writing magical realist work as well. -----------AbstrakRealisme magis merupakan genre sastra yang saat ini paling populer di dunia. Paham ini tidak hanya berpengaruh di bidang seni sastra, tetapi juga seni rupa, film, dan sebagainya. Oleh karena itu, kemampuan untuk menulis karya sastra dengan genre ini sangat penting bagi industri kreatif. Dengan alasan inilah, Program Magister Ilmu Sastra, Fakultas Ilmu Budaya UGM menganggap perlu untuk mengadakan pelatihan penulisan sastra realisme magis ini bagi masyarakat. Yang dipilih sebagai kelompok sosial sasaran adalah Komunitas Sastra Darussalam yang berlokasi di Pesantren Darussalam Ciamis. Tahap pertama program ini adalah pelatihan dasar penulisan sastra dengan genre realisme yang juga menjadi dasar dari realisme magis. Program itu dilaksanakan secara intensif selama tiga hari dengan menggunakan teori realisme magis sebagai kerangka konseptualnya dan gabungan antara ceramah, diskusi, latihan, dan partisipasi sebagai metodenya. Hasil kegiatan tersebut membuktikan bahwa peserta pelatihan yang berjumlah 15 orang mempunyai kepekaan terhadap persoalan-persoalan empiris yang ada di lingkungan pesantren dan mempunyai kemampuan dalam penulisan latar, tokoh, serta alur cerita. Meskipun program pada tahap ini difokuskan pada penulisan karya sastra yang realistis, peserta sudah memperlihatkan potensi dalam penulisan realisme magis.
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Salsabila, Ananda Farah, and Karkono. "Unsur Elemen tak Tereduksi (Irreducible Element) Realisme Magis Dalam Novel Bumi Karya Tere Liye." JoLLA: Journal of Language, Literature, and Arts 1, no. 1 (January 30, 2021): 49–61. http://dx.doi.org/10.17977/um064v1i12021p49-61.

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Abstract: Magical realism is a theory by Wendy B. Faris that tells about a narrative that combines the elements of fantasy and reality. The term magical realism was created in 1925 throughout the world of painting and was introduced by Franz Roh, a German art critic. The novel Bumi by Tere Liye that was published in 2014 has the concept of magical realism in it. The writing in this novel contains an imaginary adventure where the main characters are trying to find their true self until they reach the parallel universe. This qualitative research uses a library research method. The data collected were verbal and linguistic data that contains an irreducible element in the data source that is the novel Bumi by Tere Liye. Irreducible element contained in the narrative includes the magical abilities of the main characters, such as Raib who can turn invisible, Seli who can radiate blue lightning, and Ali who can transform into a giant bear. There are also magical objects in this novel, such as the moving alley, The Book of Life, The Sun gloves, and others. The existence of a parallel universe is also a factor that strengthens the irreducible element in this novel. Keywords: magical realism, irreducible element, Bumi novel Abstrak: Realisme magis adalah sebuah teori yang dirumuskan oleh Wendy B. Faris mengenai narasi yang memadukan unsur fantasi dan realita. Istilah realisme magis lahir pada 1925 melalui dunia lukis dan diperkenalkan oleh Franz Roh, seorang kritikus seni Jerman. Novel Bumi karya Tere Liye yang terbit pada tahun 2014 mengangkat konsep realisme magis. Penulisan dalam novel ini mengandung petualangan imajinasi dimana para tokoh-tokoh utamanya dikisahkan bahwa mereka sedang berada dalam petualangan mencari jati diri mereka dan pencarian itu mereka lakukan hingga ke dunia paralel. Penelitian kualitatif ini menggunakan pendekatan kepustakaan. Data yang dikumpulkan berupa data verbal dan kebahasaan yang mengandung unsur Irreducible Element dalam sumber data berupa novel Bumi karya Tere Liye. Unsur Irreducible Element yang terdapat dalam narasi meliputi kemampuan magis tokoh-tokoh utama, seperti Raib yang dapat berubah menjadi tak kasat mata, Seli yang dapat memancarkan petir biru, dan Ali yang dapat berubah menjadi beruang raksasa. Dalam novel ini juga terdapat objek-objek magis seperti lorong berpindah, Buku Kehidupan, sarung tangan Klan Matahari, dan lain sebagainya. Keberadaan Dunia Paralel juga merupakan faktor yang memperkuat unsur Irreducible Element dalam novel ini. Kata kunci: realisme magis, irreducible element, novel Bumi
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Fajrin R., Hasina, and Sarwo Ferdi Wibowo. "KADAR REALISME MAGIS DALAM CERPEN DI TUBUH TARRA DALAM RAHIM POHON KARYA FAISAL ODDANG." TELAGA BAHASA 7, no. 2 (January 15, 2020): 151–62. http://dx.doi.org/10.36843/tb.v7i2.61.

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Secara sosial-kebudayaan, masyarakat Indonesia hingga hari ini masih sangat dekat dengan mitos dalam kesehariannya. Mitos-mitos tersebut dapat menjadi sumber inspirasi bagi sastra Indonesia dalam memberikan kekhasan khususnya pada gaya narasi sastra Indonesia seperti dalam cerpen Di Tubuh Tarra dalam Rahim Pohon karya Faisal Oddang. Dalam tulisan ini, kualitas kesastraan karya diungkap melalui sebuah genre baru dalam sastra Indonesia, yaitu realisme magis yang memungkinkan bersatunya elemen riil dan magis dalam gaya narasi. Penelitian ini menggunakan teori realisme magis Wendy B. Faris sebagai pisau analisis untuk menentukan kadar realisme magis dalam cerpen. Hasil penelitian menunjukkan 1) adanya elemen-elemen tak tereduksi, dunia yang fenomenal, keragu-raguan antara magis dan riil, penggabungan dunia-dunia, dan kekacauan waktu, ruang dan identitas berupa objek, karakter, dan peristiwa serta 2) relasi antarelemen menunjukkan bahwa objek, karakter, dan peristiwa antara yang banyak mendominasi karya ini sehingga dapat disimpulkan bahwa kadar realisme magis cerpen ini cukup kuat untuk dikategorikan sebagai karya realisme magis.Kata kunci: realisme magis, Toraja, Faisal Oddang
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Sjåstad, Øystein. "Jan Valentin Sæthers magiske realisme." Kunst og Kultur 103, no. 01 (March 18, 2020): 4–18. http://dx.doi.org/10.18261/issn.1504-3029-2020-01-01.

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Rusli, Edial. "Realisme Magis Imaji Ke Imajinasi Visual Fotografi." Rekam 18, no. 1 (April 30, 2022): 17–24. http://dx.doi.org/10.24821/rekam.v18i1.6904.

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Berbagai imaji dan imajinasi yang dialami secara pribadi adalah inspirasi yang terasa familiar dan mudah diselami dalam melahirkan suatu proses ide yang kreatif, yang dalam hal ini adalah menciptakan karya seni fotografi yang estetis. Berawal dari pengalaman pribadi yang kala itu tumbuh di tengah kaum urban di pusat niaga Kota Yogyakarta, yaitu kawasan Malioboro dan kebetulan pada masa dewasa lalu berkecimpung di dunia fotografi, muncullah inspirasi untuk menciptakan karya fotografi seni tentang Malioboro. Tujuan dari artikel ini adalah untuk memaparkan bagaimana proses kreatif dalam menciptakan karya fotografi, yang pada akhirnya akan memberikan konstruksi makna yang baru terhadap visual fotografis. Karya fotografi yang secara umum diakui keotentikan realitasnya, terkadang justru melebihi realitas itu sendiri. Sebagai kerangka teoretis, realisme magis dapat melampaui dan bahkan melepaskan diri dari realitas yang ada sehingga membuka ruang pluralitas yang luas. Metode observasi, eksplorasi, dan eksperimentasi dipadukan dengan teknik digital imaging berupa visual kolase dan montase menjadikan karya fotografi tentang kawasan Malioboro bernilai seni dan estetis. Penciptaan karya ini tidak sekadar membahas tentang tataran teknis yang membentuknya, akan tetapi lebih tentang estetika dan rekonstruksi makna yang kemudian muncul. Dengan menggunakan pendekatan realisme magis dalam membuat konsep karya fotografi, hadirlah karya foto seni yang representatif dan estetis dalam menggambarkan pluralitas yang ambigu dalam keseharian di kawasan Malioboro. Various images and imaginations that are personally experienced is an inspiration that feels familiar and easy to explore in incubating a creative process of ideas, which in this case is to create aesthetic photographic artwork. Starting from personal experiences that was raised in the middle of urban community in the commercial center of Yogyakarta, namely Malioboro area, and later when growing up happened to be engaged in the field of photography, triggered an inspiration to create art photography about Malioboro. The purpose of this article is to describe how the creative process of creating photographic works will eventually give the construction of new meaning to photographic visuals. Photography works that are generally recognized for their authenticity of reality, sometimes even exceed reality itself. As a theoretical framework, magical realism can transcend and even break away from existing realities, thus opening up a vast space of plurality. The methods applied were observation, exploration, and experimentation combined with digital imaging techniques in the form of visual collages and montages, in order to make photographic works about Malioboro area become valuably artistic and aesthetics. The creation of this photography work no longer speaks of the technical state that shaped it, but rather about the aesthetics and reconstruction of the meaning that exists in it. By using magical realism as the approach in conceptualizing the photographic works, there is a representative and aesthetic work of art in describing ambiguous plurality in everyday life in Malioboro area.
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Dissertations / Theses on the topic "Magisk realisme"

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Maufort, Jessica. "Ecological Magic Realism and Magic Realist Ecopoetics: Storying Place in Postcolonial Canadian and Australasian Novels." Doctoral thesis, Universite Libre de Bruxelles, 2018. https://dipot.ulb.ac.be/dspace/bitstream/2013/276457/5/Contrat.pdf.

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This comparative reading of contemporary Australasian and Canadian fiction privileges a reciprocal interaction between ecocriticism and magic realism within the field of postcolonial studies. My research shows that few works examine magic realism as a distinct aesthetic mode, while many ecocritical and postcolonial studies favour colonialist and pessimistic perspectives. Seeking to balance thematic and aesthetic concerns, my concepts of ecological magic realism and magic realist ecopoetics re-evaluate this still often misunderstood mode: its techniques in postcolonial narratives not only transcribe the cultural plight of the postcolonial subject, but also translate the missing ecological link between the environment and human beings. Informed by ecopoetic reflections on figurative language, Delbaere-Garant’s notion of mythic realism, and material ecocriticism, my concepts take the narrative and physical agency – or poiesis – of the non-human world as their focal point. Recognizing the dialogical web of human and non-human energies raises the issues of eco-imperialism as well as those of environmental and social justice. My thesis discusses two main configurations of ecological magic realism common to Anglo-Celtic and Indigenous texts within my corpus: synergy and crisis. These shifting interspecies relations are explored through the contexts of eco-spiritualities, scientific approaches to Nature, Nature writing, gothic-like metamorphoses, eco-apocalypse, and the Anthropocene. Rejecting dualistic worldviews, magic realism in these collaborative or competitive humans/Nature interactions remains ambivalent: on the one hand, it re-enacts human beings’ failed embeddedness in their non-human surroundings; on the other, it also re-opens the possibility of a mutually-enriching symbiosis.
Doctorat en Langues, lettres et traductologie
info:eu-repo/semantics/nonPublished
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Brännborn, Vendela. "Att hitta sin magiska väg : Den magiska realismen i Det bortglömda folket." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27438.

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Spence, Leah Mogford. "Magic words : a reconceptualization of magic realism /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9423.

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NILSSON, Anna-Carin. "En gränsöverskridande resa i text och identitet : Magisk realism i Haruki Murakamis roman Kafka på stranden." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-20359.

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Magisk realism utgör ett sofistikerat berättagrepp i den japanske författaren Haruki Murakamis roman Kafka på stranden. I det realistiska ramverket av japansk vardag inträffar magiska inslag i form av fiskregn eller ikiryou en sorts 'gengångare'. Den magiska realismen utgör en artikulation mellan en medveten och en omedveten värld eller tar läsaren med på en gränsöverskridande resa för att utforska stil eller genre i texten samt identitet hos Jaget och den Andre.
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Luciano, Kelli Mesquita. "Referências históricas e o realismo mágico : as confluências em "Il barone rampante", de Italo Calvino e "El Siglo de las Luces", de Alejo Carpentier /." Araraquara, 2017. http://hdl.handle.net/11449/151095.

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Banca: Maria Dolores Aybar Ramírez
Banca: Érika Bergamasco Guesse Borges
Resumo: Esta tese objetiva a comparação dos romances Il barone rampante (1957), de Italo Calvino e El Siglo de las Luces (1962), de Alejo Carpentier, pois ambos apresentam confluências no que diz respeito a existência de referencias históricas, uma vez que os enredos transcorrem no século XVIII, em meio a Revolução Francesa e aos ideais iluministas. Além disso, as duas narrativas apresentam indicações de figuras da história oficial assim como a indicação de Instituições históricas. É fundamental destacar que nos dois romances, há acontecimentos insólitos que se referem ao realismo mágico, em Il barone rampante, o protagonista Cosimo vive um estilo de vida incomum sobre as árvores, onde estuda, tem atitudes altruístas e acredita nos ideias revolucionários, enquanto em El Siglo de las Luces, o protagonista é Víctor Hugues que foi inspirado em uma figura da história oficial, um francês que foi comerciante e responsável por disseminar a ideologia revolucionária na região das Antilhas. Sua chegada a Havana, movimenta ativamente a vida dos primos Esteban, Carlos e Sofía, que passam a nutrir interesses pela Revolução, fazem diversos estudos e leituras de autores filosóficos e são moldados pelo pensamento racionalista. No romance carpentiano, Esteban é curado da asma graças a rituais curandeiros fator que pode ser associado ao realismo maravilhoso. Em outros momentos, buscamos evidenciar alguns aspectos fabulistas em Il barone rampante e do barroquismo latino americano em El Siglo de las Luc... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This thesis aims at the comparison of the novels Il barone rampante (1957), by Italo Calvino and El Siglo de las Luces (1962), by Alejo Carpentier, since both have confluences regarding the existence of historical references, since the entanglements both of which take place in the eighteenth century, amidst the French Revolution and the Enlightenment ideals. In addition, the two narratives present indications of figures of the official history as well as the indication of Historical Institutions. It is important to note that in the two novels, there are unusual events that refer to magical realism, in Il barone rampante, the protagonist Cosimo lives an unusual lifestyle on the trees, where he studies, has altruistic attitudes and believes in revolutionary ideas, while in El Siglo de las Luces, the protagonist is Víctor Hugues who was inspired by an official history figure, a french who was a merchant and responsible for spreading the revolutionary ideology in the Antilles region. His arrival in Havana actively moves the lives of the cousins Esteban, Carlos and Sofía, who begin to nurture interests for the Revolution, do various studies and readings of philosophical authors and are shaped by rationalist thinking. In the Carpentian novel, Esteban is cured of asthma thanks to ritual healers, factor that can be associated with magical realism. At other times, we tried to evidence some fabulous aspects in Il barone rampante and the Latin American baroque in El Siglo de las Luces. ... (Complete abstract click electronic access below)
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Viñao, Alejandro. "Magic realism in music : four electroacoustic compositions." Thesis, City University London, 1987. http://openaccess.city.ac.uk/8344/.

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The subject of this thesis is not the text contained in this book, but the four electroacoustic compositions presented: Go, Hendrix Haze, Triple Concerto and Toccata del Mago. The purpose of this writing is to put forward a context in which these four compositions may be assessed. In chapter 1, I choose to present my work taking a lateral approach. Rather than discuss my background as a composer and the reasons or 'necessity' for using the electroacoustic medium to express my musical thinking, I have instead introduced a new idea to provide a wider context: Magic Realism in music. I have developed the notion that there is a musical equivalent to Magic Realism in literature, and that my work, as well as the work of other Latin American composers, may be seen in this light. Also in this chapter, I put forward the idea that the electroacoustic medium may be the natural environment or 'habitat', as it were, for the Magic Realist composer to develop. Chapters 2 to 5 present a specific framework, that is, the aesthetic point of VIew and the technical means involved in the creation of each piece. In these chapters, the compositional process is presented, from the first, often abstract ideas that trigger the imagination of a composer, to the decision taken during the final production stage in the studio. It is hoped that this specific framework will convey the necessary Information required for a preliminary assessment of the music presented, in terms of the composer's aims and the results obtained. Yet, a piece of music can be a far more complex and richer phenomenon than the composer's aims and intentions, and it must be ultimately assessed in its own terms.
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Sanchez, Maria Ruth Noriega. "Magic realism in contemporary American women's fiction." Thesis, University of Sheffield, 2001. http://etheses.whiterose.ac.uk/3502/.

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The aim of the study is to illustrate the importance of magic realism in American women's fiction in the late twentieth century. The term magic realism, which has traditionally been associated with Latin American men's writing, has been known by different, and often contradictory, definitions. It may be argued that, properly defined, it can be a valid term to describe a number of characteristics common to a corpus of work, and can be considered as an aesthetic category different from others such as Surrealism or Fantastic literature, with which it has often been compared. Furthermore, magic realism has viability as a contemporary international mode and is particularly suitable to women writers from minority ethnic groups. The present study intends to draw relevant comparative analyses of uses of magic realism that show various formal and thematic interactions between separate literary traditions. The introduction offers an overview of the different conceptions and applications of the term since its origins within the area of painting, and suggests a working definition that can be effective for intensive textual analysis of several novels. In order to offer a new approach which can enable us to move away the paradigm of magic realism from Latin America towards a more multicultural framework, the focus will be on three geographical-cultural areas: African American, Native American and Chicano/Mexican writing. The implementation of magic realist strategies in African American writing will be examined in Toni Morrison's Song of Solomon (1977) and Gloria Naylor's Mama Day (1988), with a particular emphasis on the significance of African mythical background and the experience of dispossession and transference of culture. Magic realist elements in the novels Tracks (1988) by Louise Erdrich and Ceremony (1977) by Leslie Marmon Silko will be studied in the context of Native American oral tradition and cosmologies. The practice of magic realism on both sides of the U. S. - Mexico border will be explored in the novels So Far from God (1993), by the Chicana Ana Castillo, and Like Water for Chocolate (1989), by the Mexican Laura Esquivel. A description of the borderland culture in the American Southwest, as well as comparisons between North and Latin American uses of magic realism will be provided. Finally, some connections amongst the discussed literary traditions and further lines of research will be suggested.
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Klapp, Elvira. "”Namngivet, uppmätt och jämfört fjärmade sig trädet från pojken.” : Magisk realism i Marianne Fredrikssons Simon och ekarna." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-432858.

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Uppsatsen är en litteraturvetenskaplig analys av Marianne Fredrikssons roman Simon och ekarna utifrån genren magisk realism. Uppsatsens syfte är att undersöka och diskutera hur romanens övernaturliga element samspelar och kontrasterar med romanens realistiska element, samt hur romanen passar in i den magiskt realistiska traditionen. Detta görs främst utifrån Wendy B. Faris fem kriterier för magiskt realistisk litteratur, samt hennes begrepp avfokalisering. I uppsatsens analysdel sker en genomgång av samtliga fem kriterier som diskuteras i förhållande till romanens handling och tematik. Uppsatsen förhåller sig också till Talia E. Crocketts artikel om användningen av textuell tystnad för att beskriva Förintelsen i Simon och ekarna, och finner att den magiska realismen liksom den textuella tystnaden används för att hantera och beskriva det obeskrivliga. Uppsatsen finner vidare att Simon och ekarna placerar sig i den magiskt realistiska traditionen genom sin sammanblandning av gammal folktro, övernaturliga element och realistiska stil.
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Granger, Mireille. "Maupassant et le realisme fantastique." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32912.

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Generally labelled as fantastic in nature, Maupassant's short stories pose a serious problem. The very term "fantastic" is itself highly ambiguous; there have been many attemps to define what makes a work of literature "fantastic" in nature, but none of these attempts have managed to capture the essence of the genre in its entirety.
What is most striking in Maupassant's narratives is precisely his rejection of the fantastic almost as soon as it occurs. Contrary to the more traditional literature of the fantastic, his narratives remain anchored in a realistic world, rendering the reader's experience even more unsettling. In a sense, Maupassant manages to tame the fantastic by normalizing it.
We intend, therefore, to position our work at the meeting point of these two concepts---realism and fantasy---in order to determine if the definition of "fantastic realism" we will be striving for can be verified through our analysis of the following stories: "Apparition", "La chevelure", "Le Horla" (first version), "La main", "La peur", "Magnetisme" and "Sur 1'eau". (Abstract shortened by UMI.)
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Rave, Maria Eugenia B. "Magical Realism and Latin America." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RaveMEB2003.pdf.

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Books on the topic "Magisk realisme"

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Haruki, Murakami. Trækopfuglens krønike. Århus: Klim, 2003.

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Elena, Pontiggia, and Società per le belle arti ed esposizione permanente (Milan, Italy), eds. Pompeo Borra: Un realismo magico. [Milano]: G. Mondadori, 2009.

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Magical realism and the postcolonial novel: Between faith and irreverence. Basingstoke: Palgrave Macmillan, 2009.

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Erdman, Matthijs, and Emily Ansenk. Schilders van een andere werkelijkheid in de collectie van het Scheringa Museum voor Realisme. Spanbroek: Scheringa Museum voor Realisme, 2006.

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Dell'Arco, Maurizio Fagiolo. Classicismo pittorico: Metafisica, valori plastici, realismo magico e "900". Genova: Costa & Nolan, 1991.

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1939-, Fagiolo Dell'Arco Maurizio, and Galleria dello Scudo, eds. Realismo magico: Pittura e scultura in Italia, 1919-1925. [Milano]: Mazzotta, 1988.

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Nieuw Realisme: 159 kunstwerken uit de collectie van het voormalige Scheringa Museum voor Realisme. Zwolle: d'Jonge Hond, 2010.

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Convegno internazionale di studi "Realismo magico, fantastico e iperrealismo nell'arte e nella letteratura latinoamericane" (2004 Udine, Italy). Realismo magico: Fantastico e iperrealismo nell'arte e nella letteratura latinoamericane. Udine: Forum, 2005.

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Mario, Sartor, ed. Realismo magico: Fantastico e iperrealismo nell'arte e nella letteratura latinoamericane. Udine: Forum, 2005.

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Magic realism. Detroit: Gale Group, 2000.

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Book chapters on the topic "Magisk realisme"

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Gee, Felicity. "Magic realism." In Magic Realism, World Cinema, and the Avant-Garde, 126–48. Abingdon, Oxon; New York: Routledge, 2021. | Series: Remapping world cinema; 5: Routledge, 2021. http://dx.doi.org/10.4324/9781315312811-5.

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Di Noi, Barbara. "Il Musil di Claudio Magris." In Biblioteca di Studi di Filologia Moderna, 119–34. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-338-3.14.

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This paper discusses the importance and frequency of Magris’ explorations of Musil and his major work as a novelist, Der Mann ohne Eigenschaften. It investigates the reasons why Musil’s novel is so important, and not only so for the Germanist. Indeed, Musil’s work and its interpretation can also be considered as a kind of ‘model’ for the writer that Magris would become later on in his career. The paper focuses on different features of Musil’s masterpiece, which better meet Magris’ ideal of diegesis, and somehow subvert the classic and rational paradigm of the Bildungsroman, pointing to the magic realism of a writer like Borges.
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Punter, David. "Angela Carter’s Magic Realism." In The Contemporary British Novel Since 1980, 48–58. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-349-73717-8_5.

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de la Campa, Román. "Latinos and Magic Realism." In Moments of Magical Realism in US Ethnic Literatures, 259–68. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137329240_13.

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Durix, Jean-Pierre. "From Fantasy to Magic Realism." In Mimesis, Genres and Post-Colonial Discourse, 79–148. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1057/9780230377165_4.

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Giesekam, Greg. "Magic to Realism: European Pioneers." In Staging the Screen, 27–50. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-1-137-09099-7_2.

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Landau, Neil. "Dystopias, Multiverses and Magic Realism." In TV Writing on Demand, 71–88. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315202150-4.

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Gee, Felicity. "Ethno-magic-realist documentary." In Magic Realism, World Cinema, and the Avant-Garde, 60–90. Abingdon, Oxon; New York: Routledge, 2021. | Series: Remapping world cinema; 5: Routledge, 2021. http://dx.doi.org/10.4324/9781315312811-3.

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Adams, Jenni. "Introduction." In Magic Realism in Holocaust Literature, 1–20. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_1.

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Adams, Jenni. "The Dream of the End of the World: Magic Realism and Holocaust History in Jonathan Safran Foer’s Everything Is Illuminated." In Magic Realism in Holocaust Literature, 21–49. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353_2.

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Conference papers on the topic "Magisk realisme"

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Xuemin, Heng. "Aboriginality Construction of the Magic Realism in Mo Yan’s Novels." In Proceedings of the 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icelaic-18.2018.90.

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Salam, Aprinus. "The Postcolonial Subject Vis A Vis Magic Realism. Some Cases From Indonesian Novels And Its Pedagogical Contribution To The Teaching Of Literature." In Proceedings of the International Conference on Science, Technology, Education, Arts, Culture and Humanity - "Interdisciplinary Challenges for Humanity Education in Digital Era" (STEACH 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/steach-18.2019.24.

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