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Journal articles on the topic 'Magisk realisme'

Author: Grafiati

Published: 13 December 2022

Last updated: 28 January 2023

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1

Hansen, Kai Arne. "Sangfoni: Magisk realisme, leken læring og identitetsutforsking i barns audiovisuelle musikkultur." Studia Musicologica Norvegica 44, no. 01 (2018): 102–17. http://dx.doi.org/10.18261/issn.1504-2960-2018-01-07.

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Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO." GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, no. 2 (2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.

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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data d

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3

Mat Hussain, Eizah, Siti Nur Anis Muhammad Apandi, and Nurhasyimah Saidin. "ASPEK REALISME MAGIS DALAM NOVEL CEBISAN MANTERA TERAKHIR." Jurnal Pengajian Melayu 33, no. 2 (2022): 27–43. http://dx.doi.org/10.22452/jomas.vol33no2.2.

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Abstract Magical realism, which combines reality and fantasy, has become a trend in the world of literature, sparking a new way of thinking while producing a literary work. Studies on magical realism in literature are crucial as they could reflect the cultural and societal norms of the society featured. This article utilised the theory of magical realism by Faris (2004) to discuss the aspect of magical realism presented in the novel “Cebisan Mantera Terakhir” (2013) by Hasanuddin Md. Isa and published by the Malaysian Institute of Translation and Books (ITBM). The genre of the novel is classif

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Widijanto, Tjahjono. "JAGAD ALUS MISTIS JAWA DALAM CERPEN-CERPEN DANARTO DAN FANTASI MAGIS TERNATE DALAM NOVEL CALA IBI KARYA NUKILA AMAL." JENTERA: Jurnal Kajian Sastra 7, no. 1 (2018): 102. http://dx.doi.org/10.26499/jentera.v7i1.682.

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Abstrak: Artikel ini mengkaji kumpulan cerpen Godlob karya Danarto dan novel Cala Ibi karya Nukila Amal dari sudut pandang realisme magis. Realisme magis dipahami sebagai gaya estetetik yang mengandung unsur-unsur magis bercampur aduk dengan realitas. Dalam realisme magis wilayah mistis dan realitas empiris diperlakukan sejajar karena yang fantasi dan supranatural mengakar pada realitas kultural dan historis. Kajian dalam tulisan ini berdasarkan pandangan bahwa teks sastra pasti akan terpengaruh oleh kultur masyarakat dan pengarangnya. Muatan makna yang terdapat di dalam karya sastra akan dipe

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Prasetyohadi, Dio Catur, Hat Pujiati, and Irana Astutiningsih. "Magical Realism-Like in Shakespeare's A Midsummer Night's Dream (Serupa Realisme Magis dalam “A Midsummer Night's Dream” karya Shakespeare)." JENTERA: Jurnal Kajian Sastra 7, no. 1 (2018): 52. http://dx.doi.org/10.26499/jentera.v7i1.508.

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This article uses concepts of magical realism by Wendy B. Faris to analyze Shakespeare's A Midsummer Night's Dream. We analyze elements of magical realism of the work in mapping discourses between the text and the real life. The chosen material object that published earlier than the theory we chose make this work contributes to describe the trace of the civilization development; event of in-betweeness of human consciousness. However, we have found that A Midsummer Night’s Dream is only a magical realism-like mode, since realism is dominant in the text as the trace of modernity. Meanwhile, the

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Faruk, Faruk, Cahyaningrum Dewojati, Fadil Munawwar Manshur, and Asef Saeful Anwar. "REALISME MAGIS DI PESANTREN DARUSSALAM CIAMIS." Bakti Budaya 3, no. 1 (2020): 20. http://dx.doi.org/10.22146/bb.55497.

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AbstractNowadays magical Realism is the most popular literary genre in the world. This genre has strong influences in literature as well as fine art and film. It is for this reason that people competence in working with this genre is very important for developing Indonesian creative industry. Therefore, Magister Program for Literary Studies Faculty of Cultural Sciences Gadjah Mada University necessities to have a workshop program for investing people writing capability in this kind of genre. Target subject for the program is Darussalam Literary Community whose activities located in Islamic Boa

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Salsabila, Ananda Farah, and Karkono. "Unsur Elemen tak Tereduksi (Irreducible Element) Realisme Magis Dalam Novel Bumi Karya Tere Liye." JoLLA: Journal of Language, Literature, and Arts 1, no. 1 (2021): 49–61. http://dx.doi.org/10.17977/um064v1i12021p49-61.

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Abstract: Magical realism is a theory by Wendy B. Faris that tells about a narrative that combines the elements of fantasy and reality. The term magical realism was created in 1925 throughout the world of painting and was introduced by Franz Roh, a German art critic. The novel Bumi by Tere Liye that was published in 2014 has the concept of magical realism in it. The writing in this novel contains an imaginary adventure where the main characters are trying to find their true self until they reach the parallel universe. This qualitative research uses a library research method. The data collected

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Fajrin R., Hasina, and Sarwo Ferdi Wibowo. "KADAR REALISME MAGIS DALAM CERPEN DI TUBUH TARRA DALAM RAHIM POHON KARYA FAISAL ODDANG." TELAGA BAHASA 7, no. 2 (2020): 151–62. http://dx.doi.org/10.36843/tb.v7i2.61.

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Secara sosial-kebudayaan, masyarakat Indonesia hingga hari ini masih sangat dekat dengan mitos dalam kesehariannya. Mitos-mitos tersebut dapat menjadi sumber inspirasi bagi sastra Indonesia dalam memberikan kekhasan khususnya pada gaya narasi sastra Indonesia seperti dalam cerpen Di Tubuh Tarra dalam Rahim Pohon karya Faisal Oddang. Dalam tulisan ini, kualitas kesastraan karya diungkap melalui sebuah genre baru dalam sastra Indonesia, yaitu realisme magis yang memungkinkan bersatunya elemen riil dan magis dalam gaya narasi. Penelitian ini menggunakan teori realisme magis Wendy B. Faris sebagai

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Sjåstad, Øystein. "Jan Valentin Sæthers magiske realisme." Kunst og Kultur 103, no. 01 (2020): 4–18. http://dx.doi.org/10.18261/issn.1504-3029-2020-01-01.

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10

Rusli, Edial. "Realisme Magis Imaji Ke Imajinasi Visual Fotografi." Rekam 18, no. 1 (2022): 17–24. http://dx.doi.org/10.24821/rekam.v18i1.6904.

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Berbagai imaji dan imajinasi yang dialami secara pribadi adalah inspirasi yang terasa familiar dan mudah diselami dalam melahirkan suatu proses ide yang kreatif, yang dalam hal ini adalah menciptakan karya seni fotografi yang estetis. Berawal dari pengalaman pribadi yang kala itu tumbuh di tengah kaum urban di pusat niaga Kota Yogyakarta, yaitu kawasan Malioboro dan kebetulan pada masa dewasa lalu berkecimpung di dunia fotografi, muncullah inspirasi untuk menciptakan karya fotografi seni tentang Malioboro. Tujuan dari artikel ini adalah untuk memaparkan bagaimana proses kreatif dalam menciptak

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11

Sundusiah, Suci. "MEMAHAMI REALISME MAGIS DANARTO DAN MARQUEZ." LINGUA: Journal of Language, Literature and Teaching 12, no. 1 (2015): 123–36. http://dx.doi.org/10.30957/lingua.v12i1.76.

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Begun as a theme of painting art, magical realism exists as a typical place in litarature. The works of magical realism literature efforts to appear magical aspects such as superstition, beliefs, folklor and spiritual substance exceding from the logic into reality of daily lifes. The substance of the magic is integrated in the accepted traditions and cultures. This article analyzes short stories of Danarto and a novel of Marquez. Both aouthors are selected as they represent pionneers of writing style of magical realism from two different cultures. Both authors express the same writing style, b

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Sugiono, Moch, I. Nyoman Sudiana, and I. Nyoman Yasa. "Unsur Realisme dalam Naskah Drama Guru Bahasa Indonesia pada Pembelajaran Drama di SMAS Laboratorium Undiksha." Jurnal Bastrindo 2, no. 2 (2021): 101–14. http://dx.doi.org/10.29303/jb.v2i2.277.

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: Penelitian ini bertujuan untuk mendeskripsikan unsur realisme di dalam naskah drama karya guru Bahasa Indonesia di SMAS Laboratorium Undiksha. Metode penelitian yang digunakan adalah deskriptif kualitatif. Subjek penelitian ini adalah naskah drama pada pembelajaran drama di SMAS Laboratorium Undiksha, khususnya yang digunakan sebagai bahan ajar pengganti naskah drama yang terdapat di dalam buku teks Bahasa Indonesia edisi revisi tahun 2017; di kelas XI pada Jurusan Matematika dan Ilmu Pengetahuan Alam (MIPA). Objek penelitian ini adalah unsur realisme di dalam naskah drama guru Bahasa Indone

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Pamungkas, Onok Yayang, Silmi Zulaikha, and Diah Ana Khusnul Khotimah. "Realisme Magis dalam Novel Sang Nyai 3 Karya Budi Sardjono." Kawruh : Journal of Language Education, Literature and Local Culture 4, no. 2 (2022): 69. http://dx.doi.org/10.32585/kawruh.v4i2.2342.

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Mulia, Sandra Whilla. "REALISME MAGIS DALAM NOVEL SIMPLE MIRACLE DOA DAN ARWAH KARYA AYU UTAMI." Lakon : Jurnal Kajian Sastra dan Budaya 5, no. 1 (2016): 30. http://dx.doi.org/10.20473/lakon.v5i1.2780.

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This study are intend to reach some goals. First, this aimed to uncover the magic realism which is narrated in Ayu Utami’s novel, entitled Simple Miracle DoaDan Arwah. Second, this study aimed to discover socio cultural context which form the background of the emerging of magic realism of narrative in Ayu Utami’s novel entitled Simple Miracle Doa dan Arwah. This research utilizes magic realism narrative theory on the book Ordinary Enchantments Magical Realism andRemystifiction of Narratives written by Wendy B. Faris (2004). This is a qualitative study which employed textual analysis to analyze

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Hudayat, Asep Yusup. "PEREMPUAN, ALAM, SILUMAN, DAN TABU DALAM NOVEL BURAK SILUMAN KARYA MOH. AMBRI: TINJAUAN REALISME MAGIS." Tsaqofah 19, no. 02 (2021): 91. http://dx.doi.org/10.32678/tsaqofah.v19i02.5482.

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Women, nature, ghost, and taboo are the main discourses related to magical realism in “Burak Siluman”, a novel by Moh. Ambri. In Burak Siluman, women (the main sign) were connected to the discourse of nature, ghost, and taboo. In it, women represent the suppressed desires of the lower class for wealth, position, honor wrapped in narratives of fascination, search, wandering, misfortune, and a curse. Discourses on the supernatural, half-ghost, and taboo legends in the novel are important traditional realities that are studied and seen by the workings of the concepts of magical realism in the col

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16

Faruk, Faruk, and Fadlil Munawwar Manshur. "Pelatihan Penulisan Cerita Lokal Bergenre Magis di Komunitas Sastra Darussalam." Bakti Budaya 5, no. 1 (2022): 61–73. http://dx.doi.org/10.22146/bakti.4076.

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The third-year of service activities (2021) at the Komunitas Sastra Darussalam were centered on training in writing local stories of the magical genre. Komunitas Sastra Darussalam has the potential to maximize the pesantren’s cultural background as the basis for their writing, such as through the genre of magical realism which is considered very close to their lives. Through training and mentoring held by the service community team, it is expected that they will ignite their ability to continue developing to compete at the national or global level. In the first year (2019), activities are focu

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Luburić-Cvijanović, Arijana. "Magic, realism and the river between: The cultural weight of postcolonial magic(al) realism." Kultura, no. 168 (2020): 69–87. http://dx.doi.org/10.5937/kultura2068069l.

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Magic(al) realism has for long attracted critical attention as one of the more theoretically elusive concepts which has been termed magic, magical, and magic(al), interpreted as a narrative genre, mode, or strategy, and analyzed alongside similar terms and neighbouring genres. While it briefly summarizes the troubling terminology associated with magic(al) realism, this paper focuses on the cultural significance of-magic(al) realism for postcolonial writing, and delves into its role as a strategy of resistance in the representation of culture and history, its destabilizing project, and the poss

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18

Nah, So-Mi. "The Fantastic Realism (Magic Realism) representation on film Visualization research: The boundaries of Fantasy and reproducibility of Images." Journal of Digital Convergence 14, no. 12 (2016): 495–501. http://dx.doi.org/10.14400/jdc.2016.14.12.495.

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Mattia, Delmondo. "La natività din Alberto Moravia tra «realismo magico» e «irrealtà quotidiana»." ACTA IASSYENSIA COMPARATIONIS 24, no. 2 (2019): 73–82. http://dx.doi.org/10.47743/aic-2019-2-0007.

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20

Shaw, Donald L., Erik Camayd-Freixas, and Seymour Menton. "Realismo magico y primitivismo. Relecturas de Carpentier, Asturias, Rulfo y Garcia Marquez." Hispanic Review 67, no. 4 (1999): 577. http://dx.doi.org/10.2307/474733.

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Santos, José Deribaldo Gomes. "Alegoria e símbolo." Verinotio – Revista on-line de Filosofia e Ciências Humanas 26, no. 1 (2020): 44–63. http://dx.doi.org/10.36638/1981-061x.2020.v26.516.

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Este artigo debate a relação entre a alegoria e o símbolo, temática importante para a Grande Estética de Lukács, uma vez que as distinções e as contraposições entre o alegórico e o simbólico possibilitam que o autor húngaro se aproxime do conceito de realismo. O realismo, para o esteta de Budapeste, é o que marca a autenticidade artística. Este trabalho opta por um estudo de caráter teórico-bibliográfico. Por meio de uma análise imanente sobre recorte da Estética do esteta magiar, o artigo considera que a chamada arte de vanguarda, por se inclinar para uma alegoria vazia de conteúdo, abandona

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Ghini, Giuseppe. "Il pentimento in Tolstoj e Dostoevskij. Dal cerchio magico dell’Io al bisogno di perdono." Linguae & - Rivista di lingue e culture moderne, no. 2 (December 2013): 67–90. http://dx.doi.org/10.7358/ling-2013-002-ghin.

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Given the religious metaphysics of Russian Realism (Steiner 1995: 49), repentance is one of the pivotal moments necessary for the characters of Tolstoy’s and Dostoevsky’s works: it is through repentance that such characters radically change their lives, become aware of evil committed, and renounce evil forever; in other words, they die and are reborn. The two great novelists have, however, two very different attitudes towards repentance: Tolstoy examines all its aspects in the psychological consciousness of his characters, while Dostoyevsky shows their necessary openness to the transcendent wo

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Chengcheng, YOU. "Strange Encounter: Depicting An “Other” Reality for Young Readers." Journal of Urban Society's Arts 2, no. 1 (2015): 25–34. http://dx.doi.org/10.24821/jousa.v2i1.1267.

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This article explores fantastic encounters between humans and non-humans inChinese and Japanese Children’s literature. Naoko Awa’s collection of short storiesThe Fox’s Window and Other Stories is closely read to elucidate narrative features ofwhat I call as “strange encounter”, the magic realistic human-animal encounter inChinese and Japanese cultural context. Chinese supernatural literature and culturaltradition of yaoguai, which have been assimilated into Japanese culture (Japaneseyōkai), are referred to throughout my discussion. Todorov’s approach to thefantastic, Judith Zeitlin’s study of

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Ramadhona, Sehla Rizqa. "A DISCURSIVE STRATEGY TO MAINTAIN THE CULTURAL ISLAM-POLITICAL ISLAM POWER RELATION IN INDONESIA IN TRIWIKROMO’S “LENGTU LENGMUA” (2012)." Poetika 9, no. 2 (2021): 128. http://dx.doi.org/10.22146/poetika.v9i2.64116.

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This study aims to reveal the discursive play of the short story “Lengtu Lengmua” (2012) by Triyanto Triwikromo in maintaining the unequal power relation in Indonesia. The study is carried out on the basis of Norman Fairclough’s Critical Discourse Analysis that elaborates intertextuality theory and social theory of discourse. The research questions are what discourses influence “Lengtu Lengmua”’s celeng construction? and what political interests are supported and legitimized by “Lengtu Lengmua”’s celeng construction? It is a descriptive qualitative study for which data were collected using a n

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Hasanah, Ferli, Mega Subekti, and Vincentia Tri Handayani. "MAKNA REALISME MAGIS DALAM NOVEL JOURS DE COLÈRE DAN ’ENFANT MÉDUSE KARYA SYLVIE GERMAIN." LITERA 17, no. 3 (2018). http://dx.doi.org/10.21831/ltr.v17i3.19990.

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AbstrakDalam sastra, realisme magis dianggap sebagai alat yang ampuh untuk menunjukkan perlawanan terhadap kolonialisme dan neokolonialisme, terutama di negara berkembang yang sebagian besar masyarakatnya digambarkan masih menderita akibat efek destruktif kolonialisme. Penelitian bertujuan mendeskripsikan makna realisme magis dalam novel Jours de Colère dan l’Enfant Méduse karya Sylvie Germain. Berbeda dengan definisi genre fantastique (Todorov, 1970), realisme magis hadir sebagai bagian wajar dan tak terpisahkan dari cerita yang realis (Chanady, 1985). Realisme magis yang ada dalam kedua nove

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Indarwaty, Henny, Sri Utami Budi, and Scarletina Vidyayani Eka. "PERBANDINGAN EXTRAORDINARY ELEMENT DALAM NARASI FANTASI, FIKSI ILMIAH DAN REALISME MAGIS." JENTERA: Jurnal Kajian Sastra 4, no. 1 (2017). http://dx.doi.org/10.26499/jentera.v4i1.384.

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Narasi fantasi, fiksi ilmiah, dan realisme magis mempunyai satu unsur yang sama yaitu elemen yang tidak rasional atau disebut extraordinary element. Namun demikian unsur ini tidak digunakan dengan cara yang sama dalam ketiga narasi tersebut sehingga membedakan jenis narasinya. Artikel ini akan mengkaji karakteristik narasi fantasi, fiksi ilmiah, dan realisme magis untuk melihat keberadaan extraordinary element di dalamnya serta fungsinya dalam pembentukan plot. Karakteristik ini akan diambil dari studi pustaka sekaligus dari hasil identifikasi beberapa karya sastra yang telah dilegitimasi seba

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Lukáš, Jakub. "Magický realismus v románu »Žítkovské bohyně«." Bohemistyka, no. 2 (April 15, 2021). http://dx.doi.org/10.14746/bo.2021.2.6.

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Studie je zaměřena na srovnání knihy Žítkovské bohyně Kateřiny Tučkové s jednou z variant estetického konceptu magického realismu. Kateřina Tučková se ve svém románu pokusila historicky věrně zpracovat téma žen, takzvaných bohyní z oblasti Kopanic, a uvést jej do konkrétního příběhu. Na mnoha jeho místech je realita konfrontována s nadpřirozenem. Cílem studie je tato místa detekovat a analyzovat na základě vymezených rysů magického realismu.

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Muhtarom, Imam. "REALISME MAGIS DALAM CERPEN: KASUS CERPEN GABRIEL GARCIA MARQUEZ, TRIYANTO TRIWIKROMO, DAN A.S. LAKSANA." Jurnal POETIKA 2, no. 2 (2014). http://dx.doi.org/10.22146/poetika.10444.

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Muhtarom, Imam. "REALISME MAGIS DALAM CERPEN: KASUS CERPEN GABRIEL GARCIA MARQUEZ, TRIYANTO TRIWIKROMO, DAN A.S. LAKSANA." Poetika 2, no. 2 (2014). http://dx.doi.org/10.22146/poetika.v2i2.10444.

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Abrehart, Nichola, Kate Frost, Roy Harris, et al. "“A little (PPI) MAGIC can take you a long way” : involving children and young people in research from inception of a novel medical device to multi-centre clinical trial Roald Dahl, James and the Giant Peach (1961)." Research Involvement and Engagement 7, no. 1 (2021). http://dx.doi.org/10.1186/s40900-020-00243-0.

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Abstract Background There is often a great urgency to be inclusive when conducting research and to focus efforts with groups and communities that can be referred to as marginalised. This is especially the case in research concerning medical devices aimed at children and young people (CYP). Although involvement methodology has developed over the last two decades, it can be challenging to involve and engage CYP with confidence and clarity of purpose. Main body Our aim was to provide a reflective narrative account of the involvement of CYP, over a period of 5 years, in a research project from con

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