Relevant bibliographies by topics / Magritte, René, 1898-1967 – Philosophie

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  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Magritte, René, 1898-1967 – Philosophie'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Magritte, René, 1898-1967 – Philosophie"

1

Bigeli, Alan Ricardo Floriano, and Gustavo Henrique Dionisio. "O estranhamento do banal: a poética magritteana sob um olhar psicanalítico." Estudos Interdisciplinares em Psicologia 9, no. 1 (2018): 26. http://dx.doi.org/10.5433/2236-6407.2018v9n1p26.

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O presente artigo pretende construir possíveis relações entre a psicanálise e algumas das obras mais inquietantes de René Magritte (1898 – 1967), mantendo consonância com a curadoria de uma exposição sobre o artista, chamada “Magritte: The Mystery of the Ordinary”. Para tanto, além de nos debruçarmos sobre materiais de comentadores e críticos da obra do pintor, investigamos também os textos produzidos pelo próprio Magritte, nos quais o pintor versa sobre conceitos fundamentais para a compreensão de seu pensamento artístico: emoção estética, poética, mistérios do cotidiano, estranhamento (resso
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2

Ritchie, J. Brendan, and Benjamin van Buren. "When Scenes Look Like Materials: René Magritte’s Reversible Figure–Ground Motif." Art and Perception 8, no. 3-4 (2020): 299–310. http://dx.doi.org/10.1163/22134913-bja10002.

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We draw attention to a frequent motif in the work of the Belgian surrealist René Magritte (1898–1967). In the motif, a scene is depicted that contains a silhouette, which itself contains another depicted scene. The silhouette is bistable, appearing either as a figural region whose positive space is covered, or filled, with the interior scene texture, or as a ground region providing a window onto a more distant scene. We call this the ‘reversible figure–ground motif’. Because the stimulus does not change when our percept changes, the motif’s appearance at any particular moment cannot be explain
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3

Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha
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Dissertations / Theses on the topic "Magritte, René, 1898-1967 – Philosophie"

1

Joemets, Micheline. "René Magritte, a critique of reification." Master's thesis, Université Laval, 1991. http://hdl.handle.net/20.500.11794/33550.

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Cet ouvrage examine les oeuvres de René Magritte datant de 1925 à 1933. L’auteur considère les oeuvres crées au cours de ces années comme appartenant à deux moments distincts d’un même cheminement critique des relations marchandes. Le premier moment est situé de 1925 à 1927, le second en 1933, au seuil de la découverte d’un processus de formation d’images appelé "objet- réponse". Ces deux périodes sont considérées comme étant basées sur des modes de construction opposés. Les oeuvres datant de la première période sont perçues comme étant le résultat d’une volonté de nier les principes structure
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2

Meurer, Clio Elizabeth de Carvalho. "Joan MIRÓ, René MAGRITTE : écriture et création picturale." Paris 7, 2008. http://www.theses.fr/2008PA070003.

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C'est en procédant à une analyse de l'interaction entre l'écriture et l'image dans les œuvres de Joan Miró et de René Magritte que ce travail de mise en contraste cherche à vérifier quel est le rôle joué par l'écriture dans la création picturale - vérifier comment le langage écrit influence, interfère et/ou s'incorpore dans la genèse de l'œuvre d'art. Le texte est structuré autour de quatre axes centraux d'analyse, chacun comportant son propre fondement théorique et méthodologique. Le premier axe examine les fondements du modus operandi des deux artistes, et vise à mettre en valeur l'importanc
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3

Linardi, Ana Beatriz. "Lautreamont / Magritte : poesia e artes plasticas nos cantos de Maldoror." [s.n.], 2001. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251276.

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Orientador : Joaquim Brasil Fontes<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-07-28T00:21:01Z (GMT). No. of bitstreams: 1 Linardi_AnaBeatriz_M.pdf: 39958102 bytes, checksum: 2bd51290db8cec4da6c1012120be4514 (MD5) Previous issue date: 2001<br>Mestrado
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4

Tyson, Janet Stiles. "Two Annunciations: Examples of interpellation or offers of reception? a comparative analysis of pictures by Roger van der Weyden and René Magritte." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3912/.

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This thesis uses reception theory, as formulated by the late Wolfgang Iser, as well as ideas about interpellation or hailing, to compare and analyze two paintings: The Annunciation (c. 1435) by Roger van der Weyden and Personal Values (1952) by René Magritte. It demonstrates that interpellation and reception are part of the same process, and that reception theory is especially suited to this comparison and analysis-because it allows consideration of ways in which the comparable pictorial structures of both paintings facilitate their intentions. It argues that those intentions are to engage vie
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5

Biserni, Marcella. "Le polyèdre de Magritte : Reflets littéraires de l’objet peint, filmé et scénarisé." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3082.

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Cette thèse se propose d’analyser les différents aspects de l'art de R. Magritte dans son interdisciplinarité. Le premier chapitre prend comme point de départ le versant philosophique et linguistique que l’on peut remarquer dans son œuvre, pour analyser de façon détaillée les aspects mimétiques et sémiotiques. L'utilisation que fait Magritte de certaines formes de la rhétorique rend évidente l'importance de l'aspect graphémique du mot, gouverné par le visible. La coïncidence entre les deux contraires (sémiosis et mimesis) laisse percevoir l'espace qui les sépare. D'un point de vue comparatiste
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6

Parsuram, Sirola. "The mirror as device : a study of the mirror motif in select examples of South African and western artworks." Thesis, 2010. http://hdl.handle.net/10413/3494.

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7

Pereira, Anabela Lopes 1966. "Artes visuais e construção de sentido." Master's thesis, 2014. http://hdl.handle.net/10451/11325.

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Tese de mestrado, Educação artística, Universidade de Lisboa, Faculdade de Belas Artes, 2014<br>The interest in this research topic comes from the professional practice of the researcher. As a Visual Arts teacher she acknowledged that plastic experimentation is not followed by activities designed to develop skills of artistic appreciation. Being aware that school and art education in school have an important role in literacy, understood as the ability to encode and decode various forms of representation, intended to contribute to the development of students' autonomy in discerning visual langu
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Books on the topic "Magritte, René, 1898-1967 – Philosophie"

1

Keur, Marieke, ed. René Magritte, 1898-1967. Taschen, 1990.

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2

Magritte, René. René Magritte, 1898-1967. Ludion, 1998.

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3

Meuris, Jacques. René Magritte, 1898-1967. Benedikt Taschen, 1992.

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4

1898-1967, Magritte René, ed. René Magritte, 1898-1967: La pensée visible. Taschen, 2000.

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5

Paquet, Marcel. René Magritte, 1898-1967: El pensamiento visible. Taschen, 2000.

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6

David, Sylvester, and Whitfield Sarah, eds. René Magritte, catalogue raisonné. Menil Foundation, 1992.

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7

editor, Haskell Caitlin, and San Francisco Museum of Modern Art, eds. René Magritte: The fifth season. 2018.

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8

René Magritte. Taschen, 1985.

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9

Foucault, Michel. This Is Not a Pipe (Quantum Books). 2nd ed. University of California Press, 2008.

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