Academic literature on the topic 'Mahābhārata – Adaptations'

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Journal articles on the topic "Mahābhārata – Adaptations"

1

Lee, So-Rim. "Translation, Adaptation, and Appropriation in Brook's Mahabharata." New Theatre Quarterly 34, no. 1 (2018): 74–90. http://dx.doi.org/10.1017/s0266464x17000690.

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In this article So-Rim Lee closely investigates the Mahābhārata in relation to – but quite distinct from – The Mahabharata: a Play (1985) by Peter Brook and Jean-Claude Carrière. Since the ancient text of the Mahābhārata does not have a definitive author, version, or form, So-Rim Lee argues that Brook and Carrière's framing of their modern reading as an adaptation of the ancient text poses a series of questions regarding the politics of recontextualizing a South Asian text in Western terms, the methodological process involved in doing this, and the ethical stance espoused by the transcultural
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Zysk, Kenneth. "From symposion to goṣṭhī: The Adaptation of a Greek Social Custom in Ancient India". Studia Orientalia Electronica 9, № 1 (2021): 83–111. http://dx.doi.org/10.23993/store.102235.

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The symposion, a male social gathering that began in ancient Greece, was a social institution by and for men, hence a type of men’s society as we might understand it in modern parlance. Its manifestation on the Indian subcontinent has to date not been fully explored. In its original form, the symposion consisted of three main elements: alcohol, sex, and intellectual pursuits in the form of literature and philosophy, commonly understood by the popular phrase “wine, women, and song”. These sympotic elements find their equivalents in a wide range of Sanskrit litera­ture, which include medicine (Ā
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Dissertations / Theses on the topic "Mahābhārata – Adaptations"

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Du, Plessis Tanya Lenore. "In search of the culture of links : the use of myth and ritual in the work of Peter Brook." Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002368.

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This thesis examines the use of elements of myth and ritual in the work of Peter Brook, focusing primarily on The Mahabharata ( 1986 ). The argument proposes that Brook uses myth and ritual as an integral part of his search for the culture of links .. This thesis examines the precise functioning of myth and ritual in Brook's theatre, and places his work in relation to the concepts of interculturalism and postmodernism. In so doing, The Mahabharata is seen as a valid and important step in Brook's search for the culture of links. Chapter One formulates broad-based concepts of myth and ritual, an
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Books on the topic "Mahābhārata – Adaptations"

1

Guṇḍūrāv, Vai En. Mahābhāratada upakategaḷu. Ankita Pustaka, 2012.

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Dāsa, Jagannātha. Mahābhārata. Abhijit Prakāśana, 2003.

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Siṃha, Kālīprasanna. Mahābhārata: Calita gadye rūpāntarita. Maḍārṇa Buka Ejensī, 1990.

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Mirānda, Rōki Vā. The old Konkani Bhārata. Central Institute of Indian Languages, 2011.

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Razā, Rāhī Māsūma. The Mahabharata TV film script. Writers Workshop, 1991.

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Tharoor, Shashi. The great Indian novel. Viking, 1989.

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Tharoor, Shashi. The great Indian novel. Arcade Pub, 1989.

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The great Indian novel. Penguin Books, 1989.

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Tharoor, Shashi. The great Indian novel. Arcade Pub., 1989.

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Tharoor, Shashi. The great Indian novel. Picador, 1994.

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