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Journal articles on the topic 'Mahmud Darwisz'

Author: Grafiati

Published: 24 April 2022

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1

Firmansyah, Fahmi. "ANALISIS STILISTIKA DALAM PUISI ما أنا إلّا هو KARYA MAHMŪD DARWῙSY". Tafhim Al-'Ilmi 10, № 2 (2019): 57–71. http://dx.doi.org/10.37459/tafhim.v10i2.3424.

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Mahmūd Darwīsy is a famous Palestinian poet. He is known as a humanist poet, most of whose poems are resistance themes. The style of poetry writing is more like the classical Arabic writing style with simple and beautiful words but rich in meaning. One of his poems that has a beautiful classic writing style is ما أنا إلّا هو (mā anā illā huwa). So, the stylistic study was seen as more appropriate to dissect the beauty of Mahmoud Darwish's poetry writing style. In accordance with the stylistic theory initiated by Syihabuddin Qalyubi, this analysis examines the style of poetic language ما أنا إل

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2

M. Hafidzulloh, S.M, M. Hafidzulloh, S. M., and Aprinus Salam. "POTENSIALITAS PUISI BITHOQOH HAWIYAH KARYA MAHMUD DARWISH: MENILIK POLITIK KEDAULATAN NEGARA PALESTINA." Jurnal Pendidikan Bahasa dan Sastra 21, no. 1 (2021): 51–64. http://dx.doi.org/10.17509/bs_jpbsp.v21i1.36658.

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Mahmud Darwish adalah penyair Arab berkebangsaan Palestina yang menyuarakan kebebasan dan kritik terhadap konflik Palestina-Israel melalui karya-karya sastranya. Sebuah karya sastra berpotensi memberikan kontribusi nyata untuk meneguhkan kedaulatan suatu Negara-bangsa. Puisi Bithoqoh Hawiyah merupakan karya fenomenal Mahmud Darwish yang mencerminkan identitas kebangsaan dan bentuk representatif warga untuk tetap mempertahankan kedaulatan Negara Palestina akibat invansi Negara Israel. Penelitian ini bertujuan mengungkap potensialitas dalam puisi Bithoqoh Hawiyah Mahmud Darwis. Puisi Bhitoqoh Ha

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Ikhwan, Ikhwan, and Bayu Sekar Sari. "REPRESENTASI PALESTINA DALAM KISAH NABI YUSUF Analisis Semiotik Puisi “Ana Yūsufu(n) Yā Abī” Karya Mahmud Darwis." Metahumaniora 9, no. 2 (2020): 207. http://dx.doi.org/10.24198/metahumaniora.v9i2.24895.

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Penelitian ini membahas tentang puisi “Ana Yūsufu(n) Yā Abī” karya Mahmud Darwis dengan menggunakan pendekatan semiotika puisi Riffaterre. Penelitian bertujuan untuk mendeskripsikan makna implisit atau makna tersembunyi di balik puisi, sehingga dapat dimengerti maksudnya oleh pembaca. Tahapan penelitian meliputi: pembacaan heuristik dan hermeneutik, analisis ekspresi tidak langsung, identifikasi matriks, model, dan varian, serta identifikasi hipogram. Hasil penelitian menunjukan bahwa puisi ini pada dasarnya merupakan ekspresi keluh kesah pengarangnya, sebagai rakyat Palestina, dalam menghadap

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4

Ikhwan, Ikhwan, and Bayu Sekar Sari. "REPRESENTASI PALESTINA DALAM KISAH NABI YUSUF Analisis Semiotik Puisi “Ana Yūsufu(n) Yā Abī” Karya Mahmud Darwis." Metahumaniora 9, no. 2 (2020): 207. http://dx.doi.org/10.24198/mh.v9i2.24895.

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Penelitian ini membahas tentang puisi “Ana Yūsufu(n) Yā Abī” karya Mahmud Darwis dengan menggunakan pendekatan semiotika puisi Riffaterre. Penelitian bertujuan untuk mendeskripsikan makna implisit atau makna tersembunyi di balik puisi, sehingga dapat dimengerti maksudnya oleh pembaca. Tahapan penelitian meliputi: pembacaan heuristik dan hermeneutik, analisis ekspresi tidak langsung, identifikasi matriks, model, dan varian, serta identifikasi hipogram. Hasil penelitian menunjukan bahwa puisi ini pada dasarnya merupakan ekspresi keluh kesah pengarangnya, sebagai rakyat Palestina, dalam menghadap

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5

Arwan, Muhammad Sayyidul, and Faizetul Ukhrawiyah. "PATRIOTISME DALAM SYAIR BITAQAH HAWIYYAH KARYA MAHMUD DARWISY." JURNAL ILMIAH BAHASA DAN SASTRA 6, no. 2 (2020): 63–75. http://dx.doi.org/10.21067/jibs.v6i2.3878.

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Puisi merupakan media sastra yang sangat padat akan sebuah makna. Puisi juga sebagai media penyampai ide atau gagasan seorang penyair yang ingin disampaikan pada pembaca. Pada tulisan ini penulis akan menyampaikan paparan pemaknaan puisi “Bitaqah Hawiyyah” karya Mahmud Darwisy dengan menggunakan kajian semiotika. Pada tulisan ini pemaparan menggunakan metode kualitatif dengan cara penelitian pustaka dan memakai teori semiotika Riffaterre. Rumusan masalah pada tulisan ini yaitu bagaimana bentuk kesatuan struktur makna pada puisi “Bitaqah Hawiyyah” karya Mahmud Darwisy dengan menggunakan kajian

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6

SAZZAD. "Mahmoud Darwish:." Interdisciplinary Literary Studies 17, no. 1 (2015): 1. http://dx.doi.org/10.5325/intelitestud.17.1.0001.

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7

Khalidi, Rashid. "Remembering Mahmud Darwish (1941––2008)." Journal of Palestine Studies 38, no. 1 (2008): 74–77. http://dx.doi.org/10.1525/jps.2008.38.1.74.

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8

Said, Edward W. "On Mahmoud Darwish." Grand Street, no. 48 (1994): 112. http://dx.doi.org/10.2307/25007730.

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9

Prémel, Gérard D. "Mahmoud Darwich." Sens-Dessous 7, no. 2 (2010): 120. http://dx.doi.org/10.3917/sdes.007.0120.

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10

Fabre, Thierry. "Mahmoud Darwich." La pensée de midi N° 26, no. 4 (2008): 233–34. http://dx.doi.org/10.3917/lpm.026.0233.

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11

Darwich, Mahmoud. "Mahmoud Darwich." La pensée de midi N° 26, no. 4 (2008): 237–42. http://dx.doi.org/10.3917/lpm.026.0237.

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12

Nida, Nushrotun. "حقائق الحياة الفلسطينية في الشعر "يوميات جرح فلسطين" لمحمود درويش". Journal of Arabic Literature (Jali) 2, № 2 (2021): 135–50. http://dx.doi.org/10.18860/jali.v2i2.12065.

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Talking about Mahmud Darwis works is as if we were invited to see the real world reality. In this study, the researcher used the object of Mahmud Darwis' poetry entitled "yaumiyyatu Jurhi Falistin" because the poem depicts the real life of the Palestinian people, which is full of sadness and suffering. Therefore, this study aims to determine the real life of the Palestinian people which is described in the poem “yaumiyyatu jurhi falistiin” with the sociology of literature theory by Alan Swingewood and descriptive qualitative methods. The results of the reality of the life of the Palestinian pe

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13

Meddeb, Abdelwahab. "Mahmoud Darwish (1941-2008)." Po&sie 125, no. 3 (2008): 6. http://dx.doi.org/10.3917/poesi.125.0006.

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14

Joudah, F. "Mahmoud Darwish: Two Poems." Literary Imagination 7, no. 2 (2005): 160–61. http://dx.doi.org/10.1093/litimag/7.2.160.

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15

Aguilar Gil, Yasnaya Elena. "Poesía en lenguas negadas Una nota sobre la traducción al mixe de un poema de Mahmud Darwish." Interpretatio. Revista de hermenéutica 2, no. 2 (2017): 57. http://dx.doi.org/10.19130/irh.2.2.2017.46.

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16

El-Hage, George. ""Antithesis" Mahmūd Darwīsh." Journal of Arabic Literature 36, no. 1 (2005): 50–56. http://dx.doi.org/10.1163/1570064053560620.

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17

Assadi, Jamal, and Mahmud Naamneh. "Mahmud Darwish: A Revived Sufi or a Sufi Reviver?" JOURNAL OF ADVANCES IN HUMANITIES 3, no. 1 (2014): 152–60. http://dx.doi.org/10.24297/jah.v3i2.5117.

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This paper will discuss the mask of Farid Ed-Din Al-`Aattar as portrayed in the poetry of Mahmud Darwish with the aim of studying the concatenation between the Sufi mask and intertextuality, and between poetry and meta-poetry. To be more specific, this paper will investigate are some questions: Why did Darwish wear the mask of Al-`Attarr? Was it a mere fondness of an influential ancestor? Was it an act of protest against severe spiritual and intellectual deficiency and poverty which modern Arab literature suffers from? Was Al-`Attar simply used as a Sufi mask, or as a signal of inter-t

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18

Nofal, Khalil Hasan. "National Identity in Mahmoud Darwish’s Poetry." English Language and Literature Studies 7, no. 3 (2017): 66. http://dx.doi.org/10.5539/ells.v7n3p66.

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This paper is intended to examine the concept of national identity and how it is quested and portrayed in Mahmoud Darwish’s poetry. The paper explores Darwish’s quest for identity through different phases: language, homeland, roots and ancerstors, belonging, nature, culture, traditions, and exile. Palestine for Darwish is not only an origin or homeland, but it is an identity. Darwish adds some themes connected with the concept of homeland illustrated by references or images of mother, geography, history, farming, and folkloric heritage. Besides, identity for Darwish is three- dimensional: Pale

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19

Alcalay, Ammiel. "Who's Afraid of Mahmoud Darwish?" Middle East Report, no. 154 (September 1988): 27. http://dx.doi.org/10.2307/3012173.

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20

Mohammad, Ghada A., and Wafaa A. Abdulaali. "Mahmoud Darwish and Tanure Ojaide." Ars & Humanitas 14, no. 1 (2020): 41–53. http://dx.doi.org/10.4312/ars.14.1.41-53.

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Darwish, the spokesman of Palestine, and Ojaide, the voice of Nigeria, are endowed with a faculty for articulating a message, a vision or an opinion for their nations. They are intellectuals essentially tied to the needs of their communities. Both poets belong to countries that witnessed different types of political, economic, and social turmoil. They inspire the oppressed nations to persist in their struggles against the regimes which deprive them of their right to live happily and peacefully. Darwish experienced many displacements that turned him into an embodiment of exile, in both existent

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21

Sakhkhane, Taoufiq. "“Gradual Exile” by Mahmoud Darwish." Journal of Postcolonial Writing 50, no. 2 (2014): 230–35. http://dx.doi.org/10.1080/17449855.2014.883181.

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22

Robinson, Kristina K. "Diaspora: Breakfast with Mahmoud Darwish." Baffler 22 (March 2013): 36–37. http://dx.doi.org/10.1162/bflr_a_00137.

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23

Guidarelli Mattioli Gutiérrez, Rita. "Retornos del Discurso del “indio”. Para Mahmud Darwish." Interpretatio. Revista de hermenéutica 4, no. 2 (2019): 127. http://dx.doi.org/10.19130/irh.4.2.2019.199.

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Presentación en la 40 Feria Internacional del Libro del Palacio de Minería del libro Retornos del “Discurso del ‘indio’”. Para Mahmud Darwish. Obra colectiva realizada en el seno del proyecto papiit in 401215 “Heteronomías de la justicia: de exilios y utopías”

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24

Antoon, Sinan. "Mahmud Darwish's Allegorical Critique of Oslo." Journal of Palestine Studies 31, no. 2 (2002): 66–77. http://dx.doi.org/10.1525/jps.2002.31.2.66.

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The Palestinian poet Mahmud Darwish occupies a unique space in Arab culture and in the collective memory of Arabs as "the national poet of Palestine." This article provides a reading of one of Darwish's poems, "A Non-Linguistic Dispute with Imru' al-Qays," which was written after the signing of the 1993 Oslo Accord. The poem is read as an allegorical critique of Oslo and, at the same time, a retrospective contemplation of Darwish's own role in Palestinian politics, written in a style that displays Darwish's exceptional poetical skill and his masterly use of Arabo-Islamic history and mythology.

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25

Booth, Marilyn. "Mahmoud Darwish,If I Were Another." Translation Review 80, no. 1 (2010): 72–76. http://dx.doi.org/10.1080/07374836.2010.10524155.

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26

Gargallo Celentani, Francesca Gargallo. "Mahmud Darwish en el espejo de las lenguas que resisten." Interpretatio. Revista de hermenéutica 2, no. 2 (2017): 19. http://dx.doi.org/10.19130/irh.2.2.2017.48.

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La construcción de una lírica con finalidades épicas y de resistencia cultural activa, propuesta en Doce Astros por Mahmud Darwish, tiene similitudes con las propuestas poéticas de Irma Pineda, Hubert Malina, Ruperta Bautista y otras y otros poetas en lenguas originarias del continente americano

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27

Breytenbach, Breyten. "L'honneur d'avoir connu Mahmoud Darwich." La pensée de midi N° 26, no. 4 (2008): 234–36. http://dx.doi.org/10.3917/lpm.026.0234.

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28

M. Jamil, Adil. "Mahmoud Darwish and Joy Harjo: Cosmic Consciousness." Arab World English Journal For Translation and Literary Studies 3, no. 3 (2019): 20–36. http://dx.doi.org/10.24093/awejtls/vol3no3.2.

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29

Ismail Mahmoud Ehtoob, Ismail Mahmoud Ehtoob. "The Sufi Experience in Mahmoud Darwish's Poetry- the Hoopoe poem as a model: التجربة الصوفية في شعر محمود درويش- قصيدة الهدهد أنموذجًا". مجلة العلوم الإنسانية و الإجتماعية 5, № 11 (2021): 18–1. http://dx.doi.org/10.26389/ajsrp.c300121.

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This study is based on the analysis of the influence of Sufi thought on the poet Mahmoud Darwish in the poem "Hoopoe", which is combined with the book of Farid al- Din al- Attar "The Logic of the Bird." It turns out that Darwish turned to the world of brightness in order to take advantage of the mystical terminology of immersion, depth in the image, and difficulty in coding. In fact, his textual relevance in this experiment is not limited to his crucible in the crucible of "bird logic" alone, but extends to all sources of Persian mysticism, and therefore the researcher sought to reveal the ref

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30

Akter, Sultana Nazia. "Arab in Diaspora and Exile: Reading Edward Said and Mahmoud Darwish Today." Journal of English Language and Literature 9, no. 3 (2018): 865–70. http://dx.doi.org/10.17722/jell.v9i3.365.

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This research tries to investigate the intricate politics of diaspora, exile and recent refugee issue all over the world by looking at Edward Said and Mahmoud Darwish’s memoir. Representation of exile by writing memoir, therefore, is significant as it narrates the experience of displacement and homelessness which resonates others. This article examines how Edward Said and Mahmoud Darwish aesthetically respond to exile and displacement both within the borders of their own nation space and outside. I argue that the idea of home and homelessness, place or out of place “in setting without real con

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31

Karmy Bolton, Rodrigo Antonio. "Los Palestinos de América." Interpretatio. Revista de hermenéutica 2, no. 2 (2017): 37. http://dx.doi.org/10.19130/irh.2.2.2017.44.

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Los palestinos de América no es tanto un “ensayo” como un “comentario” al poema de Mahmud Darwish El discurso del Indio. El penúltimo ante el hombre blanco escrito en 1992. “Comentario” designa aquí un trabajo de traducción destinado a pensar filosóficamente el escrito poético y a poetizar al mismo discurso filosófico. El “comentario” plantea cuatro problemas que nos ofrece Darwish: a) los “indios” no solo son los habitantes americanos, sino también, los árabes, judíos y palestinos que han sido arrasados por el proceso de la Conquista “blanca”; b) que para Darwish existe una continuidad entre

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32

Marrouchi, Mustapha. "Cry No More For Me, Palestine—Mahmoud Darwish." College Literature 38, no. 4 (2011): 1–43. http://dx.doi.org/10.1353/lit.2011.0039.

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33

Eid, Muna Abu. "Mahmoud Darwish: The Poet's Art and His Nation." Bustan: The Middle East Book Review 7, no. 2 (2016): 143–50. http://dx.doi.org/10.5325/bustan.7.2.143.

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34

Al-Sheikh, Nawal. "Metaphors Stemming from Nature in the Poetry of Mahmoud Darwish." Indonesian Journal of English Language Studies (IJELS) 7, no. 2 (2021): 80–91. http://dx.doi.org/10.24071/ijels.v7i2.3448.

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This is a critical paper inspecting metaphors, the most artistic device, in Mahmoud Darwish's poetry. This research classified metaphors into three basic categories: metaphors of trees and plants such as wheat, metaphors of animals and birds such as butterfly, hoopoe, and dove, and metaphors of concrete and abstract natural elements. This study reports the fact that Darwish was brought up in a rural community. His father was a villager who grew crops for being food secure. Consequently, that rural environment affected the poetry of Darwish through metaphors and symbolism. Thus, it can be concl

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35

Ahmed, Hamoud Yahya, and Ruzy Suliza Hashim. "Resisting Colonialism through Nature: An Ecopostcolonial Reading of Mahmoud Darwish's Selected Poems." Holy Land Studies 13, no. 1 (2014): 89–107. http://dx.doi.org/10.3366/hls.2014.0079.

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Resisting colonialism remains the main theme of the poetry of the Arab Palestinian poet Mahmoud Darwish. This paper explores how Darwish employs nature as a new way for resisting the occupation of his homeland. His poems, throughout his writing life that spans fifty years, can be used to demonstrate how an ecopostcolonial perspective might contribute to an understanding of the poet's resistance through nature to the colonisers in his homeland. The theoretical framework used in this study is derived from both the ecocritical and postcolonial theories of reading literature. It is termed as ecore

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36

Hamzah, Hussain. "Resistance, Martyrdom and Death in Mahmoud Darwish's Poetry." Holy Land Studies 13, no. 2 (2014): 159–86. http://dx.doi.org/10.3366/hls.2014.0088.

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Struggle, personal sacrifice and death play significant roles in Palestinian poetry – a poetry of national struggle whose poets are driven to defend the existence of people and land by way of a fighting poetry which serves as a resistance to occupation. This article traces the evolution of the motifs of resistance and death in the poetry of Palestinian Mahmoud Darwish. It distinguishes between two main types of death in Darwish's poetry; these are collective death, which the author expresses by way of his people's experiences with death, and individual death, as reflected in the poet's own exp

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37

Mohammadi Shirmahaleh, Shekoufeh. "Traducción al farsi del poema El discurso del indio de Mahmud Darwish." Interpretatio. Revista de hermenéutica 2, no. 2 (2017): 77. http://dx.doi.org/10.19130/irh.2.2.2017.45.

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Mahmud Darwish es uno de los más importantes poetas palestinos contemporáneos y su poesía sigue inspirando los movimientos de resistencia en muchos países. Su humanismo hace que su palabra traspase cualquier frontera y se presente firme y vigente en distintas épocas y geografías. La presente traducción al farsi de su poema Discurso del “Indio”. El penúltimo ante el “Hombre Blanco”construye un puente entre el mundo árabe y el mundo persa desde la cercanía de un dolor compartido y de una contagiosa esperanza.

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38

Marty, Éric. "Mahmoud Darwich et le déshonneur des poètes." Les Temps Modernes 629, no. 1 (2005): 298. http://dx.doi.org/10.3917/ltm.629.0298.

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39

Dhillon, Balraj. "Subaltern Voices and Perspectives: The Poetry of Mahmoud Darwish." Illumine: Journal of the Centre for Studies in Religion and Society Graduate Students Association 9, no. 1 (2011): 45–65. http://dx.doi.org/10.18357/illumine9120107777.

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This paper examines the complex use of poetry, identity, myth, and history as a subaltern method of resistance. Edward Said, in Culture and Imperialism, argues that the culture of postcolonial resistance manifests itself in literature by pulling away from separatist nationalism—and moves toward a literature that is liberating for humans—a more integrative view of society. This article argues that Mahmoud Darwish’s poetry uses identity, myth, and history to emblematize a collective Palestinian voice. By doing this, Darwish becomes the epitome of Said’s discussion—he resists separatist discourse

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40

Boullata, Issa J. "If I Were Another by Mahmoud Darwish, Fady Joudah." World Literature Today 84, no. 2 (2010): 73–74. http://dx.doi.org/10.1353/wlt.2010.0273.

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41

Dyer, Rebecca. "Poetry of Politics and Mourning: Mahmoud Darwish's Genre-Transforming Tribute to Edward W. Said." PMLA/Publications of the Modern Language Association of America 122, no. 5 (2007): 1447–62. http://dx.doi.org/10.1632/pmla.2007.122.5.1447.

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This essay provides an analysis of “Tibaq,” an elegy written in Edward W. Said's honor by the acclaimed Palestinian poet Mahmoud Darwish. Noting that the poem exhibits aspects of a number of genres and demonstrates Darwish's generally innovative approach to traditional literary forms, I consider how he has transformed the marthiya, the elegiac genre that has been part of the Arabic literary tradition since the pre-Islamic era. I argue that Darwish used the elegy-writing occasion to comment on Said's politics and to make respectful use of his critical methods, particularly his interdisciplinary

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42

Al-Ghamdi, Naimah Ahmad, and Hadeel Esam Mukhtar Alarabi. "Modality Construction of the Arabic Identity in Mahmoud Darwish’s Poetry." ELS Journal on Interdisciplinary Studies in Humanities 2, no. 2 (2019): 239–52. http://dx.doi.org/10.34050/els-jish.v2i2.6057.

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Identity expression can be seen at either a personal or a social level. It can be shown in several ways, particularly through poetry. Therefore, this paper seeks to examine how identity is expressed modally in Darwish’s famous poem “Identity Card”. Leech’s (1974) theory of “seven types of meaning” is used as the theoretical framework for the study. As the study aims to figure out how modality is constructed when expressing identity in the poem, this linguistic norm has been used to track the mood and attitude of the poets in the composition of the stanzas. The findings of the study revealed th

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43

Hamzah, Hussain. "The Image of the Mother in the Poetry of Mahmoud Darwish." Holy Land Studies 8, no. 2 (2009): 159–94. http://dx.doi.org/10.3366/e1474947509000535.

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In Arab culture the mother comes closer than any other image to representing womanly perfection. The word ‘mother’ has no negative connotations in that culture, in contradistinction to ‘woman’. A woman who attains the status of mother thus obtains a kind of legitimacy in the male-oriented societies of the Middle East. Palestinian national poet Mahmoud Darwish describes the relationship he had with his mother in childhood as equivocal. He thought that his mother hated him; however, when he was arrested for the first time in Israel, at the age of sixteen, he came to feel that he was her favourit

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44

Hamamra, Bilal Tawfiq. "Mahmoud Darwish: Palestine’s poet and the other as the beloved." Journal of Modern Jewish Studies 19, no. 2 (2019): 259–61. http://dx.doi.org/10.1080/14725886.2019.1699701.

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45

Zughayyar, Assist Prof Dr Hadi Sdech. "Ahmed thyme poem by the poet Mahmoud Darwish - Deliberative study -." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 221, no. 1 (2018): 13–60. http://dx.doi.org/10.36473/ujhss.v221i1.423.

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This research contains a study of the poem Ahmad thyme poet Mahmoud Darwish in accordance with the curriculum deliberative, focused research on important aspects of this poem, one of the tricked hair Palestinian resistance; has adopted two votes, the voice of the poet, and the voice of the hero martyr (Ahmed), which was granted Guerilla recipes poet who carried the worries and concerns of his people, Fany of alienation and asylum as his people suffered, and it was the ultimate form of the Palestinian fighters. And be this research brief introduction to the concept of deliberative and the

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Nawal, Al-Sheikh. "Metaphors stemming from nature in the poetry of Mahmoud Darwish." International Journal of English and Literature 12, no. 2 (2021): 15–22. http://dx.doi.org/10.5897/ijel2021.1440.

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Elgamal, Iman Réda Hamed. "Mahmoud Darwich les défis de la traduction poétique." مجلة بحوث کلیة الآداب . جامعة المنوفیة 30, no. 119 (2019): 1707–17. http://dx.doi.org/10.21608/sjam.2019.122823.

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Maulana Ihsan Ahmad. "REPRESENTASI SEMIOTIKA ROLAND BARTHES DALAM SYAIR “AHINNU ILA KHUBZI UMMI” KARYA MAHMOUD DARWISH." An-Nahdah Al-'Arabiyah 1, no. 2 (2021): 70–84. http://dx.doi.org/10.22373/nahdah.v1i2.1232.

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Penelitian dilakukan untuk mendeskripsikan pemaknaan denotasi, konotasi dan mitos dalam Syair Ahinnu Ila Khubzi Ummi karya Mahmoud Darwish dengan pendekatan semiotika Roland Barthes. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif dengan landasan dokumen utama yaitu syair Ahinnu Ila Khubzi Ummi. Data penelitian ini adalah data kualitatif berupa fakta, informasi, bait dan gambaran yang diperoleh peneliti dari sumber penelitian, yaitu syair Ahinnu Ila Khubzi Ummi karya Mahmoud Darwish. Adapun teknik pengumpulan data menggunakan pendekatan metode kulitatif deskripti

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Furani, Khaled. "After Criticism." boundary 2 47, no. 1 (2020): 145–72. http://dx.doi.org/10.1215/01903659-7999544.

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A question drives my reading of Mahmoud Darwish’s Mural, chronicling a poet’s quest for his own becoming while facing death: What rhythms of freedom—or what forms of enlightenment—may a person inhabit when facing life’s end? I argue that to this question Mural responds with an ethical striving, guided by a principle Darwish calls “evanescence.” I contingently identify evanescence as an “ethics of oneness” oriented to composite unity, which Darwish practices on a series of dualities inhabiting his life in death’s company. In contrast to enacting sovereignty, this ethos solders opposites togethe

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Roshanfekr, Akram, and Fahime Mousavi. "THEMES AND WRITING TECHNIQUES OF ‘JOURNAL OF AN ORDINARY GRIEF’ BY MAHMOUD DARWISH." LiNGUA: Jurnal Ilmu Bahasa dan Sastra 13, no. 2 (2018): 69–78. http://dx.doi.org/10.18860/ling.v13i2.4518.

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Today, writing biography in literature is accompanied by some advancement, namely autobiography. Mostly autobiographies imply the purpose of the writer containing several writing types including historiography, counting the days, memory writing, reportage, story writing, or travel writing. They also use techniques such as dialogue and description in order to involve the reader in the course of his life events happened. This study employs a descriptive-analytic method to ‘Journal of an Ordinary Grief’ by Mahmoud Darwish for examining its autobiographical themes and techniques. The most importan

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