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1

Beaumont, Francis. The maid's tragedy. Manchester: Manchester University Press, 1999.

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Beaumont, Francis. The maid's tragedy. London: Globe Education, 1997.

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Beaumont, Francis. The maid's tragedy. Manchester, UK: Manchester University Press, 1988.

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4

1579-1625, Fletcher John, and Craik T. W, eds. The maid's tragedy. Manchester, UK: Manchester University Press, 1988.

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5

Beaumont, Francis. Francis Beaumont: The maid's tragedy. Manchester: ManchesterUni. Press, 1990.

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Zhang, Xuejing. Jiao hong ji =: Golden boy and jade maiden. Beijing: New World, 2002.

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7

Ormand, Kirk. Exchange and the maiden: Marriage in Sophoclean tragedy. Austin: University of Texas Press, 1999.

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8

Shakespeare's lost play: In search of Cardenio. London: Nick Hern Books, 2012.

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9

Royal Academy of Dramatic Art, London. The maid's tragedy: By Beaumont and Fletcher. 2000.

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10

Beaumont, Francis, and John Fletcher. The Maid's Tragedy: Beaumont and Fletcher (Revels Plays). Manchester Univ Pr, 1990.

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11

Craik, T. W. The Maid's Tragedy: Beaumont and Fletcher (The Revels Plays). Manchester University Press, 1999.

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12

Company, Globe Theatre. The maid's tragedy by Francis Beaumont and John Fletcher. 1997.

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13

Scandal and Religious Identity in Early Stuart England: A Northamptonshire Maid's Tragedy. Boydell & Brewer, Incorporated, 2015.

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14

Beaumont, Francis, and John Fletcher. Maids Tragedy. IndyPublish.com, 2005.

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15

Beaumont, Francis, and John Fletcher. The Maids Tragedy. IndyPublish.com, 2004.

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16

The Maids Tragedy. Kessinger Publishing, 2004.

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17

Beaumont, Francis. The Maids Tragedy. Hard Press, 2006.

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18

Beaumont, Francis, and John Fletcher. The Maids Tragedy. IndyPublish.com, 2004.

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19

The Maids Tragedy. IndyPublish, 2007.

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20

The Maids Tragedy. IndyPublish.com, 2005.

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21

The Maids Tragedy. BiblioBazaar, 2007.

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22

Beaumont, Francis, Lewis Machin, Thomas Middleton, John Fletcher, and William Barksted. Four Jacobean Sex Tragedies: William Barksted and Lewis Machin: The Insatiate Countess; Francis Beaumont and John Fletcher: The Maid's Tragedy; Thomas ... of Valentinian (Oxford World's Classics). Oxford University Press, USA, 1998.

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23

Beaumont, Francis, and John Fletcher. The Maids Tragedy And Philaster. Kessinger Publishing, LLC, 2007.

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24

Beaumont, Francis, and John Fletcher. The Maids Tragedy And Philaster. Kessinger Publishing, LLC, 2007.

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25

Beaumont, Francis, and John Fletcher. The Works Of Mr. Francis Beaumont And Mr. John Fletcher: Containing The Maid's Tragedy; Philaster; Or, Love Lies A Bleeding; A King And No King; And The Scornful Lady V1. Kessinger Publishing, LLC, 2006.

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26

Beaumont, Francis, and John Fletcher. The Works Of Mr. Francis Beaumont And Mr. John Fletcher: Containing The Maid's Tragedy; Philaster; Or, Love Lies A Bleeding; A King And No King; And The Scornful Lady V1. Kessinger Publishing, LLC, 2007.

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27

Middleton, Thomas. The Second Maiden's Tragedy. Kessinger Publishing, 2004.

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28

The Maids Tragedy (Large Print Edition). BiblioBazaar, 2007.

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29

The Maides Tragedy (Collected Works of Beaumont & Fletcher). Classic Books, 2000.

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30

1564-1616, Shakespeare William, Fletcher John 1579-1625, and Hamilton Charles 1913-, eds. Cardenio, or, The second maiden's tragedy. New York: Marlowe & Co., 1994.

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31

1564-1616, Shakespeare William, Fletcher John 1579-1625, and Hamilton Charles 1913-, eds. Cardenio, or, The second maiden's tragedy. Lakewood, Colo: Glenbridge Pub., 1994.

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32

Schiller, Friedrich, and John T. Krumpelmann. Maiden of Orleans: A Romantic Tragedy. University of North Carolina Press, 2020.

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33

Golden Boy and Jade Maiden. New World Press, 2002.

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34

1564-1616, Shakespeare William, Fletcher John 1579-1625, and Esteban José, eds. Historia de Cardenio. Madrid: Notigraf, 1987.

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35

Aeschylus. Aeschylus: Suppliant Maidens. Persians. Prometheus. Seven Against Thebes (Loeb Classical Library, No. 145). Loeb Classical Library, 2006.

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36

Hugo, Nina. « D'une voix et plaintive et hardie ». Librairie Droz, 2021. http://dx.doi.org/10.47421/droz62824.

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Voici comment, dans un prologue adressé au Roi, Étienne Jodelle définit la pièce qui est sur le point d’être jouée devant lui : […] C’est une Tragedie. Qui d’une voix et plaintive et hardie Te represente un Romain Marc Antoine Et Cléopatre Egyptienne Roine […]. Si la voix de la tragédie est « et plaintive et hardie », la critique moderne a essentiellement retenu le premier adjectif, jusqu’à en faire un point majeur de la définition du genre au XVIe siècle. Que faire alors de la seconde épithète avancée par Jodelle ? Le dramaturge définit ici la voix de sa tragédie, mais il s’agit également pour lui d’y associer la voix de son héroïne, Cléopâtre, dont la hardiesse est célébrée dans la pièce. Nina Hugot examine l’ensemble des pièces tragiques imprimées entre 1537 et 1583 et souligne l’importance des deux versants de cette caractérisation de la tragédie et de son héroïne dans la constitution de l’esthétique du genre au XVIe siècle.
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