Dissertations / Theses on the topic 'Mailer, Norman, Mailer, Norman'

Thesis (Ph.D.)--Boston University. Please note: Editorial Studies works are permanently embargoed in OpenBU. No public access is forecasted for this item. To request private access, please click on the locked Download file link, and fill out the appropriate web form.<br>A Fine and Growing Art is an annotated edition of letters and other documents chronicling the intertwining relationships and careers of Norman Mailer, James Jones, and William Styron, three prominent figures in American literature of the past century. I have endeavored to collect every surviving letter exchanged between the principals; I also include letters of other interlocutors, and published writings in which the principals discuss one another (or are discussed by others), insofar as these collateral documents touch informatively upon the principals' relationships with one another. A Fine and Growing Art is an elaborated three-way conversation, bringing forward expressions of opinion and feeling both public (in the sense of published, and often prominently so) and candid (in the reserved company of friends, or even in the near-secrecy of an unsent draft). Often funny, occasionally outrageous, consistently engaging, A Fine and Growing Art begins to unravel the mysteries long surrounding these three literary titans-about their friendships particularly, their feuds also, their evolving art, and how it all came to pass.<br>2031-01-01

O principal objetivo deste trabalho é investigar a forma dialética presente em Exércitos da Noite, uma das mais reconhecidas e ousadas obras do romancista norte-americano Norman Mailer. Publicada originalmente em 1968, Exércitos é um relato pessoal do autor sobre sua vivência na Marcha sobre o Pentágono, manifestação civil que reuniu milhares de pessoas em Washington, em outubro de 1967, em protesto contra a política americana na guerra do Vietnã. O livro, dividido em duas partes, recria, na primeira, uma perspectiva ficcional dos eventos, em contraste com a segunda, na qual Mailer procura criar uma visão histórica sobre os episódios da Marcha, recorrendo, para tanto, a técnicas de reportagem e excertos da cobertura da mídia no período, num tom fundamentalmente ensaístico. Permeando toda a narrativa, há o explosivo contexto da vida norte-americana do período, com sua cultura hippie, a emergência dos movimentos civis e a queima pública das cartas de convocação para a guerra. A presente dissertação analisa este peculiar romance à luz de textos centrais das áreas de teoria literária e estudos jornalísticos, além de evocar outros autores que, como Mailer, fizeram parte de um grande contexto renovador do jornalismo literário nos anos 1960 e 1970 chamado, genericamente, de Novo Jornalismo, de origem norte-americana e repercussões profundas, inclusive no Brasil. Com tal abordagem, intento alcançar uma melhor compreensão acerca dos mecanismos ficcionais que sustentam e aproximam os discursos jornalístico e literário, nomeadamente na obra de Mailer, que o crítico do New York Times Alfred Kazin definiu à época como um \"diário-ensaio-tratado-sermão\", com Mailer desempenhando seu dileto papel ficcional de visionário da América.<br>The main purpose of this issue is to investigate the dialectic form on Norman Mailer\'s acclaimed and Pulitzer-winner novel The Armies of the Night: The History as a Novel, The Novel as History, first published in 1968 as the author\'s personal account of the March on the Pentagon, a peace rally that shook Washington D.C. for three days in October 1967 and gathered thousands of civilians on a protest against the american policies concerning the Vietnam War. The book, divided into two parts, recreates, on the first, a fictional perspective of the events, while the second intends to convey a historical view on the same context, by mixing reporting techniques, excerpts from the media coverage and essayistic interventions. Throughout the whole book runs the thread of the mythic north-american background of the period, with its hippie culture, civilian movements and burned draft cards. Drawing on key authors from the literary and journalistic studies, this work pursuits a better understanding of the specific fictional procedures shared both by journalism and literature, namely on Armies of the Night, Mailer\'s new journalistic piece, that the New York Times critic Alfred Kazin defined tentatively as a \"diary-essaytract- sermon\", with Mailer playing his favorite part of the American visionary.

This essay investigates how Norman Mailer’s “true-life” novel The Executioner’s Song may also be read as an autobiography. The novel contains strong traces of Mailer’s existential philosophy as related to sexuality, non-conformity and death. The essay discusses the nature of the relationship between truth as defined by the author and the function of autobiography to tell the truth about a life. The discussion centres around Mailer’s conviction that the novel is a better, i.e. more accurate vehicle for truth than is the autobiography. The essay argues that the truth which Mailer imparts is less the “true” story of Gary Gilmore and more the “true” story of Norman Mailer.

Focusing on new-journalistic nonfiction novels by Truman Capote, Norman Mailer, and John Hersey, this dissertation conceptualizes the discursive practices of news-storytelling as a necessary matrix of storytelling and truthtelling activities. Despite the dominant postmodern emphasis on storytelling over truthtelling in such disciplines as literature, historiography, journalism, and legal studies, storytelling-in-the-discipline is also constrained by a set of assumptions and practices about what constitutes professional storytelling. Since news-stories report on events in a public arena where numerous competing stories abound, they are highly aware of other neighboring stories and so relate, compete, and negotiate with other stories to make their stories not merely repetitive but argumentative and re-tellable. As a socially regulated and conditioned discourse, news-storytelling in its enterprise is predicated upon different sets of discursive authorities, material conditions, and audience expectations, where various facts and interpretations are argued, tested, and judged. Chapter I briefly surveys the ways in which news-stories’ claim to referentiality is problematized and even stigmatized by the postmodern ethos of storytelling. Chapter II then explores the discursive dynamics of newsstories, which arise from the paradoxical status of being simultaneously news and a story. Particularly, this chapter highlights the discursive practice of “source marking” and “counter-storytelling” through which news-storytellers foreground their reliability as able researchers, analysts, and contenders. Chapter III discusses the issue of (inter-) textuality in the vectors of storyteller and the world, and examines how news-storytellers draw on, blend into, and counter competing and neighboring stories to situate their own stories in the web of intertextuality and to reinforce the competency, honesty, and quality of their news-stories. Chapter IV is a historical examination of a “transcript” mode, a particular discursive practice of news-storytellers, through which they try to uphold the empirical status of their news-stories. Chapter V concludes the dissertation by arguing that news-stories provide a clarifying vantage point from which to understand the transactions of historical discourse, where newsstorytelling replaces (story) knowledge with argument, poetics with rhetoric, and a story with a discourse.

The purpose of my research is to examine the philosophic influences on three literary works: F. Scott Fitzgerald's The Great Gatsby, Ernest Hemingway's Death in the Afternoon, and Norman Mailer's An American Dream. Through an investigation of biographical, historical, cultural, and textual evidence, I will argue for the influence of several European philosophers---Friedrich Nietzsche, Søren Kierkegaard, and Martin Heidegger---on these authors and on the structures and messages of their works. I will discuss how the specific works I have selected not only reveal each author's apt understanding of the existential-philosophical crises facing the individual in the twentieth century, but also reveal these authors' attempt to disseminate philosophic instruction on the "art of living" to their post-war American readers. I will argue that Fitzgerald, Hemingway, and Mailer address what they see as the universal philosophical crises of their generations in the form of literary art by appropriating and translating the existential concerns of existence to American interests and concerns. I will argue that Fitzgerald, Hemingway, and Mailer's emphasis on the individual's personal responsibility to first become self-aware and then to strive to see the world more clearly and truly reflects their own sense of responsibility as authors and artists of their generations, a point of view that repositions these authors as prophets, seers, healers, so to speak, of their times. Finally, I will discuss how, in An American Dream, Mailer builds on the Americanized existential foundations laid by Fitzgerald and Hemingway through his explicit invocation of and subtle references to the art and ideas of his literary-philosophic predecessors---Fitzgerald and Hemingway.

CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Este trabalho visa empreender uma longa jornada pelas peculiares conjecturas do período histórico que vai desde o pós guerra do longo século XX até a eclosão dos movimentos civis da década de 60, tendo como cenário Os Estados Unidos Americanos. Escolhe fazer essa viagem através do olhar sempre perturbador de Norman Mailer, repetindo o caminho feito por ele no romance Um Sonho Americano, obra objeto de nossa pesquisa. Pretende ainda detalhar as questões que assolam a cosnciencia do homem moderno, especialmente o Estado, na composição de seres que erram, e que são perdoados, argumento final de nossa análise. Tentamos dessa forma entender a escrita de Norman Mailer a partir de seus personagens, assim como pela janela de seus argumentos, ou seja, um mundo caótico que ainda está longe de ser entendido.<br>This dissertation aims to undertake a long journey through peculiar contexts in the historical spawn that goes from the post war of the XXth century until the explosion of the civil rights movement during the 60', having as scenery the United States of America. We have chosen to take this trip through the disturbing lengths of Norman Mailer, repeating his path in the novel An American Dream, central work of our research. We also aimed at detailing the issues that hunt the conscience of modern men, specially the State, composing beings who make mistakes and that are fully forgiven, ultimate argument of our analysis. We have tried thus understanding Norman Mailer writing through his characters, as well through the window of his arguments, which means a chaotic world that is far from being understood.<br>Dissertação (Mestrado)

Qu'y a-t-il de commun entre Vladimir Nabokov, Norman Mailer, Don DeLillo, Cormac McCarthy et James Ellroy ? Ces cinq écrivains contemporains se sont intéressés au personnage du criminel asocial sur le territoire des États-Unis. Son existence repose sur le paradoxe propre à tout individu asocial : bien qu'il n'adhère pas aux conventions établies qu'il perçoit comme des entraves, il ne souhaite pas rompre les ponts avec la collectivité et refuse la vie en autarcie. S'il n'est donc pas antisocial, pourquoi fait-il le choix de l'asocialité ? Parce qu'il ne peut accepter ce qu'il perçoit comme des déviances dans le modèle de vie qui lui est proposé et qu'il va le remettre en question. Mais pourquoi serait-il de plus enclin à la criminalité ? La question est légitime dans la mesure où la relation entre criminalité et asociabilité n'est pas évidente alors que lier antisocial et criminel serait plus aisé car il y alors négation affirmée des lois de la société et volonté de s'en affranchir par l'action. A l'inverse, un asocial n'est pas nécessairement criminel. Cependant, chez les protagonistes des auteurs, ces deux caractéristiques vont de pair : peut-être sont-ils à la fois asociaux et criminels parce qu'ils ont décidé de vivre leur transgression en marge d'une société qui ne les satisfait pas mais qui ne les intéresse pas assez pour qu'il la combatte activement ? Ou peut-être trouvent-ils nécessaire de s'affranchir des lois pour exister dans le cadre qui leur est imposé et qu'ils ne cautionnent plus ? Il en résulte une écriture façonnée par ces questionnements et leurs nombreuses variations. Le corpus fait de biographies, récits fictionnels et non-fictionnels, entraîne une réflexion sur le modèle sociétal américain des années 50 à la fin des années 90 et plus particulièrement sur ses dysfonctionnements à l'origine de l'émergence de ce type de personnage qui devient alors l'instrument à visée démonstrative d'une littérature engagée.

A search for self through historical reconstruction constitutes a crucial concern of the American postmodern historical novels of Pynchon, Barth, Mailer, Coover, and Doctorow. This concern consists of a self-conscious dramatization, paralleled by contemporary theorists' arguments, of the constructedness of history and individual subject. A historian-character's process of historical inquiry and narrative-making foregrounded in these novels represents the efforts by the postmodern self to (re)construct identity (or identities) in a constructing context of discourse and ideology.

<p> This thesis will demonstrate the ways in which Mailer treats the <i> Gilmore v. Utah</i> case, the space of the courtroom, and the legal system that Gary Gilmore challenged. <i>The Executioner&rsquo;s Song</i> can be used as a document of sorts, displaying changing attitudes within the traditional American fascination with marginal characters, death-row inmates specifically. This thesis also argues that Mailer presents a man who believes in the law and in upholding the sentences that are given to those who break it. Additionally, Mailer exploits the space of the courtroom and the state of Utah as places in order to establish a discussion regarding capital punishment and criminal figures in the United States. Finally, this thesis will look at the specific way that Mailer presents the legal facts of the case and the liberties he took with these details in order to construct his &ldquo;true-life novel&rdquo; in a very particular way.</p>

Genetically modified maize expressing the Bt-protein Cry1Ab (Bt maize) is planted widely in South Africa. Crop residues of Bt maize often end up in aquatic ecosystems where aquatic organisms are exposed to Cry1Ab protein. The effect of this protein on non-target aquatic organisms has not yet been studied in South Africa. The aim of this study was to evaluate the possible effect of exposure to Bt maize on morphological development of Xenopus laevis and Amietophrynus gutturalis tadpoles. Three experiments were conducted with each of X. laevis and A. gutturalis. Five of these were conducted in the bio-secure Amphibian Biology laboratory and one with A. gutturalis in a shade-house facility where microcosms were exposed to natural conditions. In the first experiment of X. laevis and A. gutturalis, which was replicated three times, large portions of maize leaves were placed in the bottoms of microcosms. X. laevis received supplementary pulverised leaves in suspension while A. gutturalis tadpoles fed on provided leaves. For both control and experimental groups microcosms were divided in three groups receiving respectively 15, 30 and 45 g of maize leaves. In the second and third experiment tadpoles only received pulverised Bt maize leaves in suspension. Each replicate (microcosm) contained 50 one-day old tadpoles. Experiment two was conducted to determine whether the Bt-protein has adverse effects on A. gutturalis tadpoles when tadpoles are exposed to the protein in the water but not feeding on the plant material. A total of 100 tadpoles were used during the experiment and tadpoles were placed individually in 250 ml plastic cups that were filled with 100 ml water witch contained an extract of either Bt and non-Bt maize leaves. Tadpoles were fed twice a week with TetraTabimin bottom-feeding fish pellets in suspension. Experiment three was conducted to determine whether the Bt-protein will have adverse effects on A. gutturalis tadpoles when tadpoles feed on Bt maize leaves. Tadpoles were divided into a treatment in which 50 tadpoles were fed Bt maize leaves and a control treatment in which 50 tadpoles were fed non-Bt maize leaves. Tadpoles were placed individually in 250 ml plastic cups that were each filled with 100 ml borehole water. On a weekly basis 10 randomly selected tadpoles were collected, measured and staged for morphological development, using the Nieuwkoop and Faber Normal Table for X. laevis and Gosner stages for A. gutturalis tadpoles. The significant effects observed in some life history parameters of tadpoles exposed to Cry1Ab protein cannot be ascribed to the effect of the protein. Poor husbandry turned out to be the single most important confounding factor. Before follow-up studies are conducted husbandry practices should be optimized.<br>Thesis (MSc (Environmental Sciences))--North-West University, Potchefstroom Campus, 2013.

L’Avranchin occupe au sein du duché de Normandie une position frontalière, partageant ses confins occidentaux avec la Bretagne, le Maine et la seigneurie de Bellême. Territoire envisagé à la fois comme interface, périphérie et interstice, c’est également un espace vécu, résultat d’une dynamique propre, animée par les sociétés qui l’habitent. À travers son rapport au pouvoir et ses ambitions locales, le groupe aristocratique, dont la formation résulte d’un processus complexe et ancien, constitue une composante essentielle de l’identité frontalière.Loin d’être une région désertique, l’Avranchin présente au IXe siècle une organisation politique et sociale dans laquelle les familles aristocratiques s’intègrent. Cette société, dont on ignore le caractère endogène ou exogène, apparaît comme le produit manifeste du regnum neustrien. Elle se révèle notamment par le prisme des anciennes circonscriptions administratives, l’action royale ou encore le rôle des évêques et des ermites. Affectées par les profondes transformations du royaume carolingien, les familles aristocratiques sont touchées par l’influence des puissants groupes familiaux des Rorgonides puis des Robertiens, dont la stratégie de domination de l’espace se fait ressentir jusque dans l’Avranchin. La poussée bretonne du milieu du IXe siècle et la domination politique des comtes de Rennes accentuent le caractère composite et multiscalaire de cette société.Lorsque les ducs de Normandie, puis les comtes de Mortain, étendent leur autorité sur l’Avranchin au cours du XIe siècle, le groupe aristocratique présente une certaine forme de continuité. La mise en place d’un espace institutionnel résulte d’une construction habile, parfois fruit d’une politique d’accommodation et de compromis, et s’appuie sur des familles extérieures au territoire ou anciennement implantées dans l’Avranchin. Celles-ci façonnent leur pouvoir autour de nouvelles logiques et de nouvelles fidélités, induites par le contrôle ducal ou comtal, la détention d’offices administratifs ou la garde de forteresses. Elles ordonnent également leurs territoires suivant leurs propres dynamiques, parfois autour d’une fondation prieurale ou d’une fortification. Réseaux de relations élargis et de vassalité, cercles familiaux ou de voisinage montrent que les horizons de cette aristocratie ne s’arrêtent pas aux limite de ses possessions, ni à celles à l’Avranchin.Bien que n’ayant jamais engendré de vastes honneurs ou de grandes entités seigneuriales, les familles aristocratiques jouent un rôle essentiel le long des frontières. Parfois en appui de l’autorité ducale, mais bien souvent suivant leurs propres intérêts et au-delà de la maîtrise politique de la frontière, elles influent grandement sur les fluctuations du pouvoir dans les espaces périphériques de l’Avranchin où leurs interventions prennent diverses formes. La fondation de l’abbaye de Savigny en 1112-1113 éclaire cette société complexe, fortement marquée par les réseaux d’influence et d’alliance, où espace vécu et géographie des pouvoirs des familles aristocratiques façonnent l’espace frontalier<br>Avranchin occupies a border position within the Duchy of Normandy, sharing its western borders with Brittany, Maine and the lordship of Bellême. Territory considered at the same time as interface, periphery and interstice, it is also a living space, result of it own dynamic, organized by the societies that inhabit it. Through its relationship to power and its local ambitions, the aristocratic group, whose formation is the result of a complex and ancient process, constitutes an essential component of border identity.Far from being a desert region, Avranchin presents in the ninth century a political and social organization in which aristocratic families are integrated. This society, whose endogenous or exogenous character is unknown, appears as the obvious product of the Neustrian regnum. It is revealed in particular by the prism of the former administrative districts, the royal action or the role of bishops and hermits. Affected by the profound transformations of the Carolingian kingdom, aristocratic families are affected by the influence of the powerful family groups of Rorgonids and Robertians, whose strategy of domination of space is felt even in Avranchin. The Breton thrust of the middle of the ninth century and the political domination of the counts of Rennes accentuate the composite and multiscalar character of this society.When the dukes of Normandy, then the counts of Mortain, extend their authority over Avranchin during the eleventh century, the aristocratic group presents a certain form of continuity. The establishment of an institutional space is the result of a skilful construction, sometimes the result of a policy of accommodation and compromise, and relies on families outside the territory or formerly located in Avranchin. These shape their power around new logics and new loyalties, induced by the ducal or comtal control, the holding of administrative offices or the guarding of fortresses. They also organize their territories according to their own dynamics, sometimes around a prioral foundation or a fortification. Networks of extended relations and vassalage, family or neighborhood circles show that the horizons of this aristocracy do not stop at the limits of his possessions, nor at those in Avranchin.Although they have never generate vast honors or great seigniorial entities, aristocratic families play an essential role along the borders. Sometimes in support of the ducal authority, but often according to their own interests and beyond the political control of the border, they greatly influence the fluctuations of power in the peripheral areas of Avranchin where their interventions take various forms. The founding of the abbey of Savigny in 1112-1113 sheds light on this complex society, strongly marked by networks of influence and alliance, where the living space and geography of the powers of the aristocratic families shape the border area

Thesis (M.A.) -- Central Connecticut State University, 2005.<br>Thesis advisor: Barry H. Leeds. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 125-127). Also available via the World Wide Web.

This dissertation is a companion to Norman Mailer’s Egyptian novel, Ancient Evenings (1983). Presented in seven parts, it combines a monograph and a selection from the novel outfitted with footnotes, plates, and captions. Part I provides an overview of the dissertation, a definition of terms, and a statement of my editorial principles. Part II is a biographical description of the author in relation to Ancient Evenings and its significance in the arc of his oeuvre. Also explored are Mailer’s unrealized plans to produce two related novels that would have formed a triad that embodied his existential ideology. Part III consists of criticism by me that will later take the form of a general introduction, footnotes, and endnotes for an annotated edition of Ancient Evenings. Part IV is a synthesis of published critical reactions to the novel placed in conversation with Mailer’s own commentary on his creative process and intentions. Ancient Evenings is notoriously difficult to navigate, and to provide a beacon for readers, Part V includes a character list and a synopsis of each of the novel’s seven “books.” Part VI is the second section of the novel, “The Book of the Gods,” presented as an annotated edition. The Coda includes a transcription of a previously unpublished prose piecethat represents the development of a novel, The Boat of Ra, that would have followed Ancient Evenings had Mailer completed his triad. For the use of future scholars, the bibliography documents Mailer’s confirmed research materials. Norman Mailer’s Book of the Dead speaks to the development of a major work by one of the most influential authors and public intellectuals of the second half of the twentieth century.<br>2019-11-21T00:00:00Z

My dissertation studies a pattern in Mailer's fiction and nonfiction in which he begins with a physically and philosophically challenging experience (fictional or actual) and proceeds through a crucial stage of intellectualization to a conclusion. Mailer, the writer, answers questions and solves problems by having the characters, including himself, hypothesize and experiment in different ways and then think about the results of their experiments; in this way, the characters come to conclusions and plan their future behavior. This pattern shows a marked resemblance to the epistemological pattern called the scientific method which progressive educators, authorized by John Dewey, implemented in the New York public school system from the 1890's to the 1920's. Mailer's education in PS 161 and Boys' High School in Brooklyn indirectly yet powerfully supplied this pattern as a structuring form for his own thinking, his own learning, and his thinking about learning. My study of this pattern in Mailer's work differs from other critical perspectives because I see the pattern as a relatively constant structure and as a theme played out more and more graphically as his work progresses and because I tie it to its historical roots in the progressive educational reforms of the late nineteenth century and early twentieth century In my introduction, I show how Dewey's ideas influenced Mailer's education and include some basic and telling similarities between these assumptions and Mailer's work which prefigure a more specific and aggressive argument in later chapters. I explain, in chapter one, some of Dewey's most basic assumptions and demonstrate their implementation relevant to Mailer's experience. I trace, in chapter two, this progressive educational pattern in Mailer's work by exhibiting the many relevant examples of teacher/student relationships. In chapter three, my analyses of both 'The White Negro' and of Mailer's didactic metaphors show the primacy of intellectualized experience in Mailer's fiction and nonfiction. Then I emphasize two works in chapters four and five, Of a Fire on the Moon (1970) and Ancient Evenings (1983), and analyze in detail how these works highlight the weaknesses and strengths of this pattern In this study, I hope to establish Mailer in his time, not only as a recognized innovator and rebel within accepted forms of behavior and written expression, but also as one who received culture conventionally from his parents, his teachers, and his literary predecessors in a time when the institutionalized processes of promulgating culture and knowledge were themselves being rejected<br>acase@tulane.edu

The thesis provides a comparative analysis of the American Dream's concept in the two essential pieces of American literature: Francis Scott Fitzgerald's The Great Gatsby and Norman Mailer's An American Dream. The theoretical part of the text focuses on the general definition of the American Dream and its development throughout the history of the United States. It aims at exposing the close relationship of the idea of the American Dream and the American national consciousness in terms of self-reliance, individualism and freedom. The analytical part concentrates on isolating the individual literary motifs of each novel that can be regarded as related to the notion of the American Dream. It discusses the central characters as well as dramatic aspects of The Great Gatsby and An American Dream in order to prove the American Dream to represent an essential theme in their literary frameworks. As a conclusion the thesis presents the opinion that each author elaborates this theme differently. Both novels, however, expose the individual version of the American Dream as being defeated in a struggle against the collective nature of the 20th century American society restricting the efforts of an individual for his or her self-realization. Keywords: Norman Mailer, An American Dream, Francis Scott Fitzgerald,...

This study examines the literary and journalistic shifts occurring in the 1960s to which both the nonfiction novel and New Journalism arose in response. This thesis examines the two defining texts of this genre: Truman Capote's In Cold Blood and Norman Mailer's The Armies of the Night . I argue that the nonfiction novel was a natural extension of both Capote and Mailer's investments in and experiences with journalism and also provide literary analysis of their texts in light of these investments. The thesis establishes the context and scope of the nonfiction novel, not so much as a sub-category of New Journalism, but as a literary form unto itself with its own parameters, goals, and ambitions.

In the years of 2009 and 2010, an observation of chosen quantitative and qualitative measures of several hybrids of corn took place at PS Humpolec and ZD Hosín. Quantitative measures were evaluated based on dissection of individual plants, qualitative measures then through common laboratory methods. In the field experiments at PS Humpolec, an observation of the seeding quantity and nitrogen load took place. The seeding quantity influenced with very high size of effect all agronomical and seed figures, except for the number of rows in the cob, where only high size of effect was observed. The quantity of 85 thousand seeds per hectare seems to be optimal. The nitrogen load influenced with very high size of effect the weight of the cob, with high size of effect the number of cobs and the weight of grains in the cob. Other measures were not affected. The year influenced with very high size of effect the length of the plant, the number of leaves, the weight of the cob; with high size of effect the height of the first cob on the plant and with considerable size of effect the number of cobs on the plant and the length of the cobs. Other observed measures were not affected by the year. Optimal nitrogen load that can be recommended is 110 kilograms per hectare. The best digestibility was noted with 100 thousand seeds per hectare and 110 Kg of nitrogen per hectare, or with 70 thousand seeds per hectare with no nitrogen. In the operational and half-operational experiments at ZD Hosín, differences between chosen hybrids were observed. Based on the results, the best one that can be recommended for these environmental conditions is Karacho, with FAO 260. Hybrid Karacho achieved the highest yield of matter in both years and in the year of 2010 it also achieved the best digestibility.