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Relevant bibliographies by topics / Mainland China context

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Academic literature on the topic 'Mainland China context'

Author: Grafiati

Published: 11 December 2022

Last updated: 26 January 2023

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Books on the topic "Mainland China context"

1

Ho, Wai-Chung. Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729932.

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Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China examines the recent developments in school education and music education in Greater China – Mainland China, Hong Kong, and Taiwan – and the relationship between, and integration of, national cultural identity and globalization in their respective school curriculums. Regardless of their common history and cultural backgrounds, in recent decades, these localities have experienced divergent political, cultural, and educational structures. Through an analysis of the literature, official curriculum documents, approved music textbooks, and a survey questionnaire and in-depth interviews with music teachers, this book also examines the ways in which policies for national identity formation and globalization interact to complement and contradict each other in the context of music education in respect to national and cultural values in the three territories. Wai-Chung Ho’s substantive research interests include the sociology of music, China’s education system, and the comparative study of East Asian music education. Her research focuses on education and development, with an emphasis on the impact of the interplay between globalization, nationalization, and localization on cultural development and school music education.

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2

Douglas W, Arner, Hsu Berry FC, Goo Say H, Johnstone Syren, Lejot Paul, and Tse Maurice Kwong-Sang. Part V The International Dimension, 12 The China Nexus. Oxford University Press, 2016. http://dx.doi.org/10.1093/law/9780198706472.003.0012.

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This chapter focuses on the financial markets and related legal and institutional frameworks in mainland China, in the context of China’s liberalization commitments under the World Trade Organization (WTO) and the Closer Economic Partnership Arrangement (CEPA). Today, Hong Kong and its financial markets perform a number of roles in respect to China. As part of the People’s Republic of China, Hong Kong increasingly must deal directly with resulting issues and questions, both as a result of the increasing use by mainland companies of Hong Kong’s financial markets (e.g. listing on the stock exchange) as well as supporting business in China. At the same time, the resulting interconnection between the two economies and financial systems brings challenges for Hong Kong. This is especially true of questions relating to mainland companies raising money in Hong Kong and resulting issues of disclosure, corporate governance, and related enforcement problems.

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3

Lieberman, Victor B. Strange Parallels - Southeast Asia in Global Context, C. 800-1830 Vol. 2: Mainland Mirrors - Europe, Japan, China, South Asia, and the Islands. University of Cambridge ESOL Examinations, 2009.

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4

Li, Chili. Understanding EAP Learners' Beliefs about Language Learning from a Socio-Cultural Perspective: A Longitudinal Study at an EMI Context in Mainland China. Springer Singapore Pte. Limited, 2021.

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Lieberman, Victor. Strange Parallels : Volume 2, Mainland Mirrors : Europe, Japan, China, South Asia, and the Islands: Southeast Asia in Global Context, C. 800-1830. Cambridge University Press, 2009.

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6

Lieberman, Victor. Strange Parallels - Southeast Asia in Global Context, C. 800-1830 Vol. 2: Mainland Mirrors - Europe, Japan, China, South Asia, and the Islands. Cambridge University Press, 2012.

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7

Li, Chili. Understanding EAP Learners' Beliefs about Language Learning from a Socio-Cultural Perspective: A Longitudinal Study at an EMI Context in Mainland China. Springer Singapore Pte. Limited, 2022.

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8

Lieberman, Victor. Strange Parallels - Mainland Mirrors - Europe, Japan, China, South Asia, and the Islands Vol. 2: Southeast Asia in Global Context, C. 800-1830. Cambridge University Press, 2010.

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9

Lent, John A., and Xu Ying. Comics Art in China. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496811745.001.0001.

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In the most comprehensive and authoritative source on this subject, this book covers almost all comics art forms in mainland China, providing the history from the nineteenth century to the present as well as perspectives on both the industry and the art form. This volume encompasses political, social, and gag cartoons, lianhuanhua (picture books), comic books, humorous drawings, cartoon and humor periodicals, and donghua (animation) while exploring topics ranging from the earliest Western-influenced cartoons and the popular, often salacious, 1930s humor magazines to cartoons as wartime propaganda and comics art in the reform. Coupling a comprehensive review of secondary materials (histories, anthologies, biographies, memoirs, and more) in English and Chinese with the artists' actual works, the result spans more than two centuries of Chinese animation. Structured chronologically, the study begins with precursors in early China and proceeds through the Republican, wartime, Communist, and market economy periods. Based primarily on interviews the editors conducted with over one hundred cartoonists, animators, and other comics art figures, Comics Art in China sheds light on tumult and triumphs. Lent and Xu describe the evolution of Chinese comics within a global context, probing the often-tense relationship between expression and government, as well as proving that art can be a powerful force for revolution. Enhanced with over one hundred black-and-white and color illustrations, this book stands out as not only the first such survey in English, but perhaps the most complete one in any language.

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10

Lee, Vivian. Ghostly Returns: the Politics of Horror in Hong Kong Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424592.003.0013.

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This chapter examines the trend towards Hong Kong-China co-productions, during which Hong Kong horror films have been in decline due to censorship restrictions in Mainland China. While this mega-market direction is likely to continue in the foreseeable future, Hong Kong filmmakers have made fresh attempts to revitalize this popular genre and inject it with new meanings in the changed and changing context of cultural production and cultural politics in the city. Between 2012-2014, several low to medium budget horror films were released. Local audiences responded enthusiastically and many saw these as a sign of the resilience of the local popular culture to counter or at least deflate the hegemony of the Mainland market. This chapter traces the trajectory of Hong Kong horror through the pre- and post-handover decades, situating horror within the evolving discourse of identity and the issues of local histories and collective memory. It also elaborates on the politics of horror as seem from horror films produced and released in the midst of escalating social and political tensions attributable to a popular/populist “anti-China localism”. The chapter further reflects on the cultural politics of delocalization and relocalization in the context of “re-occupying Hong Kong screens.”

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