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Journal articles on the topic 'Majdanek (Concentration camp) Majdanek'

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1

Kranz, Tomasz, and Patrycja Kowalczyk. "L’extermination des Juifs dans le camp de concentration de Majdanek." Revue d’Histoire de la Shoah N° 197, no. 2 (2012): 179. http://dx.doi.org/10.3917/rhsho.197.0179.

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2

Brown, Daniel Patrick. "Female SS Guards and Workaday Violence: The Majdanek Concentration Camp, 1942–1944Elissa Mailänder." Holocaust and Genocide Studies 31, no. 3 (2017): 484–87. http://dx.doi.org/10.1093/hgs/dcx043.

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3

ORYCIŃSKI, WOJCIECH, KRZYSZTOF J. KRAJEWSKI, and PAWEŁ KOZAKIEWICZ. "Resistograph investigation of Scots pine wood utility poles in the State Museum at Majdanek." Annals of WULS, Forestry and Wood Technology 108 (October 31, 2019): 58–67. http://dx.doi.org/10.5604/01.3001.0013.7682.

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Resistograph investigation of Scots pine wood utility poles in the State Museum at Majdanek. Any activity relative to the protection of monuments is determined by the requirements of fidelity and authenticity in the preservation of the place and landscape. On the site of the State Museum at Majdanek, the former infrastructure of the concentration camp has been reconstructed. An element there of are pine wood utility poles.The present research project involved an assessment of their state of preservation with the method of resistography. The poles were subjected to inspection and preliminary ac
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4

Kelley, Erin L., Magda Javakhishvili, and Alexander T. Vazsonyi. "Book Review: Female SS guards and workaday violence: The Majdanek concentration camp, l942–1944." International Criminal Justice Review 26, no. 2 (2015): 206–7. http://dx.doi.org/10.1177/1057567715615189.

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5

Ripatti-Torniainen, Leena, and Grazyna Stachyra. "The human core of the public realm: women prisoners’ performed ‘radio’ at the Majdanek concentration camp." Media, Culture & Society 41, no. 5 (2019): 654–69. http://dx.doi.org/10.1177/0163443719848584.

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The article elaborates Hannah Arendt’s thought on the public realm to analyse the performed ‘radio’ that women prisoners ‘produced’ with their voice at the Majdanek concentration camp, Poland, in Spring 1943. The authors reconstruct the rationale that clarifies why an image of a radio was meaningful at a death camp. The documented memories reveal that the ‘radio’ created a resistant, harm-preventing and despair-relieving space. Mobilizing the meanings Arendt gives to the public realm as the shared reference and shared belonging, the authors show that the memories point towards the prisoners’ e
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6

Sadzikowska, Lucyna. "Ludobójstwo w świetle wybranych relacji więźniów obozów koncentracyjnych Auschwitz, Majdanek, Stutthof i Gross-Rosen." Narracje o Zagładzie, no. 6 (November 22, 2020): 251–63. http://dx.doi.org/10.31261/noz.2020.06.13.

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The article is devoted to the analysis of testimonies, accounts, memoirs, ego-documents by concentration camp prisoners of Auschwitz, Majdanek, Stutthof, and Gross-Rosen. Thesource material kept in the said KLs’ archives contains a multitude of individual histories of survivors of the genocide, either described in detail or concisely noted down. What the authorfocuses on is the variety of those testimonies to suffering and tragedy of people incarcerated in concentration camps. At the same time, she observes that for the former prisoners, decades after leaving the camps, the Shoah and hell are
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7

Oeser, Alexandra. "Elissa Mailänder Koslov Gewalt im Dienstalltag : die SS-Aufseherinnen des Konzentrationsund Vernichtungslagers Majdanek, 1942-1944 (La violence au quotidien : les surveillantes SS du camp de concentration et d'extermination de Majdanek, 1." Critique internationale N° 61, no. 4 (2013): 191. http://dx.doi.org/10.3917/crii.061.0191.

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8

Auchter, Jessica. "Displaying dead bodies: bones and human biomatter post-genocide." Human Remains and Violence: An Interdisciplinary Journal 4, no. 1 (2018): 41–55. http://dx.doi.org/10.7227/hrv.4.1.4.

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The after-effects of mass atrocity – bodies and bones – struggle to be defined within memorial projects. This article seeks to examine the politics at play in displaying dead bodies to interrogate the role of materiality in efforts to memorialise and raise awareness about on-going violences. It focusses on the nexus between evidence, dignity, humanity and memory to explore bone display in Rwanda. It then takes up two artistic projects that play on the materiality of human remains after atrocity: the art of Carl Michael von Hausswolff, who took ashes from an urn at the Majdanek concentration ca
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9

Wünschmann, Kim. "Female SS Guards and Workaday Violence: The Majdanek Concentration Camp, 1942–1944. By Elissa Mailänder. Translated by Patricia Szobar. (East Lansing, MI: Michigan State University Press, 2015. Pp. xviii, 405. $49.95.)." Historian 79, no. 2 (2017): 394–96. http://dx.doi.org/10.1111/hisn.12558.

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10

Hanula, Justyna. "THE POLISH COMMITTEE’S OF NATIONAL LIBERATION POLICY TOWARDS MUSEUMS." Muzealnictwo 59 (June 22, 2018): 86–92. http://dx.doi.org/10.5604/01.3001.0012.1368.

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After World War II museums in Poland were bound to serve political purposes. The aim of new government was to shape citizens’ awareness according to the Stalinist ideology. 21 July 1944, the Polish Committee of National Liberation (further PKWN) was created in Moscow under the patronage of Joseph Stalin. From 1 August 1944, it was located in Lublin together with its Arts and Culture Department. The period from 21 July 1944 to the end of December 1944 on the so-called liberated territories is discussed herein in the context of museums’ formation. It was the time when new institutions were creat
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11

Howorus-Czajka, Magdalena. "BETWEEN REAL AND SYMBOLIC SPACE. DEATH REPRESENTATION IN WIKTOR TOŁKIN’S MARTYROLOGY MONUMENTS." Muzealnictwo 62 (June 29, 2021): 143–52. http://dx.doi.org/10.5604/01.3001.0015.0031.

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It is the representation of death in the monuments by Wiktor Tołkin found at the former concentration camps: Stutthof (at Sztutowo) and Majdanek (in Lublin) that is discussed. As an art historian, the Author confronts Tołkin’s monuments with the theorical framework related to the aesthetics of death representations in martyrology museums. The monuments were created in the late 1960s. The Author has studied how the monuments coincide with the contemporary exhibition strategies used in Holocaust-dedicated museums.
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12

Koslov, Elissa Mailänder. "“Going east”: colonial experiences and practices of violence among female and male Majdanek camp guards (1941–44)." Journal of Genocide Research 10, no. 4 (2008): 563–82. http://dx.doi.org/10.1080/14623520802447784.

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13

Stelingowska, Barbara. "Wysiedlenie widziane oczami dziecka z Zamojszczyzny." Narracje o Zagładzie, no. 6 (November 23, 2020): 426–40. http://dx.doi.org/10.31261/noz.2020.06.24.

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The article undertakes the topic of forced population displacement seen through the eyes of a child from Zamojszczyzna along with war-time fates of Polish families deported duringthe Second World War. The history of Zamojszczyzna lands is composed of tragic experiences of people forced out of their family households, imprisoned in the transit camps, deported to be involuntary labourers in the Third Reich, or murdered in concentration camps KL Auschwitz and KL Lublin (Majdanek). The survivors had to carry on throughout their lives with an indelible mark left by war-time childhood reflected by t
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14

"Female SS guards and workaday violence: the Majdanek concentration camp, 1942-1944." Choice Reviews Online 53, no. 01 (2015): 53–0404. http://dx.doi.org/10.5860/choice.191107.

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15

Garraio, Júlia. "Elissa Mailänder (2015), Female SS Guards and Workaday Violence. The Majdanek Concentration Camp, 1942-1944*." e-cadernos CES, no. 27 (June 15, 2017). http://dx.doi.org/10.4000/eces.2253.

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16

Kiosze, Philipp, and Florian Steger. "The Everyday Life of Patients With Tuberculosis in the Concentration Camp of Mittelbau-Dora (1943–1945)." Frontiers in Medicine 7 (September 25, 2020). http://dx.doi.org/10.3389/fmed.2020.526839.

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The everyday life of patients with tuberculosis in the main prisoner infirmary of the Mittelbau-Dora concentration camp is analyzed historically-critically by medical records, documents of the Schutzstaffel (SS) physicians, contemporary medical textbooks and memoirs of former inmates from partly international archives. To compare the medical treatment in the three phases of the concentration camp, the representative months of February 1944, July 1944 and January 1945 were examined. The analysis shows that SS hygienists inspected the place for fear of a collapse of the V-2 rocket production. Th
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17

Gozdecka, Renata. "Obrazy wojny i holocaustu w muzyce i sztuce. Szkic do edukacji interdyscyplinarnej / The Images of War and the Holocaust in Music and Art. A Sketch for Interdisciplinary Education." Annales UMCS, Artes 12, no. 2 (2014). http://dx.doi.org/10.1515/umcsart-2015-0003.

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AbstractThe main premise of the presented study is to show the impact of World War Two events on the creative achievements of selected artists who treated these dramatic events as the direct source of inspiration. The primary object of interest are selected musical pieces composed in the twentieth and twenty-first centuries, analyzed at the same time from the perspective of their correspondence with other domains of art: painting, sculpture, poetry, and partly with film. The article discussed Arthur Honegger’s Second and Third Symphony, compositions: Diffrent Trains by Steve Reich, and Diaries
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18

Żbikowski, Andrzej. "Texts Buried in Oblivion. Testimonies of Two Refugees from the Mass Grave at Poniatowa." Zagłada Żydów. Studia i Materiały, December 1, 2008, 76–102. http://dx.doi.org/10.32927/zzsim.76.

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This article contains an analysis and extensive quotations from accounts of two Jewish women, the only survivors of prisoners' execution at the Poniatowa compulsory labour camp. This execution was part of a large-scale operation to physically liquidate Jewish prisoners, the so-called “Operation Harvest” (Erntefest), carried out in the first week of November 1943 at the camps in Trawniki, Poniatowa and Majdanek (in Lublin). Both women survivors,. Due to a number of coincidences, managed to get to Warsaw and, helped by the “˚egota” – Council to Aid the Jews, lived to see the liberation. In this
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