Academic literature on the topic 'Majestic sculpture'

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Journal articles on the topic "Majestic sculpture"

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Botirov, Mukhammadjon Abdukadirovich, and Maftuna Muhammadjon kizi Botirova. "THE ROLE AND SIGNIFICANCE OF A GREAT SCULPTURE IN SOCIETY." Fars Int J Edu Soc Sci Hum 10(12); 2022; 10, no. 12 (2022): 810–15. https://doi.org/10.5281/zenodo.7494276.

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Akhmedov, is the son of Takhirjan Bakhodirjan. ""MODERN APPROACHES IN NEW UZBEKISTAN MAJESTIC SCULPTURE COMPOSITIONS"." International Journal of Education, Social Science & Humanities. Finland Academic Research Science Publishers 11, no. 9 (2023): 502–4. https://doi.org/10.5281/zenodo.8371629.

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<em>In the article, the new principles formed in modern sculptural compositions, practical, scientific and methodological researches, as well as the issues of aesthetic perception of Soha&#39;s sculptural works in the creative process, are widely covered.</em>
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Kuzhel, Yu L., and T. I. Breslavets. "Japanese Buddhist Canon Depicting Heavenly Sovereigns." Yearbook Japan 51 (December 7, 2022): 206–25. https://doi.org/10.55105/2687-1440-2022-51-206-225.

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In the Japanese Buddhist canon, the heavenly sovereigns belong to the fourth class of Buddhist deities — after the Buddhas, bodhisattvas, and light kings. They are the largest group. Sculptures are distinguished by the complexity of plastic forms, decorativeness, and expression. In Japanese iconography, the appearance of Buddhist characters was transformed according to ethnic requirements; their attributes, costumes, and poses changed. The heavenly sovereigns, with soft faces reminiscent of bodhisattvas, were endowed with formidable features in Japan; secular attire was changed to the attire o
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Василь, Одрехівський. "ГІГАНТСЬКИЙ, МОНУМЕНТАЛЬНИЙ, ВЕЛИЧНИЙ: ЯК ПРОГРЕСИВНИЙ РЯД ВЛАСТИВОСТЕЙ СКУЛЬПТУРИ". ВІСНИК Львівської національної академії мистецтв, № 27 (18 листопада 2015): 202–13. https://doi.org/10.5281/zenodo.33960.

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In the article it is considered the questions related to the interpretation and meaning of the term &ldquo;monumental&rdquo; and his affiliation with the characteristics and formative qualities of sculpture. To create a coherent theoretical picture are analized scientific achievements of famous Ukrainian and foreign researchers and practicing sculptors. The study focuses on the examination of monumental sculpture as an object which has significant aesthetic force of impact on the viewer.
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Krzosek-Hołody, Magdalena, and Aleksandra Litorowicz. "Kim jesteś dębie…? Drzewa w projektach sztuki publicznej: od reżimu, przez oswojenie, do dzikości." Przegląd Kulturoznawczy, no. 4 (58) (2023): 521–42. http://dx.doi.org/10.4467/20843860pk.23.034.19183.

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Oak, Who Are You...? Trees in Public Art Projects: From Regime, Through Domestication to Wildness How have artists working in the public space approached trees in recent decades? What have the artworks utilizing these majestic plant organisms told us about our relationship with nature? In reference to the questions listed above, in this article we want to take a fresh and critical look at the presence of trees (as art objects) in public spaces of contemporary cities. Our starting point is a critique of Joseph Beuys’ work 7000 Oaks, realized between 1982 and 1987 in the German city of Kassel. W
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Marian, Ana. "Implementation of V.A. Vatagin’s method in moldovan animalistic sculture." Arta 32, no. 1 (2023): 69–76. http://dx.doi.org/10.52603/arta.2023.32-1.10.

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People’s Artist of the Russian Federation, member of the Academy of Arts of the USSR, laureate of state prizes, animal sculptor Vasilii Alexeevich Vatagin (1884-1969) followed a complex and controversial creative path. His drawings and sketches, which reflect the world of animals, are especially interesting and convincing in terms of their plasticity. Two characteristics of V.A. Vatagin’s drawings emerge clearly: the harmonious compositional distribution of images on the sheet and the sketches made in a fluid line, with thickening and thinning, as well as the use of tone. V.A. Vatagin position
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Dorot, Ruth. "Visual Dignity in Art." Journal of Education Culture and Society 11, no. 1 (2020): 241–54. http://dx.doi.org/10.15503/jecs2020.1.241.254.

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Aim. The aim of this article is to deal with visual dignity in the field of western art throughout the ages as it seeks to present the artistic and design devices employed by artists in order to compose and convey this aura of dignity. Moreover, it addresses the ways in which they create various kinds of atmosphere of respect and dignity felt by the observer regarding the topic and object of the painting or sculpture.&#x0D; Methods. In order to achieve this aim, the article examines seven masterpieces which explore the visual representations of various perceptions of dignity and their implicat
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Jennings, Margaret, and Francis P. Kilcoyne. "Defacement: Practical Theology, Politics, or Prejudice: The Case of the North Portal of Bourges." Church History 72, no. 2 (2003): 276–303. http://dx.doi.org/10.1017/s0009640700099856.

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The Cathedral of St. Étienne at Bourges, which Ribault justly styles “un chef d'oeuvre gothique” (a Gothic masterpiece), did not escape the Huguenot depredations of 1562. Especially vulnerable to the pikes and pry-bars of the Reformers were the choir screen in front of the main altar, the north and south doorways commemorating respectively Mary in Majesty and Christ in Majesty, and several areas of the West facade: the jamb statues (whose subjects are currently unknown), the spandrel sculptures under the dado that celebrated events of the Christian scriptures and of the book of Genesis, and th
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முனைவர், இரா. சொர்ணபமிலா /. Dr. R. Sorna Bamila. "மீனாட்சியம்மன் கோவில் மண்டபங்கள் / The Mandapams of Meenakshiamman Temple". பாண்டியன் கோவில் கலைகள் தமிழ் ஆய்விதழ் / Pandian Tamil Journal of Temple Studies Volume 3, Issue 1 (2022): 22–29. https://doi.org/10.5281/zenodo.7365344.

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<em>When one thinks of Madurai, Madurai Meenakshi Amman Temple comes to mind. Madurai city is a special city in the history of Tamil literature. Madurai, developed by the Tamils under the Sangam Period, is a temple city with great historical significance. The pillars of the temple, walls, gopurams, towering stone sculptures, stone carvings, and legends of Thiruvilayadal add much to the glory of this temple. Also, the construction dates of the temples can be determined by the halls and the pillars standing in those halls. Meenakshi Amman temple halls (Mandapas) have a unique historical charm. T
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Gatalska, N. "The Influence of a Person’s Sociocultural Experience on the Associative Perception of Park Landscapes." IOP Conference Series: Earth and Environmental Science 1499, no. 1 (2025): 012008. https://doi.org/10.1088/1755-1315/1499/1/012008.

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Abstract A review of scientific works on the functioning of park spaces highlights a conflict of interest between the use of historical and memorial parks as centers for daily recreation and the need for their preservation. Recent studies focus not only on understanding how park environments are perceived but also on identifying differences in the preferences and needs of park users from various age groups, genders, and socioeconomic backgrounds. This research analyzes the associative perception of park environments among respondents of different age groups to determine the impact of sociocult
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Dissertations / Theses on the topic "Majestic sculpture"

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Revire, Nicolas. "The Enthroned Buddha in Majesty : an Iconological Study." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA157/document.

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Cette thèse étudie en détail un type particulier de représentation du Bouddha où il est représenté assis sur un trône prééminent, le bhadrapīṭha ou bhadrāsana, dans une posture majestueuse avec les deux jambes pendantes, c’est-à-dire assis en bhadrāsana ou dans l’attitude « de bon augure ». Cette iconographie, étroitement associée à l’imagerie du trône, se retrouve largement représentée dans l’art de l’Asie du Sud, de l’Est et du Sud-Est, et est, en règle générale, intimement liée aux modèles de la royauté, de la fertilité, et même du divin. Plusieurs implications notables ressortent de cet ex
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Books on the topic "Majestic sculpture"

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Rapaport, Ben. Collecting antique meerschaum pipes: Miniature to majestic sculpture. Schiffer Pub., 1999.

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Hein, Jørgen. Menneske maske majestæt: Kongelige portrætter i voks. De Danske Kongers konologiske samling, 2000.

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Horatio Greenough and the Form Majestic: The Biography of the Nation's First Washington Monument. Smithsonian Institution Press, 2019.

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Borobudur: Majestic, mysterious, magnificent. Taman Wisata Candi Borobudur, Prambanan & Ratu Boko, 2010.

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Root, Margaret Cool. A Response. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190614812.003.0009.

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This chapter is a reflection upon the theoretical explorations of the powers of miniature things and fragmented things that form the core of this volume. In response, the author offers an interpretive analysis of imbricated agencies of scales, spaces, representations, and objects in one particular social landscape of the ancient Near East: Persepolis. This was the heartland capital of the Achaemenid Persian Empire in southwest Iran, founded by Darius I “the Great.” In this chapter, the author explores how scale works at the site writ large, placing its majestic official buildings embellished w
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Lepsius, Richard. Briefe aus Aegypten, Aethiopien und der Halbinsel des Sinai: Geschrieben in den Jahren 1842-1845 während der auf Befehl Sr. Majestät des Königs Friedrich ... Expedition von Richard Lepsius. Adamant Media Corporation, 2003.

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Ogilby, John 1600-1676. Entertainment of His Most Excellent Majestie Charles II, in His Passage Through the City of London to His Coronation: Containing an Exact Account of the Whole Solemnity, the Triumphal Arches, and Cavalcade Delineated in Sculpture; the Speeches And... Creative Media Partners, LLC, 2022.

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Book chapters on the topic "Majestic sculpture"

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Fowler, Elizabeth. "Presence." In Poetry and the Built Environment. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192888990.003.0011.

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Abstract The final chapter develops the topic of Part Five’s “Virtual Injuries and Rewards” by turning to Kara Walker’s ephemeral installation, A Subtlety or the Marvelous Sugar Baby, a project that prominently cites medieval sculpture and ceremony. This both majestic and repellent confectionary sphinx, created in a decommissioned sugar warehouse in Brooklyn, embodies a sculptural ductus designed to reconfigure its viewers’ sensory experiences of sugar and of their own bodies. The monumental Sugar Baby issues a riposte to the rapacious Robert E. Lee monument in Richmond (discussed in the Intro
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Conference papers on the topic "Majestic sculpture"

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Chenoweth, Richard. "The Collaboration of B. Henry Latrobe and Giuseppe Franzoni to Create the Nation’s First Statue of Liberty (1807-1814)." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.76.

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When the U. S. Capitol burned on 24 August 1814, its principal chambers were gutted and an early masterpiece of American Neoclassical sculpture, a colossal personification of Liberty in the style of the times, was completely destroyed. The Liberty is not well known because in her brief lifetime, no artist stopped to record her - not even Latrobe himself, a prolific sketcher. Liberty presided over Latrobe’s majestic Hall of Representatives, a chamber that was, itself, a difficult collaboration of conflicting ideas between its client Thomas Jefferson and its architect Latrobe. Liberty was an int
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Rusu, Mihaela. "THE MUSICAL CREATION INSPIRED BY THE WORK OF SCULPTOR CONSTANTIN BRA?NCUS?I MAJESTIC BIRD � SONATA FOR SOLO CLARINET BY TIBERIU OLAH." In 7th SWS International Scientific Conference on ART and HUMANITIES - ISCAH 2020 Proceedings. STEF92 Technology, 2020. http://dx.doi.org/10.5593/sws.iscah.2020.7.1/s23.12.

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