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Journal articles on the topic 'Majestic sculpture'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Botirov, Mukhammadjon Abdukadirovich, and Maftuna Muhammadjon kizi Botirova. "THE ROLE AND SIGNIFICANCE OF A GREAT SCULPTURE IN SOCIETY." Fars Int J Edu Soc Sci Hum 10(12); 2022; 10, no. 12 (2022): 810–15. https://doi.org/10.5281/zenodo.7494276.

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Akhmedov, is the son of Takhirjan Bakhodirjan. ""MODERN APPROACHES IN NEW UZBEKISTAN MAJESTIC SCULPTURE COMPOSITIONS"." International Journal of Education, Social Science & Humanities. Finland Academic Research Science Publishers 11, no. 9 (2023): 502–4. https://doi.org/10.5281/zenodo.8371629.

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<em>In the article, the new principles formed in modern sculptural compositions, practical, scientific and methodological researches, as well as the issues of aesthetic perception of Soha's sculptural works in the creative process, are widely covered.</em>

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Kuzhel, Yu L., and T. I. Breslavets. "Japanese Buddhist Canon Depicting Heavenly Sovereigns." Yearbook Japan 51 (December 7, 2022): 206–25. https://doi.org/10.55105/2687-1440-2022-51-206-225.

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In the Japanese Buddhist canon, the heavenly sovereigns belong to the fourth class of Buddhist deities — after the Buddhas, bodhisattvas, and light kings. They are the largest group. Sculptures are distinguished by the complexity of plastic forms, decorativeness, and expression. In Japanese iconography, the appearance of Buddhist characters was transformed according to ethnic requirements; their attributes, costumes, and poses changed. The heavenly sovereigns, with soft faces reminiscent of bodhisattvas, were endowed with formidable features in Japan; secular attire was changed to the attire o

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Василь, Одрехівський. "ГІГАНТСЬКИЙ, МОНУМЕНТАЛЬНИЙ, ВЕЛИЧНИЙ: ЯК ПРОГРЕСИВНИЙ РЯД ВЛАСТИВОСТЕЙ СКУЛЬПТУРИ". ВІСНИК Львівської національної академії мистецтв, № 27 (18 листопада 2015): 202–13. https://doi.org/10.5281/zenodo.33960.

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In the article it is considered the questions related to the interpretation and meaning of the term “monumental” and his affiliation with the characteristics and formative qualities of sculpture. To create a coherent theoretical picture are analized scientific achievements of famous Ukrainian and foreign researchers and practicing sculptors. The study focuses on the examination of monumental sculpture as an object which has significant aesthetic force of impact on the viewer.

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Krzosek-Hołody, Magdalena, and Aleksandra Litorowicz. "Kim jesteś dębie…? Drzewa w projektach sztuki publicznej: od reżimu, przez oswojenie, do dzikości." Przegląd Kulturoznawczy, no. 4 (58) (2023): 521–42. http://dx.doi.org/10.4467/20843860pk.23.034.19183.

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Oak, Who Are You...? Trees in Public Art Projects: From Regime, Through Domestication to Wildness How have artists working in the public space approached trees in recent decades? What have the artworks utilizing these majestic plant organisms told us about our relationship with nature? In reference to the questions listed above, in this article we want to take a fresh and critical look at the presence of trees (as art objects) in public spaces of contemporary cities. Our starting point is a critique of Joseph Beuys’ work 7000 Oaks, realized between 1982 and 1987 in the German city of Kassel. W

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Marian, Ana. "Implementation of V.A. Vatagin’s method in moldovan animalistic sculture." Arta 32, no. 1 (2023): 69–76. http://dx.doi.org/10.52603/arta.2023.32-1.10.

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People’s Artist of the Russian Federation, member of the Academy of Arts of the USSR, laureate of state prizes, animal sculptor Vasilii Alexeevich Vatagin (1884-1969) followed a complex and controversial creative path. His drawings and sketches, which reflect the world of animals, are especially interesting and convincing in terms of their plasticity. Two characteristics of V.A. Vatagin’s drawings emerge clearly: the harmonious compositional distribution of images on the sheet and the sketches made in a fluid line, with thickening and thinning, as well as the use of tone. V.A. Vatagin position

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Dorot, Ruth. "Visual Dignity in Art." Journal of Education Culture and Society 11, no. 1 (2020): 241–54. http://dx.doi.org/10.15503/jecs2020.1.241.254.

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Aim. The aim of this article is to deal with visual dignity in the field of western art throughout the ages as it seeks to present the artistic and design devices employed by artists in order to compose and convey this aura of dignity. Moreover, it addresses the ways in which they create various kinds of atmosphere of respect and dignity felt by the observer regarding the topic and object of the painting or sculpture. Methods. In order to achieve this aim, the article examines seven masterpieces which explore the visual representations of various perceptions of dignity and their implicat

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Jennings, Margaret, and Francis P. Kilcoyne. "Defacement: Practical Theology, Politics, or Prejudice: The Case of the North Portal of Bourges." Church History 72, no. 2 (2003): 276–303. http://dx.doi.org/10.1017/s0009640700099856.

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The Cathedral of St. Étienne at Bourges, which Ribault justly styles “un chef d'oeuvre gothique” (a Gothic masterpiece), did not escape the Huguenot depredations of 1562. Especially vulnerable to the pikes and pry-bars of the Reformers were the choir screen in front of the main altar, the north and south doorways commemorating respectively Mary in Majesty and Christ in Majesty, and several areas of the West facade: the jamb statues (whose subjects are currently unknown), the spandrel sculptures under the dado that celebrated events of the Christian scriptures and of the book of Genesis, and th

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முனைவர், இரா. சொர்ணபமிலா /. Dr. R. Sorna Bamila. "மீனாட்சியம்மன் கோவில் மண்டபங்கள் / The Mandapams of Meenakshiamman Temple". பாண்டியன் கோவில் கலைகள் தமிழ் ஆய்விதழ் / Pandian Tamil Journal of Temple Studies Volume 3, Issue 1 (2022): 22–29. https://doi.org/10.5281/zenodo.7365344.

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<em>When one thinks of Madurai, Madurai Meenakshi Amman Temple comes to mind. Madurai city is a special city in the history of Tamil literature. Madurai, developed by the Tamils under the Sangam Period, is a temple city with great historical significance. The pillars of the temple, walls, gopurams, towering stone sculptures, stone carvings, and legends of Thiruvilayadal add much to the glory of this temple. Also, the construction dates of the temples can be determined by the halls and the pillars standing in those halls. Meenakshi Amman temple halls (Mandapas) have a unique historical charm. T

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Gatalska, N. "The Influence of a Person’s Sociocultural Experience on the Associative Perception of Park Landscapes." IOP Conference Series: Earth and Environmental Science 1499, no. 1 (2025): 012008. https://doi.org/10.1088/1755-1315/1499/1/012008.

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Abstract A review of scientific works on the functioning of park spaces highlights a conflict of interest between the use of historical and memorial parks as centers for daily recreation and the need for their preservation. Recent studies focus not only on understanding how park environments are perceived but also on identifying differences in the preferences and needs of park users from various age groups, genders, and socioeconomic backgrounds. This research analyzes the associative perception of park environments among respondents of different age groups to determine the impact of sociocult

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Miguel Irureta, Ainhoa de, and Juan Ramón Carbó García. "La pasarela de los dioses. El Zeus de Olimpia y el Coloso de Rodas como modelos iconográficos divinos en el cristianismo = The Catwalk of the gods. The Olympian Zeus and the Colossus of Rhodes as divine iconographic models in Christianity." ARYS. Antigüedad: Religiones y Sociedades, no. 17 (November 20, 2019): 277. http://dx.doi.org/10.20318/arys.2019.4556.

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Resumen: La estatua de Zeus en Olimpia realizada por Fidias y la estatua colosal de Helios en Rodas realizada por Cares de Lindos, dos de las 7 maravillas de la Antigüedad y las únicas de carácter escultórico, se convirtieron en modelos iconográficos de poder, de majestad y de lo colosal para emperadores, abstracciones personificadas y también para otros dioses. A través del análisis de estas maravillas, de sus ropajes, atributos, complementos, posturas, tamaño, etc. y de cómo fueron asumidos o cómo influyeron posteriormente tanto para las imágenes del Dios cristiano como para la de emperadore

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Borozan, Igor. "The national-dynastic monument in the Kingdom of Serbia the monument to Prince Milos Obrenovic in Pozarevac as a case study." Balcanica, no. 47 (2016): 157–75. http://dx.doi.org/10.2298/balc1647157b.

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The monument to Prince Milos Obrenovic unveiled in 1898 embodied the concept of national-dynastic monument in the Kingdom of Serbia at the end of the nine?teenth century. The statue in the manner of academic art by Djordje Jovanovic, a prominent Serbian sculptor, may be seen as a creative transfer of European practices in designing majestic monuments to rulers. Set up in downtown Pozarevac, the monument to Prince Milos was intended to act as a place of collective remembrance and a means of legitimation of King Alexander Obrenovic. Forming part of the process of constructing the cult of Prince

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Rani, Archana. "UNIQUE CAVES OF THE JAIN TRADITION: UDAYAGIRI AND KHANDAGIRI." ShodhKosh: Journal of Visual and Performing Arts 1, no. 1 (2020): 1–7. http://dx.doi.org/10.29121/shodhkosh.v1.i1.2020.3.

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English: Udayagiri and Khandagiri caves are located near Bhubaneswar in Odisha, Madhya Pradesh. These two caves are located on two hills about two hundred meters in front of each other. His ancient name was Kumaragiri. Here, the Jain monks who came out for nirvana used to come and do penance. Some of the caves here are natural and some are human built. Inscriptions, engraved statues, etc. in the caves indicate that it was the main pilgrimage center of Jainism in ancient times. There are eighteen caves in Udayagiri and fifteen in Khandagiri, with beautiful carvings of architecture including ani

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Udovički-Selb, Danilo. "Facing Hitler’s Pavilion: The Uses of Modernity in the Soviet Pavilion at the 1937 Paris International Exhibition." Journal of Contemporary History 47, no. 1 (2012): 13–47. http://dx.doi.org/10.1177/0022009411422369.

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Overwhelming the Trocadéro’s majestic esplanade, the Soviet and German pavilions faced each other in a commanding gesture across the central axis of the Paris ‘Exposition des arts et des techniques dans la vie moderne’ – the last French World’s Expo in the twentieth century. More often than not, the two pavilions have been dismissed in architectural terms as having merely ‘competed in archeological rhetoric’. In this article I argue, with a primary focus on the Soviet Pavilion, that far from displaying such reductive and unambiguous architectural qualities, each pavilion offered, in two very d

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Polianska, Ir M. "The image of Solveig in the ballet “Peer Gynt” on H. Ibsen’s dramatic poem (staged by the Kharkiv National Academic Opera and Ballet Theatre)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, no. 57 (2020): 197–211. http://dx.doi.org/10.34064/khnum1-57.12.

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Introduction. The given article is devoted to study of the Ukrainian ballet continuing to produce new ways of implementation of the ideas and artistic images in the beginning of the XXI century. The production of the ballet “Peer Gynt” on the music by E. Grieg, done by People’s artist of Ukraine V. Pisarev for the troupe of Donetsk ‘A. Solovianenko’ Academic State Theatre of Opera and Ballet is a remarkable example of this process. The production’s premiere was on, 1997, May 17, in the framework of the international theatre project “Ukraine – Norway”. Twenty years later, in 2017, the new varia

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Sheewasukthaworn, Wiroj. "Definition of Decorative Pediment Elements of the Building in Palladian Architecture in Thailand." Herança 7, no. 4 (2024): 146–60. https://doi.org/10.52152/heranca.v7i4.1004.

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This article presents the development of symbolic interpretations that appear on the pediment in Palladian architecture in Thailand. Palladian architecture originated from an Italian architect, Andrea Palladio. The distinctive identity is that it has beautiful proportions that are harmoniously consistent, with the style unraveled from ancient Greco-Roman architecture. It emphasizes symmetry and incorporates classic building elements into the design, especially in pediment. Studies have shown that pediment is an important element. It is located on the top of the building. In the Greco-Roman per

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Intaraksa, Ruengrumpa, Tachaya Sangkakool, Nuntachai Chusilp, and Atchara Rattanama. "Application of eco-friendly products as built environment in demonstration farms of royal development project of her majesty Queen Sirikit (Rama IX)." Parichart Journal 37, no. 3 (2024): 654–69. http://dx.doi.org/10.55164/pactj.v37i3.269289.

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The purpose of this research was to design architecture in demonstration farms of royal development project of her majesty Queen Sirikit (Rama IX) by using eco-friendly products to enhance the potential of prepared area for ergodic environment through sustainable architecture or green Architecture concept. The research which has analyzed the physical characteristics and area potentials found that the area in demonstration farms was learning resources in agriculture and local employment resources. In consequence, Villager could have an income from operations and training in farm for career. For

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Utari, Diah Sri, Arifinsyah Arifinsyah, and Endang Ekowati. "Analisis Makna Simbolik Ornamen Kuil Buddha Dalam Konteks Keagamaan." Kamaya: Jurnal Ilmu Agama 7, no. 3 (2024): 145–58. https://doi.org/10.37329/kamaya.v7i3.3586.

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The aim of this research is to understand and analyse the symbolic meaning of the ornaments in the Mahabharata Maitreya Temple as well as the role of these ornements in conveying the teachings and values of Buddhism. Maha Vihara Maitreya is located in the city of Medan, Indonesia. It is one of the largest Buddhist temples in Indonesia and has a variety of architectural and decorative elements that are rich in symbolic significance. Maha Vihara Maitreya also adopted many of the characteristic elements of China in every detail of the building and its ornaments. The research uses a qualitative ap

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Matarazzo, Maria Gabriella. "ultima opera di Malvasia: 'Il Claustro di S. Michele in Bosco' e la decorazione carraccesca tra finzione e verità." Acta ad archaeologiam et artium historiam pertinentia 32, no. 18 N.S. (2021): 29–58. http://dx.doi.org/10.5617/acta.9018.

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The Carracci's decorative vocabulary (from the early Bolognese friezes to the cycles of the Farnese Gallery in Rome and of the Cloister of San Michele in Bosco in Bologna) made extensive use of anthropomorphic supports, especially telamons and terms. Painted with a monochromatic technique, they deceived the beholder for their effective imitation of marble sculptures that illusively jut from the surface of the wall. While art historical scholarship mainly discussed them in regard to their chronology, attribution, iconography and their relationship with the Cinquecento decoration systems, their

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Salchinkina, Angelina Rostislavovna. "Monument to Catherine II in Yekaterinodar: the practice of monumental commemoration in the context of the historical culture of the Kuban Cossacks." Genesis: исторические исследования, no. 8 (August 2024): 48–59. http://dx.doi.org/10.25136/2409-868x.2024.8.71394.

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The article analyzes the multi-stage process of developing and implementing the project of the monument to Catherine II in Yekaterinodar from the perspective of the concept of historical culture. The focus of the research is on the political attitudes laid down by the official authorities in the approved sculptural composition, and the ideas of the Kuban Cossacks about their past, seen by them in a monumental image. The paper examines the peculiarities of the ceremonies on the occasion of the laying (1896) and the opening (1907) of the monument. Special attention is paid to the historical cont

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Rossi, Giuliana, Gualtiero Böhm, Angela Saraò, et al. "Focus on glaciers: a geo-photo exposition of vanishing beauty." Geoscience Communication 3, no. 2 (2020): 381–92. http://dx.doi.org/10.5194/gc-3-381-2020.

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Abstract. Scientific research, respect for the environment, and passion for photography merged into an exceptional heritage of images collected by the researchers and technicians of the National Institute of Oceanography and Applied Geophysics (OGS). The images were taken during past scientific expeditions conducted all over the world to widen scientific knowledge in the fields of Earth and ocean sciences, to raise awareness on the environment and conservation of natural resources, and to mitigate natural risks. In this paper, we describe a photographic exhibition organized using some of the O

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Lundgreen-Nielsen, Flemming. "Grundtvig i guldalderens København." Grundtvig-Studier 46, no. 1 (1995): 107–39. http://dx.doi.org/10.7146/grs.v46i1.16185.

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Grundtvig and Golden Age CopenhagenBy Flemming Lundgreen-NielsenThe article has originally been given as a public lecture at the University of Copenhagen during the Golden Days in Copenhagen festival in September 1994. By way of introduction the question is posed to which extent Grundtvig belongs to the Golden Age period in Danish cultural and artistic life. Though he lived in the capital for 65 years, he never orientated himself towards the places that interested most other educated Copenhageners. The University rejected his applications for a professorate, and he in return vehemently attacke

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Филиппова, О. Н. "Nikolai Sverchkov as an artist-animal painter, genre painter and portraitist (1817-1898)." Искусство Евразии, no. 4(7) (December 30, 2017). http://dx.doi.org/10.25712/astu.2518-7767.2017.04.004.

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Николай Егорович (Георгиевич) Сверчков (1817 – 1898) – один из ранних представителей реалистической жанровой живописи. В своих картинах он запечатлел природу России, с ее величественными лесами и необъятными полями, бесконечными дорогами и проселками. Н.Е. Сверчков впервые в русском искусстве развил мотив удалой «птицы-тройки», с образом которой народ связывал свои мечты о лучшей, свободной жизни. Творчество художника многообразно. Он писал не только жанровые, но и исторические и батальные полотна, занимался скульптурой. Редкого мастерства Н.Е. Сверчков достиг в изображении животных, особенно

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Zilola Ruziboyevna, Kodirova. "The development of majestic sculpture of writers and poets in the avenue of writers and poets of Uzbekistan during the period of independence." European Journal of Arts, August 30, 2024, 111–14. http://dx.doi.org/10.29013/eja-24-3-111-114.

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Королева, Анастасия Юрьевна. "«Fire tower» of Johannes Itten: plastic studies or protoinstallation." Искусство Евразии, no. 2(9) (June 28, 2018). http://dx.doi.org/10.25712/astu.2518-7767.2018.02.011.

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«Башня огня» (1920) – важнейшая и в то же время малоизвестная работа Йоханнеса Иттена, выполненная им в Веймаре в годы работы в немецком Баухаузе. Будучи идеальным выражением программных целей Баухауза, то есть объединив в себе сразу архитектуру, скульптуру и живопись, эта сложная по своей пластической форме конструкция демонстрирует сочетание огромного количества архетипических смыслов культурного поля предыдущих столетий от зиккуратов древности до новейших авангардных опытов в строительстве высотных зданий, помогающих раскрыть сложный космогонический смысл, зашифрованный в арт-объекте, обора

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Ibadova, Nafisa Axmatilloyevna. "THE ROLE OF KHALED HOSSEINI'S CREATIVITY IN THE FORMATION OF THE LITERARY CULTURE OF CENTRAL ASIA." INTERNATIONAL JOURNAL OF WORD ART Volume-6, Issue-4 (2023). https://doi.org/10.5281/zenodo.10157536.

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In this article is discussed the role of the Afghan writer Khaled Hosseini, who lived and worked in America, in the world of literature, the features of the coverage of the literary culture of Central Asia. If we talk about the countries of Central Asia, then it is not only Afghanistan, but also Kyrgyzstan, Uzbekistan, Tajikistan and a number of other countries. It is necessary to study the most valuable monuments of the material and spiritual culture of these regions, majestic architectural structures, sculptural images, wall paintings, unique manuscripts and form the basis of the priority ta

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Kaur, Manvir. "INDIAN ART AND RELIGION." ShodhKosh: Journal of Visual and Performing Arts 5, no. 1 (2024). https://doi.org/10.29121/shodhkosh.v5.i1.2024.3736.

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Art has long been interwoven with myth, magic, and religion, maintaining its profound influence through a sense of sacred allure. Just as revered religious artifacts captivate our attention, artworks enchant with their mesmerizing presence. Unlike ordinary objects, art offers an intensified perception of reality and suggests deeper truths that transcend everyday understanding and scientific knowledge.India’s rich and diverse traditions reveal a deep connection between religion and art. The country’s cultural heritage mirrors its spiritual beliefs, with artistic expressions—from majestic tabern

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Ryan, Robin Ann. "Forest as Place in the Album "Canopy": Culturalising Nature or Naturalising Culture?" M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1096.

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Every act of art is able to reveal, balance and revive the relations between a territory and its inhabitants (François Davin, Southern Forest Sculpture Walk Catalogue)Introducing the Understory Art in Nature TrailIn February 2015, a colossal wildfire destroyed 98,300 hectares of farm and bushland surrounding the town of Northcliffe, located 365 km south of Perth, Western Australia (WA). As the largest fire in the recorded history of the southwest region (Southern Forest Arts, After the Burn 8), the disaster attracted national attention however the extraordinary contribution of local knowledge

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Brišová, Adriana. "Inspirations by plant in the decorative motifs of St. Mary’s Basilica in Kraków (Poland)." Annales Universitatis Paedagogicae Cracoviensis Studia Naturae, December 31, 2019, 7–30. http://dx.doi.org/10.24917/25438832.4.1.

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The aim behind this study was to identify the plants which are the floristic motifs of ornaments inside of Church of Our Lady Assumed into Heaven in Kraków. The art techniques used in ornaments submitted to the analysis were: paintings, sculptures and stained glass-works. The analysis was based on the photographs of various parts of the St. Mary's Basilica taken between 2017 and 2018. Identified species of plants were presented in the table. In the analysis performed here, the author was focused on the symbolism of chosen floral art motifs, since the artist’s botanical knowledge was not

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Alstrup, Kent. "Ligning med ubekendte." 1700-tal: Nordic Journal for Eighteenth-Century Studies 16 (November 18, 2019). http://dx.doi.org/10.7557/4.4880.

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Inaugurated in 1740, the majestic building of the new royal palace in Copenhagen would play a key role in the introduction of new stylistic waves over the next 50 years, until the palace sadly was destroyed by a devastating fire in 1794. As the title suggests, the disappearance of these interiors has left a serious lacuna in the understanding of the period’s art and architecture. All the famous architects and artists of the time worked in the palace and from this, the central monument of eighteenth-century Denmark, new ideas spread throughout the realm. A few drawings have survived, and togeth

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Karnchanapayap, Gomesh, and Piyanon Somboon. "Revolutionizing art exhibitions: Photogrammetry's role in virtual reality experiences." Humanities, Arts and Social Sciences Studies, December 25, 2024. https://doi.org/10.69598/hasss.24.3.267821.

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The COVID-19 pandemic significantly impacted many aspects of human life, including the way we work, travel, and even our art-viewing habits. In the past, art exhibitions were the primary channel through which art lovers could view, experience, and purchase artwork. However, the pandemic brought the art industry to a sudden halt as people are unable to visit physical exhibitions. Even after the pandemic has passed, what will happen if a similar outbreak occurs? Recent advances in photogrammetry, 3D scanning, and virtual reality technology enable the creation of an immersive and realistic digita

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Vasiliauskienė, Aušra. "The Iconography of the Altars of St Trinity Church of the Former Bernardine Convent in Kaunas from Seventeenth Century to 1864: The Outline of Research." Menotyra 27, no. 4 (2021). http://dx.doi.org/10.6001/menotyra.v27i4.4371.

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The article analyses the iconographic programme of the altars of St Trinity Church of the convent of former Bernardine nuns (Sisters of the Third Order of St Francis) in Kaunas until its closure in 1864 and reveals the expression of the spirituality of this order in the sacral art as far as the surviving few sources and heritage allow. In order to achieve the goal, the following objectives were established: (1) to reconstruct the old interior of the altar ensemble, (2) to reveal the most important peculiarities of the Bernardines’ spirituality, and (3) to highlight the logical connections betw

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Morley, Sarah. "The Garden Palace: Building an Early Sydney Icon." M/C Journal 20, no. 2 (2017). http://dx.doi.org/10.5204/mcj.1223.

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IntroductionSydney’s Garden Palace was a magnificent building with a grandeur that dominated the skyline, stretching from the site of the current State Library of New South Wales to the building that now houses the Sydney Conservatorium of Music. The Palace captivated society from its opening in 1879. This article outlines the building of one of Sydney’s early structural icons and how, despite being destroyed by fire after three short years in 1882, it had an enormous impact on the burgeoning colonial community of New South Wales, thus building a physical structure, pride and a suite of memori

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