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Journal articles on the topic '"Majlis un-nafois"'

Author: Grafiati

Published: 5 June 2025

Last updated: 15 July 2025

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1

Gulzoda, A. Alimova. "DESCRIPTION OF HISTORICAL-GEOGRAPHICAL PLACES, NAMES OF HISTORICAL PERSONS IN ALISHER NAVOI'S WORKS (In the example of "Majаlis un-nafois")". LOOK TO THE PAST 5, Special issue 1 (2022): 62–72. https://doi.org/10.5281/zenodo.6758203.

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This article is about the great thinker Alisher Navoi's historiographical activity, which is beyond the scope of scientific research. The article contains descriptions of real historical data in a number of other works of the thinker, in addition to the artistic-figurative interpretation of historical events, historical figures and epics of historical-geographical place names, which still require in-depth scientific research. In this article, we have briefly explained the historical information presented in the thinker's famous work "Majlis un-nafois".

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2

Atoyeva, Shamsiya Rahmon qizi. ""MAJOLIS UN-NAFOIS" TAZKIRASI XUSUSIDA." Yosh olimlar 1, no. 13 (2023): 161–62. https://doi.org/10.5281/zenodo.8394849.

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Ushbu maqola O‘zbek xalqi ma’naviy dunyosining shakllanishiga g‘oyat kuchli va samarali ta’sir ko‘rsatgan Alisher Navoiyning “Majolis un-nafois” tazkirasi xususida. O’z navbatida, tazkiradagi majlislarning qisqa tahliliga bag’ishlanadi.

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3

Kurbonov, Bobur Chorshanbievich. "ON THE TRANSLATION OF THE TAZKIRA "MAJOLIS UN-NAFOIS" INTO THE DARI LANGUAGE." International journal of word art 5, no. 5 (2022): 5. https://doi.org/10.5281/zenodo.7038251.

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This article discusses the features of the most recent tazkire translation of Majolis un-nafois. In addition, special attention is paid to old translations of works, because the reprinting and translation of manuscripts and ancient works serve to preserve the cultural and educational values of each people forever. The work of Alisher Navoi “Majolis un-nafois” and its translations are the main source for studying the literature of the 15th century, especially the works of poets who wrote in the PersianTajik and Turkish languages. Many scholars have stressed the need for translations of the tazkire Majolis un-nafois. This article also highlights the differences between the old and new translations of Majolis un-nafois.

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4

Sodot, Husniya. ""MAJOLIS UN- NAFOIS" TAZKIRASINING O`RGANILISHI." DEVELOPMENT OF PEDAGOGICAL TECHNOLOGIES IN MODERN SCIENCES 2, no. 1 (2023): 176–77. https://doi.org/10.5281/zenodo.7579179.

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5

Izzatillaev, Parviz. "Textual study of «Latoyifnoma» and «Majоlis un-nafois»". Golden Scripts 4, № 1 (2022): 61–78. http://dx.doi.org/10.52773/tsuull.gold.2022.4.1/ytat6412.

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This article compares Alisher Navoi’s “Majоlis un-nafois” and its Persian translation, “Latoyifnoma”. As a result of the research, the successes and shortcomings of the translator are listed one by one, relying on reliable sources. In particular, unlike other translations, the fact that Fakhri Hiravi tried not to deviate as much as possible from the original text has been proved by giving examples and analysis. At the same time, the mistakes and shortcomings of the translator were considered, and with the help of the «Tashkent edition» of the work, these shortcomings were eliminated. Some ofthe controversial shortcomings in the “Tehran edition” have been addressed with the help of the “Tashkent edition”.

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6

Izzatillayev, Parviz. "Comparative analysis of “Hasht bihisht” and “Majolis un-nafois”." Golden Scripts 4, no. 3 (2022): 36–58. http://dx.doi.org/10.52773/tsuull.gold.2022.3/knmo5557.

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This article compares the work of Alisher Navai “Majolis un-nafois” and its Persian translation, “Hasht bihisht”. The study lists the strengths and weaknesses of the translator, Hakim Shah Qazvini, one by one, based on reliable sources. For example, Hakim Shah Qazvini, in his translation not translated from the original Turkish text “Majolis un-nafois” as Fakhri Hiroti did, but made many changes in the translation as a result which he deviated from the original Turkish text. At the same time, the mistakes and shortcomings of the translator were considered, and with the help of Tashkent edition of the work, these shortcomings were eliminated.Some of the controversial shortcomings of the Tehran edition have been resolved with the help of Tashkent edition in this article.

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7

ATOYEVA, Shamsiya. "“MAJOLIS UN-NAFOIS” VA “HASHT BEHISHT” TAZKIRALARINING MAZMUN-MUNDARIJASI." UzMU xabarlari 1, no. 1.9 (2024): 260–62. https://doi.org/10.69617/nuuz.v1i1.9.3936.

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Ushbu maqola Alisher Navoiyning “Majolis un-nafois” va Usmonli turk tazkirnavisligining asoschisi Sahiy Beyning “Hasht behisht” tazkiralari strukturasi va mazmun-mundarijasi xususida. Tadqiqotda davomida har ikkala asarning ichki tuzilishi, asosan, manbalarning muqaddima va dastlabki majlislarining mazmun-mohiyati bilan tanishib chiqamiz.

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8

Murodova, Gavharoy. "“Majolis un-nafois”ning yettinchi majlisida zikr etilgan devon sohiblari." Узбекистан: язык и культура 1, no. 2 (2023): 63–84. http://dx.doi.org/10.47689/ulac-vol2-iss2-y2023-pp63-84.

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Ushbu maqolada “Majolis un-nafois”da nomi qayd etilgan temuriy devon sohiblari haqida ma’lumot berilgan. Jumladan, Shoh G‘arib Mirzo, Xalil Sulton, Saydi Ahmad Mirzo, Sulton Mas’ud Mirzolar o‘z davrining go‘zal va boshqa davrlarga o‘rnak bo‘ladigan adabiy muhit yaratganlari, ilm-fan homiysi bo‘lganlari, ijodkor sifatida mumtoz adabiyotning turli xil janrlari va vaznlarida ijod qila olganlari fikrimizning tasdig‘i sifatida keltirilgan. Bundan tashqari, o‘z davri ijodkori uchun mas’uliyatli vazifalardan biri bo‘lgan devon tartib bergan ijodkorlarning she’riyati mavzu ko‘lami, devonning fanga aniqlanganidan tashkil topgan janrlar va bizga noma’lum bo‘lgan devonlarni topish zaruriyati to‘g‘risida atroflicha fikr yuritilgan.

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9

Juraev, Jaloliddin. "About “Tuhfai Somi” Tazkira by Som Mirza Safavi." Golden Scripts 3, no. 3 (2023): 4–20. http://dx.doi.org/10.52773/tsuull.gold.2023.3/sjry2650.

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Som Mirza Safavi’s tazkira “Tuhfa-i Sami” is one of the first Tazkira created within the framework of the Safavid state, which was founded after the Timurid state collapsed. Tazkira is valuable as a source that contains a lot of interesting information about the literary tradition formed during the Timurid period, the place of the works of Turkish artists known in this period in the territories of the new state, the impact on the newly formed literary circle, and the importance of Turkish literature in the literary process. The article provides information about the creation, compilation, manuscript copies, publications and places related to Uzbek literature. The influence of Alisher Navoi’s “Majolis un-nafois” under the supervision of Som Mirza is shown. Also, a textual comparison of the information about some artists who entered Alisher Navoi’s “Majolis un-nafois” tazkhira was carried out. The scientific significance of Som Mirza’s study has been proven through these.

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10

Adizova, Iqboloy. "Tazkiralarda shoiralar ijodining talqini." Узбекистан: язык и культура 2, no. 2 (2024): 4–20. http://dx.doi.org/10.47689/ulac-vol1-iss2-y2024-pp4-20.

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Mazkur maqola XV-XVI asr Sharq tazkiralarida ayol shoiralar hayoti va ijodining tadqiqiga bag'ishlangan. Navoiyning "Majolis un-nafois", "Nasoyim ul-muhabbat", "Hayrat ul-abror", "Farhod va Shirin" kabi qator asarlarida islom dunyosi va o'z davri ayollariga bo'lgan ehtiromli munosabati yaqqol namoyon bo'lgan. Ammo Sharq musulmon dunyosida, XV asrga qadar ayol-shoiralar faoliyati maxsus kitob tarzida yoritilmagan. Ular haqidagi ma’lumotlar zamima tazkiralar, ayrim asarlar orqali bizga etib kelgan. Ammo XVI asr II yarmidan boshlab ayol ijodkorlarga bag'ishlangan maxsus tazkira asarlar ham dunyoga kela boshladi. Bunday maxsus tazkiraning ilk namunasi "Javohir ul-ajoyib"dir. U Navoiyning "Majolis un-nafois" tazkirasini forsiy tilga o'girgan tarjimon, bir nechta tazkiralar muallifi Faxri Hiraviy tomonidan 1554-1555 yillarda yaratilgan. Asar Debocha va Asosiy qismdan iborat. Unda 31 ta ayol shoiralar haqida ma’lumot beriladi. Maqolada "Javohir ul-ajoyib" tazkirasi asosida, XV-XVI asr Sharq shoiralari ijodi va faoliyati tadqiq etilib, muhim ilmiy xulosalarga kelingan. Bundan tashqari, 286 ta shoira faoliyatini qamragan "Tazkirat ul-xavotin", 140 ta ayol ijodkorlar haqida ma’lumot beruvchi "Tazkirat un-niso" asarlari borasida ham fikr-mulohazalar bildirilgan.

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11

Shamsiya, Atoyeva. "The Depiction ofHistorical Ruler-Poets inThe Tazkiras “Majolis Un-Nafois” And “Hasht Bihisht”." International Journal Of Literature And Languages 5, no. 4 (2025): 34–37. https://doi.org/10.37547/ijll/volume05issue04-10.

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This article explores the representation of historical ruler-poets in Alisher Navoi's Majolis un-Nafois and Sahiy Bey’s Hasht Bihisht, the latter being one of the foundational biographical anthologies (tazkiras) of Ottoman Turkish literature. The study focuses on how these works praise rulers and reflect their noble character traits and devotion to poetry. It also compares the two tazkiras in terms of their unique features and differences. Furthermore, the article provides excerpts from the poetic legacy of ruler-creators, offering evaluative insights into their literary contributions.

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12

Israilov, G‘ayrat. "SAKKOKIY ADABIY MEROSI O‘RGANILISHI MANBALARI XUSUSIDA." Scientific journal of the Fergana State University, no. 2 (July 11, 2023): 61. http://dx.doi.org/10.56292/sjfsu/vol28_iss2/a61.

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Ushbu maqola Sakkokiy hayoti va ijodini o‘rganilishi haqidagi ma’lumotlarni umumlashtirishga bag‘ishlangan. Maqolada ko‘plab adabiyotshunoslarning nazariy fikrlariga tayaniladi va ularga munosabat bildiriladi. O‘zbek adabiyotida dilbar g‘azallari bilan salmoqli hissa qo‘shgan shuningdek, o‘zbek qasidachiligining asoschilaridan biri Mavlono Sakkokiy haqida juda kam ma’lumotga egamiz. Shu o‘rinda aytish munkinki, Sakkokiy va u yashagan davr, uning adabiy faoliyati, shuningdek uni XV asr o‘zbek adabiyotida tutgan o‘rni haqida Alisher Navoiyning “Majolis un-nafois”, “Muhokamat ul–lug‘atayn” asarlaridan qimmatli ma’lumotlarni bilishimiz mumkin

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13

Turobov, Bekpulat Nusratullayevich. "ORIENTALIST E.E. BERTELS THINKING ABOUT THE FORMING FACTORS OF ALISHER NAVOI'S WORK." Philisophy and life 1, SI 2 (2022): 2. https://doi.org/10.5281/zenodo.7325550.

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This article presents an analysis of the formation of the work of the great oriental thinker Alisher Navoi, made by orientalist E.E. Bertels. In his works, E.E. Bertels made a comparative analysis of ghazals, poems, quatrains, masnavis written in Persian and Turkish languages. The article is devoted to the formation of Navoi's scientific work is directly related to the Timurid period, It did not only encourage the poets who wrote in the Turkic language during the Timurid period, but also made them work in this field In this article, we also consider that one of the important factors in the formation of Navoi's work was the fact that Alisher Navoi was inspired by the works of his predecessors and contemporary artists, as well as by studying and analyzing them in depth.

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14

Bozorova, Gulchekhra, and Khurshida Akhmedova. "ALISHER NAVOI'S CONTRIBUTION TO LINGUISTICS AND LITERARY STUDIES." Multidisciplinary Journal of Science and Technology 5, no. 4 (2025): 507–11. https://doi.org/10.5281/zenodo.15220840.

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Work on the study of the scientific and spiritual heritage of the great poet Alisher Navoi. The uniqueness of the language of Navoi's works and its study today, research. This article analyzes Alisher Navoi's great contribution to the formation, enrichment and elevation of the Uzbek language to the level of a scientific language. In particular, his theoretical views and practical approaches in the field of linguistics and literary studies are highlighted through his works such as "Muhokamat ul-lughatain", "Mizan ul-avzon", "Majolis un-nafois". Navoi is studied as a thinker who made a great contribution to the development of scientific thought not only in his time, but also today.

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15

Jabborov, Nurboy. "LITERATURE OF THE ERA OF MIRZO ULUGBEK IN THE INTERPRETATION OF ALISHER NAVOI." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 111–20. http://dx.doi.org/10.26739/2181-1490-2021-1-12.

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The article analyzes the views of the great Uzbek poet and thinker Alisher Navoi on the literature of the era of Mirzo Ulugbek. The study of the characteristics of the literature of this period, the literary heritage of the leading representatives, the development of poetic genres and images reveals the value of the work of the great poet «Majolis un-nafois» as the main source. Based on the assessment of their work by Alisher Navoi, the existence of the literary environment in Samarkand during the reign of Mirzo Ulugbek with its creative traditions, the significant contribution of the works of representatives of this creative environment to the development of national artistic and aesthetic thinking was investigated

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16

Mirzaeva, Zulkhumor Inomovna. "Modern Approaches to Reading "Majolis Un-Nafais" By Alisher Navai." International Journal of Social Science and Human Research 08, no. 01 (2025): 123–28. https://doi.org/10.5281/zenodo.14607736.

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Alisher Navai is considered as a founder of modern Uzbek language and Literature. His miraculous creation have been at the center of secular research conducted by orientalists. Studding his research began in the East since his lifetime while the first research on Navai works started in XVI century in the West. If we look through the history of studding Navai works, in some orientalists research, we can face with subjective views influenced by political and social ideology. For example, 1950s-1980s of the 20th century some foreign scholars tried to prove that Navai was a "tendential creator" by socializing his literary and scientific heritage, especially his ghazals. However, political and social changes taking place in the World Wide new directions in the relations of the new era have created objective principles of approach to the study of Alisher Navai writings. In this article analyzes the experience of new approach to "Majolis un-nafois" by Alisher Navai on the example of an Iranian scholar's research. Her analytical classifications and hypothesis on socio-political, cultural position of the poets in Temurid’s period reflected in tezkire are critically reviewed.

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17

Xadicha, Eshpulatova, and Khaliqi Hedayatullah. "NAVOIYNING MISRDAN TOPILGAN NODIR ASARLARI QO'LYOZMASI HAQIDA MA'LUMOT." GOLDEN BRAIN 1, no. 5 (2023): 84–86. https://doi.org/10.5281/zenodo.7671720.

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18

Sultanov, Tulkin. "ALISHER NAVOI CENTURY AND PROSE IN ALMAZ ULVIY RESEARCH." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (2021): 166–71. http://dx.doi.org/10.26739/2181-1490-2021-2-19.

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The article is devoted to the analysis of the monograph “The Epoch and Prose of Alisher Navoi” (scientific-philological and religious-mystical works), published in 2020 as a result of many years of scientific research by the Azerbaijani Navoi scientist Almaz Ulvi. This monograph, published in Baku by the publishing house “Ilm and Takhsil” as the 11th book in the series “Scientific passport of the artist” of the Institute of Literature named after Nizami Ganjavi of the National Academy of Sciences of Azerbaijan, includes “Alisher Navoi: the pages of his time, life and work”, “Chronol-ogy of the scientific-philological and religious-mystical works of Amir Alisher Navoi mentioned in the study”, “Works on language and literature”, “Sanads” , “Biographical works”, “Tazkiras”, “Historical works”, “Religious works”, “Uncollected and unwritten works of Alisher Navoi”, “Lit-erary nicknames of Alisher Navoi”, “Great Herat”. At the same time, the study provides informa-tion on the availability of such applications as a list of poets mentioned in “Majalis un-nafois” and a list of poets, saints and sheikhs mentioned in “Nasaim ul-muhabbat”. The article also notes that 61 copies of the manuscript of Alisher Navoi and 37 copies of his diwans in Azerbaijan were stud-ied by Bakir Chobanzoda, Hamid Arasli, Kulamhuseyn Aliyev, Jannat Nagiyeva, Nushaba Arasli, Temur Karimli, Tarlon Guliyev, Almaz Ulviy and other scientists.Key words: Chigatay literature, Alisher Navoi, Azerbaijani literature, Navoi studies, diwan, prose, manuscript, literary influence, tradition, heritage

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19

Suvonqulova, Laylo. "ALISHER NAVOIYNING "MAJOLIS UN-NAFOIS" ASARINING ADABIYOTDAGI O'RNI." October 8, 2022. https://doi.org/10.5281/zenodo.7163689.

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“Majolis un-nafois” asari Alisher Navoiyning adabiyotshunos olim sifatidagi faoliyatini ko‘rsatib beruvchi manba bo‘lsa-da, asarni o‘qish davomida shoirlarning hayoti va ijodidan tashqari o‘sha davrning siyosiy ahvoli, ijtimoiy muammolari, xalqning yashash sharoiti, madaniy hayoti haqida ham yetarlicha ma’lumotga ega bo‘lish mumkin.

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20

Iskandarova, Sharifa Madaliyevna. ""Majolis un-nafois" asarida qo'llanilgan qarindoshlik nomlari hamda ularning semantik tahlili." June 17, 2022. https://doi.org/10.5281/zenodo.6656330.

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Maqolada shaxs nomlari, xususan, qarindoshlik nomlari haqida so‘z yuritiladi. Alisher Navoiyning “Majolis un-nafois” tazkirasida qo‘llanilgan qarindoshlikni ifodalovchi shaxs nomlari tahlilga tortiladi

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21

Iskandarova, Sharifa Madaliyevna. ""Majolis un-nafois" asarida qo'llanilgan qarindoshlik nomlari hamda ularning semantik tahlili." June 17, 2022. https://doi.org/10.5281/zenodo.6656340.

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Maqolada shaxs nomlari, xususan, qarindoshlik nomlari haqida so‘z yuritiladi. Alisher Navoiyning “Majolis un-nafois” tazkirasida qo‘llanilgan qarindoshlikni ifodalovchi shaxs nomlari tahlilga tortiladi.

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22

Sabirova, Munisa. "ALISHER NAVOIYNING "MAJOLIS UN NAFOIS" ASARIDA QO'LLANILGAN ARABCHA SO'ZLAR VA ULARNING MAZMUNI." January 18, 2025. https://doi.org/10.5281/zenodo.14684596.

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<em>Ushbu maqolada Alisher Navoiyning "Majolis un-nafois" asarida qo‘llanilgan arabcha so‘zlar va ularning mazmuni tahlil qilingan. Asarda qo‘llanilgan arabcha so‘zlarning diniy, falsafiy va badiiy ma’nolari o‘rganilib, ularning asarning mazmunini chuqurlashtirishga va badiiy uslubini boyitishga xizmat qilishi ko‘rsatib berilgan. Shu bilan birga, mazkur so‘zlarning o‘z davridagi madaniyat va adabiyot rivojidagi ahamiyati ochib berilgan.</em>

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23

Saidova, Rayhon Bekmurodovna. "PROBLEMS OF POETRY IN UZBEK LITERATURE, CHARACTERISTICS OF EXPRESSION AND INTERPRETATION AND GENRE TYPOLOGY." September 24, 2024. https://doi.org/10.5281/zenodo.13833088.

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<em>This article focuses on the scientific information about poets and their work in examples of tazkira in Turkish, Persian and Arabic literature. The opinions of tazkiranavis such as Saolibi, Avfiy, Farididdin Attar, Jami, Alisher Navoi, Davlatshah Samarkandi about penmen and poetry are analyzed. "Majolis un-nafois" work is in the center of analysis and is compared with other tazkiras.</em>

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24

Xolnazarova, Gulnora Fayzullayevna. "ALISHER NAVOIY IJODI." June 26, 2023. https://doi.org/10.5281/zenodo.8082782.

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Xolnazarova Gulnora Fayzullayevna Surxondaryo viloyati Muzrabot tumani 14-umumiy o'rta ta'lim maktab ôqituvchisi https://doi.org/10.5281/zenodo.8082782 Annotatsiya: Ushbu maqolada, "Majolis un-nafois"da badiiy mahorat masalasi,kitoblari Turk tilining rivojlanishiga qôshgan hissasi ,shoir mavzuni estetik didi, adabiy muhitning yetakchi tendensiyalaridan kelib chiqib yoritishga urinadi hamda muayyan bir gʻoyani ilgari suradi. Aynan shu sababli, bir mavzu doirasidagi asarlarni qiyosiy tahlil etishda, har ikki ijodkorning mushtarak yoxud xos jihatlarini koʻrsatish bosh mezon boʻlgani haqida sôz yuritiladi.

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25

Inomovna, Mirzaeva Zulkhumor. "Modern Approaches to Reading “Majolis Un-Nafais” By Alisher Navai." International Journal of Social Science and Human Research 08, no. 01 (2025). https://doi.org/10.47191/ijsshr/v8-i1-12.

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Alisher Navai is considered as a founder of modern Uzbek language and Literature. His miraculous creation have been at the center of secular research conducted by orientalists. Studding his research began in the East since his lifetime while the first research on Navai works started in XVI century in the West. If we look through the history of studding Navai works, in some orientalists research, we can face with subjective views influenced by political and social ideology. For example, 1950s-1980s of the 20th century some foreign scholars tried to prove that Navai was a "tendential creator" by socializing his literary and scientific heritage, especially his ghazals. However, political and social changes taking place in the World Wide new directions in the relations of the new era have created objective principles of approach to the study of Alisher Navai writings. In this article analyzes the experience of new approach to "Majolis un-nafois" by Alisher Navai on the example of an Iranian scholar's research. Her analytical classifications and hypothesis on socio-political, cultural position of the poets in Temurid’s period reflected in tezkire are critically reviewed.

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26

Jo'rayeva, Nigora Bahtiyor qizi. "SHAXSGA OID BELGI IFODALOVCHI LEKSEMALAR SEMANTIKASI HAMDA ULARNING SHAXS NOMIGA TA'SIRI MASALASI.(ALISHER NAVOIYNING "MAJOLIS UN- NAFOIS" ASARI MISOLIDA)." June 15, 2022. https://doi.org/10.5281/zenodo.7264456.

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Ushbu maqolada shaxsga oid belgi ifodalovchi leksemalarga leksik jihatdan yondashgan holda ularning mazmuniy tomoni yoritiladi. Bunda asosan shaxs nomi oldidan kelgan leksemalarga e‘tibor qaratiladi.

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27

Zebo, YAKHIEVA. "INTERPRETATIONS OF THE IMAGE OF AMIR TEMUR IN WORKS OF NAVOI AND ENGLISH WRITERS." INTERNATIONAL JOURNAL OF ALISHER NAVOI 2023, Volume-3, Issue-2 (2023). https://doi.org/10.5281/zenodo.8399788.

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In this article has been scientific studied of fiction  which was written in English and Turkish literature about Amir Timur, one of the legendary figures who could change the map of the world, about the plays and stage works interpreting his historical personality as an artistic image. In addition, studied the quotes about the Timurids and Amir sahibkiron in the works of Alisher Navoi. Futhermore, comparatively studied the historical figure of Amir sahibkiran, which was given in these historical chronicles, with the image of Tamburlaine (Timur), created in English literature and drama. The article has compared the views on Timur and his artistic image by European Orientalist scholars to the evidence available in Turkish sources.

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