Relevant bibliographies by topics / Majnûn Laylâ

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Majnûn Laylâ'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Majnûn Laylâ"

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Hatem, Jad. "Amour pur et union en dépit de l’absence dans Laylî u Majnûn de Nizâmî." Thème 16, no. 2 (May 20, 2009): 67–85. http://dx.doi.org/10.7202/001715ar.

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Résumé Après avoir acquis son titre de référence des amants, la figure de Majnûn Laylâ a été mobilisée par la mystique pour exprimer l’amour pur, à savoir l’union à Dieu en dépit de l’absence. À l’instar du Majnûn de la légende arabe, qui s’est enfoncé sans recours et jusqu’à la folie dans l’amour désespéré, celui de la mystique voue à Dieu une dilection sans bénéfice. Dans le roman que Nizâmî lui consacre, deux rêves, l’un du personnage principal, l’autre d’un compagnon, viennent rétablir l’équilibre. Dans le premier, de teneur subjective, l’amant est consacré roi, ce qui est de nature à concevoir un accomplissement au sein même de l’absence; dans le second, la réunion des amants dans la mort redéfinit le paradis comme le lieu de l’union.
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Kahhorova, Shahnoza Abdimuminovna. "POETIC INTERPRETATION OF NONEXIST TION OF NONEXISTANCE (F ANCE (FANA) IN THE A) IN THE EPIC “LAILI AND MAJNUN” OF FUZULI." Scientific Reports of Bukhara State University 3, no. 3 (March 30, 2019): 176–79. http://dx.doi.org/10.52297/2181-1466/2019/3/3/11.

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In the article It is conceived about the views of the author according to Sufism, particularly, about the artistic interpretation of the status of FanoendBaka in the epic poem of "Layli end Majnun". Fuzuli's epic "Layla and Majnun" was a mystical epic along with secularism, in which the poet skillfully created a tax in the person of Majnun, Ruhi Mutlaq in the person of Layla.
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López-Baralt, Luce. "St. John's Nocturnal Beloved Could Have Been Named “Layla”." Medieval Encounters 12, no. 3 (2006): 436–61. http://dx.doi.org/10.1163/157006706779166093.

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AbstractSt. John of the Cross silences the names of his feminine poetic alter egos. In this essay, I propose a symbolic name for the nocturnal lover of Noche oscura del alma: Layla. In Arabic layl means “night,” and this is the name of the woman Qays loved to the point of madness, according to the famous pre-Islamic legend. Forced to part from his beloved, Qays goes to the desert and writes desperate love verses to her until he feels so spiritually transformed in Layla that he is Layla herself. As “Majnūn Layla,” or “Layla's fool,” the Lover no longer needs the Beloved's physical presence. Sufi mystics like Rūmī read this legend in terms of the mystical union, transforming Layla into the symbol of the dark night of the soul. St. John of the Cross is much indebted to Islamic mystical symbolism, and he closely follows the Islamic symbolism of the dark night in his poem.
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Rofikoh, Siti. "Perilaku Tokoh Utama Dalam Novel Layla Majnun Karya Nizami Ganjavi." ATAVISME 18, no. 1 (June 29, 2015): 107–17. http://dx.doi.org/10.24257/atavisme.v18i1.37.107-117.

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Penelitian ini bertujuan untuk mendeskripsikan perilaku taksadar dan sadar tokoh utama dalam novel Layla Majnun dengan pendekatan fenomenologi Hugenholtz. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Berdasarkan hasil analisis dan pembahasan diperoleh simpulan sebagai berikut: (1) bentuk perilaku tidak sadar tokoh utama dalam novel Layla Majnun meliputi perasaan kesendirian, ketiadaan minat dan perasaan bersalah; (2) bentuk perilaku sadar tokoh utama dalam novel Layla Majnun dilakukan dengan melibatkan indera, yakni melihat, mendengar, dan beradaptasi. Abstract: This research aims to describe conscious and unconscious behavior of main characters in the novel Layla Majnun. The study was based on Hugenhotz phenomenological approach. The method used in this research was descriptive qualitative. Based on the analysis and discussion, it can be concluded as follows: (1) forms of unconscious behavior of the main characters include the feelings of loneliness, disinterest, and guilt; (2) forms of conscious behavior of the main characters involve the senses of seeing, hearing, and adapting. Key Words: phenomenology; unconscious behavior; conscious behavior
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Humaira, Megan Asri. "LAYLA MAJNUN: LITERATURE PSYCHOLOGICAL STUDY." Indonesian Journal of Social Research (IJSR) 1, no. 1 (August 31, 2019): 30–36. http://dx.doi.org/10.30997/ijsr.v1i1.8.

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Novel works usually raise various phenomena that occur in the community. These interesting works can influence the soul of the reader so that they can dive in and appear to be present in the story. In literary psychology,novel is Laila Majnun's very appropriate to study because it can see the psychological phenomenon experienced by the main character of the story, Layla and Majnun. The method used in this research is descriptive qualitative method. Representation of human behavior seen through the figures Majnun, Layla, and Syed Omri who experienced chronic frustration, so that ended in death.
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Feizabadi, Azin. "Chronicles from Majnun until Layla." ARTMargins 3, no. 1 (February 2014): 81–86. http://dx.doi.org/10.1162/artm_a_00072.

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Chronicles from Majnun until Layla is a film project structured in three stages: 1.) The Museum of Modern Iranian History (2011–2013), 2.) Layla and Majnun (in preparation), and 3.) The Film (in preparation). Each stage bears its own approach, format, and mode of presentation. The first two stages are conceived as preparation for the third and final stage: the merging moment, which will be in the form of a feature-length, hybrid fiction/documentary film. The film depicts a couple, lovers, visiting a virtual museum of modern Iranian history. The lovers appear both as themselves and as “Layla and Majnun,” characters adapted from a classical Middle Eastern love tale. As they walk the museum, the couple engages in dialogue about their individual and collective stories, memories, dreams, rages, and desires. The lovers' affairs and conversations interact with the representations of the major historical moments of Iran being documented in the museum. In Stage 1, through the museum's architectural design and references to an official Iranian narrative taken from a high-school textbook, the various historical periods of Iran get transformed into Kairos (the Now), contradicting Chronos and scientific and analytical historiography.
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Suharsono, Suharsono. "PENGGUNAAN METAFORA DALAM LAYLA MAJNUN." Adabiyyāt: Jurnal Bahasa dan Sastra 13, no. 2 (December 31, 2014): 176. http://dx.doi.org/10.14421/ajbs.2014.13202.

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The study of the metaphor in a literary work can be used to find out the author’s creativity in utilizing words to concretize an abstraction through the use of metaphor. Because every human being is essentially unique, each author is assumed to have his/her own style in creating metaphors. The two questions in this article are: 1) how is the typical form of metaphor in Layla Majnun as the embodiment of creativity? ; 2) what is the function of the use of metaphor in Layla Majnun? Based on the analysis of data, a metaphor can be classified into a phrase, clause, and sentence. At the phrasal level, position or location of the image element can be either in the beginning or in the end of the topic. Meanwhile, at the level of the clause and sentence, image elements are always in the end of the topic. This latter sequence is possible because the clause part of the “explained or described” is filled syntactically by the predicate. The predicate in Indonesian is predominantly located after the subject. The study of the use of metaphor in Layla Majnun leads to the conclusion that the creativity of the author in creating metaphor reflected on how human (the author) sees the world. Because human perception is inseparable from the environment in which the author lives, develops, and interacts, the use of metaphor in Layla Majnun reflects an overview of the social life, values of culture, and customs of the Arab people at that time.
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Tavares, Elizabeth E. "Romeo & Juliet / Layla & Majnun." Shakespeare Bulletin 36, no. 2 (2018): 340–45. http://dx.doi.org/10.1353/shb.2018.0030.

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Jafari, Sajad, Julien C. Sprott, and S. Mohammad Reza Hashemi Golpayegani. "Layla and Majnun: a complex love story." Nonlinear Dynamics 83, no. 1-2 (August 28, 2015): 615–22. http://dx.doi.org/10.1007/s11071-015-2351-3.

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AYYILDIZ, Mustafa. "Modern Narration Elements In Masnawi ‘Layla Wu Majnun." Journal of Turkish Studies Volume 4 Issue 7, no. 4 (2009): 187–93. http://dx.doi.org/10.7827/turkishstudies.904.

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Dissertations / Theses on the topic "Majnûn Laylâ"

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Mouhieddine, Maria. "Aspects formels du dîwân de Jamîl Buṯayna." Phd thesis, Ecole normale supérieure de lyon - ENS LYON, 2011. http://tel.archives-ouvertes.fr/tel-00682573.

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Notre objectif étant de procéder à une analyse des aspects formels du dîwân de Jamîl Buṯayna (poète arabe et héros de roman mort aux environs de 701) nous avons commencé par donner du texte une édition intégralement vocalisée et métriquement cohérente à partir de quatre éditions publiées antérieurement. A partir de cette édition, une analyse syllabique intégrale du diwân a été possible grâce au logiciel Xalîl élaboré par Djamel Eddine Kouloughli ainsi qu'un lexique fréquentiel. Dans le deuxième tome, nous avons procédé, à partir de l'analyse syllabique, à une analyse métrique. Le principal résultat de cette analyse a été la mise en évidence d'une systématisation du respect des zones de stabilité qui était sujettes à variation dans la poésie arabe ancienne. L'autre aspect de l'analyse a consisté dans l'extraction des formules du dîwân ; nous avons suivi pour cela une méthode originale que nous avons appelée : prospection guidée métriquement. Cette méthode a permis non seulement de détecter un grand nombre de formules en usage jusqu'au XIIIe siècle, date à laquelle nous avons arrêté l'analyse, mais elle a également mis en évidence l'existence de nombreux vers ou fragments de poèmes que l'on retrouve particulièrement dans les diwân de Jamîl Buṯayna, Majnûn Laylâ, Kuṯayyir Azza, Nuṣayb b. Rabâḥ et Qays b. Ḏariḥ qui constituent un fond commun sans doute à la portée de tous à l'époque et qu'il est donc vain de parler à ce propos de plagiat ou d'antériorité.
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Books on the topic "Majnûn Laylâ"

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André, Miquel, and Anali Ghani, eds. Le fou de Laylâ: Le dîwân de Majnûn. [Paris]: Sindbad, 2003.

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2

sirisht, Aʻẓam Nīk. Majnūn Laylī. Tihrān, Īrān: Shaqāyiq, 2011.

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Shawqī, Aḥmad. Majnūn Laylá. Fajjālah [Cairo]: Maktabat Miṣr, 1989.

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4

Panāhī, Vajīhah, 1980 or 1981- editor, ed. Laylī va Majnūn. Tihrān: Zavvār, 2014.

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5

Ḥaddād, Qāsim. Akhbār Majnūn Laylá. al-Baḥrayn: al-Kalimah lil-Nashr wa-al-Tawzīʻ, 1996.

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6

At-Tubani, Riwayat. Dimensi spiritual Layla Majnun. Padang: Media Explorasi, 2004.

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7

Ganjavī, Niẓāmī. The story of Layla and Majnun. New Lebanon, N.Y: Omega Publications, 1997.

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8

Navoiĭ, Alisher. Layli va Majnun: Nasriy bayoni bilan. Toshkent: G'afur G'ulom nomidagi nashriyot-matbaa ijodiy uyi, 2006.

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Ganjavī, Niẓāmī. The story of Layla and Majnun. New Lebanon, N.Y: Omega Publications, 1997.

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10

Al-Kinjawi. Layla wa al-Majnoun. Damascus: Al-Manhal, 2001.

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Book chapters on the topic "Majnûn Laylâ"

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Ghazoul, Ferial J. "Majnun Layla: Translation as Transposition." In A Companion to Translation Studies, 375–87. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118613504.ch28.

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Kalpaklī, Mehmed, and Walter G. Andrews. "Layla Grows Up: Nizami’s Layla and Majnun “in The Turkish Manner”." In The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric, 29–49. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-09836-8_3.

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Clinton, Jerome W. "A Comparison of Nizami’s Layli and Majnun and Shakespeare’s Romeo and Juliet." In The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric, 15–27. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-09836-8_2.

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Khan, Ruqayya Yasmine. "On the term ‘Uḍhrī and its symbolic universe for understanding Majnūn Laylā." In Bedouin and ‘Abbāsid Cultural Identities, 44–65. 1. | New York : Routledge, 2019. | Series: Culture and civilization in the Middle East: Routledge, 2019. http://dx.doi.org/10.4324/9780429319617-3.

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Khan, Ruqayya Yasmine. "Umayyad and ‘Abbāsid constructs of masculinities in the love story of Majnūn Laylā." In Bedouin and ‘Abbāsid Cultural Identities, 84–107. 1. | New York : Routledge, 2019. | Series: Culture and civilization in the Middle East: Routledge, 2019. http://dx.doi.org/10.4324/9780429319617-5.

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Khan, Ruqayya Yasmine. "Song culture, Kitāb al-Aghānī (book of songs) and the love story of Majnūn Laylā." In Bedouin and ‘Abbāsid Cultural Identities, 26–43. 1. | New York : Routledge, 2019. | Series: Culture and civilization in the Middle East: Routledge, 2019. http://dx.doi.org/10.4324/9780429319617-2.

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"“Majnūn, the Black Starred”." In Laylī and Majnūn, 161–86. BRILL, 2003. http://dx.doi.org/10.1163/9789004492431_013.

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"Of Love, Chivalry and War." In Laylī and Majnūn, 299–310. BRILL, 2003. http://dx.doi.org/10.1163/9789004492431_017.

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"Characters and Lovers." In Laylī and Majnūn, 63–78. BRILL, 2003. http://dx.doi.org/10.1163/9789004492431_007.

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"“Nizāmī, the World’s Word-Magician”." In Laylī and Majnūn, 25–61. BRILL, 2003. http://dx.doi.org/10.1163/9789004492431_006.

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