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Academic literature on the topic 'Makeup artists'
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Journal articles on the topic "Makeup artists"
1
Kim, Hae-Yoon, and Sun-Hyoung Kim. "The Influence of Service Factors on Customer Satisfaction in Makeup Salons." Journal of the Korean Society of Cosmetology 27, no. 4 (2021): 840–50. http://dx.doi.org/10.52660/jksc.2021.27.4.840.
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This study attempted to investigate the influence of makeup service factors on customer satisfaction empirically to provide basic data that would help makeup salons enhance customer satisfaction and set a proper direction for services. The results found the following: Among makeup service factors, ‘quality of cosmetics,’ ‘makeup artists’ skills,’ and ‘makeup artists’ reputation and kindness’ revealed a positive correlation with customer satisfaction with statistical significance. Also, ‘makeup artists’ reputation and kindness’ and ‘makeup artists’ skills’ positively affected customer satisfaction with statistical significance. The results confirm that ‘makeup artists’ reputation and kindness’ and ‘makeup artists’ skills’ have the greatest influence on customer satisfaction. The study results found that customer satisfaction with makeup services could be enhanced by increases in ‘reasonable service charge,’ ‘makeup artists’ skills,’ and ‘makeup artists’ reputation and kindness,’ thereby increasing revisit rates and making a significant contribution making makeup salons more competitive.
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Batres, Carlota, Aurélie Porcheron, Sandra Courrèges, and Richard Russell. "Professional Versus Self-Applied Makeup: Do Makeup Artists Add Value?" Perception 50, no. 8 (2021): 709–19. http://dx.doi.org/10.1177/03010066211029218.
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While a number of studies have investigated the effects of makeup on how people are perceived, the vast majority have used professionally applied makeup. Here, we tested the hypothesis that professional makeup is more effective than self-applied makeup. We photographed the same target women under controlled conditions wearing no makeup, makeup they applied themselves, and makeup applied by professional makeup artists. Participants rated the faces as appearing more attractive, more feminine, and as having higher status when wearing professional makeup than self-applied makeup. Secondarily, we found that participants perceived the professional makeup as appearing heavier and less natural looking than the self-applied makeup. This work shows that professional makeup is more effective than self-applied makeup and begins to elucidate the nature of makeup artistry. We discuss these findings with respect to personal decoration and physical attractiveness, as well as the notion of artists as experts.
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Khairani, Cut, Rahmad, Fitri Ernalis, Iqa Nauli, and Anjasmara. "Social Interaction of Transvestites in Bireuen Regency." Britain International of Humanities and Social Sciences (BIoHS) Journal 3, no. 1 (2021): 217–23. http://dx.doi.org/10.33258/biohs.v3i1.394.
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The purpose of the study was to understand the social phenomenon of negative stigma and social exclusion of the existence of transvestite makeup artists through social interaction with the community in Bireuen Regency. This research uses grounded theory with data processing procedure using open coding techniques, coding a stunt and selective coding against data collected through observation, and in-depth interviews. The sample of respondents reached 20 people determined through snowball sampling techniques. The results showed that 53% of makeup artists in Bireuen Regency are transvestites who have experienced a gender identity crisis triggered by imitation actions. This form of social interaction then gets a community response in the form of dissociation, conflict with religious and socio-cultural values that develop in society. Social interaction of cultural accommodation efforts and social structures by transvestite makeup artists was not able to fuse the barriers of negative stigma attached to transgender people in Bireuen Regency.
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Salamova, Zemfira. "Spatial distancing and social closeness: The work of creative professionals during the pandemic." Clothing Cultures 7, no. 2 (2020): 215–29. http://dx.doi.org/10.1386/cc_00037_1.
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As a complete recovery from the COVID-19 pandemic crisis does not seem possible in the near future, the survival of many creative professions is under threat in Russia and other countries. Strict anti-pandemic measures were introduced in Moscow at the end of March 2020 and lasted for a little more than two months. One of the main requirements was to work from home and go outside as rarely as possible. Most Russian creative professionals such as photographers, makeup artists, actors, musicians, stand-up comedians and television hosts found themselves in very unfamiliar conditions since their work presumes physical contact with other people. However, even artists who usually work alone like jewellers or designers met with came across practical and psychological difficulties as well and had to adapt to the new order. This research focuses on two examples of creative work during the COVID-19 pandemic: Russian jewellery designer Katia Rabey’s project ‘Quarantine Rings’ and the participation of Russian makeup artist Yulia Rada in virtual commercial photo-shoots. I am interested in how the artists perceived the changes introduced as a result of the pandemic and how these changes emphasized the digital side of contemporary creative labour. Despite the differences in the challenges that the two artists met, both of them stressed the importance of social closeness.
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Desiana, Fauziah Ismi, and Reiza D. Dienaputra. "AKULTURASI BUDAYA SUNDA DAN JEPANG MELALUI PENGGUNAAN IGARI LOOK DALAM TATA RIAS SUNDA SIGER." Patanjala : Jurnal Penelitian Sejarah dan Budaya 11, no. 1 (2019): 149. http://dx.doi.org/10.30959/patanjala.v11i1.399.
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Akulturasi budaya Jepang dan Sunda dalam bingkai tata rias Sunda Siger membuktikan bahwa tata rias tradisional dapat dikemas modern dalam balutan teknik Igari Look. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif. Pengumpulan data didapatkan dari wawancara dengan make-up artist yang menggunakan teknik make-up Igari Look dalam tata rias Sunda Siger dan aktif mengunggah hasil tata riasnya dalam sebuah portofolio di Instagram. Akulturasi kebudayaan Sunda dan Jepang dalam tata rias Sunda Siger merupakan bukti bahwa masyarakat Sunda terbuka dengan situasi multikultural. Keberadaan Igari Look dalam bingkai tata rias Sunda Siger pada hakikatnya bukan bertujuan untuk memarjinalkan makna filosofis dan historis dalam setiap unsur tata rias Sunda Siger, namun proses inovasi dari make-up artist ini perlu dimaknai sebagai sumbangsih untuk menghidupkan kembali tata rias tradisional agar lebih diminati oleh kaum muda. Acculturation of Japanese and Sundanese culture in frame Sunda Siger cosmetology proves that traditional cosmetology can be filled with modern dressing in the Igari Look technique. This study uses qualitative methods using descriptive. Data collection was obtained from interviews with make-up artists who used the Igari Look make-up technique in the Sunda Siger makeup and actively uploaded the makeup results in a portfolio on Instagram. Acculturation of Sundanese and Japanese culture in Sundanese Siger makeup is proof that Sundanese society is open with multiculturalism. The existence of Igari Look in the Sunda Siger makeup frame in essence is not an agreement to marginalize philosophical and historical meanings in any Sundanese Siger makeup, the innovation process of this make-up artist needs to be interpreted as cleft of young people.
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Suharnanik, Suharnanik. "Women and Make-Up: The Dilemma of Bourdieu's Subjectivism-Objectivism on Social Media." Journal of Society and Media 4, no. 1 (2020): 16. http://dx.doi.org/10.26740/jsm.v4n1.p16-30.
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This research refers to the trend of women's makeup in the 2020 era, which is dominated by natural makeup. Influencers and makeup artists have a role in popularizing it. The author is interested in examining the makeup behavior in women with Bourdieu's theory. What behaviors make a woman look natural, prioritize skin health, minimal makeup. What culture is behind it. The findings of this study are all women like makeup, habitus leads to natural makeup. Habitus emphasized freedom in analyzing a practice as an agent and social structure. Women have a habitus in using makeup determined by a dual mechanism not just the dominance of social media factors, but also played by self-freedom as women as influencers in the social media itself. The arena is an environment where strength is at stake in the struggle over capital resources. Social media is an arena, a different social space, more enabling women to compete more dynamically in gaining position and legitimacy. Women use practices in makeup as a strategy in winning a competition. The makeup practice is an accumulation of women's capital and habitus, where every woman is different in her practice. The method used in this research includes in-depth interviews with women who use makeup, as well as literacy studies of the concepts of capital, habitus, and the realm. The results showed that women undergoing their practice experienced "ambiguity" or dilemmas when using make-up strategies in their social arena.
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Widyasari, Ayuningtyas Putri, Faiza Hawa, and Sukma Nur Ardini. "A SEMANTIC ANALYSIS OF BEAUTY TERMS IN MAKE UP BOOKS." ETERNAL (English Teaching Journal) 13, no. 1 (2022): 68–88. http://dx.doi.org/10.26877/eternal.v13i1.11042.
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The study aimed to reveal beauty terms used in makeup books, and to find out the kinds of beauty terms found in the makeup books and their meanings. This study used qualitative method based on Miles and Huberman’s theory. The writers used semantics approach based on theory of kind of meaning by Wijana and Rohmadi (2008). In this study, the writers found 69 beauty terms in two makeup books written by international top makeup artists and influencers. Those terms were then clustered into makeup tool, makeup application technique, make up terms, and makeup mistake. The 69 terms belong to primer and secondary meaning. As primer meaning. lexical meaning gained 8 terms, denotative meaning gained 15 terms, and literal meaning gained 6 terms. On the other side, the rest is grammatical meaning, connotative meaning, and figurative meaning. Each of them gained 10 terms, 13 terms, and 17 terms. This study informed that most of the terms in the context of beauty have experienced change in semantics. Denotative meaning was the top among those meanings. In relation to the findings of the beauty terms found in this study, this confirms that beauty enthusiasts, as part of our community, have established their own vocabulary
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Zafar, Amirah, Mehwish Niaz, Saad Kamal Akhtar, Umar Sadiq, and Shakeela Rasheed. "Prevelance of Cervical Pain in Make-up Artist and Hair Dressers of Lahore." Pakistan Journal of Medical and Health Sciences 16, no. 1 (2022): 882–84. http://dx.doi.org/10.53350/pjmhs22161882.
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Background: The overall incidence of cervical pain in makeup artists is well known. In our study we attempted to work on the prevalence of cervical pain among make-up artist and hair dressers due to prolong consecutive working hours and awkward body posture. Purpose: The sole purpose of this research was to find the prevalence of cervical pain among make-up artist and hair dressers while performing their make-up and hair cutting for consecutive long working hours. Method.It was a cross-sectional study design. 150 participants were taken and it includes makeup artists, hair dressers.Non-probability Convenient Sampling technique was used and the main target population age lies between 25-40 years.The inclusion criteria were25-40 years age,both genders are included, more than 8-9 consecutive working hours in salon, static posture for long period of time and use of Dominant hand. The Exclusion criteria wastraumatic injury to cervical, Fracture, Tumors,Cervical spondylosis, Recent surgery,Cervical rib, working hours less than inclusion criteria. Results: Out of 150 workers 37.33% of workers were suffering from mild cervical pain, 22% of workers had moderate pain and 0.67% of workers were suffering from very severe pain. In 40% of individuals sleep was occasionally disturbed and 38.6% of workers reported of experiencing numbness in arms. Conclusion: This study demonstrates that make-up artist and hairdressers have cervical pain and numbness in arms due to prolong working hours which ultimately affect their ergonomics and posture of neck and body. These consecutive long working hours and use of dominant hand cause strain in cervical muscles which alsolimit the neck movements. Keywords: Cervical pain, Incidence, Ergonomics, Mechanics, Salon workers, Prevalence.
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Mills, Presley. "Alien Beauty: Posthuman Re-Imaginings." Fashion Studies 2, no. 1 (2019): 1–23. http://dx.doi.org/10.38055/fs020105.
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In the fall of 2018 WGSN (World Global Style Network) ran a report on the emerging “alien beauty” trend, which they defined as “an otherworldly aesthetic inspired by extraterrestrial life forms … signifying a new rebellious attitude towards quintessential beauty norms” (Bailey). Instagram is one of the largest platforms to represent the trend of alien beauty, presented by a thriving community of makeup artists pushing the boundaries of conventional beauty practices. These artists are developing otherworldly and exaggerated makeup looks created through the combination of makeup, fashion, technology, and social media. The following research attempts to outline elements of beauty that are engaged with through alien beauty, and through creative practice presents them on conventionally beautiful bodies to demonstrate new, challenging version of beauty. Alien beauty selfies shared via Instagram can be re-contextualized to challenge existing examples of art, nature, and beauty. Through practice-based methodology and theories of posthumanism, this piece explores the changing ideals of beauty manifested with the support of technology and social media as well as how the term “alien beauty” manifests as a current trend. Considering the re-imagined paintings created to explore alien beauty, they reveal how beauty has been traditionally constructed through a colonial, heteronormative, hegemonic gaze and how “alien” is therefore a form of escapism and rebellion.
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Bystritskaya, O. O., M. A. Chashchina, and S. V. Murashova. "Management Strategy for Non-classical Intellectual Property Objects." Economics. Law. Innovaion, no. 1 (February 2022): 61–69. http://dx.doi.org/10.17586/2713-1874-2022-1-61-69.
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The authors present the results of the analysis of Russian and foreign legislative provisions in the field of managing non-classical intellectual property objects, as well as judicial practice in order to determine the current legal status of such intellectual property objects as works of makeup artists and tattoo artists and further develop a strategy for managing non-classical objects. The authors formulated modern solutions for the management and protection of non-classical objects in connection with the constantly appearing similar objects and insufficient legislative regulation in this area.